Rushmore is the second work from the team of Wes Anderson and Owen Wilson following the success of their debut screenplay and film Bottle Rocket. It is a refreshingly offbeat comedy about young Max Fish, a precocious pupil at a conservative private school. He is a live wire, a teenager full of madcap entrepreneurial schemes that usually in failure. His personal life becomes similarly complicated when he falls for his elegant teacher, Rosemary Cross, and finds himself vying for her favor with Herman Blume-who is portrayed in the film by Bill Murray-the wealthy father of two of his classmates. Max ultimately proves himself a figure of some tenacity as he negotiates the minefield of love, desire, and adolescence.At the Toronto Film Festival, Screen International called Rushmore "a real charmer filled with surprise twists and emotions that avoid sentimentality . . . A little gem.
Three grown prodigies, all with a unique genius of some kind, and their mother are staying at the family household. Their father, Royal, had left them long ago, but now returns to make things right with his family.
More than 50 years ago, New Zealand’s Arthur Lydiard started using terms like base training, periodization, and peaking. His U.S. counterpart, Bill Bowerman, brought Lydiard’s term for what until then had been called roadwork, or jogging, to the States. Soon after, the 1970s running boom started, spurred by exercise-advocating research from the growing fields of exercise science and sports medicine and from enthusiasts such as Jim Fixx, author of The Complete Book of Running. One of Bowerman’s former runners at the University of Oregon, Phil Knight, saw to it that those millions of new runners had swoosh-adorning footwear designed specifically for their sport. The pace of knowledge enhancement and innovation has, in fact, been so brisk through the years that even highly informed runners could be excused for not keeping up, but no longer. Running Science is a one-of-a-kind resource: • An easily comprehended repository of running research • A wealth of insights distilled from great sport and exercise scientists, coaches, and runners • A do-it-right reference for a host of techniques and tactics • An array of the most credible and widely used training principles and programs • Perhaps most of all, a celebration of the latest science-based know-how of running, now truly the world’s most popular sport Running Research News and Training Update editor Owen Anderson presents this comprehensive work in a compelling way for runners. A PhD and coach himself, Anderson has both a great enthusiasm for sharing what scientific studies offer the running community and a keen sense of what’s really important for today’s informed runners to know.
Trieste Publishing has a massive catalogue of classic book titles. Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of books in our collection have been sourced from libraries and private collections around the world.The titles that Trieste Publishing has chosen to be part of the collection have been scanned to simulate the original. Our readers see the books the same way that their first readers did decades or a hundred or more years ago. Books from that period are often spoiled by imperfections that did not exist in the original. Imperfections could be in the form of blurred text, photographs, or missing pages. It is highly unlikely that this would occur with one of our books. Our extensive quality control ensures that the readers of Trieste Publishing's books will be delighted with their purchase. Our staff has thoroughly reviewed every page of all the books in the collection, repairing, or if necessary, rejecting titles that are not of the highest quality. This process ensures that the reader of one of Trieste Publishing's titles receives a volume that faithfully reproduces the original, and to the maximum degree possible, gives them the experience of owning the original work.We pride ourselves on not only creating a pathway to an extensive reservoir of books of the finest quality, but also providing value to every one of our readers. Generally, Trieste books are purchased singly - on demand, however they may also be purchased in bulk. Readers interested in bulk purchases are invited to contact us directly to enquire about our tailored bulk rates.
The Natural Moral Law argues that the good can be known and that therefore the moral law, which serves as a basis for human choice, can be understood. Proceeding historically through ancient, modern and postmodern thinkers, Owen Anderson studies beliefs about the good and how it is known, and how such beliefs shape claims about the moral law. The focal challenge is whether the skepticism of postmodern thinkers can be answered in a way that preserves knowledge claims about the good. Considering the failures of modern thinkers to correctly articulate reason and the good and how postmodern thinkers are responding to these failures, Anderson argues that there are identifiable patterns of thinking about what is good, some of which lead to false dichotomies. The book concludes with a consideration of how a moral law might look if the good is correctly identified.
After the challenges of the Enlightenment from philosophers such as David Hume, contemporary philosophers of religion tend to think that proof is not possible and that at best humans have arguments for the probability or plausibility of belief in God. But, Christianity maintains that humans should know God. This book explores attempts to respond to the Enlightenment challenges by thinkers at Princeton Theological like Benjamin Warfield. It considers Warfield's view of reason and knowledge of God, his debate with Abraham Kuyper, and the attempt to reconcile differences between these two by Cornelius Van Til. It also considers Reformed Epistemology, which has become popular in recent decades and is credited for a renewed interest in Christian philosophy.
Owen is a little bug who loves to play with his friends in the sun! But, when a storm rolls in, and his friends get taken by a big wave, he will need to find a way to save them. Find out how Owen discovers strength and courage to overcome his fears order to save the day!
The Clarity of God's Existence examines the need for theistic proofs within historic Christicanity, and the challenges to these since the Enlightenment. Historically (and scripturally), Christianity has maintained that unbelief is inexcusable. If failing to know God is a sin, the immplication is that humans can and should know God. Humans should know God because his eternal power and divine nature are clearly revealed in the things that are made. And yet, Anderson argues, more time is spent on avoiding the need for clarity to establish inexcusability than on actually providing an argument or proof. Proofs that rely on Aristotle or Plato and that establish a Prime Mover or designer are thought to be sufficient. But the adequacy of these, not only to prove the God of theism, but also to prove anything at all, has been called into question by Enlightenment thinkers like David Hume. After considering the traditional proofs, and tracing the history of challenges to theistic proofs (from Hume to Kant and down to the twentieth century) Anderson argues that the standard methods of apologetics have failed to sufficiently respojnd. Classical Apologetics, Evidentialism, Presuppositionalism, Reformed Epistemology, and others fail to adequately answer the challenges of the Enlighenment. If this is the case, what is the outcome for Christianity? Anderson offers an explanation as to why traditional proofs have failed, and for what is necessary to offer a proof that not only responds to Hume and Kant but also establishes the clarity of God's existence. The traditional proofs failed precisely in not aiming at the clarity of God's existence, and They failed in this because of a faulty view of the goal of Christian life. If the blessed life is to be attained in a direct vision of God in heaven, then there is little to no reason to ask for more than the bare minimum required to get into heaven (justification). Furthermore, if the highest blessing is this direct vision, then the glory of God revealed in his work is considered as less important and even set aside. By way of contrast, if God's eternal power and divine nature are clearly revealed in his works, and the blessing comes in knowing God, then it is of the almost importance for Christianity to demonstrate the clarity of God's existence. "This is an exciting book that advances the status of philosophy of religion by analyzing and probing some fundamental issues in contemmporary philosophy and theology. The emphasis on clarity is, to me, new and fresh and provocative. I'm really surprised that the constellation of clarity, responsiblity, and inexcusability has not been examined in detail before."---Stephen Webb Wabash College
Teaching piety and the highest good have been goals from the beginning of the Academy. Princeton University and Theological Seminary had their start in these same ideas. This book explores the concepts of reason and faith at early Princeton by looking at how this institution was shaped by a pursuit of piety and the knowledge of God.
The Book of Job is about a question for all of us. Why is there suffering? Job is a personal book that speaks to each of us as we face suffering and meaninglessness. Job is a theological book that both builds on the Biblical Worldview and prepares its readers for the Gospel. Job is a philosophical book that critically examines solutions to this question. It is a book centered around a philosophical dialogue. It requires us to find an answer by going deeper in our understanding of the meaning of good and evil. Job's friends call him to repent of fruit sin but his Friend calls him to repent of root sin.
An historic account of northeastern Alameda County, California through the genealogy of three pioneer families who came to follow their dreams in the gold mines, but instead connected their lives near present day Livermore. Here they found a better life raising their families in this fertile, though dry, valley passage between the San Francisco Bay and the mountains of the Mother Lode. The photographs of those families were organized by Lillian Meyers Taylor, whose albums were passed down through her daughter, then her grand daughter, and finally her great-grand daughter who decided she could not let them go unnoticed for another generation.
A mysterious vigilante abducts powerful abusers and exposes them in a twisted “Show Game,” in this psychological thriller by the author of The Preserve. The pandemic may be over, but the world is not safe for those who prey on the innocent. A vigilante known by the alias “Alex” knows what these transgressors have done. And taking them captive is only the first step toward vengeance. In order to be set free, they must first play the Show Game . . . A predatory priest, a double-dealing politician, a fraudulent philanthropist—Alex has ways of making them confess, on camera, for all the world to witness. But the Show Game is building toward a darkly personal finale: exposing society’s most notorious and evil abuser. As Alex gets closer to the main event, investigative reporter Owen Tanaka is determined to unmask the vigilante’s true identity and motive. But when a shocking revelation hits close to home, Owen must decide whether to stop a criminal mastermind’s devious scheme . . . or let the Show Game play its final round.
THE FRENCH DISPATCH brings to life a collection of stories from the final issue of an American magazine published in a fictional 20th-century French city. It stars Bill Murray, Benicio del Toro, Adrien Brody, Tilda Swinton, Léa Seydoux, Frances McDormand, Timothée Chalamet, Lyna Khoudri, Jeffrey Wright, Mathieu Amalric, Stephen Park, and Owen Wilson.
Micah and Ariel are angels and soul mates created to guard the throne room of the Almighty in Heaven. They are incomplete without each other and cannot bear to be apart. But Heaven is under attack and the forces of Hell have a plan to separate them -- by putting them together. Using an infernal sword called the Reever, Lucifer, Prince of Demons, strips the souls of the doomed angels and sends them down to Earth to live as humans. But the moment they come together again in love and passion, they will be free of their Earthly forms and regain their celestial bodies. Knowing this, Lucifer plots to have them sent into the bodies of siblings -- Owen and Leah DeMarko. Growing up with no knowledge of their origins, Owen and Leah are close until Leah suddenly blossoms into womanhood. Then, fearing his unnatural attraction to her, Owen cuts his beloved little sister abruptly out of his life. So begins an epic struggle between right and wrong, desire and illicit love. For Owen and Leah know nothing of their former lives as angels or the war that rages between Heaven and Hell. They only know they must not give in to what they feel for each other for their love is forever...Forbidden. "Publisher's Note: Although Owen and Leah are not related by blood, because of the perceived illicitness of their desire for each other, some readers, particularly those with a history of sexual abuse or incest, may find this story disturbing.
This unique self-teaching Guide facilitates the understanding of complex materials from Property courses. Chronologically organized material familiarizes students with basic concepts and necessary technical vocabulary. The authors graphically explain complex concepts, and provide extensive problem and answer sets. Topics include basic possessory estates, remainders and executory interests in response to the statute of uses, modifications of the common law scheme, and interesting complexities and modern changes"--
For comic book and steampunk fans, the original scripts to the comic book series adapted from the New York Times–bestselling novel based on a Rush album. Clockwork Angels is a steampunk fantasy adventure—and an innovative multimedia feast! Based on a story and lyrics by legendary drummer Neil Peart, Clockwork Angels became the worldwide bestselling concept album by Rush and was developed into a New York Times bestselling and award-winning novel by Kevin J. Anderson. Anderson and Peart, working with comics artist Nick Robles, brought the epic tale to a visual canvas, a six-issue graphic novel published by BOOM! Studios. Clockwork Angels: The Comic Scripts pulls aside the creative curtain, showing the original scripts, panel by panel, interactions between author and artist, as well as all the secret “Easter eggs” intentionally planted throughout the images as a special treat for Rush fans. Clockwork Angels: The Comic Scripts is a fascinating book in its own right, to be studied by comic writers, Rush fans, Kevin J. Anderson fans—and anyone interested in a truly astonishing story of a young man’s journey across a remarkable steampunk landscape with airships, pirates, alchemy, lost cities, a fabulous carnival, and a hero who insists on making his dreams come true. Praise for Clockwork Angels: “Stands on its own merits as a grand adventure tale woven with threads of various themes enough to keep it fresh, exciting and engaging. Ultimately, Clockwork Angels is one of the most human of stories.” —Book Reporter “Firmly planted in the steampunk genre, an epic-scale story . . . with beautiful illustrations . . . a fine piece of dystopian fiction, and it will appeal to readers young and old.” —Booklist
It is said that twins share one of the strongest bonds humanly possible, and that their love is above and beyond that which is standard of normal siblings, so what would drive Richard Riley to kill his twin brother, Albert? Just how deep does their bond go? Could it be a curse rather than a bond? Blunt force trauma has wiped Richard's memory, yet through hypnosis, he channels the memories of his dead brother. But is that all he channels? This is the first novella written by artist and published poet Jonathan Anderson, and it was done as a labor of love. Love of the horror genre across all forms of media, of suspense, and of classic macabre poetry and writing in the vein of Edgar Allan Poe. The goal of this project was not to simply tell a story that has been stirring in the author's mind for quite some time, but also to find an interesting balance between poetry in the form of antagonist dialogue, and traditional formal storytelling. -also available in Kindle format-
The Natural Moral Law argues that the good can be known and that therefore the moral law, which serves as a basis for human choice, can be understood. Proceeding historically through ancient, modern and postmodern thinkers, Owen Anderson studies beliefs about the good and how it is known, and how such beliefs shape claims about the moral law. The focal challenge is whether the skepticism of postmodern thinkers can be answered in a way that preserves knowledge claims about the good. Considering the failures of modern thinkers to correctly articulate reason and the good and how postmodern thinkers are responding to these failures, Anderson argues that there are identifiable patterns of thinking about what is good, some of which lead to false dichotomies. The book concludes with a consideration of how a moral law might look if the good is correctly identified"--
Anderson...details with rare journalistic insight Randolph's meteoric rise from a young radical and street orator in Harlem to the most sought-after black in the labor movement...' -Malcolm Poindexter, The Philadelphia Bulletin
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