In recent history, the arts and sciences have often been considered opposing fields of study, but a growing trend in drawing research is beginning to bridge this divide. Gemma Anderson’s Drawing as a Way of Knowing in Art and Science introduces tested ways in which drawing as a research practice can enhance morphological insight, specifically within the natural sciences, mathematics and art. Inspired and informed by collaboration with contemporary scientists and Goethe’s studies of morphology, as well as the work of artist Paul Klee, this book presents drawing as a means of developing and disseminating knowledge, and of understanding and engaging with the diversity of natural and theoretical forms, such as animal, vegetable, mineral and four dimensional shapes. Anderson shows that drawing can offer a means of scientific discovery and can be integral to the creation of new knowledge in science as well as in the arts.
Over the course of the long 18th century, many of England's grandest country houses became known for displaying noteworthy architecture and design, large collections of sculptures and paintings, and expansive landscape gardens and parks. Although these houses continued to function as residences and spaces of elite retreat, they had powerful public identities: increasingly accessible to tourists and extensively described by travel writers, they began to be celebrated as sites of great importance to national culture. This book examines how these identities emerged, repositioning the importance of country houses in 18th-century Britain and exploring what it took to turn them into tourist attractions. Drawing on travel books, guidebooks, and dozens of tourists' diaries and letters, it explores what it meant to tour country houses such as Blenheim Palace, Chatsworth, Wilton, Kedleston and Burghley in the tumultuous 1700s. It also questions the legacies of these early tourists: both as a critical cultural practice in the 18th century and an extraordinary and controversial influence in British culture today, country-house tourism is a phenomenon that demands investigation.
For more than 20 years, Toronto photo-based artist Sara Angelucci has transformed found photographs and created images exposing the cultural and historical conditions outside the image frame. Her work brings attention to the social forces that generate the language of photography. Her series Aviary — which morphs extinct and endangered birds with 19th-century cartes-de-visite portraits — reveals the colonizing role the camera played in capturing animals for consumption. In her current work, Nocturnal Botanical Ontario, images of entwined native and invasive plants — made with a digital scanner — pay homage to photography as a tool of scientific inquiry. These complex botanical compositions uncover the impacts of settler colonialism and global trade on our ecology. Through acts of empathy, embodiment, and envisioning, the images and essays in Undergrowth seek to reconcile our fraught relationship with the natural world, addressing one of the most critical issues of our time. Undergrowth is a copublication with Art Gallery Sudbury | Galerie d’art de Sudbury.
When the British took control of the Indian Ocean island of Mauritius soon after the abolition of the slave trade, they were faced with a labour-hungry and potentially hostile Franco-Mauritian plantocracy. This book explores the context in which Indian convicts were transported to the island and put to work building the infrastructure necessary to fuel the expansion of the sugar industry. Drawing on hitherto unexplored archival material, it is shown how convicts experienced transportation and integrated into the Mauritian social and economic fabric.
1,700 miles of vibrant cities, coastal towns, and glittering ocean views: Embark on your epic PCH journey with Moon Pacific Coast Highway Road Trip. Inside you'll find: Flexible Itineraries: Drive the entire three-week route or follow suggestions for shorter getaways to Seattle, Portland, San Francisco, Los Angeles, and San Diego Eat, Sleep, Stop and Explore: With lists of the best beaches, views, restaurants, and more, you'll cruise by sky-scraping redwoods, misty green rain forests, and the black sands of the Lost Coast. Slurp fresh-caught oysters, order up Julia Child's favorite street tacos, or kick back with a craft beer. Dance down rainbow-colored streets in San Francisco's Castro District, tour Seattle's underground old city, and see the stars on the Hollywood Walk of Fame Maps and Driving Tools: 48 easy-to-use maps keep you oriented on and off the highway, along with site-to-site mileage, driving times, detailed directions for the entire route, and full-color photos throughout Local Expertise: Californian Ian Anderson shares his love of the open road Planning Your Trip: Know when and where to get gas, how to avoid traffic, tips for driving in different road and weather conditions, and suggestions for seniors, travelers with disabilities, and road trippers with kids With Moon Pacific Coast Highway Road Trip's practical tips and detailed itineraries, you're ready to and hit the road. Doing more than driving through? Check out Moon Seattle, Moon Portland, Moon San Diego, or Moon Los Angeles.
Describes points of interest in each state, recommends restaurants and hotels, and includes information on shopping, transportation, entertainment, and historical sites.
Sometimes you just want to be silly. #1 Bestselling author Kevin J. Anderson is known for his grand science fiction sagas, his epic fantasies, his fast-paced adventures, or his steampunk Clockwork chronicles. But Kevin J. Anderson also has a lighter side. You’ll laugh so hard, brains will come out your nose. What happens when— A wimpy, henpecked man finds an enchanted loincloth that turns him into a real jungle Ape Man? A stranded alien uses his advanced technology to fool audiences as a stage magician? A frustrated monster-movie actor uses a gypsy witch’s special makeup to turn into a real werewolf when the cameras start to roll? A group of heavy-metal fans finds a spell on the internet to raise their favorite dead rock star from the grave for a final encore? A vampire, just minding his own business, wakes from his coffin to find he’s being stalked through his own castle by an over-enthusiastic vampire hunter? A futuristic law firm uses time travel as a legal loophole to win their client’s case? Dan Shamble, Zombie P.I. takes on the Boogeyman for a client, or is hired out to save a sacrificial Aztec Christmas turkey? These twenty stories cover a range of slapstick, subtle, short-short, and groaner humor. The Funny Business also includes for the very first time the scripts of the hilarious comic miniseries Grumpy Old Monsters, never before published. Beware—silliness ahead. Open the book, and prepare to snicker!
Deluxe, illustrated edition of a brief, quirky memoir of Stephen Warde Anderson, self-taught Midwestern outsider/folk artist featuring commentary on his career, his background, his inspirations, and his eccentric lifestyle. Included are hundreds of images of paintings executed in the past twenty-five years.
A common theme of western American art is the transformation of the land through European-American exploration and resettlement. In this book, the authors look at western American art of the past three centuries, re-evaluating it from the perspectives of history, art history and American studies.
The Digital Future of Museums: Conversations and Provocations argues that museums today can neither ignore the importance of digital technologies when engaging their communities, nor fail to address the broader social, economic and cultural changes that shape their digital offerings. Through moderated conversations with respected and inf luential museum practitioners, thinkers and experts in related fields, this book explores the role of digital technology in contemporary museum practice within Europe, the U.S., Australasia and Asia. It offers provocations and reflections about effective practice that will help prepare today’s museums for tomorrow, culminating in a set of competing possible visions for the future of the museum sector. The Digital Future of Museums is essential reading for museum studies students and those who teach or write about the museum sector. It will also be of interest to those who work in, for, and with museums, as well as practitioners working in galleries, archives and libraries.
The history of women and art in Canada has often been celebrated as a story of progress from amateur to professional practice. Rethinking Professionalism challenges this narrative by questioning the assumptions that underlie the category of artistic professionalism, a construct as influential for artistic practice as it has been for art historical understanding. Through a series of in-depth studies, contributors examine changes to the infrastructure of the art world that resulted from a powerful discourse of professionalization that emerged in the late- nineteenth century. While many women embraced this new model, others fell by the wayside, barred from professional status by virtue of their class, their ethnicity, or the very nature of the artworks they produced. The richly illustrated essays in this collection depict the changing nature of the professional paradigm as it was experienced by women painters, photographers, craftspeople, architects, curators, gallery directors, and art teachers. In so doing, they demonstrate the ongoing power of feminist art history to disrupt patterns of thought that have become naturalized and, accordingly, invisible. Going beyond the narratives of recovery or exclusion that the category of professionalism has traditionally encouraged, Rethinking Professionalism explores the very consequences of telling the history of women's art in Canada through that lens. Contributors include Annmarie Adams (McGill University), Alena Buis (Queen's University), Sherry Farrell Racette (University of Manitoba), Cynthia Hammond (Concordia University), Kristina Huneault (Concordia University), Loren Lerner (Concordia University), Lianne McTavish (University of Alberta), Kirk Niergarth (Mount Royal University), Mary O'Connor (McMaster University), Sandra Paikowsky (Concordia University), Ruth B. Phillips (Carleton University), Jennifer Salahub (Alberta College of Art & Design), and Anne Whitelaw (Concordia University).
In “When Malindy Sings” the great African American poet Paul Laurence Dunbar writes about the power of African American music, the “notes to make the sound come right.” In this book T. J. Anderson III, son of the brilliant composer, Thomas Anderson Jr., asserts that jazz became in the twentieth century not only a way of revising old musical forms, such as the spiritual and work song, but also a way of examining the African American social and cultural experience. He traces the growing history of jazz poetry and examines the work of four innovative and critically acclaimed African American poets whose work is informed by a jazz aesthetic: Stephen Jonas (1925?–1970) and the unjustly overlooked Bob Kaufman (1925–1986), who have affinities with Beat poetry; Jayne Cortez (1936– ), whose work is rooted in surrealism; and the difficult and demanding Nathaniel Mackey (1947– ), who has links to the language writers. Each fashioned a significant and vibrant body of work that employs several of the key elements of jazz. Anderson shows that through their use of complex musical and narrative weaves these poets incorporate both the tonal and performative structures of jazz and create work that articulates the African journey. From improvisation to polyrhythm, they crafted a unique poetics that expresses a profound debt to African American culture, one that highlights the crucial connection between music and literary production and links them to such contemporary writers as Michael Harper, Amiri Baraka, and Yusef Komunyakaa, as well as young recording artists—United Future Organization, Us3, and Groove Collection—who have successfully merged hip-hop poetry and jazz.
Orchestra Expressions(tm) provides music educators at all levels with easy-to-use, exciting tools to meet daily classroom challenges and bring new vibrancy and depth to teaching music. The lessons were written based on the National Standards for the Arts in Music -- not retro-fitted to the Standards. The program is music literacy-based and satisfies reading and writing mandates in orchestra class. The pedagogy involves a "four-fingers-down" start for every instrument and separate but simultaneous development of both hands. Each student book features an attractive full-color interior with easy-to-read notes and includes: -A 92-track accompaniment CD that covers Units 1-18 (a second CD covering Units 19-33 is available separately, individually as item 00-EMCO1006CD or in a 25-pack as item 00-MCO1007CDP) -Historical notes on some of the most notable composers of orchestral music -A thorough glossary of musical terms Future reprints may be printed with black and white interiors. This title is available in SmartMusic.
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