With this lucid translation of Du litteraire au filmique, André Gaudreault's highly influential and original study of film narratology is now accessible to English-language audiences for the first time. Building a theory of narrative on sources as diverse as Plato, The Arabian Nights,and Proust, From Plato to Lumière challenges narratological orthodoxy by positing that all forms of narrative are mediated by an "underlying narrator" who exists between the author and narrative text. Offering illuminating insights, definitions, and formal distinctions, Gaudreault examines the practices of novelists, playwrights, and filmmakers and applies his theory to the early cinema of the Lumière brothers and more recent films. He also enhances our understanding of how narrative develops visually without language - monstration - by detailing how the evolution of the medium influenced narratives in cinema. From Plato to Lumière includes a translation of Paul Ricoeur's preface to the French-language edition as well as a new preface by Tom Gunning. It is a must-read for cinema and media students and scholars and an essential text on the study of narrative.
With this lucid translation of Du litteraire au filmique, André Gaudreault's highly influential and original study of film narratology is now accessible to English-language audiences for the first time. Building a theory of narrative on sources as diverse as Plato, The Arabian Nights,and Proust, From Plato to Lumière challenges narratological orthodoxy by positing that all forms of narrative are mediated by an "underlying narrator" who exists between the author and narrative text. Offering illuminating insights, definitions, and formal distinctions, Gaudreault examines the practices of novelists, playwrights, and filmmakers and applies his theory to the early cinema of the Lumière brothers and more recent films. He also enhances our understanding of how narrative develops visually without language - monstration - by detailing how the evolution of the medium influenced narratives in cinema. From Plato to Lumière includes a translation of Paul Ricoeur's preface to the French-language edition as well as a new preface by Tom Gunning. It is a must-read for cinema and media students and scholars and an essential text on the study of narrative.
Fourteen Quebec federalists dare to re-imagine the province and its defining role within a stronger Canada Quebecers have been debating their future relative to Canada since before Confederation, though the discussions have been most heated during the past four decades. In this time the debate has gone around in circles. Now, instead of presenting the often-repeated theme of Quebecois as constantly victimized by Canada, 14 Quebec personalities come together to propose a new vision which affirms Quebec's autonomy and includes it in building a strong, federal Canada. Eschewing traditional arguments which they claim prevent modern Quebec from advancing, lead to sterile debates, allow Quebecers to shirk responsibility and feed their victim complex, the contributors to this volume draw on their varied professional backgrounds as politicians, militants, intellectuals to invite Quebecers (and other Canadians) to rediscover the extraordinary potential of a well-crafted and properly realized federalism. Among the arguments, former provincial justice minister Martin Cauchon analyzes the evolution of the Constitution, discusses how Quebecois have used it as a tool to feed political debate and makes the argument that Quebec should acknowledge that the document reflects diversity and sign it, the sooner the better. Law professor Jean Leclair refutes the claim that nationality is exclusive, urging Quebecois to consider themselves both Quebecois and Canadian. UNESCO ambassador Marie Bernard-Meunier critiques the existing Canadian federal structure which she claims denies the provinces an institutionalized role at that level and suggests that an elected Senate and a commitment to unity might solve the problem. Although it was largely ignored by the French Canadian media when it was first published in French in 2007, The Reconquest of Canada is a breath of fresh air in the ongoing debate regarding Quebec's position relative to Canada. In this important book, the authors deliver a strong message that federalism provides Quebecers with the opportunity not only to find autonomy but to participate in the building of a united Canada. It is a clear, conciliatory treatise that paves the way for fresh voices and constructive discussion about the future of Canadian politics.
An authoritative companion that offers a wide-ranging thematic survey of this enduringly popular cultural form and includes scholarship from both established and emerging scholars as well as analysis of film noir's influence on other media including television and graphic novels. Covers a wealth of new approaches to film noir and neo-noir that explore issues ranging from conceptualization to cross-media influences Features chapters exploring the wider ‘noir mediascape’ of television, graphic novels and radio Reflects the historical and geographical reach of film noir, from the 1920s to the present and in a variety of national cinemas Includes contributions from both established and emerging scholars
This book introduces a novel approach to discrete optimization, providing both theoretical insights and algorithmic developments that lead to improvements over state-of-the-art technology. The authors present chapters on the use of decision diagrams for combinatorial optimization and constraint programming, with attention to general-purpose solution methods as well as problem-specific techniques. The book will be useful for researchers and practitioners in discrete optimization and constraint programming. "Decision Diagrams for Optimization is one of the most exciting developments emerging from constraint programming in recent years. This book is a compelling summary of existing results in this space and a must-read for optimizers around the world." [Pascal Van Hentenryck]
Heralding the digital era of cinema as a return to its roots as a crossroads of other media and cultural practices, André Gaudreault and Philippe Marion challenge the prognosis that cinema is dying, arguing that cinema has always been more an "evolving patchwork of federated cultural series" than a static form with a fixed identity. In a discussion ranging from early cinema, of which today's media landscape a century later is an eerie reflection, to opera films in local movie theatres to the "return of cinema's repressed" - animation, and now performance capture - The Kinematic Turn: Film in the Digital Era and its Ten Problems lays out a roadmap for negotiating the issues that will confront cinema in the years ahead as it increasingly mingles with other media. In the process the authors coin another neologism in their extensive repertoire, the "kinematic," or the shift from the medium cinema to a convergence of moving image media, one that will engender a major "turn" in study of the field. This expanded second edition includes a lengthy interview with the authors on the developments in their thinking since this volume was first published.
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