Civil War Settlers is the first comprehensive analysis of Scandinavian Americans and their participation in the US Civil War. Based on thousands of sources in multiple languages, that have to date been inaccessible to most US historians, Anders Bo Rasmussen brings the untold story of Scandinavian American immigrants to life by focusing on their lived community experience and positioning it within the larger context of western settler colonialism. Associating American citizenship with liberty and equality, Scandinavian immigrants openly opposed slavery and were among the most enthusiastic foreign-born supporters of the early Republican Party. However, the malleable concept of citizenship was used by immigrants to resist draft service, and support a white man's republic through territorial expansion on American Indian land and into the Caribbean. Consequently, Scandinavian immigrants after emancipation proved to be reactionary Republicans, not abolitionists. This unique approach to the Civil War sheds new light on how whiteness and access to territory formed an integral part of American immigration history.
Civil War Settlers is the first comprehensive analysis of Scandinavian Americans and their participation in the US Civil War. Based on thousands of sources in multiple languages, that have to date been inaccessible to most US historians, Anders Bo Rasmussen brings the untold story of Scandinavian American immigrants to life by focusing on their lived community experience and positioning it within the larger context of western settler colonialism. Associating American citizenship with liberty and equality, Scandinavian immigrants openly opposed slavery and were among the most enthusiastic foreign-born supporters of the early Republican Party. However, the malleable concept of citizenship was used by immigrants to resist draft service, and support a white man's republic through territorial expansion on American Indian land and into the Caribbean. Consequently, Scandinavian immigrants after emancipation proved to be reactionary Republicans, not abolitionists. This unique approach to the Civil War sheds new light on how whiteness and access to territory formed an integral part of American immigration history.
The twenty-first century has witnessed a pervasive militarization of aesthetics with Western military institutions co-opting the creative worldmaking of art and merging it with the destructive forces of warfare. In Martial Aesthetics, Anders Engberg-Pedersen examines the origins of this unlikely merger, showing that today's creative warfare is merely the extension of a historical development that began long ago. Indeed, the emergence of martial aesthetics harkens back to a series of inventions, ideas, and debates in the eighteenth and early nineteenth century. Already then, military thinkers and inventors adopted ideas from the field of aesthetics about the nature, purpose, and force of art and retooled them into innovative military technologies and a new theory that conceptualized war not merely as a practical art, but as an aesthetic art form. This book shows how military discourses and early war media such as star charts, horoscopes, and the Prussian wargame were entangled with ideas of creativity, genius, and possible worlds in philosophy and aesthetic theory (by thinkers such as Leibniz, Baumgarten, Kant, and Schiller) in order to trace the emergence of martial aesthetics. Adopting an approach that is simultaneously historical and theoretical, Engberg-Pedersen presents a new frame for understanding war in the twenty-first century.
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