History: Fiction or Science? is the most explosive tractate on history ever written - however, every theory it contains, no matter how unorthodox, is backed by solid scientific data. The book is well-illustrated, contains over 500 graphs, copies of ancient manuscripts, and countless facts attesting to the falsity of the chronology used nowadays, which never cease to amaze the reader. Eminent mathematician proves that: Jesus Christ was born in 1053 and crucified in 1086 The Old Testament refers to mediaeval events. Apocalypse was written after 1486. Does this sound uncanny? This version of events is substantiated by hard facts and logic - validated by new astronomical research and statistical analysis of ancient sources - to a greater extent than everything you may have read and heard about history before. The dominating historical discourse in its current state was essentially crafted in the XVI century from a rather contradictory jumble of sources such as innumerable copies of ancient Latin and Greek manuscripts whose originals had vanished in the Dark Ages and the allegedly irrefutable proof offered by late mediaeval astronomers, resting upon the power of ecclesial authorities. Nearly all of its components are blatantly untrue! For some of us, it shall possibly be quite disturbing to see the magnificent edifice of classical history to turn into an ominous simulacrum brooding over the snake pit of mediaeval politics. Twice so, in fact: the first seeing the legendary millenarian dust on the ancient marble turn into a mere layer of dirt - one that meticulous unprejudiced research can eventually remove. The second, and greater, attack of unease comes with the awareness of just how manyareas of human knowledge still trust the three elephants of the consensual chronology to support them. Nothing can remedy that except for an individual chronological revolution happening in the minds of a large enough number of people.
This textbook on algebraic topology updates a popular textbook from the golden era of the Moscow school of I. M. Gelfand. The first English translation, done many decades ago, remains very much in demand, although it has been long out-of-print and is difficult to obtain. Therefore, this updated English edition will be much welcomed by the mathematical community. Distinctive features of this book include: a concise but fully rigorous presentation, supplemented by a plethora of illustrations of a high technical and artistic caliber; a huge number of nontrivial examples and computations done in detail; a deeper and broader treatment of topics in comparison to most beginning books on algebraic topology; an extensive, and very concrete, treatment of the machinery of spectral sequences. The second edition contains an entirely new chapter on K-theory and the Riemann-Roch theorem (after Hirzebruch and Grothendieck).
This is the first book to explore the world of the theatre in Russia after Stalin. Through his work at the Moscow Art Theatre, Anatoly Smeliansky is in a key position to analyse contemporary events on the Russian stage and he combines this first-hand knowledge with valuable archival material, some published here for the first time, to tell a fascinating and important story. Smeliansky chronicles developments from 1953 and the rise of a new Soviet theatre, and moves through the next four decades, highlighting the social and political events which shaped Russian drama and performance. The book also focuses on major directors and practitioners, including Yury Lyubimov, Oleg Yefremov, and Lev Dodin, among others, and contains a chronology, glossary of names, and informative illustrations.
This textbook on algebraic topology updates a popular textbook from the golden era of the Moscow school of I. M. Gelfand. The first English translation, done many decades ago, remains very much in demand, although it has been long out-of-print and is difficult to obtain. Therefore, this updated English edition will be much welcomed by the mathematical community. Distinctive features of this book include: a concise but fully rigorous presentation, supplemented by a plethora of illustrations of a high technical and artistic caliber; a huge number of nontrivial examples and computations done in detail; a deeper and broader treatment of topics in comparison to most beginning books on algebraic topology; an extensive, and very concrete, treatment of the machinery of spectral sequences. The second edition contains an entirely new chapter on K-theory and the Riemann-Roch theorem (after Hirzebruch and Grothendieck).
The main purpose of the book is to acquaint mathematicians, physicists and engineers with classical mechanics as a whole, in both its traditional and its contemporary aspects. As such, it describes the fundamental principles, problems, and methods of classical mechanics, with the emphasis firmly laid on the working apparatus, rather than the physical foundations or applications. Chapters cover the n-body problem, symmetry groups of mechanical systems and the corresponding conservation laws, the problem of the integrability of the equations of motion, the theory of oscillations and perturbation theory.
This easy-to-follow book offers a statistico-geometrical approach for dating ancient star catalogs. The authors' scientific methods reveal statistical properties of ancient catalogs and overcome the difficulties of their dating originated by the low accuracy of these catalogs. Methods are tested on reliably dated medieval star catalogs and applied to the star catalog of the Almagest. Here, the dating of Ptolemy's famous star catalog is reconsidered and recalculated using modern mathematical techniques. The text provides necessary information from astronomy and astrometry. It also covers the history of observational equipment and methods for measuring coordinates of stars. Many chapters are devoted to the Almagest, from a preliminary analysis to a global statistical processing of the catalog and its basic parts. Mathematics are simplified in this book for easy reading. This book will prove invaluable for mathematicians, astronomers, astrophysicists, specialists in natural sciences, historians interested in mathematical and statistical methods, and second-year mathematics students. Features:
This is the first book to explore the world of the theatre in Russia after Stalin. Through his work at the Moscow Art Theatre, Anatoly Smeliansky is in a key position to analyse contemporary events on the Russian stage and he combines this first-hand knowledge with valuable archival material, some published here for the first time, to tell a fascinating and important story. Smeliansky chronicles developments from 1953 and the rise of a new Soviet theatre, and moves through the next four decades, highlighting the social and political events which shaped Russian drama and performance. The book also focuses on major directors and practitioners, including Yury Lyubimov, Oleg Yefremov, and Lev Dodin, among others, and contains a chronology, glossary of names, and informative illustrations.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.