In 1985, Andrea, a member of the French ultra-leftist group Os Cangaceiros, learns that she has cancer. After 5 years confronting the psychological and physical effects of chemotheraphy, she decides to turn her back on the medical system, choosing to die on her terms rather than live on those of the French health service and its almost complete domination by economic imperatives. To begin with, she writes two letters: one to the nurses who had been looking after her, the other to her friend Bella. What follows is the making of her own end, an assertion of living against a society which produces illness and isolation.
Approaches to Disaster Management regards critical disaster management issues. Ten original research reports by international scholars centered on disaster management are organized into three general areas of hazards and disaster management. The first section includes discussions of perspectives on vulnerability and on evolving approaches to mitigation. The second section highlights approaches to improve data use and information management in several distinct applications intended to promote prediction and communication of hazard. The third section regards the management of crises and post-event recovery in the private sector, in the design of urban space and among the victims of disaster. This volume contributes both conceptual and practical commentary to the disaster management literature.
The Archaeology of Communities develops a critical evaluation of community and shows that it represents more than a mere aggregation of households. This collection bridges the gap between studies of ancient societies and ancient households. The community is taken to represent more than a mere aggregation of households, it exists in part through shared identities, as well as frequent interaction and inter-household integration. Drawing on case studies which range in location from the Mississippi Valley to New Mexico, from the Southern Andes to the Blue Ridge Mountains of Madison County, Virginia, the book explores and discusses communities from a whole range of periods, from Pre-Columbian to the late Classic. Discussions of actual communities are reinforced by strong debate on, for example, the distinction between 'Imagined Community' and 'Natural Community.
Drawing from firsthand accounts, court testimony, and contemporary records, this history tells the story of Coranderrk, an Aboriginal community that operated successfully as a supplier of wheat and hops to Melbourne before an Aboriginal Protection Board-spurred Parliamentary Inquiry in 1881 deprived it of the bulk of its workforce. The first-person testimonies of both the Aboriginal witnesses and their non-Aboriginal allies and adversaries reveal the tensions inherent in the situation and provide a deeper and more accurate u.
A feminist approach to the history of modern philosophy reveals new insights into the lives and works of major figures such as Jean-Jacques Rousseau and David Hume, and is crucial to an appreciation of the advent of feminist philosophy. Feminism and Modern Philosophy introduces students to the main thinkers and themes of modern philosophy from different feminist perspectives, and highlights the role of gender in studying classic philosophical texts. This book shows how the important figures in the history of modern philosophy have been reinterpreted by feminist theory, including: * feminist critiques of Descartes' rationalism * Locke's 'state of nature' as it relates to the family * the charges of misogyny levelled against Kant In addition, the book introduces lesser-studied texts and interpretations, such as: * the metaphysics of Leibniz's contemporary, Anne Conway * Annette Baier's recent presentation and defence of Hume Feminism and Modern Philosophy: An Introduction is written in an accessible and lively style, and each chapter ends with a helpful annotated guide to further reading. It will be appropriate for philosophy as well as gender studies courses looking at the development of modern western thought.
This comprehensive analysis of presidential immigration rhetoric quantifies the frequency, tone, and efficacy of public mentions of immigrants and immigration policy by the presidents from Washington through Biden. The book also explores the intersection of the presidential role with that of the other key actors in the immigration policy system—notably the press, the public, and Congress. For students of immigration studies, presidential studies, and political communication, this book also poses the question of which is of the greatest significance to the immigration policy agenda: presidential leadership making immigration a top priority or existing legislative support for comprehensive immigration reform.
More and more, fathers are deciding to stay at home and care for their children rather than work full-time outside of the home. More and more, Canadian families are lead by single fathers. Shining a spotlight on the lives of stay at home dads and single fathers, Do Men Mother? provides groundbreaking evidence of dramatic changes in mothering and fathering in Canada. Using evidence gathered in a four-year in-depth qualitative study, including interviews with over 100 fathers - from truck drivers to insurance salesmen, physicians to artists - Andrea Doucet illustrates how men are breaking the mold of traditional parenting models. Doucet's research examines key questions such as: What leads fathers to trade earning for caring? How do fathers navigate through the 'maternal worlds' of mothers and infants? Are men mothering or are they redefining fatherhood? Do Men Mother? illuminates fathers' candid reflections on caring and the intricate social worlds that men and women inhabit as they 'love and let go' of their children. In asking and unravelling the question 'do men mother,' this study tells a compelling story about Canadian parents radically re-visioning child care and domestic responsibilities at the beginning of the twenty-first century.
Entanglements: Envisioning World Literature from the Global South scrutinizes current debates to bring historical and contemporary South-South entanglements to the fore and to develop a new understanding of world literature in a multipolar world of globalized modernity. The volume challenges established ideas of world literature by rethinking the concept along the notion of “entanglements”: as a field of variously criss-crossing relations of literary activity beyond the confines of literary canons, cultural containers, or national borders. The collection presents individual case studies from a variety of language traditions that focus on particular literary relationships and practices across Africa, the Americas, Asia, and Europe as well as new fictional, poetical, and theoretical conceptions of world literature in order to broaden our understanding of the multilateral entanglements within a widening communicative network that shape our globalized world.
You've never used a video guide like this before. You loved Chariots of Fire and you want to see something like it. Where do you start? Look up Chariots of Fire in the index, and find it in Drama. There you'll see it listed under White Flannel Films: Welcome to the glory days of the British empire when the ruling class rode horses on large country estates, servants were in plentiful supply, and only an adulterous lover questioned the status quo. As in other costume dramas, the period details are celebrations of all that was brilliant and luxurious, with the camera sweeping over British, Indian, or African countryscapes and exquisite turn-of-the-century interiors. But all this lush upholstery doesn't cover up the intelligent, thoughtful stories -- usually based on Lawrence, Forster, and Waugh novels -- played by stellar British actors. In White Flannel Films there are concise, witty reviews of select movies like A Room with a View A Passage to India Heat and Dust The Shooting Party Out of Africa White Mischief and more There is also a unique ratings system that helps you distinguish the bombs from the sleepers. But the key is that all these films offer the same kind of viewing experience -- if you like one, chances are good you'll like the others, too. Seen That, Now What? is your own personal video genius, who knows everything about movies and exactly what you like to watch.
An in-depth look at Maya cave painting from Preconquest times to the Colonial period, plus a complete visual catalog of the cave art of Naj Tunich. In 1979, a Kekchi Maya Indian accidentally discovered the entrance to Naj Tunich, a deep cave in the Maya Mountains of El Peten, Guatemala. One of the world’s few deep caves that contain rock art, Naj Tunich features figural images and hieroglyphic inscriptions that have helped to revolutionize our understanding of ancient Maya art and ritual. In this book, Andrea Stone takes a comprehensive look at Maya cave painting from Preconquest times to the Colonial period. After surveying Mesoamerican cave and rock painting sites and discussing all twenty-five known painted caves in the Maya area, she focuses extensively on Naj Tunich. Her text analyzes the images and inscriptions, while photographs and line drawings provide a complete visual catalog of the cave art, some of which has been subsequently destroyed by vandals. This important new body of images and texts enlarges our understanding of the Maya view of sacred landscape and the role of caves in ritual. It will be important reading for all students of the Maya, as well as for others interested in cave art and in human relationships with the natural environment. “Not only an extraordinarily detailed and insightful analysis of the painted representations and texts found in Naj Tunich but also a complete survey of all known Maya painted caves. . . . A major monograph on a major Maya site. For completeness of presentation, for clarity of writing, and for depth and scope of analysis, [Images from the Underworld] is a model of what a final report should be.” —Journal of Anthropological Research
This new work is the first appraisal of one of America's most innovative and important designers of film titles, including the famous sequence in the horror thriller, "Seven.
Keep your cultural resources safe for generations to come! Culled from papers presented at a Library of Congress symposium in October 2000, The Strategic Stewardship of Cultural Resources: To Preserve and Protect examines the challenges you face in preserving and safeguarding your library's resources. Twenty-two leading library and archival professionals address critical issues on the preservation and security of collections in cultural property institutions, including libraries, museums, and archives. The book explores the connections between physical security and the preservation of our cultural heritage. The Strategic Stewardship of Cultural Resources identifies the risks involved in preserving cultural resources and presents effective strategies for security. The book guides you through the process of evaluating preservation and security programs, budgeting costs, determining the right amount of facilities security, meeting the challenge of preserving digital information, and coping with the negative effects of theft and vandalism. The Strategic Stewardship of Cultural Resources focuses on four keys that are central to safeguarding your heritage assets: physical security—protection from theft, mutilation, damage by water, fire, etc., with strategies used by the Library of Congress and other major libraries preservation—protection from deterioration through conservation and reformatting, using examples from the National Endowment for the Humanities, the Library of Congress, and other institutions bibliographic control—knowing what your library has inventory control—knowing where your collections are The Strategic Stewardship of Cultural Resources: To Preserve and Protect also examines the FBI's Art Theft Program, national and institutional requirements for preservation funding, and measuring the effect of environmental elements (temperature, humidity, etc.) on your collection. The book is an essential resource for library, archive, and museum directors, preservation officers, security professionals, curators, and archivists.
The miraculous and romantic story of Shakespeare’s First Folio, and of the American industrialist whose thrilling pursuit of the book became a lifelong obsession: “Mays’s narrative is so fast-moving, and peppered with such fascinating detail, it almost reads like a thriller” (Entertainment Weekly, Grade: A). When Shakespeare died in 1616, half of his plays died with him. No one—not even their author—believed that his writings would last. In 1623, seven years after his death, Shakespeare’s business partners, companions, and fellow actors gathered copies of his plays and manuscripts and published thirty-six of them. This massive book, the First Folio, was intended as a memorial to their deceased friend. They could not have known that it would become one of the most important books ever published in the English language. Over two and a half centuries later, a young man fresh out of law school, Henry Folger, bought a book at auction—a later, 1685 edition Fourth Folio, for $107.50. It was the beginning of an obsession that would consume the rest of his life. Folger rose to be president of Standard Oil, and he used his fortune to create the greatest Shakespeare collection in the world. By the time he died, Folger owned more First Folios than anyone and had founded the Folger Shakespeare Library, where his collection still resides. In The Millionaire and the Bard, Andrea Mays spins the tale of Shakespeare and of his collector, of the genius whose work we nearly lost, the men who had the foresight to preserve it, and the millionaire who, centuries later, was consumed by his obsession with it. “Effortless in its unadorned storytelling and exacting in its research, this is a page-turning detective story” (Publishers Weekly).
This title was first published in 2001. Addressing a significant gap in existing literature, this book presents a gender-informed analysis of the post-fordist economy. It incorporates a gender dimension into the economic restructuring debate on both a theoretical and a practical level, and explores the implications of economic restructuring in the workplace for gender relations..
Now in its Twenty-Second Edition, Hook, Spanier, and Grove’s American Foreign Policy Since World War II has long set the standard in guiding students through the complexities of American foreign policy. The text introduces students to the American "style" of foreign policy, imbued with a distinct sense of national exceptionalism. By giving students the historical context they need, this book allows them to truly grasp the functions and dysfunctions of the nation’s foreign policy agenda with historical insight into modern policy context.
A revelatory collection of behind-the-scenes photographs of celebrities and cultural icons—from Joan Didion to the Rolling Stones to Nancy Pelosi. Featuring short essays from Fran Lebowitz, Harrison Ford, and more. "A treasure trove of celebrities at play in the 1960s, ‘70s and ‘80s." —PEOPLE Camilla Pecci Blunt, a nonprofessional photographer who grew up between Italy and New York, was well placed to forge the path she did. Her mother was passionate about the arts, took photographs, painted, and collected artists around her, and had galleries in Rome and New York. The more than six hundred photographs in this book from the 1950s to the early 1990s capture our cultural icons in casual, playful moments. After she married Earl McGrath in 1963, their homes--first in New York and then in Los Angeles--became gathering places for a wholly unexpected mix of people that Camilla documented in these surprising, in-the-moment photographs: Jackie Kennedy, Jerome Robbins, Sammy Davis Jr., Calvin and Kelly Klein, Nancy Pelosi, Dianne Feinstein, Bruce Chatwin, Andy Warhol, Larry Rivers, Jean Tinguely, Frank O'Hara, Jasper Johns, Allen Ginsberg, the Rolling Stones, Bryan Ferry, Bette Midler, Jerry Hall, Keith Haring, Linda Ronstadt, Jerry Brown, Sharon Tate, Roman Polanski, John Waters, Joan Didion, Angelia Huston, Robert Graham, David Hockney, Michael Crichton, and Barbra Streisand, among many others. Andrea di Robilant's essay, along with memories from Griffin Dunne, Vincent Fremont, Harrison Ford, Fran Lebowitz, and Jann Wenner, reveal the backstory of this irresistible look at the larger-than-life cultural figures of our time as you have never seen them.
The story of First World War deserters who were shot at dawn, then pardoned nearly a century later has often been told, but these 306 soldiers represent a tiny proportion of deserters. More than 80,000 cases of desertion and absence were tried at courts martial on the home front but these soldiers have been ignored. Andrea Hetherington, in this thought-provoking and meticulously researched account, sets the record straight by describing the deserters who disappeared from camps and barracks within Great Britain at an alarming rate. She reveals how they employed a range of survival strategies, some ridding themselves of all connection with the military while others hid in plain sight. Their reasons for desertion varied. Some were already living a life of crime whilst others were conscientious objectors who refused to respond to their call-up papers. Boredom, protest, troubles at home or physical and mental disabilities all played their part in men deciding to go on the run. Andrea Hetherington’s timely book gives us a vivid insight into a hitherto overlooked aspect of the First World War.
This book comprehensively examines the entire legal process of the international sale of goods, beginning with the creation of the contract and continuing through to either the fulfilment of the sale, or the termination of the contract. Every day goods are globally traded between sellers and buyers in different countries and different jurisdictions. The distances between the parties involved in such transactions, and the relative risks related to that, are a key issue in international commercial sales. Sales of goods carried by sea, thus, differ quite drastically from domestic sales; the goods will be normally shipped at a port very distant from the buyer, preventing his physical presence at the port of loading. Further, the goods will travel in the custody of a carrier, a party normally quite independent from either trader. Finally, transactions concluded on shipment terms are normally irreversible, in the sense that shipping the goods back to the seller represents an unlikely option for the buyer. Traders around the world very frequently choose English law to govern their contracts, with disputes to be resolved through London arbitration or litigation. The basis of that law is to be found in the English Sale of Goods Act 1979, and the book consequently also includes an examination of the fundamental principles of that Act, as well as considering use of the Vienna Convention on the International Sale of Goods. This book will be an invaluable reference point for legal practitioners specialising in the sale of goods, as well as postgraduate students and academic researchers working in sales of goods and the international trade sector.
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