In this monograph, the authors present their recently developed theory of electromagnetic interactions. This neoclassical approach extends the classical electromagnetic theory down to atomic scales and allows the explanation of various non-classical phenomena in the same framework. While the classical Maxwell–Lorentz electromagnetism theory succeeds in describing the physical reality at macroscopic scales, it struggles at atomic scales. Here, quantum mechanics traditionally takes over to describe non-classical phenomena such as the hydrogen spectrum and de Broglie waves. By means of modifying the classical theory, the approach presented here is able to consistently explain quantum-mechanical effects, and while similar to quantum mechanics in some respects, this neoclassical theory also differs markedly from it. In particular, the newly developed framework omits probabilistic interpretations of the wave function and features a new fundamental spatial scale which, at the size of the free electron, is much larger than the classical electron radius and is relevant to plasmonics and emission physics. This book will appeal to researchers interested in advanced aspects of electromagnetic theory. Treating the classical approach in detail, including non-relativistic aspects and the Lagrangian framework, and comparing the neoclassical theory with quantum mechanics and the de Broglie–Bohm theory, this work is completely self-contained.
In this monograph, the authors present their recently developed theory of electromagnetic interactions. This neoclassical approach extends the classical electromagnetic theory down to atomic scales and allows the explanation of various non-classical phenomena in the same framework. While the classical Maxwell–Lorentz electromagnetism theory succeeds in describing the physical reality at macroscopic scales, it struggles at atomic scales. Here, quantum mechanics traditionally takes over to describe non-classical phenomena such as the hydrogen spectrum and de Broglie waves. By means of modifying the classical theory, the approach presented here is able to consistently explain quantum-mechanical effects, and while similar to quantum mechanics in some respects, this neoclassical theory also differs markedly from it. In particular, the newly developed framework omits probabilistic interpretations of the wave function and features a new fundamental spatial scale which, at the size of the free electron, is much larger than the classical electron radius and is relevant to plasmonics and emission physics. This book will appeal to researchers interested in advanced aspects of electromagnetic theory. Treating the classical approach in detail, including non-relativistic aspects and the Lagrangian framework, and comparing the neoclassical theory with quantum mechanics and the de Broglie–Bohm theory, this work is completely self-contained.
In this book one can find many artworks created by Picasso between 1881 and 1914. The first style of the artist was influenced by the works of El Greco, Munch and Toulouse-Lautrec, artists that he discovered when he was a student in Barcelona. Picasso, fascinated by the psychological expression during his Blue period (1901-1904), expresses his own mental misery: his genre paintings, still-lifes and portraits were full of melancholy. Later, Picasso began to paint acrobats during his Circus period. After his voyage to Paris, in 1904, his aestheticism evolved considerably. Cezanne’s influence and Spanish culture led him to Cubism, which is characterised by the multiple points of view over the surface of the painting. Apart from a selection of Picasso’s first paintings, this book presents several drawings, sculptures and photographs.
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