This book makes a timely contribution to debates surrounding transnational political participation, the relationship between diasporas and conflict, and the gendered experiences of migrants. It fills a significant lacuna in research by analysing how migrants relate to and become involved in the politics of their home and host countries, and how transnational political fields emerge and function. The author achieves this by focusing on the little known but instructive case of Colombian migration to Europe, and the connections between these flows and the armed conflict and efforts for peace in Colombia. Shedding light on different types of migration and the rising complexity of international population movements, this innovative work will appeal to students and scholars of migration and diaspora studies, gender, political participation, conflict and peace studies and Latin American studies. It will also interest policy makers and community development workers engaged in these areas.
This book makes a timely contribution to debates surrounding transnational political participation, the relationship between diasporas and conflict, and the gendered experiences of migrants. It fills a significant lacuna in research by analysing how migrants relate to and become involved in the politics of their home and host countries, and how transnational political fields emerge and function. The author achieves this by focusing on the little known but instructive case of Colombian migration to Europe, and the connections between these flows and the armed conflict and efforts for peace in Colombia. Shedding light on different types of migration and the rising complexity of international population movements, this innovative work will appeal to students and scholars of migration and diaspora studies, gender, political participation, conflict and peace studies and Latin American studies. It will also interest policy makers and community development workers engaged in these areas.
How do digital media (mobile phones, GPS, iPods, portable computers, internet, virtual realities, etc.) affect the way we perceive, inhabit and design space? Why do architects traditionally design, draw and map the visual, as opposed to other types of sensations of space (the sound, the smell, the texture, etc.)? Architecture is not only about the solid, material elements of space; it is also about the invisible, immaterial, intangible elements of space. This book examines the design, representation and reception of the ephemeral in architecture. It discusses how architects map and examine the spatial qualities that these elements create and questions whether - and if so, how - they take them into account in the designing process. Karandinou argues that current interest in the ephemeral in contemporary culture and architecture is related to the evolution of digital media; and that it is related to the new ways of thinking about space and everyday situations that new media enables. With sound and video recording devices now being embedded in everyday gadgets and mobile phones, capturing sounds or ephemeral situations and events has become an everyday habit. New animation techniques allow designers to think about space through time, as they are able to design dynamic and responsive spaces, as well as static spaces explored by someone over time. Contemporary video games are no longer based on a simple visual input and a keyboard; they now involve other senses, movement, and the response of the whole body in space. This book therefore argues that the traditional binary opposition between the sensuous and the digital is currently being reversed. Subsequently, new media can also function as a new tool-to-think-with about space. Designers are now able to think through time, and design spaces accordingly. Time, temporality, ephemerality, become central issues in the designing process. The notion first claimed by Marshall McLuhan in the 1960s, that the emergence of new di
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