The Ultimate Buying Guide to America’s Most Popular and Accessible Wines The first guide to buying wine that grades the top-selling premium wines in stores and restaurants: popular supermarket brands, trade-up brands, and super-premium labels. Andrea Immer, one of America’s foremost wine authorities, surveyed thousands of wine professionals and ordinary consumers, who assess what really matters most–taste and value for the money. She also provides: • Best-of lists: The top performing wines • Immer Best Bets: Andrea Immer’s top picks for every major buying dilemma, from inexpensive crowd pleasers to blue-chip choices for business entertaining • “The Top Fifty Wines You’re Not Drinking”: These wines are less well known, but offer good availability and great value • Immersion Course: Quick and easy label-reading lessons to give you instant buying expertise • Kitchen Countertop (and Fridge) Survivor™ grades: How long will the wine keep after it’s opened? Now you’ll know the wines’ “freshness window” after opening.
Andrea Immer has one of the world's best, and least pretentious, wine palates. In her debut cookbook she proves that her taste in food is just as finely honed and down-to-earth. Presenting 125 recipes that pair magnificently with wine, she shows how to bring these great flavor combinations to the dinner table—with minimum fuss and at minimal cost. Her food and wine matches are guaranteed to make even weeknight meals special occasions. Wine enthusiasts and epicures alike could not be in better hands: World-renowned Master Sommelier Andrea Immer is also a graduate of the French Culinary Insitute, where she refined her already formidable cooking skills and understanding of food flavors, and where today she is dean of wine studies. In her new book, she solves that most vexing dinner dilemma—which wines to serve with what foods. Drawing on her sophisticated understanding of tastes, she offers up internationally inspired delicacies like Cumin-crusted Lamb; Fettucine with Proscuitto, Sage, and Mushrooms; or Tarte Tatin with Bourbon and Vanilla. She also offers down-home dishes like Fast-Track Baby Back Ribs, Turkey Quesadillas with Sesame Sweet Potato–Mole Sauce, or Cheese Grits with Shrimp and Chorizo. Everyday Dining with Wine is filled with recipes emphasizing a robust harmony of flavors for every course from soup to dessert. Andrea believes that wine should be a part of everyday dining—for both pleasure and health. With this book in hand, you can choose a recipe and then find the wine that complements it best, or start with a special bottle and discover its perfect food partner. Here, too, are Andrea’s answers to such common and perplexing questions as “Where should I store my wine?”; “Once I open a bottle, how long will it be good?”; “Does the shape and quality of glassware matter?” Wine and food belong together, whether for a weeknight meal or a dinner party. With Everyday Dining with Wine there is no guesswork involved in making any meal a cause for celebration.
The updated edition of the classic introduction to wine for everyone, by Master Sommelier Andea Immer Robinson. Great Wine Made Simple established Andrea Immer Robinson as America’s favorite wine writer. Avoiding the traditional and confusingly vague wine language of “bouquet” and “nose,” it instead discussed wine in commonsense terms. Now, thoroughly revised, this edition lives up to its title by making selecting and enjoying wine truly straightforward. You will never again have to fear pricey bottles that don’t deliver, snobby wine waiters, foreign terminology, or encyclopedic restaurant wine lists. You’ll be able to buy or order wine with confidence—and get just the wine you want—by learning the “Big Six” basic styles (which comprise 80 percent of today’s top-selling wines), how they taste, how to read any wine label, and how to pick a wine off a restaurant menu. Ten new flavor maps show what to expect from climates around the world. A refreshing blend of in-depth knowledge and accessibility, Great Wine Made Simple is a welcome resource for those who are intrigued by wine but don’t know where to start and makes it easy to master the ins and outs of choosing a wine that you and your guests will love—on any budget.
The Ultimate Buying Guide to America’s Most Popular and Accessible Wines The first guide to buying wine that grades the top-selling premium wines in stores and restaurants: popular supermarket brands, trade-up brands, and super-premium labels. Andrea Immer, one of America’s foremost wine authorities, surveyed thousands of wine professionals and ordinary consumers, who assess what really matters most–taste and value for the money. She also provides: •Best-of lists: The top performing wines •Immer Best Bets: Andrea Immer’s top picks for every major buying dilemma, from inexpensive crowd pleasers to blue-chip choices for business entertaining •“The Top Fifty Wines You’re Not Drinking”: These wines are less well known, but offer good availability and great value •Immersion Course: Quick and easy label-reading lessons to give you instant buying expertise •Kitchen Countertop (and Fridge) SurvivorTM grades: How long will the wine keep after it’s opened? Now you’ll know the wines’ “freshness window” after opening.
Immer, the young, hip Master Sommelier and corporate director of beverage programs for Starwood Hotels and Resorts, cuts through all the winespeak to help readers learn more about wine.
A wine authority surveys wine professionals and consumers, and grades the top-selling premium wines in stores and restaurants: popular supermarket brands, trade-up brands, and super-premium labels.
A wine authority surveys wine professionals and consumers, and grades the top-selling premium wines in stores and restaurants: popular supermarket brands, trade-up brands, and super-premium labels.
The main aim of this book is to contribute to our understanding of the acquisition of second language intonation, by comparing Czech learners of Spanish with German learners of Spanish and Czech learners of Italian. By means of a large production database, the study seeks to uncover how L1-to-L2 intonational transfer works and what role prosodic (dis)similarities between languages play. Contrary to most previous research, the work presents an original multidirectional cross-linguistic comparison and examines different types of sentence, such as neutral and non-neutral statements, yes/no questions, wh-questions, exclamatives and vocatives. The findings reveal positive and negative transfer from L1 to L2, and the formation of mixed patterns as well as native-like patterns, which are mainly constrained by linguistic factors such as the type of sentence and the position of the tonal event in the utterance. The results are discussed within Mennen’s (2015) L2 Intonation Learning theory and lead to the formulation of a Developmental L2 Intonation Hypothesis that makes several generalizations to characterize interlanguage intonation. This volume not only represents a step forward in the study of the acquisition of L2 intonation in general but also offers valuable findings that can be directly or indirectly applied in the classroom and will hopefully inspire further research.
In 2016, the Israeli Supreme Court ruled that Max Brod’s posthumous papers which included a collection of Kafka’s manuscripts be transferred to the National Library of Israel in Jerusalem. If Kafka’s writings may be seen to belong to Jewish national culture and if they may be considered part of Israel’s heritage, then their analysis within a Jewish framework should be both viable and valuable. This volume is dedicated to the research of Franz Kafka’s late narrative “The Burrow” and its autobiographical and theological significance. Research is extended to incorporate many fields of study (architecture, sound studies, philosophy, cultural studies, Jewish studies, literary studies) to illustrate the dynamics at work within the text which reveal the Jewish aspects implicitly thematicized. Examination of the structure created, the nature of sound perceived, the atmosphere experienced and the acts performed by the protagonist serve as the foundation of this analysis and offer new access to Kafka’s work by presenting an interpretive, space-semantic approach. “Der Bau” is presented as a life concept given the task of constituting identity, highlighting the critical link between the literary and biographical Kafka and demonstrating the necessity of understanding the author as a Jewish writer to understand his late narrative. For her outstanding research project, Andrea Newsom Ebarb was awarded the “Forschungsförderpreis der Vereinigung der Freunde der Universität Mainz e.V.” in 2023.
Back cover: Andrea Vestrucci presents a pioneering analysis of Martin Luther's "De servo arbitrio", one of the most challenging works of Christian theology. From the hidden God to predestination, from justification to ontology, from logic to aesthetics the author explores a paradigm-shifting perspective on theological language.
This book is the first comparative study of the novels written by five German-speaking women - Anna Gmeyner, Selma Kahn, Hilde Spiel, Martina Wied and Hermynia Zur Mühlen - who had to flee National Socialist Central Europe. Gmeyner, Spiel, Wied and Zur Mühlen found refuge in Britain and thus added - together with male colleagues such as Stefan Zweig and Robert Neumann - an important but rarely investigated new dimension to the British literary landscape. The aim of this study is to reassess the women refugee writers' narrative strategies and integrate their work within feminist literary studies. The author investigates the five writers' narrativisation of everyday life, used to subvert the dominant discourse, and their portrayal of the intersection between class, racial and gender oppression. She also shows their innovative ways of picturing the gendered tension between the experiences of exile and exile as a modernist metaphor as well as their search for ways to refute the Nationalist Socialist rewriting of history. The book situates the novels within the theoretical discussions surrounding exile studies, social history and women's writing.
The essays contained in this volume explore the historical trajectories along which the Mediterranean has been conceptualized as a cultural, religious and economical resource and how these various aspects are intertwined. While staying clear of a merely “imagological” or “representational” point of view, the authors consider the interplay between culturally shaped attributions (for example the longstanding desire for a Mediterranean “Otherness” as expressed in German literature), their testing in empirical encounters, and the effect these encounters produce on both sides. Although focused particularly on 19th and 20th century culture, this volume offers a timely contribution to conceptualising the challenges of the 21st century. The conjunction of both provinciality and universality, the connectivity and fragmentation of the Mediterranean continues to be at the basis of the European matrix of all possible (hi)stories.
Margaret Atwood's novels are photographs of her characters' lives: while words only ever describe her protagonists’ blurred visions of their pasts, their 'true' stories are told in subtexts which run parallel or even contrary to the main story line and which depict the unseen, the buried, the 'untrue'. Replete with intertextual references, her fiction illuminates that and why "[w]hat isn’t there has a presence, like the absence of light" (The Blind Assassin). She plays with our conventional modes of perception to make us aware of the way we frame reality in our minds. Andrea Strolz discusses in her book the interrelation between metafictional and intertextual features in two of Atwood's novels that share many similarities, even though written in different decades. She examines how Atwood weaves intertextual references into her fiction, how she facilitates a reader's recognition of the intertexts, and she shows that Atwood's narrator-protagonists also reflect on our age as one of intertextuality.
De Amphitheatro ist ein Dialog, den Lipsius und sein Lehrer Florentius führen, während sie durch Rom spazieren. Sie besprechen allerlei Aspekte der Amphitheater, wie zum Beispiel die Götter, denen die Amphitheater gewidmet sind und die Menschen, die sie bauen ließen. Aber der größte Teil dieses Buches befasst sich mit dem Colosseum und seinen vielfältigen Nutzungsmöglichkeiten und so weiter. De Amphitheatris quae extra Romam libellus, der zweite Teil, ist eine Beschreibung von Amphitheatern außerhalb von Rom, wie in Verona, Pola und Nîmes. Wo immer es geht, lässt Lipsius seine Bildung glänzen mit Zitaten aus vielen antiken Autoren, Dichter und Kirchenväter. Die Einführung bietet nicht nur alle für die Textgeschichte der Abhandlung wichtigen Informationen, sondern auch den biographischen Kontext mit den aufreibenden Konflikten an der Spitze der Universität Leiden.
Ein angemessenes Verständnis über Naturwissenschaften stellt eine Schlüsselkomponente naturwissenschaftlicher Grundbildung dar. Für die entsprechende unterrichtliche Gestaltung spielen die Vorstellungen der Lehrkräfte über Naturwissenschaften eine entscheidende Rolle und anwendbares Meta-Wissen gilt als zu erreichende Qualifikation im Lehramtsstudium. Im vorliegenden Forschungsprojekt wird im Rahmen von qualitativen Studien erhoben, welche Vorstellungen Lehramtsstudierende über `Chemie als Naturwissenschaft' besitzen und wie die Studierenden unterstützt werden können, ein fundiertes Verständnis zu entwickeln und dieses praktisch zu transformieren. Auf Grundlage der Ergebnisse wird ein Modul für die Lehrerbildung entwickelt, das den Weg bereitet, authentisch (über) Chemie zu unterrichten. An adequate understanding about science represents one key component of scientific literacy. Teachers' conceptions about science play a crucial role for the design of appropriate lessons and applicable meta-knowledge is considered as a qualification to be achieved during university teacher education. In this thesis, qualitative studies are conducted to evaluate which pre-conceptions about `chemistry as a science' teacher students possess and how students can be supported in developing an informed understanding as well as in practically transforming it. On the basis of the results a module for teacher education is developed which paves the way for authentic chemistry teaching.
Text in English and German. The oeuvre of Stefan Wewerka occupies a unique position in post-war art because of the way in which he mixes different genres. Wewerka is an 'uomo universale', an uncomfortable pedagogue, a bringer of enlightenment. In addition to his practical work as an architect -- his competition entries have had a lasting effect on architectural discourse -- he has alienated architecture photographically or with the aid of traditional artistic techniques, has written books, has painted pictures, has made films and object art. In the early 50s Wewerka involved himself in earth architecture -- early attempts to build with nature and not against it -- and this at a time when no one was talking about ecology or even green building. Wewerka became known to a wider public in the 60s by the artistic allenation of chairs and other everyday objects, which he sawed up or distorted in order to undermine familiar images subversively. He also did not leave architectural 'high culture' untouched. Triumphal arches like the Arc de Triomphe in Paris or Gothic cathedrals heel over or buckle to form surreal structures and thus make their ideological claims questionable. In the late 70s Wewerka also started to design furniture which had high utility value despite its free form and which emanate an almost Bauhaus-like dignity. All this furniture, like the Fan Desk, the three-legged chair or the One-Swinger, and also his Kitchen Tree and the programmatic Cella furniture system stand like sculptures in the space and always derive a new and surprising variant from subjects and genres that seemed to be closed. The internationally known architecture and design historian Volker Fischer was vice director of the Deutsches Architekturmuseum in Frankfurt for over 10 years. For some time now he has been building up a new design department in the Museum fur Kunsthandwerk in Frankfurt; in addition to his museum work he teaches history of architecture and design at the Hochschule fur Gestaltung in Offenbach. Like Volker Fischer, architectural historian Andrea Gleiniger worked for many years in the Deutsches Architekturmuseum in Frankfurt; she now teaches at the Staatliche Hochschule fur Gestaltung in Karisruhe. Her principal working fields are the history of housing estates in the 20th century and the relationship between architecture, art and the new media.
The Ultimate Buying Guide to America’s Most Popular and Accessible Wines The first guide to buying wine that grades the top-selling premium wines in stores and restaurants: popular supermarket brands, trade-up brands, and super-premium labels. Andrea Immer, one of America’s foremost wine authorities, surveyed thousands of wine professionals and ordinary consumers, who assess what really matters most–taste and value for the money. She also provides: •Best-of lists: The top performing wines •Immer Best Bets: Andrea Immer’s top picks for every major buying dilemma, from inexpensive crowd pleasers to blue-chip choices for business entertaining •“The Top Fifty Wines You’re Not Drinking”: These wines are less well known, but offer good availability and great value •Immersion Course: Quick and easy label-reading lessons to give you instant buying expertise •Kitchen Countertop (and Fridge) SurvivorTM grades: How long will the wine keep after it’s opened? Now you’ll know the wines’ “freshness window” after opening.
This study investigates how Christianity impacts on the way owner-managers of small to medium-sized enterprises (SMEs) conceptualise their worlds of business practice. The context for the research is the more general issue of how civil society and its institutions influence economic activity and how they might provide a counterbalance to the potentially negative impacts of 'unrestrained' self-interested economic behaviour. The study is based on qualitative interviews with SME owner-managers in Germany and the U.K. who regard themselves as practising Christians. Using a socio-psychological approach, the data analysis yielded a range of linguistic and conceptual resources that are peculiar to Christian discourse and that have the potential to influence business activity in rather distinctive ways. This book outlines the effects that these Christian resources can have on these owner-managers and how they may be linked to specific business practices. Attention is drawn to the fact that Christian conceptual resources can be interpreted and exploited in different ways, which leads to differences in how Christian owner-managers apply their faith to their business. Furthermore, the study maps out the - often interacting - influence of other discursive contexts and resources. The specific influence of the SME context will be discussed and some differences with regards to the two national contexts in which the research was conducted will be highlighted. The book also addresses how the socio-psychological approach that was chosen for this study may be used for investigations into the impact of other civil society contexts.
It’s almost impossible to imagine spending eight months at sea “without once putting foot on land.” But that’s exactly what whalers experienced when playing the dangerous “game of chance,” hunting down leviathans for oil and bone—all for a “lay,” or share, of the vessel’s spoils. A Game of Chance is the first comprehensive, in-depth study of British North American South Seas whaling. Author Andrea Kirkpatrick takes readers on a series of fascinating and sometimes fantastical journeys as she chronicles in great detail the story of a largely forgotten industry that operated out of Nova Scotia and New Brunswick ports from the 1760s to 1850. Kirkpatrick plumbed the depths of myriad logbooks and journals to piece together the often-murky tales of an astonishing number of ships. In this treatise covering a century of whaling, she shares details such as ownership, tonnage, voyages, captains’ pedigrees, and names of crewmen, including nascent whaler Herman Melville, author of Moby-Dick. Hoping for “greasy luck,” the men who manned these ships found both camaraderie and competition as they hunted the world’s whaling grounds from Cape Horn to Kamchatka, many circumnavigating the globe during their careers. They battled squalls and high seas, scurvy and venereal disease, heartbreak and homesickness—and sometimes each other. Many never returned home, their bodies committed to the deep or buried on foreign land. Written in two parts—landward and seaward—Kirkpatrick’s clear prose and adoption of whaling lingua franca brings this high-risk venture to the fore with authenticity, newly revealed facts, and remarkable stories of adventure.
The Ultimate Buying Guide to America’s Most Popular and Accessible Wines The first guide to buying wine that grades the top-selling premium wines in stores and restaurants: popular supermarket brands, trade-up brands, and super-premium labels. Andrea Immer, one of America’s foremost wine authorities, surveyed thousands of wine professionals and ordinary consumers, who assess what really matters most–taste and value for the money. She also provides: •Best-of lists: The top performing wines •Immer Best Bets: Andrea Immer’s top picks for every major buying dilemma, from inexpensive crowd pleasers to blue-chip choices for business entertaining •“The Top Fifty Wines You’re Not Drinking”: These wines are less well known, but offer good availability and great value •Immersion Course: Quick and easy label-reading lessons to give you instant buying expertise •Kitchen Countertop (and Fridge) Survivor™ grades: How long will the wine keep after it’s opened? Now you’ll know the wines’ “freshness window” after opening.
This book analyzes compliments and compliment responses in naturally occurring talk-in-interaction in German. Using Conversation Analytic methodology, it views complimenting and responding to compliments as social actions which are co-produced and negotiated among interactants. This study is the first to analyze the entire complimenting sequence within the larger interactional context, thereby demonstrating the interconnectedness of sequence organization, turn-design, and (varying) function(s) of a turn. In this regard, the present study makes a novel contribution to the study of talk-in-interaction beyond German. The book adds to existing work on interaction and grammar by closely analyzing the functions of linguistic resources used to design compliment turns and compliment responses. Here, the study extends previous Conversation Analytic work on person reference by including an analysis of inanimate object reference. Lastly, the book discusses the use and function of various particles and demonstrates how speaker alignments and misalignments are accomplished through various grammatical forms.
This study focuses on the six writing men who have been throughout decades regarded as the alpha and omega of British Romanticism: Byron, Coleridge, Keats, Scott, Shelley, and Wordsworth. It sees these men as a representative cohort of their time and examines their letters as results of a reading process. Although letters are usually seen as additional sources of reference in literary studies, in this book they are treated as the dominant information material: correspondence enables to reconsider British Romanticism on the basis of the epistolary communication of the first half of the nineteenth century. The target information from the letters are references to women writers and to their writings. A detailed analysis of the correspondence manages to answer the question whether male Romantics regarded writing women as “provoking” from time to time, as Duncan Wu assumes, and whether the gender identity of the woman author influenced the way male readers read her literary works. The examination of the correspondence thus takes a gendered perspective on British Romanticism. This approach to the target research data discloses a long list of almost 120 names of women writers from different periods and of different literary genres. Whereas the male readers in question have acquired a well-established, stable long-term position within literary history, the women were often marginalized, even forgotten. The study presents plentiful examples proving the discrepancies between what the twenty-first-century reader regards as the core of women’s Romantic literary tradition, and what the Romantic reader did. The following women writers are discussed in the study in detail: Susannah Centlivre, Anne Finch (Lady Winchelsea), Ann Radcliffe, Mary Robinson, Felicia Hemans, Mary Shelley, Joanna Baillie, Maria Edgeworth, Maria Jane Jewsbury, Catherine Grace Godwin, and Emmeline Fisher.
WALTER DEAN MYERS AWARD WINNER AMERICAN INDIAN LIBRARY ASSOCIATION YOUTH LITERATURE HONOR INTERNATIONAL LITERACY ASSOCIATION BOOK AWARD WINNER WHIPPOORWHILL AWARD WINNER READING THE WEST BOOK AWARDS SHORTLIST NEA READ ACROSS AMERICA RECOMMENDED TITLE BEST OF THE YEAR Washington Post · Booklist Editors’ Choice · Publishers Weekly · Horn Book · New York Public Library Tsalagi should never have to live on human blood, but sometimes things just happen to sixteen-year-old girls. Making her YA debut, Cherokee writer Andrea L. Rogers takes her place as one of the most striking voices of the horror renaissance that has swept the last decade. Horror fans will get their thrills in this collection – from werewolves to vampires to zombies – all the time-worn horror baddies are there. But so are predators of a distinctly American variety – the horrors of empire, of intimate partner violence, of dispossession. And so too the monsters of Rogers’ imagination, that draw upon long-told Cherokee stories – of Deer Woman, fantastical sea creatures, and more. Following one extended Cherokee family across the centuries, from the tribe’s homelands in Georgia in the 1830s to World War I, the Vietnam War, our own present, and well into the future, each story delivers a slice of a particular time period that will leave readers longing for more. Alongside each story, Cherokee artist and language technologist Jeff Edwards delivers haunting illustrations that incorporate Cherokee syllabary. But don’t just take it from us – award-winning writer of The Only Good Indians and Mongrels Stephen Graham Jones says that "Andrea Rogers writes like the house is on fire and her words are the only thing that can put it out." Man-Made Monsters is a masterful, heartfelt, haunting collection ripe for crossover appeal – just don’t blame us if you start hearing things that go bump in the night. P R A I S E ★ “Many of these stories sound as if they were passed down as family histories. It may read like speculative fiction, but it feels like truth.” —Horn Book (starred) ★ “Stunning collection of short stories follows a Cherokee family through two centuries, beginning with something akin to a vampire attack and ending with zombies.” —BCCB (starred) ★ “Spine-tingling...A simultaneously frightening and enthralling read.” —Publishers Weekly (starred) ★ “Chilling… Exquisite… A creepy and artful exploration of a haunting heritage.” —Kirkus (starred) ★ “Startling…Will leave readers—adults as well as teens—unsettled, feeling like they have caught a glimpse into a larger world.” —Booklist (starred)
Defining Modernism investigates the intellectual connections among three leading nineteenth-century European modernists - Baudelaire, Nietzsche, and Richard Wagner. Through a close reading of Baudelaire's and Nietzsche's essays on art and culture, Wagner's role in the two writers' attempts to define the radically new concept of «modernism» is elucidated. Gogröf-Voorhees explores the affinity between the two writers, which emerges from a juxtaposition of their formulations of the idea of a fractured, contradictory modernity that at once embraces, scatters, and reevaluates an entire constellation of ideas, including romanticism, pessimism, decadence, and nihilism.
This book presents a unique approach towards the study of verbal meaning. It develops a frame-work for capturing the semantics of verbs that is based on the Unified Modeling Language (UML), the lingua franca for the design and modeling of object-oriented systems in computer science. The new graphical framework combines formal precision with conceptual flexibility and allows the representation of very complicated details of verbal meaning, thereby offering a solution for different semantic problems such as polysemy and context-dependency. Besides the framework's development, the book contains a cognitive interpretation of important modeling elements, a discussion of general issues in connection with and well-elaborated applications of the framework. Since the framework is graphical in nature, the book contains many annotated figures, and the framework's modeling elements are illustrated by example diagrams. Not only scholars working in the field of linguistics, in particular in semantics, will find this book illuminating because of its new graphical approach, but also researchers of cognitive science, computational linguistics and computer science in general will surely appreciate it.
Based on a variety of close readings, this book analyzes the use of ice and snow motifs in selected literary, scientific, and philosophical texts by a wide range of European authors from Johannes Kepler to Thomas Mann. The focus of the book is on German literature. While the metaphorical significance of cold imagery has been studied by various scholars, the close relationship between figurations of the cold and writing or reading has so far been overlooked. Compared with other instances of «reading the book of nature», stars or stones for example, the unstable status of snow or ice configurations also renders their literary representation problematic. This inherent tension accounts for the attraction snow and ice have exerted on authors to this day. Particular attention is paid to those texts that negotiate the close rapport between the fragile literary object and the fragile status of language and readability, thus exposing the «fragile legibility» of snow and ice motifs. This focus allows us to address more general issues, such as the shifting status of the aesthetic at the intersection of older natural history and the emergence of modern science; the apocalyptic; and the melancholic implications of cold imagery.
International statistics show that the percentage of women studying mathematics and natural sciences varies greatly between different countries and regions of the world. For example, it is much higher in Eastern and Southern European, Arab and South American countries than in the Scandinavian and Central European countries. This monograph explores the great extent to which the female enrollment rate in mathematics and mathematics-related fields varies in different countries and regions of the world, while also investigating the underlying cultural factors that affect women's differential enrollment rates. The analyses include historical, societal, and psychological variables at the level of culture and also suggest that the psychological constructs of attitude and self-concept play an important role in explaining cross-cultural differences in women's enrollment rates
The idea of brotherhood has been an important philosophical concept for understanding community, equality, and justice. In Gendering Modern Jewish Thought, Andrea Dara Cooper offers a gendered reading that challenges the key figures of the all-male fraternity of twentieth-century Jewish philosophy to open up to the feminine. Cooper offers a feminist lens, which when applied to thinkers such as Franz Rosenzweig and Emmanuel Levinas, reveals new ways of illuminating questions of relational ethics, embodiment, politics, and positionality. She shows that patriarchal kinship as models of erotic love, brotherhood, and paternity are not accidental in Jewish philosophy, but serve as norms that have excluded women and non-normative individuals. Gendering Modern Jewish Thought suggests these fraternal models do real damage and must be brought to account in more broadly humanistic frameworks. For Cooper, a more responsible and ethical reading of Jewish philosophy comes forward when it is opened to the voices of mothers, sisters, and daughters.
This monograph details the entire scientific thought of an influential natural philosopher whose contributions, unfortunately, have become obscured by the pages of history. Readers will discover an important thinker: Burchard de Volder. He was instrumental in founding the first experimental cabinet at a European University in 1675. The author goes beyond the familiar image of De Volder as a forerunner of Newtonianism in Continental Europe. He consults neglected materials, including handwritten sources, and takes into account new historiographical categories. His investigation maps the thought of an author who did not sit with an univocal philosophical school, but critically dealt with all the ‘major’ philosophers and scientists of his age: from Descartes to Newton, via Spinoza, Boyle, Huygens, Bernoulli, and Leibniz. It explores the way De Volder’s un-systematic thought used, rejected, and re-shaped their theories and approaches. In addition, the title includes transcriptions of De Volder's teaching materials: disputations, dictations, and notes. Insightful analysis combined with a trove of primary source material will help readers gain a new perspective on a thinker so far mostly ignored by scholars. They will find a thoughtful figure who engaged with early modern science and developed a place that fostered experimental philosophy.
Elias Canetti is a key thinker in the trend towards the renewal of social theory for the 21st century. He is increasingly being recognised in the social and political sciences for the seminal text, Crowds and Power (1960). While this work can sometimes be criticised for its alleged anti-historicity, anti-modernism, fixation on death, and a dark vision of humankind, Crowds and Power can, in fact, be interpreted as a study and a critique of the mono-dimensionality and the obsessiveness of power. In Canetti's own words, it is an attempt 'to find the weak spot of power' and, ultimately, an invitation to recognise and explore the endless richness of human transformations. Elias Canetti and Social Theory argues that the alleged anti-modernism of Canetti actually makes him more contemporary than many contemporary social-political thinkers. It deals with key concepts within socio-political theory including: commands, increase, resistance, and commonality. Each of these ideas is connected with real, lived social realities making this book a compelling argument for Canetti's crucial relevance today.
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