This work approaches the modern phenomenon of online dating, examining the ways people make use of its technical and social potential. In particular, the users' mate preferences, choices, strategies, and interactions are analyzed using the innovative method of click-stream observations and web-questionnaire data. For the purpose of these analyses, two major theories are used - an explicit theory of individual mate choice, and the more general relational theory developed by Pierre Bourdieu, which helps to highlight the social structures both underlying and resulting from mating online. Results show that online dating is not a partner marker free from social structure, but that the traditional social conditions found offline are also reproduced in this virtual setting. In contrast to the picture drawn by media discourse and advertising, online dating represents a partner market which fulfills the promise of happiness in a socially differential way.
This volume brings together 18 individual studies by scholars of different specialist disciplines (musicology, theology, German studies and historical science) on the four oratorios of Louis Spohr (1784-1859). All of Spohr's contributions to different genres are examined in terms of their origins, textual basis and music. The studies on the composer's works are complemented by contributions on further aspects of the theory, cultivation and publication of oratorios in the first half of the 19thcentury. Altogether the volume provides an in-depth insight into Spohrs oratorios and how the individual works related to contemporary trends in politics, theology and literature.
Images of the body in ancient Near Eastern civilizations are radically different from body images today, which in turn creates significant consequences for our understanding of the biblical notion of God's human shape and the frequent and widespread misconceptions therein. Andreas Wagner illuminates such frequent and widespread misconceptions, and reveals the sometimes distant pictorial world of ancient body images. He contrasts these with contemporary models and makes the matter of the Old Testament concept of God's human form accessible and clear. Wagner begins by introducing readers to aspects of anthropomorphism, the study of body parts, and Israel's basic understanding of the human body. He then turns specifically to the body of God, analysing why and how certain body parts are emphasized or regularly employed in the biblical text when it tries to describe God. Wagner draws out the theological aspects of the ways in which God's body is described as well as considering the diverse range of ancient Near Eastern perspectives on God, and the ways in which ancient cultures constructed and understood deities. Wagner concludes by looking at how the depiction of God in the Old Testament fits with the concept of mankind made in God's image. Enhanced by over fifty illustrations, God's Body will lead the debate in biblical anthropomorphism for years to come.
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