Core tourist sites for the classical world are the ruins of those many and scattered examples of 'lost' and abandoned towns - from Pompeii to Timgad to Ephesus and Petra. Usually studied for their peaks and growth, rarely are their ends explored in detail, to consider the processes of loss and also to trace their 'afterlives', when they were often robbed for materials even if still hosting remnant populations.This volume breaks new ground by examining the phenomenon of urban loss and abandonment from Roman to medieval times across the former Roman Empire. Through a series of case studies two main aspects are examined: firstly, the sequences and chronologies of loss of sites, roles, structures, people, identity; and secondly the methodologies of study of these sites - from early discoveries and exploitation of such sites to current archaeological and scientific approaches (notably excavation, urban survey, georadar and geophysics) to studying these crucial centres and their fates. How can we determine the causes of urban failure - whether economic, military, environmental, political or even religious? How drawn out was the process of urban decay and abandonment? What were the natures of the afterlives of these sites which archaeology is beginning to trace? How far does scrutiny of these 'extinct' sites help in discussion of archaeological trajectories of sites that persisted? The fourteen core chapters in this collection consider specific examples and case studies of such 'lost' classical cities from across the many Roman provinces in order to address these questions. Bringing together an array of archaeological and historical voices to share views on and findings from excavations and surveys of 'failed' towns, this volume offers much to scholars of Roman, late antique and early medieval and medieval archaeology and history.
The Clash of Legitimacies makes an innovative contribution to the history of the state-building process in late medieval Lombardy (during the 13th to 15th centuries), by illuminating myriad conflicts attending the legitimacy of power and authority at different levels of society. Through the analysis of the rhetorical forms and linguistic repertoires deployed by the many protagonists (not only the prince, but also the cities, communities, peasants, and political factions) to express their own ideals of shared political life, this volume reveals the depth of the conflicts in which opposing political actors were not only inspired by competing material interests - as in the traditional interpretation to be found in previous historiography - but also often were guided by differing concepts of authority. From this comes a largely new image of the late medieval and early Renaissance state, one without a monopoly of force - as has been shown in many studies since the 1970s - and one that did not even have the monopoly of legitimacy. The limitations of attempts by governors to present the political principles that inspired their acts as shared and universally recognized are revealed by a historical analysis firmly intent on investigating the existence, in particular territorial or social ambits, of other political cultures which based obedience to authority on different, and frequently original, ideals.
Designed for rapid reference at the point of care, Manual of Clinical Anesthesiology is the clinician’s go-to resource for practical, clinically focused information on all aspects of anesthesia management. The comprehensive second edition consolidates multidisciplinary expertise in one resource, offering revised and updated content in a highly visual, portable format, with short, easy-to-read chapters, margin icons noting pearls and pitfalls, and more.
We usually see the Renaissance as a marked departure from older traditions, but Renaissance scholars often continued to cling to the teachings of the past. For instance, despite the evidence of their own dissections, which contradicted ancient and medieval texts, Renaissance anatomists continued to teach those outdated views for nearly two centuries. In Books of the Body, Andrea Carlino explores the nature and causes of this intellectual inertia. On the one hand, anatomical practice was constrained by a reverence for classical texts and the belief that the study of anatomy was more properly part of natural philosophy than of medicine. On the other hand, cultural resistance to dissection and dismemberment of the human body, as well as moral and social norms that governed access to cadavers and the ritual of their public display in the anatomy theater, also delayed anatomy's development. A fascinating history of both Renaissance anatomists and the bodies they dissected, this book will interest anyone studying Renaissance science, medicine, art, religion, and society.
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