I'm sure we'll meet again, that's how we parted, but I'm afraid to see him again… Emma, an accountant, followed her mother's instructions and spent her days humble and focused on her work. When a friend invited her to a costume party, she met a charming man by chance and spent a night of passion with him, hiding her true face. When their dream came to an end, they tattooed one half of a heart on each other's body as a token of the night, in case they could see each other again. When Emma went to the company where she was sent as a researcher, she found that Jonah, the CEO, was that man! It's great to see him again, but the woman he loves is the wild woman of that night, and I can't tell him who I really am.
Secret Identity. Secret Baby. They’d worn masks! So after one wild night with a fellow Mardi Gras party guest, accountant Emma Dempsey never expects to see her mysterious seducer again. Her only reminders are a tattoo...and a positive pregnancy test. CEO Jonah Flynn feels a strange connection to his beautiful new auditor. Her tattoo—identical to his own—explains why. They vow to keep things professional, even as desire tempts them away from their good intentions. But when everyone’s secrets are revealed, will Jonah have to choose between his business, his lover and his baby?
You've never used a video guide like this before. You loved Chariots of Fire and you want to see something like it. Where do you start? Look up Chariots of Fire in the index, and find it in Drama. There you'll see it listed under White Flannel Films: Welcome to the glory days of the British empire when the ruling class rode horses on large country estates, servants were in plentiful supply, and only an adulterous lover questioned the status quo. As in other costume dramas, the period details are celebrations of all that was brilliant and luxurious, with the camera sweeping over British, Indian, or African countryscapes and exquisite turn-of-the-century interiors. But all this lush upholstery doesn't cover up the intelligent, thoughtful stories -- usually based on Lawrence, Forster, and Waugh novels -- played by stellar British actors. In White Flannel Films there are concise, witty reviews of select movies like A Room with a View A Passage to India Heat and Dust The Shooting Party Out of Africa White Mischief and more There is also a unique ratings system that helps you distinguish the bombs from the sleepers. But the key is that all these films offer the same kind of viewing experience -- if you like one, chances are good you'll like the others, too. Seen That, Now What? is your own personal video genius, who knows everything about movies and exactly what you like to watch.
No study of women's history in the United States is complete without an account of Lucy Stone's role in the nineteenth-century drive for legal and political rights for women.This first fully documented biography of Stone describes her rapid rise to fame and power and her later attempt at an equitable mariage. Lucy Stone was a Massachusetts newspaper editor, abolitionist, and charismatic orator for the women's rights movement in the last half of the nineteenth century. She was deeply involved in almost every reform issue of her time. Charles Sumner, Frederick Douglass, William Lloyd Garrison, Julia Ward Howe, Horace Greeley, and Louisa May Alcott counted themselves among her friends. Through her public speaking and her newspaper, the Woman's Journal, Stone became the most widely admired woman's rights spokeswoman of her era. In the nineteenth century, Lucy Stone was a household name. Kerr begins with Stone's early roots in a poor family in western Massachusetts. She eventually graduated from Oberlin College and then became a full-time public speaker for an anti-slavery society and for women's rights. Despite Stone's strident anti-marriage ideology, she eventually wed Henry Brown Blackwell, and had her first child at the age of thirty-nine. Although Kerr tells us about Stone's public accomplishments, she emphasizes Stone's personal struggle for autonomy. "Lucy Stone (Only)" was Stone's trademark signature following her marriage. Her refusal to surrender her birth name was one example of her determination to retain her individuality in an era where a woman's right to a separate identity ended with marriage. Of equal importance is Kerr's discussion of Stone's relationship with Susan B. Anthony and Elizabeth Cady Stanton, as well as her revisionist treatment of the schism which eventually divided Stone from Stanton and Anthony. Stone urged legislators not to ignore the need for women's suffrage as they rushed to enfranchise black males. Stanton and Anthony dwelt only on the need for women's suffrage, at the expense of black suffrage. Women's historians, the general reader, and historians of the family will appreciate the story of Stone's attempt to balance the conflicting demands of career and family.
If recent bestsellers such as The Bitch in the House and Midlife Crisis at Thirty serve as any indication of how women are experiencing their thirties, who can blame women embarking upon this decade in their life for panicking? Yet, as the contributors to this thoughtful and inspiring book attest, it doesn't have to be so scary. In The May Queen, a wide array of women-including bestselling author Jennifer Weiner and star of the hit independent film Kissing Jessica Stein Heather Juergensen-describe the conflicting emotions they've felt in response to the "anything is possible" message women of their generation receive. And yet, all of the women featured in this book have found their thirties to be a time of great opportunity-a period in their lives in which they're taking the time to consider what they have lost, what they have gained, and what they still need to learn. This book gives a powerful voice to a new generation of women beginning to make its mark on the world.
This unique Irish law book is a core text for any student of medicine, dentistry, radiography, physiotherapy, psychiatry or nursing, as well as legal practitioners advising clients in this area. Medical Law in Ireland (originally titled: Clinical Practice and the Law) brings together all applicable Irish law in an easy-to-read style and provides clear day-in day-out guidance for clinical practitioners, students and legal practitioners working in Ireland. This new edition sees an added emphasis on those areas of interest to legal practitioners, however there remains a wealth of information for those working in medical fields. Of particular note in this regard are the chapters on Clinical Negligence, Consent to Medical Treatment, End of Life, and Coroners Law and Other Issues arising after Death. These are all given in-depth treatments which provide the necessary information for those in day-to-day practice as well as those with an academic interest. Recent legislative changes are taken into account such as 2015's Montgomery vs Lanarkshire Health Board, as well as cases from the Medical Council. The two chapters on mental health reflect the growing importance need for clarity in this area. Author Simon Mills trained and qualified first as a doctor before moving into law. Now a barrister, he has specialized in medical law and brings both aspects of his experience to his work. His areas of particular interest are in clinical negligence, professional regulatory law, mental capacity and coroners' inquests.
Sustainable development is now widely accepted as a political objective in the UK and elsewhere but to what extent has the UK’s rhetoric on sustainable development become a reality? The aim of this book is to critically examine the UK’s approach to promoting and delivering sustainable development. It begins by providing a detailed account of UK law on sustainable development by reviewing the various policy, institutional and legal mechanisms used by the UK since the 1980s and by devolved administrations since devolution took effect in 1999. Progress has been slow, too slow and, according to the scientists, time is running out. To deal with this lack of progress, the book advocates increasing the status of ecological sustainability and sustainable development through the introduction of a wide range of legal mechanisms which would compel the change needed. The book calls for ecological sustainability, or respecting the Earth’s environmental limits, to be afforded the status of legal principle and argues that with ecological sustainability at its normative core, sustainable development could provide an effective framework for decision making and governance. It argues that to support this approach and ensure consistency, the time has come for sustainable development to receive explicit legal backing. Over and above its symbolic and educational value, legislation can impose mandatory rules on policymakers and decision makers, often with meaningful consequences both inside and outside the courtroom. To this end, the book contributes to the theory on sustainable development governance by suggesting three possible legislative approaches for such intervention. The volume concludes that while a lack of leadership on sustainable development may hinder the introduction of these innovations, once introduced, these innovations would equally provide much needed support for effective leadership towards a sustainable future. Andrea Ross is a Reader in the School of Law at the University of Dundee and has taught and researched in the areas of public and environmental law for over 18 years. Before becoming an academic she qualified as a Barrister and Solicitor in Ontario, Canada. An Earthscan from Routledge book.
I'm sure we'll meet again, that's how we parted, but I'm afraid to see him again… Emma, an accountant, followed her mother's instructions and spent her days humble and focused on her work. When a friend invited her to a costume party, she met a charming man by chance and spent a night of passion with him, hiding her true face. When their dream came to an end, they tattooed one half of a heart on each other's body as a token of the night, in case they could see each other again. When Emma went to the company where she was sent as a researcher, she found that Jonah, the CEO, was that man! It's great to see him again, but the woman he loves is the wild woman of that night, and I can't tell him who I really am.
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