This book taps the vein of the blending of theology and art in the Middle Ages, in particular, the evolution of the imagery and theology surrounding the Transfiguration Of Christ. In this well-researched volume, Andreas Andreopoulos discusses in detail every philosophical and ritual application of the Transfiguration icon - the mountain, the cloud, the mandorla, the positioning of the apostles, the Old Testament prophets, and the image of Christ himself - taking the reader through an illustrated historical journey. The author simplifies the complex relationship between the dogma of the church fathers and Byzantine art and makes it understandable to a non-specialist audience. Nevertheless, theologians, historians, and art historians alike will appreciate the interdisciplinary value of this clearly presented documentation. Andreopoulos's expert use of patristic texts and Jewish sources, as well as the New Testament and apocryphal writings and pagan sources, elucidates the development of art and doctrine that surround this scriptural epiphany."--BOOK JACKET.
This misunderstood moment—is essential to what it means to be Christian The Transfiguration of Christ is one of the most impressive and mysterious miracles of Christ, and yet one of the least known and understood biblical events. Yet, it spawned a long tradition of spiritual ascent and contemplative prayer. This book examines the Transfiguration in the context of the Gospel, Christian spirituality, and the traditions of the church. Andreopoulos explains the Transfiguration—the revelation of the full divinity of Christ in front of his disciples—as a continuous event. He also explains threads that are common in the event of the Transfiguration and in other parts of the gospels, such as "the voice of the Father" heard first at John's baptism of Jesus. This Is My Beloved is a book that bridges East and West in its pursuit of understanding the power and meaning of what transfiguration meant then, and now.
An exposition of Orthodox systematic theology, 'Gazing on God' is written from the point of view of the experience of the faithful, drawing on traditional icons and liturgy. By tracing the depth of some key Christian concepts -salvation, Logos, the Trinity- Andreas Andreopoulos provides a framework for the theology of experience. In the following chapters seven select icons are analyzed, in order to demonstrate the theological ideas and themes that may be revealed by studying Christianity through iconography. The analysis touches on topics such as time (the eternity of God, 'flat' liturgical time), space, the Church as the Body of Christ, and the Trinity. 'Gazing on God' offers to all Christian traditions a demonstration that, while our understanding of the development of Christian views and attitudes is guided by the history of theological ideas, Christianity includes from the beginning a strong dimension of meta-linguistic knowledge, which is expressed in its liturgy, as well as in its symbolism.
“This book is a little masterpiece: it informs and it explores, it recounts history and it provokes a religious quest. It is a personal book, yet it explores the great questions of theology; it is full of learning, but not ponderous; it is written from the perspective of faith, but is not off-putting to the inquirer.” -Thomas O’Loughlin, Professor of Historical Theology University of Wales Lampeter “Andreopoulos explains the gesture and meaning and history of why Christianity has needed symbols and signs through the ages. Throughout, his writing is as inspiriting as a restorative benediction.” -ALA Booklist “The book succeeds at translating the significance of the sign of the Cross into something personal and immediate.” -Publishers Weekly “The Christian of today grows quickly from the innocent child into adulthood and demands understanding of any simple behavior. ‘Why to sign with the crossing? Where did this practice begin? When and how?’ Andreas Andreopoulos, with his book, helps to answer these questions.... [H]e immerses us into the illuminating obscurity of the Holy Tradition.” -Protopresbyter Kyrillos Leret-Aldir, Orthodox Christian Comment
Analogia is a peer-reviewed academic journal dedicated to the scholarly exposition and discussion of the theological principles of the Christian faith. A distinguishing feature of this journal will be the effort to advance a dialogue between Orthodox Christianity and the views and concerns of Western modes of theological and philosophical thought. A key secondary objective is to provide a scholarly context for the further examination and study of common Christian sources. Though theological and philosophical topics of interest are the primary focus of the journal, the content of Analogia will not be restricted to material that originates exclusively from these disciplines. Insofar as the journal seeks to cultivate theological discourse and engagement with the urgent challenges and questions posed by modernity, topics from an array of disciplines will also be considered, including the natural and social sciences. As such, solicited and unsolicited submissions of high academic quality containing topics of either a theological or interdisciplinary nature will be encouraged. In an effort to facilitate dialogue, provision will be made for peer-reviewed critical responses to articles that deal with high-interest topics. Analogia strives to provide an interdisciplinary forum wherein Christian theology is further explored and assumes the role of an interlocutor with the multiplicity of difficulties facing modern humanity.
Examines the theories of religious art from the ancient Jewish drama and the Greek tragedy to the Renaissance, which illustrate two different kinds of relationship between art and religion. This work uses patristic sources to explore the connection between art and religion. It discusses the withdrawal or 'death' of the work of art as a process.
An exposition of Orthodox systematic theology, 'Gazing on God' is written from the point of view of the experience of the faithful, drawing on traditional icons and liturgy. By tracing the depth of some key Christian concepts -salvation, Logos, the Trinity- Andreas Andreopoulos provides a framework for the theology of experience. In the following chapters seven select icons are analyzed, in order to demonstrate the theological ideas and themes that may be revealed by studying Christianity through iconography. The analysis touches on topics such as time (the eternity of God, 'flat' liturgical time), space, the Church as the Body of Christ, and the Trinity. 'Gazing on God' offers to all Christian traditions a demonstration that, while our understanding of the development of Christian views and attitudes is guided by the history of theological ideas, Christianity includes from the beginning a strong dimension of meta-linguistic knowledge, which is expressed in its liturgy, as well as in its symbolism.
Analogia is a peer-reviewed academic journal dedicated to the scholarly exposition and discussion of the theological principles of the Christian faith. A distinguishing feature of this journal will be the effort to advance a dialogue between Orthodox Christianity and the views and concerns of Western modes of theological and philosophical thought. A key secondary objective is to provide a scholarly context for the further examination and study of common Christian sources. Though theological and philosophical topics of interest are the primary focus of the journal, the content of Analogia will not be restricted to material that originates exclusively from these disciplines. Insofar as the journal seeks to cultivate theological discourse and engagement with the urgent challenges and questions posed by modernity, topics from an array of disciplines will also be considered, including the natural and social sciences. As such, solicited and unsolicited submissions of high academic quality containing topics of either a theological or interdisciplinary nature will be encouraged. In an effort to facilitate dialogue, provision will be made for peer-reviewed critical responses to articles that deal with high-interest topics. Analogia strives to provide an interdisciplinary forum wherein Christian theology is further explored and assumes the role of an interlocutor with the multiplicity of difficulties facing modern humanity.
The underlying thought in the Winchester conference, as well as in this present volume, was to reflect on the quests, the questions, and the directions that this generation left for us, and rather than simply reminisce about that exceptional period of theological thought and creativity, to attempt an appraisal of its legacy today. Table of Contents: 1. The legacy of the Russian Diaspora: an evaluation and future directions, ANDREAS ANDREOPOULOS 2. Saint Luke Metropolitan of Simferopol as physician, surgeon and academic professor, STAVROS J. BALOYANNIS 3. Ecumenism as Civilizational Dialogue: Eastern Orthodox Anti-Ecumenism and Eastern Orthodox Ecumenism: A Creative or Sterile Antinomy?, BRANDON GALLAHER 4. A New Chapter in the History of Russian Émigré Religious Philosophy: Georges Florovsky’s unpublished manuscript, Russkaia filosofiia v emigratsii, PAUL L. GAVRILYUK5. Outside of God: A Theanthropic Scrutiny of Nietzsche’s Concept of Chaos and Berdyaev’s Notion of the Ungrund, ROMILO KNEŽEVIĆ 6. Revolution, Exile and the Decline of Russian Religious Thought, PAUL LADOUCEUR 7. What is Sophia? Bulgakov, or the Biblical Trinity between Kant and Hegel, NIKOLAOS LOUDOVIKOS 8. Exile, Hospitality, Sobornost: the Experience of the Russian Émigrés, ANDREW LOUTH 9. The Reception of the Theology of the Russian Diaspora by the Greek Theology of the ‘60s: a Case Study, SOTIRIS MITRALEXIS 10. Nicholas Zernov: Political and Historical Continuity with the ‘Third Rome’ Theory in our times, DIMITRIS SALAPATAS 11. Faith and Reason in Russian Religious Thought: Sergei Bulgakov, Pavel Florensky and the contemporary debate about onto-theology and fideism, CHRISTOPH SCHNEIDER 12. The Quest for Novel Philosophy of Freedom in the Thought of Nikolai Berdyaev, Vladimir Lossky and Georges Florovsky, DIONYSIOS SKLIRIS
This misunderstood moment—is essential to what it means to be Christian The Transfiguration of Christ is one of the most impressive and mysterious miracles of Christ, and yet one of the least known and understood biblical events. Yet, it spawned a long tradition of spiritual ascent and contemplative prayer. This book examines the Transfiguration in the context of the Gospel, Christian spirituality, and the traditions of the church. Andreopoulos explains the Transfiguration—the revelation of the full divinity of Christ in front of his disciples—as a continuous event. He also explains threads that are common in the event of the Transfiguration and in other parts of the gospels, such as "the voice of the Father" heard first at John's baptism of Jesus. This Is My Beloved is a book that bridges East and West in its pursuit of understanding the power and meaning of what transfiguration meant then, and now.
“This book is a little masterpiece: it informs and it explores, it recounts history and it provokes a religious quest. It is a personal book, yet it explores the great questions of theology; it is full of learning, but not ponderous; it is written from the perspective of faith, but is not off-putting to the inquirer.” -Thomas O’Loughlin, Professor of Historical Theology University of Wales Lampeter “Andreopoulos explains the gesture and meaning and history of why Christianity has needed symbols and signs through the ages. Throughout, his writing is as inspiriting as a restorative benediction.” -ALA Booklist “The book succeeds at translating the significance of the sign of the Cross into something personal and immediate.” -Publishers Weekly “The Christian of today grows quickly from the innocent child into adulthood and demands understanding of any simple behavior. ‘Why to sign with the crossing? Where did this practice begin? When and how?’ Andreas Andreopoulos, with his book, helps to answer these questions.... [H]e immerses us into the illuminating obscurity of the Holy Tradition.” -Protopresbyter Kyrillos Leret-Aldir, Orthodox Christian Comment
This book taps the vein of the blending of theology and art in the Middle Ages, in particular, the evolution of the imagery and theology surrounding the Transfiguration Of Christ. In this well-researched volume, Andreas Andreopoulos discusses in detail every philosophical and ritual application of the Transfiguration icon - the mountain, the cloud, the mandorla, the positioning of the apostles, the Old Testament prophets, and the image of Christ himself - taking the reader through an illustrated historical journey. The author simplifies the complex relationship between the dogma of the church fathers and Byzantine art and makes it understandable to a non-specialist audience. Nevertheless, theologians, historians, and art historians alike will appreciate the interdisciplinary value of this clearly presented documentation. Andreopoulos's expert use of patristic texts and Jewish sources, as well as the New Testament and apocryphal writings and pagan sources, elucidates the development of art and doctrine that surround this scriptural epiphany."--BOOK JACKET.
Religion and spirituality are key aspects of the contemporary art scene. Following Ronald Barthes' 'death of the author' - which argued for the dissociation of work from creator - works of art have withdrawn as independent objects, giving way to a growing religious awareness or practice. 'Art and Theology' examines the connection between art and religion in ancient Jewish drama, Greek tragedy, the Renaissance, the Byzantine icon and the medieval cathedral. The book explores how art lost its sacred character in the late Middle Ages and how the current withdrawal or 'death' of art and the fusion of the limits of art and life are consistent with the medieval view of the religious icon.
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