Slow Motion is a collection of non-fiction stories (essays and interviews) about walking. The collection has been written over a period of six years and so the book has become something of a documentary project, witnessing transformation in South Africa through the eyes of pedestrians across the economic, racial and age spectrum. The book could be described as documenting recent history. Though it inevitably looks at the issue of crime, and how we have moved from a race-based to a class-based society and pedestrians of all colours continue to be marginalised and thought of as second-class citizens in an increasingly autocentric society, it is essentially an optimistic book. It tells the stories of South Africans (and visitors) who have chosen to 'reclaim the streets' from predators and traffic. While the focus is primarily on Johannesburg, several of the stories are about Cape Town, contrasting the experience of walking in these two cities. Other international cities such as Los Angeles, Paris, London and Mumbai are also visited along the way. The style of the book is such that, while it can be opened anywhere and each story can be read and enjoyed on its own (a bedside-table book), the stories are interlinked, as people's paths inevitably cross. There is a bigger story at play as well. The band of pedestrians includes writers, artists, political activists, disabled people, dogs and their owners, Walk for Life members, Jews on the Sabbath, domestic workers, refugees, babies learning to walk, and even a golfer and a caddie. The purpose of the book is both to entertain and inform readers"--Publisher's website.
Four-hundred-twenty-five books are reviewed in this superb collection. A Second Look, Native Americans in Childrens Books gives a thorough examination of the books as a guide for parents, teachers, librarians, and administrators interested in books for children. Anyone involved in selecting books will find this guide useful in working through the maze of available materials. Andie Peterson, one of the few women to be awarded an Eagle Feather, has provided a meaningful criteria to help in judging books. She outlines ways for objectively studying books to draw conclusions as to the suitability for the reader. She writes candidly about books filled with stereotypes, hurtful images, and damaging text and illustrations. She writes eloquent, glowing reviews of the books that are real treasures. She writes: On a daily basis, children must face the hidden curriculum that lets them know where they fit in, whether they can achieve their goals, whether they even dare to dream. An overwhelming part of that hidden curriculum begins with books that are more narrative and illustrations; they are books that carry a message of politics and values. Andie advises that in selecting Native American books, the non-Native child must be considered, also. She counsels that hurtful books set in motion attitudes of prejudice that persist for years. She states that she has reviewed books with older copyrights because they are still on the shelves in libraries and available via the Internet. She says reading the older books helps to understand how adults have formed ideas about Native people. She says: After all, if its in a book in the library, people believe it to be true. Its time to disturb the peace and end the ritual of damage. A Second Look, Native Americans in Childrens Books By Andie Peterson
Winner, 2023 Columbia University Press Distinguished Book Award Winner, 2023 Frank Luther Mott / Kappa Tau Alpha Research Award Winner, 2023 Journalism Studies Division Book Award, International Communication Association Winner, 2023 History Book Award, Association for Education in Journalism and Mass Communication Long before the current preoccupation with “fake news,” American newspapers routinely ran stories that were not quite, strictly speaking, true. Today, a firm boundary between fact and fakery is a hallmark of journalistic practice, yet for many readers and publishers across more than three centuries, this distinction has seemed slippery or even irrelevant. From fibs about royal incest in America’s first newspaper to social-media-driven conspiracy theories surrounding Barack Obama’s birthplace, Andie Tucher explores how American audiences have argued over what’s real and what’s not—and why that matters for democracy. Early American journalism was characterized by a hodgepodge of straightforward reporting, partisan broadsides, humbug, tall tales, and embellishment. Around the start of the twentieth century, journalists who were determined to improve the reputation of their craft established professional norms and the goal of objectivity. However, Tucher argues, the creation of outward forms of factuality unleashed new opportunities for falsehood: News doesn’t have to be true as long as it looks true. Propaganda, disinformation, and advocacy—whether in print, on the radio, on television, or online—could be crafted to resemble the real thing. Dressed up in legitimate journalistic conventions, this “fake journalism” became inextricably bound up with right-wing politics, to the point where it has become an essential driver of political polarization. Shedding light on the long history of today’s disputes over disinformation, Not Exactly Lying is a timely consideration of what happens to public life when news is not exactly true.
It is never too early to start comprehension instruction. In fact, reading begins with meaning making. Andie Cunningham and Ruth Shagoury designed a reading program for five- and six-year-olds based on this premise. Most of the students in Andie's Portland, Oregon, kindergarten class have little or no alphabet knowledge when they enter the classroom in the fall. English is a second--or third--language for many of the children in this low-income neighborhood. Through research-based principles, carefully structured routines, and innovative activities, even the youngest learners can develop comprehension skills from their first days in school. The children in Starting with Comprehension are grappling with school culture for the first time and learning to work with classmates who speak a variety of different languages. These emergent readers learn to present their understanding of what they read through writing, talk, movement, and art. Kindergartners and preschoolers are different from readers who know how to decode texts. Andie and Ruth show how comprehension skills can be nurtured and strengthened even before decoding begins. In this classroom, meaning making becomes part of community building as children link reading, thinking, and communicating.
Now an original series starring Rosamund Pike as Moiraine! Created with the cooperation of the Jordan estate, adapted by well-known comics writer Chuck Dixon and illustrated by the talented Chase Conley, The Eye of the World: The Graphic Novel has been hailed as an exciting interpretation of Robert Jordan's classic fantasy novel. This final volume features brilliant interior art by Francis Nuguit. The Eye of the World: the Graphic Novel, Volume Six, Rand al'Thor and his companions—his old friends from Emond's Field; the brave warrior Lan Mandragoran; and Moiraine, the mysterious and powerful Aes Sedai—have at last been reunited. Their journey in search of the Eye of the World nears its climax as they dare the otherworldly Ways, guided by an Ogier, Loial, and narrowly escape the menace of the soul-stealing Machin Shin. When the group reaches the realm of the Green Man, they believe themselves safe. But two of the Forsaken are waiting for them, ready to attack and to guide their dark lord, Ba'alzamon, to the ones he has been seeking! When the three young men left Emond's Field, they were untried blades. Their long journey has stolen much of their innocence and made them seasoned warriors, given them powers and gifts they did not seek and are still learning how to use. But not until the final moments are they sure which of them the Dark One intends to claim...and whether that one is strong enough to fight back and survive. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
An office attraction becomes something more when they're off the clock in this delightful romantic comedy by the USA Today bestselling author of Not the Girl You Marry. State attorney Bridget Nolan is successful in all aspects of her life—except romance. After breaking up with her longtime boyfriend, she's been slow to reenter the dating scene. To be honest, she has more important things to do like putting bad guys behind bars. But with her brother's wedding right around the corner, she suddenly needs a date and fast. Lucky for Bridget, the legal intern is almost done with his program. Matt Kido is dumbstruck by Bridget—total love at first sight—but there's one problem. She's totally off-limits while she's his boss. But the moment he no longer reports to her, Matt decides to take a chance. An impulsive decision takes them to Las Vegas where, as the saying goes, what happens in Vegas, stays in Vegas. Unless you put a ring on it.
Two notorious antebellum New York murder cases--a prostitute slashed in an elegant brothel and a tradesman bludgeoned by the brother of inventor Samuel Colt--set off journalistic scrambles over the meanings of truth, objectivity, and the duty of the press that reverberate to this day. In 1833 an entirely new kind of newspaper--cheap, feisty, and politically independent--introduced American readers to the novel concept of what has come to be called objectivity in news coverage. The penny press was the first medium that claimed to present the true, unbiased facts to a democratic audience. But in Froth and Scum, Andie Tucher explores--and explodes--the notion that 'objective' reporting will discover a single, definitive truth. As they do now, news stories of the time aroused strong feelings about the possibility of justice, the privileges of power, and the nature of evil. The prostitute's murder in 1836 sparked an impassioned public debate, but one newspaper's 'impartial investigation' pleased the powerful by helping the killer go free. Colt's 1841 murder of the tradesman inspired universal condemnation, but the newspapers' singleminded focus on his conviction allowed another secret criminal to escape. By examining media coverage of these two sensational murders, Tucher reveals how a community's needs and anxieties can shape its public truths. The manuscript of this book won the 1991 Allan Nevins Prize of the Society of American Historians for the best-written dissertation in American history. from the book Journalism is important. It catches events on the cusp between now and then--events that still may be changing, developing, ripening. And while new interpretations of the past can alter our understanding of lives once led, new interpretations of the present can alter the course of our lives as we live them. Understanding the news properly is important. The way a community receives the news is profoundly influenced by who its members are, what they hope and fear and wish, and how they think about their fellow citizens. It is informed by some of the most occult and abstract of human ideas, about truth, beauty, goodness, and justice.
In many North American indigenous cultures, history and stories are passed down, not by the written word, but by oral tradition. In Maps of Experience, Andie Diane Palmer draws on stories recorded during travels through Secwepemc or Shuswap hunting and gathering territory with members of the Alkali Lake Reserve in Interior British Columbia. Palmer examines how the various kinds of talk allow knowledge to be carried forward, reconstituted, reflected upon, enriched, and ultimately relocated by and for new interlocutors in new experiences and places. Maps of Experience demonstrates how the Secwepemc engagement in the traditional practices of hunting and gathering create shared lived experiences between individuals, while recreating a known social context in which existing knowledge of the land may be effectively shared and acted upon. When the narratives of fellow travellers are pooled through discursive exchange, they serve as what can be considered a map of experience, providing the basis of shared understanding and social relationship to territory. Palmer's analysis of ways of listening and conveying information within the Alkali Lake community brings new insights into indigenous language and culture, as well as to the study of oral history, ethnohistory, experimental ethnography, and discourse analysis.
A woman hiking the shoreline of Lake Superior fears she's having a heart attack and gives an exquisite necklace to a good Samaritan who comes to her aid. "Don't tell a soul," she warns, "except Molly Berg." When the woman is brutally murdered, the young female hiker becomes a target for death and must run for her life. Why would someone kill a loving grandmother on a beautiful summer day? How does that crime connect to the New Year's Day disappearance of the woman who designed the necklace? What about the designer's husband who vanished the same day? And how does it all link to a 1984 murder in Minnesota's Scott County? When Laura Kjelstad begins connecting the dots of the crimes, she becomes the next target. The necklace leads her to Sedona, Arizona, where she uncovers dark secrets and corruption on a global level. Only a handful of people know that she's gone to Arizona, but a friend who accompanied her is kidnapped in Prescott and is terrorized on a harrowing trip down the mountain to Camp Verde. Someone knows the answers and has turned his sights on Laura. A young widow, Laura is the first woman mayor of a small town in northern Minnesota. In the midst of a blistering reelection campaign, her opponents deal in hostility, misinformation, and outright lies. Her rival calls out the Internet trolls to defeat her, but Laura leaned from her Norwegian grandparents how to deal with trolls. Peterson deftly handles both pacing and plotting and ties the subplots together superbly. The reader is rewarded with a genuine understanding of the strongly drawn characters and gains insights into the real life of small town politics in all its decency and ugliness. The book is balanced with a bit of romance and gentle humor that enriches the novel.
For 40 years a civil war has raged within the Mishima family, one that has pitted father against son, grandfather against grandson, for control of the Mishima Zaibatsu Corporation. The King of Iron Fist Tournament – a legendary martial arts contest that pits the world’s strongest fighters against each other in the quest for fortune and glory – has been home to many such battles. After gaining ownership of Mishima Zaibatsu following his triumph in the fifth King of Iron Fist Tournament, Jin Kazama used his position to instigate a worldwide war in an attempt to awaken the nefarious demon Azazel. Sacrificing himself in order to defeat the beast, Jin hoped to rid himself of the Devil Gene that taints his bloodline… but following Azazel’s demise, he discovered the curse still remains within him. Now, with Jin’s current whereabouts unknown and ownership of the Zaibatsu reverting back to the diabolical Heihachi, the fate of the world remains unclear.
Originally called Marshfield, the city of Coos Bay has transitioned from a pioneer and frontier boomtown that was developed by coalminers, shipbuilders, timber men, and entrepreneurs. The rich, pioneer history of Coos Bay is predated by the Coos Indians, who maintained many villages along the bay and survived in peaceful harmony with nature until forcibly removed by white settlers in the 1860s. After merging with nearby Eastside and Empire, the city is now the largest municipality in Coos County and on the entire coastline of the state of Oregon.
In the early 19th century, Coquille was quiet and inhabited by Upper Coquille Native Americans. This changed when Evan Cunningham, the first European settler, arrived in the 1860s. Soon thereafter, others arrived. In the 1880s, homes, businesses, and a sawmill appeared. Riverboat transportation became established. The first wagon road was completed to Marshfield. In the 1890s, a railroad was constructed from Marshfield to Coquille and on to Myrtle Point, setting the stage for a dramatic expansion of the timber industry, dairy farming, and coal mining. By the 1920s, electric power, telephones, automobiles, and paved roads were the norm. Technology supported growth in the timber industry and stimulated population growth. As a result, many new and larger buildings were erected, giving Coquille a vibrant downtown with a bit of an urban feel.
A young widow, Laura Kjelstad is the first woman mayor of Birch Bay, a small town in northern Minnesota. She easily won a blistering re-election, but her opponents dont rest easily. Lauras fundraising idea for her small town is generating lots of enthusiasm and more than expected participants. A gingerbread house event is being held at The Raspberry Point Inn owned by Lauras friends, Gary and Molly Berg. Proceeds will go to area non-profits. The designs are outstanding: the Old Depot, the local high school, Enger Tower; so many entries that the Inn is displaying them throughout the building. One of the visitors to the event is Tony Harrington, the man known throughout the state as having the golden touch, owner of restaurants and real estate. Tony generates excitement wherever he goes and people gather around him in clusters. In the midst of the successful event, Tony Harrington is murdered while in his car near Birch Bay, gunshots to his head and back. One of the judges for the contest is found dead in her home in Superior, Wisconsin, gunshots to her head and back, just like Tony. Although Laura easily won re-election, her opponents continue to deal in misinformation and outright lies. A friend has created a blogspot for her, but her rivals send out the Internet trolls. Laura can deal with the trolls, but murder in her midst is a whole different story. Laura discovers that Tony has kept a host of secrets and she begins to connect the dots only to discover that the connections are shocking revelations. Even when Laura becomes the damsel in distress, it is up to her to save herself and her future boss.
One Mistake Carla Hernandez needs to drop off the glamorous Miami grid. Her aunt's house in Havana seems the perfect place to get over being dumped by her fiancé—and figure out why she keeps messing up her life. But photojournalist Jonah Kane’s unexpected presence is one sizzling mistake she’s hungry to make. One Temptation Jonah thought his favorite Cuban refuge would help him get some badly-needed peace. Still, he’s ridden out way worse than the tropical storm trapping him with Carla. And he’s going to handle this spoiled little princess on his own dominant, seductive terms just until the storm is over. Too bad this sexy wild card only makes him only want more. And more . . . No Restraints Now Carla’s back home—but not quite alone. When her baby is born, she’s going to raise it on her own, no matter how much she still burns for Jonah. But Jonah can’t get over her irrepressible spirit or the passion they shared. And trying to walk away is only making things too hot to resist . . . “Break of Day does not disappoint. Readers will be swept away by the lustful looks, tumultuous pasts, and unapologetic sex drive of the protagonists.” —RT Book Reviews
One of Amazon's Best Romances of June! Alex Turner is never The One—but always the last one an ex dates before finding love—and now she’s determined to find out why in this hilarious new rom-com. Single divorce attorney Alex Turner is watching reality TV when she sees her latest ex’s new fiancée picking out her wedding dress. Yet again, the guy she dumped went on to marry (or at least seriously commit to) the next person he dates after her. Fed up with being the precursor to happily ever after, she decides to interview all her exes to find out why. Up-and-coming chef Will Harkness mixes with Alex like oil and vinegar, but forced proximity growing up means their lives are forever entwined. When Will learns Alex and her friends are going on a wild romp through Los Angeles to reconnect with her ex-boyfriends, he decides to tag along. If he can discover what her exes did wrong, he can make sure he doesn’t make the same mistake with Alex. On this nonstop journey through the streets of LA, Alex realizes the answer to her question might be the man riding shotgun…
The Brand of Print offers a comprehensive analysis of the ways printers, publishers, stationers, and booksellers designed paratexts to market printed books as cultural commodities. This study traces envoys to the reader, visual design in title pages and tables of contents, and patron dedications, illustrating how the agents of print branded their markets by crafting relationships with readers and articulating the value of their labor in an increasingly competitive trade. Applying terms from contemporary marketing theory to the study of early modern paratexts, Andie Silva encourages a consideration of how print agents' labor and agency, made visible through paratextual design, continues to influence how we read, study, and digitize early modern texts.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.