In this graphic novel, presented in English for the first time, the Italian “Crumb” portrays a lost generation of late 1970s/early 1980s teenagers coping with family problems, school, sex, and drugs. A true visionary, with a fluid line and an uncanny sense of color and composition, Pazienza’s innovative graphic style served up stories that were iconoclastic, outrageous, humorous, and deeply personal, often based on himself and his microcosm of friends and collaborators. Pazienza was a revolutionary cartoonist who ushered an underground sensibility to Italian and European comics, breaking from the more staid tradition of genteel adult (and children’s) graphic albums.
In this graphic novel, presented in English for the first time, the Italian “Crumb” portrays a lost generation of late 1970s/early 1980s teenagers coping with family problems, school, sex, and drugs. A true visionary, with a fluid line and an uncanny sense of color and composition, Pazienza’s innovative graphic style served up stories that were iconoclastic, outrageous, humorous, and deeply personal, often based on himself and his microcosm of friends and collaborators. Pazienza was a revolutionary cartoonist who ushered an underground sensibility to Italian and European comics, breaking from the more staid tradition of genteel adult (and children’s) graphic albums.
It also deals with numerous issues important for any semiotics of gesture, such as the question of the relationship between physical forms and meaning, the problem of how to present a description of the gestural repertoire of a community in a consistent manner, the importance of context for the interpretation of gesture, how gestures may be combined, and how they develop as metaphorical expressions."--Jacket.
“You either love Andrea Camilleri or you haven’t read him yet. Each novel in this wholly addictive, entirely magical series, set in Sicily and starring a detective unlike any other in crime fiction, blasts the brain like a shot of pure oxygen. Aglow with local color, packed with flint-dry wit, as fresh and clean as Mediterranean seafood — altogether transporting. Long live Camilleri, and long live Montalbano.” A.J. Finn, #1 New York Times bestselling author of The Woman in the Window Winning fans in Europe and America for their dark sophistication and dry humor, Andrea Camilleri's crime novels are classics of the genre. Set once again in Sicily, The Patience of the Spider pits Inspector Montalbano against his greatest foe yet: the weight of his own years. Still recovering from the gunshot wound he suffered in Rounding the Mark, he must overcome self-imposed seclusion and waxing self-doubt to penetrate a web of hatred and secrets in pursuit of the strangest culprit he's ever hunted. A mystery unlike any other, this emotionally taut story brings the Montalbano saga to a captivating crossroads.
This book offers a linguistic ethnographic account of secondary schooling in Umbria, Italy, examining the complex intersection of language, socioeconomic class, social persona, and school choice to provide a holistic portrait of the situatedness of student “success.” The book explores the everyday sociolinguistic practices at the three types of Italian secondary schools in Umbria—the lyceum, the technical institute, and the vocational school—and the language ideologies and de facto language policies associated with them. An analysis of narrative, interviews, and classroom discourse unpacks the ways in which students are socialized by both peers and teachers into specific academic discourses and specialized forms of knowledge throughout their school careers. In those close analyses of the micro-interactional contexts of three classrooms, drawing on a corpus of naturally occurring classroom discourse, the volume illuminates the ways in which certain forms of talk are exalted while others policed and how students either submit to or resist the social labels ascribed to them. This account contributes new insights into the ways in which educational institutions are constructed and maintained via talk. This book will be of interest to students and scholars interested in educational linguistics, linguistic anthropology, classroom discourse, streamed-tracked education systems, and education policy.
In September 1855, Teresa Dus, a Slovenian-speaking ten-year-old girl, saw the Virgin Mary in Porzûs. The apparitions began a devotion among the Slovenian population on the border between the Italian and Slovenian ethnicities and cultures. The ecclesiastical authorities of Udine took the child, locked her in a religious house and extinguished the devotion. The context was marked by a cholera epidemic and by the "national" and pan-Slavist problem, exacerbated by the Crimean war (1853–1856). Devotion to the Virgin had had an international flowering "from below" (La Salette, 1846), followed by the proclamation of the dogma of the Immaculate Conception (1854). The dogma was then "sanctioned" by the apparitions of Lourdes (1858). The Porzûs affair is investigated in this international context.
This 1699 Italian acting treatise includes chapters on all kinds of staged productions, scripted or improvised, sacred or secular, tragic or comic. It also addresses enunciation, diction, memorization, gestures, and stage comportment, and it describes the details important to a successful commedia dell'arte performance.
We decide to do the trip around the world going eastbound. For the first jump we pick up india. Mumbai hard night welcomes us providing immediate precise reasons to fly away. This is the start of a month spent escaping from the poverty, the noise, the dust, the confusion, the anarchy of a continent wide people that never started a war.
Recognized as the primary American symphonist of the 20th century, Roger Sessions (1896-1985) is one of the leading representatives of high modernism. His stature among American composers rivals Charles Ives, Aaron Copland, and Elliott Carter. Sessions was awarded two Pulitzer prizes, election to the American Academy of Arts and Letters, winning the Brandeis Creative Arts Award, the Gold Medal of the American Academy, and a MacDowell Medal, in addition to 14 honorary doctorates. Roger Sessions: A Biography brings together considerable previously unpublished archival material, such as letters, lectures, interviews, and articles, to shed light on the life and music of this major American composer. Andrea Olmstead, a teaching colleague of Sessions at Juilliard and the leading scholar on his music, has written a complete biography charting five touchstone areas through Sessions’s eighty-eight years: music, religion, politics, money, and sexuality.
We did something the English call 'gap year' trying to get the best out of it with a long travel around the world. Travelling was something unavoidable, an enriching experience in the life's process of becoming grown-ups. We left home for five months with an open 'round the world' flight ticket, two backpacks each and reservation only for the first night in Mumbai. It was not to be holiday everyday but a long searching for accomodations, connections and sites, and we were going to be rovers carrying everything we had on our shoulders. Six jumps around the world going eastbound, choosing India as first jump, and Thailand as second. Leaving Asia's exotic appeal, New Zealand was a coming back to western society, while Chile became our door to South America. Argentina a gigantic, past land. Buenos Aires, Iguazù, Salta, Cafayate, San Juan: twenty two days of north between enormous waters and almost desert, vineyards, coloured mountains, condors, foxes, toucans and the strongest scent of almost Europe.
Michele Emiliano protagonista, a Bari e in Puglia, d'una esperienza politica e amministrativa particolarmente interessante e innovativa nella realt politica italiana. Ecco i come e i perch raccontati da osservatori e protagonisti: Ludovico Abaticchio, Dino Amenduni, Nino Anaclerio, Pierluigi Balducci, Lino Banfi, Rosina Basso Lobello, Paolo Bevilacqua, Tobia Binetti, Nicola Bonerba, Dino Borri, Marco Brando, Carlo Bruni, Danilo Calabrese, Giovanni Campobasso, Antonio Cantoro, Cinzia Capano, Michele Capriati, Donato Carrisi, Franco Cassano, Domenico Castellaneta, Angelo Cera, Franco Chiarello, Graziano Conversano, Raimondo Cucciola, Nicola De Bartolomeo, Antonio De Caro, Fortunata Dell'Orzo, Cinzia De Marzo, Fabio Di Fonte, Antonio Di Matteo, Gemma Dipoppa, Simonetta Emiliano, Francesco Ferrante, Francesco Fistetti, Enrico Fornaro, Costantino Foschini, Dario Ginefra, Mario Gismondi, Giuseppe Goffredo, Gero Grassi, Eugenio Iorio, Marco Lacarra, Vito Leccese, Francesco Lenoci, Adriana Logroscino, Fabrizio Lombardo Pijola, Antonio Madaro, Enzo Magist, Alfredo Mantovano, Biagio Marzo, Augusto Masiello, Maria Maugeri, Michele Mazzarano, Susi Mazzei, Domenico Mennitti, Nichi Muciaccia, Gennaro Nunziante, Rocco Palese, Carlo Paolini, Vittorio Parisi, Federico Pirro, Adriana Poli Bortone Massimo Posca, Franco Punzi, Enzo Purgatorio, Luigi Quaranta, Antonella Rinella, Elio Sannicandro, Maria Santacroce, Alba Sasso, Giovanni Sasso, Leonardo Scorza, Vittorio Sgarbi, Ippazio Stef no, Salvatore Tatarella, Leonardo Tomasicchio, Andrea Troisi, Walter Veltroni, Nichi Vendola, Marcello Vernola, Cesare Veronico, Fabrizio Versienti, Gianfranco Viesti, Luciano Violante, Pierfelice Zazzera.Michele Emiliano is the protagonist, in Bari and in Puglia, of a political and administrative experience particularly interesting and innovative in the reality of Italian politics.
We tried what English call 'gap year' convinced to get the best out of it with a long travel around the world. From our perspective travelling was something unavoidable, an enriching experience in life's process to become grown-ups. We left home for five months with an open 'round the world' flight ticket, two backpacks each and reservation only for the first night in Mumbai. It was not to be holiday everyday but a long searching for accomodations, connections and sites, because we were going to be rovers carrying everything we had on our shoulders. We went out around the world in six jumps, going eastbound choosing India as first jump, while Thailand came second. Leaving Asia and its exotic appeal, New Zealand was a coming back to western society, while Chile was for us our door to South America. Santiago, San Pedro de Atacama, Puerto Montt, Valparaiso: sixteen days of chases on semicama buses and night travels for 6400 kilometers from the almost antarctica wild south to a salty almost desert north.
Stefano e Andrea, studenti della stessa facoltà diventano, durante gli anni studio, buoni amici. Condividono la stessa passione per la scrittura che portano avanti in differenti progetti editoriali. Finché, un giorno, con tra le mani un racconto dell'amico Andrea, Stefano decide, poco prima di partire per una città a lui sconosciuta, di dare risposta al trafiletto appena letto. Si innesca una corrispondenza a distanza in cui Napoli è spesso filo conduttore delle rispettive lettere. È una corrispondenza fatta di pareri sul quotidiano che sposta di continuo l'attenzione sul senso della vita senza pretendere altro se non di tirare le somme sul loro personale vissuto. Sono mail che viaggiano lungo lo stivale, di notte, e vengono consegnate da quella che diventa presto una presenza immaginaria stabile, lo spazzino. Protagonista delle prime pagine è il compagno fedele al quale i due affidano le parole da portare all'amico lontano.
This book discusses the history of invertebrate fossil understanding and classification by exploring fossil studies between the 15th and 18th centuries. Before the modern age, the understanding of fossil findings went through several phases. The treatment by philologists, philosophers and historians of natural sciences involved religious, sometimes folkloristic, aspects before scientific ones. This work showcases and assesses these original findings by carrying out a bibliographical, and above all iconographical research, aimed at finding the first printed images of the objects that we now know as fossils. From here, the authors provide an understanding of the true nature of fossils by analyzing them through modern academic viewpoints, and describing each fossil group from a paleontological and taxonomic point of view, retracing their treatment in the course of the centuries. As a point of reference for each fossil group treated, the authors have considered indispensable the use of ancient prints as evidence of the first iconographic sources dedicated to fossils, starting from those in the late fifteenth century, dedicated to the most common groups of invertebrates without neglecting a necessary exception, the ichthyodontolites, fundamental in the discussion in Italy on the interpretation of the organic origin of fossils, and from the end of the sixteenth century to about half of the eighteenth century. The abundant iconographic apparatus used, often unpublished or specially reworked, is essential and functional to the understanding of the various aspects addressed, a visual complement to the text and vice versa, designed and used taking its cue from the need imposed on early scholars to document their discoveries visually. Among the chosen images there is no shortage of original attributions to fossil finds that have been poorly understood or misidentified until now. The English translation of this book from its Italian original manuscript was done with the help of artificial intelligence (machine translation by the service provider DeepL.com). A subsequent human revision of the content was done by the authors.
The Italian phrase Mai due senza tre–“never two without three”–forms the basis of Andrea Lee’s spellbinding novel of betrayal. Sophisticated and richly told, Lost Hearts in Italy reveals a trio caught in the grip of desire, deception, and remorse. When Mira Ward, an American, relocates to Rome with her husband, Nick, she looks forward to a time of exploration and awakening. Young, beautiful, and in love, Mira is on the verge of a writing career, and giddy with the prospect of living abroad. On the trip over, Mira meets Zenin, an older Italian billionaire, who intrigues Mira with his coolness and worldly mystique. A few weeks later, feeling idle and adrift in her new life, Mira agrees to a seemingly innocent lunch with Zenin and is soon catapulted into an intense affair, which moves beyond her control more quickly than she intends. Her job as a travel writer allows clandestine trysts and opulent getaways with Zenin to Paris, Monte Carlo, London, and Venice, and over the next few years, now the mother of a baby daughter, she struggles between resisting and relenting to this man who has such a hold on her. As her marriage erodes, so too does Mira’s sense of self, until she no longer resembles the free spirit she was on her arrival in the on her arrival in the Eternal City. Years later, Mira and Nick, now divorced and remarried to others, look back in an attempt to understand their history, while a detached Zenin assesses his own life and his role in the unlikely love triangle. Each recounts the past, aided by those witness to their failure and fallout. An elegant, raw, and emotionally charged read, Lost Hearts in Italy is a classic coming-of-age story in which cultures collide, innocence dissolves, and those we know most intimately remain foreign to us.
Combining theoretical reflections and empirical insights from paradigmatic case studies in the area of external energy governance, pipeline politics, Liquefied Natural Gas development and offshore petroleum policy and politics, this ground-breaking study demonstrates that a distinctive and new politics of energy security is definitively emerging in the European Union. Innovative not only in regard to the case studies presented (which include the Caspian region, the Baltic, Mediterrean countries, Central Asia and EU-Russia relations), but also in regard to the analytical framework adopted – an International Political Economy approach informed by an historical institutional perspective – the book challenges the common view of the ‘de-politicisation’ of energy security supported by the mainstream market approach and the power politics and ‘zero-sum game’ view supported by the geopolitical perspective. This book places the study of EU energy politics in the broader, evolving context of global energy markets and explores the complex interactions between EU and national political dynamics and between energy security and environmental concerns at the local level.
The EU's growing dependence on natural gas and Russian resources, energy security has become a hot discussion topic in academia and in policy circles in Brussels, Washington and many European capitals. However, most of the books on the subject use a very descriptive and/or normative approach and very few attempt to theorise EU energy security outside of mainstream conceptualisations of the EU as an international actor. This book closes an important gap in the literature and offers a fresh perspective on EU energy studies, and it will be an important contribution to the debate on the development of European integration and the EU's role in international relations in the wake of the crisis in EU politics and in light of the EU's increasingly complex external environment. Due to its interdisciplinary features - the book combines EU studies, international affairs, political economy and energy studies - and the topics covered, this book will be of special interest to scholars of the international political economy of energy and to those interested in European politics and EU international relations.
Gennaio 2012: Splinder chiude. Entrai in Splinder, la piattaforma digitale dove ho creato il blog "Il deserto dei Tartari" con il nickname di Volkhvaar, nell'ottobre del 2005. Perché? Ci sono entrato per uscire dalla prigione entro cui m'ero volontariamente rinchiuso, osservando il mondo dalle sue mura senza comunicare con esso. La parola però non era defunta dentro di me e il blog, questo tipo di blog, ha permesso che essa sgorgasse, portandomi a conoscere altri blogger che ora sono amici veri. Gennaio 2012: Splinder chiude. Sì, l'anno 2012 è stato un anno di chiusure, di cambiamenti importanti e definitivi: questo volume raccoglie tutti i post che scrissi, la Parola che sgretolò le mie mura.
Gli Inglesi lo chiamano 'gap year'. Per noi significa affrontare un lungo viaggio intorno al mondo. Nella nostro percorso per diventare grandi ci sembra inevitabile e ricco, come uno sbaglio. Per cinque mesi abbiamo lasciato casa con un biglietto aereo aperto 'round the world', due zaini a testa e prenotazione solo per la prima notte a Mumbai. Non sarebbe stata vacanza tutti i giorni. Intorno al mondo fanno sei salti verso est, con l'India come primo atterraggio e Tailandia come secondo, la Nuova Zelanda come 'ritorno ad occidente' e Cile come porta del Sudamerica. L'Argentina una terra enorme e passata. Molto nota come meta turistica la Tailandia era stampata nelle nostre menti in spiagge da cartolina ed esotismo, budda e guest houses, natura e risvegli interiori. Questo è il diario di quaranta giorni passati a trekking sulle colline, esplorazione di siti archeologici, noodles e birra singha fresca e riposo, dentro un oceano meraviglioso.
Guardarsi dentro, interrogare la propria coscienza e far emergere i segreti che essa nasconde. E' questa la chiave per capire noi stessi e il mondo intero.
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