This critical look at the life of the Cuban writer pulls apart and reassembles the myths that have come to define her culture, blending illusion with reality and exploring themes of art, family, language, superstition, and the overwhelming need to escape--from the island, from memory, from stereotype, and, ultimately, from the self.
Eleven short stories of the Cuban immigrant experience as characters adjust to life in the United Sates, from an award-winning author. From the prize–winning title story—a masterpiece of humor and heartbreak—unfolds a collection of tales that illuminate the landscape of an exiled community rich in heritage, memory, and longing for the past. In Cuba I Was a German Shepherd is at once “tender and sharp-fanged” as Ana Menéndez evocatively charts the territory from Havana to Coral Gables, Florida, and explores whether any of us are capable, or even truly desirous, of outrunning our origins (LA Weekly). “With the grace of Margaret Atwood and the sensuality of Laura Esquivel,” Menéndez makes an unforgettable debut “rich in metaphor, wisdom, and delicious subtlety” (St. Petersburg Times).
From the critically acclaimed author of In Cuba I Was a German Shepherd comes a new novel about the search for freedom and the power of community that spans decades of residents in one Florida apartment The Helena is an art deco apartment building that has witnessed the changing face of South Miami Beach for seventy years, observing the lives housed within. Among those who have called apartment 2B home are a Cuban concert pianist who performs in a nursing home; the widow of an intelligence officer raising her young daughter alone; a man waiting on a green card marriage to run its course so that he can divorce his wife and marry his lover, all of whom live together; a Tajik building manager with a secret identity; and a troubled young refugee named Lenin. Each tenant imbues 2B with energy that will either heal or overwhelm its latest resident, Lana, a mysterious woman struggling with her own past. Examining exile, homesickness, and displacement, The Apartment asks what—in our violent and lonely century—do we owe one another? If alone we are powerless before sorrow and isolation, it is through community and the sharing of our stories that we may survive and persevere.
From the critically acclaimed author of In Cuba I Was a German Shepherd comes a new novel about the search for freedom and the power of community that spans decades of residents in one Florida apartment The Helena is an art deco apartment building that has witnessed the changing face of South Miami Beach for seventy years, observing the lives housed within. Among those who have called apartment 2B home are a Cuban concert pianist who performs in a nursing home; the widow of an intelligence officer raising her young daughter alone; a man waiting on a green card marriage to run its course so that he can divorce his wife and marry his lover, all of whom live together; a Tajik building manager with a secret identity; and a troubled young refugee named Lenin. Each tenant imbues 2B with energy that will either heal or overwhelm its latest resident, Lana, a mysterious woman struggling with her own past. Examining exile, homesickness, and displacement, The Apartment asks what—in our violent and lonely century—do we owe one another? If alone we are powerless before sorrow and isolation, it is through community and the sharing of our stories that we may survive and persevere.
As a young Cuban woman reconstructs the life of her mother, she learns the woman engaged in a youthful affair with the dashing, charismatic rebel Ch Guvara in 1960s Havana and bore his child. "Loving Ch" is a brilliant, erotic fantasy that glimpses into the private life of a mythic public figure.
Eleven short stories of the Cuban immigrant experience as characters adjust to life in the United Sates, from an award-winning author. From the prize–winning title story—a masterpiece of humor and heartbreak—unfolds a collection of tales that illuminate the landscape of an exiled community rich in heritage, memory, and longing for the past. In Cuba I Was a German Shepherd is at once “tender and sharp-fanged” as Ana Menéndez evocatively charts the territory from Havana to Coral Gables, Florida, and explores whether any of us are capable, or even truly desirous, of outrunning our origins (LA Weekly). “With the grace of Margaret Atwood and the sensuality of Laura Esquivel,” Menéndez makes an unforgettable debut “rich in metaphor, wisdom, and delicious subtlety” (St. Petersburg Times).
This critical look at the life of the Cuban writer pulls apart and reassembles the myths that have come to define her culture, blending illusion with reality and exploring themes of art, family, language, superstition, and the overwhelming need to escape--from the island, from memory, from stereotype, and, ultimately, from the self.
Studies that connect the Spanish 17th and 20th centuries usually do so through a conservative lens, assuming that the blunt imperialism of the early modern age, endlessly glorified by Franco's dictatorship, was a constant in the Spanish imaginary. This book, by contrast, recuperates the thriving, humanistic vision of the Golden Age celebrated by Spanish progressive thinkers, writers, and artists in the decades prior to 1939 and the Francoist Regime. The hybrid, modern stance of the country in the 1920s and early 1930s would uniquely incorporate the literary and political legacies of the Spanish Renaissance into the ambitious design of a forward, democratic future. In exploring the complex understanding of the multifaceted event that is modernity, the life story and literary opus of Miguel de Cervantes (1547-1616) acquires a new significance, given the weight of the author in the poetic and political endeavors of those Spanish left-wing reformists who believed they could shape a new Spanish society. By recovering their progressive dream, buried for almost a century, of incipient and full Spanish modernities, Ana María G. Laguna establishes a more balanced understanding of both the modern and early modern periods and casts doubt on the idea of a persistent conservatism in Golden Age literature and studies. This book ultimately serves as a vigorous defense of the canonical as well as the neglected critical traditions that promoted Cervantes's humanism in the 20th century.
2023 Best Book in the Humanities, Latin American Studies Association Mexico Section Challenging conventional narratives of Mexican history, this book establishes race-making as a central instrument for the repression of social upheaval in nineteenth-century Mexico rather than a relic of the colonial-era caste system. Many scholars assert that Mexico’s complex racial hierarchy, inherited from Spanish colonialism, became obsolete by the turn of the nineteenth century as class-based distinctions became more prominent and a largely mestizo population emerged. But the residues of the colonial caste system did not simply dissolve after Mexico gained independence. Rather, Ana Sabau argues, ever-present fears of racial uprising among elites and authorities led to persistent governmental techniques and ideologies designed to separate and control people based on their perceived racial status, as well as to the implementation of projects for development in fringe areas of the country. Riot and Rebellion in Mexico traces this race-based narrative through three historical flashpoints: the Bajío riots, the Haitian Revolution, and the Yucatan’s caste war. Sabau shows how rebellions were treated as racially motivated events rather than political acts and how the racialization of popular and indigenous sectors coincided with the construction of “whiteness” in Mexico. Drawing on diverse primary sources, Sabau demonstrates how the race war paradigm was mobilized in foreign and domestic affairs and reveals the foundations of a racial state and racially stratified society that persist today.
This book provides a new and fascinating view of the peasant society in thirteenth-century Galicia (Spain). The four authors open up a world of knights, squires and middle peasants who limited the actions of the monasteries settled in the area.
This expert volume provides specialized coverage of the current state of the art in carbon gels. Carbon gels represent a promising class of materials with high added value applications and many assets, like the ability to accurately tailor their structure, porosity, and surface composition and easily dope them with numerous species. The ability to obtain them in custom shapes, such as powder, beads, monoliths, or impregnated scaffolds opens the way towards numerous applications, including catalysis, adsorption, and electrochemical energy storage, among others. Nevertheless, it remains a crucial question as to which design synthesis and manufacturing processes are viable from an economic and environmental point of view. The book represents the perspectives of renowned specialists in the field, specially invited to conduct a one-day workshop devoted to carbon gels as part of the 19th International Sol-Gel Conference, SOL-GEL 2017, held on September 3rd, 2017 in Liège, Belgium. Addressing properties and synthesis through applications and industry outlook, this book represents essential reading for advanced graduate students through practicing researchers interested in these exciting materials.
The rulers of the overseas empires summoned the Society of Jesus to evangelize their new subjects in the ‘New World’ which Spain and Portugal shared; this book is about how two different missions, in China and Peru, evolved in the early modern world. From a European perspective, this book is about the way Christianity expanded in the early modern period, craving universalism. In China, Matteo Ricci was so impressed by the influence that the scholar-officials were able to exert on the Ming Emperor himself that he likened them to the philosopher-kings of Plato’s Republic. The Jesuits in China were in the hands of the scholar-officials, with the Emperor at the apex, who had the power to decide whether they could stay or not. Meanwhile, in Peru, the Society of Jesus was required to impose Tridentine Catholicism by Philip II, independently of Rome, a task that entailed compliance with the colonial authorities’ demands. This book explores how leading Jesuits, Matteo Ricci (1552-1610) in China and José de Acosta (1540-1600) in Peru, envisioned mission projects and reflected them on the catechisms they both composed, with a remarkable power of endurance. It offers a reflection on how the Jesuits conceived and assessed these mission spaces, in which their keen political acumen and a certain taste for power unfolded, playing key roles in envisioning new doctrinal directions and reflecting them in their doctrinal texts.
In this lyrical novel set in a Cuban-American neighborhood in Miami, three generations of women face an unexpected—and ultimately life-changing—trial. When Maribel, an overly cautious and orderly market analyst, gives birth to a severely handicapped baby, her mother, Adela, and her grandmother Cuca must put aside their differences to fill his short life with love. This means more than just a shift in attitude for Cuca, who speaks regularly to her deceased husband, and for Adela, a middle-aged beautician with a penchant for the lottery and her friend’s husband. Poetic and poignant, spiritual and deeply human, The Chin Kiss King explores the resiliency of mothers, the power of love, the hopefulness of redemption, and the meaning of faith in an unforgettable story of family and the ties that bind.
Slavery and the Atlantic slave trade are among the most heinous crimes against humanity committed in the modern era. Yet, to this day no former slave society in the Americas has paid reparations to former slaves or their descendants. Ana Lucia Araujo shows that these calls for reparations have persevered over a long and difficult history. She traces the ways in which enslaved and freed individuals have conceptualized the idea of reparations since the 18th century in petitions, correspondence, pamphlets, public speeches, slave narratives, and judicial claims. Taking the reader through the era of slavery, emancipation, post-abolition, and the present day and drawing on the voices of various of enslaved peoples and their descendants, the book illuminates the multiple dimensions of the demands of reparations. This new edition boasts a new chapter on the global impact of the Black Lives Matter movement, the seismic effect of the killing of George Floyd, calls for university reparations and the dismantling of statues. Updated throughout, this edition includes primary sources, further readings, and many illustrations.
Gold and Glitter is a poetry book for young adults. The book offers a variety of different forms of poems written by award winning teacher, Ana Monnar. A glossary of poetic terms is provided to use as a simple guide. Websites to surf are also made available to aid the learners. E.S.E. students from Gifted, L.D., E.H. and other exceptionalities, as well as regular education and E.S.O.L. young adults are encouraged to improve reading and writing achievement. Gold and Glitter is a tool for advantaged and disadvantaged learners. All students need to meet goals and expectations. Academic standards are relevant to human beings regardless of wealth, poverty, ethnicity or creed.
Exquisitely crafted. . . strikingly real and heartfelt." —Denver Post “[A] potent literary novel . . . A deft portrait of an estranged couple whose pain is veiled by the fog of war.” —People A breathtaking novel of love, war, and betrayal from the critically acclaimed author of Loving Che and the New York Times Notable Book, In Cuba I Was a German Shepherd. From the battlefields of Afghanistan and Iraq to the strange, shimmering streets of Istanbul, The Last War is a “seductive meditation” (O, The Oprah Magazine) on cruelty and violence, love and identity from Pushcart Prize-winning author Ana Menéndez.
The Ethics of Community initiates a conversation between continental philosophy and cultural/literary studies that is long overdue. Illustrating that there is a fundamental ethics in deconstructionist approaches to community that can be provocatively traced in the context of cultural considerations central to African-American and U.S. Latino literature, this is a book about bridging gaps. Luszczynska nimbly traverses the complex terrain of preeminent French philosophers Jacques Derrida and Jean-Luc Nancy, offering a valuable introduction to the ethical components of their philosophical projects. Toni Morrison's Beloved and Ana Menendez's In Cuba I Was a German Shepherd serve as case studies through which Nancian community and Derridean bearing witness are elaborated. As Luszczynska demonstrates, Morrison's foregrounding of the distinct cultural sensibilities of her black and white characters and Menendez's preoccupation with geographical displacement and exile, themselves activate a deconstructive ethics. In this groundbreaking study, distinct cultural understandings and contexts provide a novel way of thinking through intricacies of Nancy and Derrida's thought while revealing the potential of the novel to re-imagine ways of being in the concrete world.
Maximo, a Cuban immigrant, passes his days in Miami's Domino Park refining his elaborate jokes - like the one about a mongrel who comes to the States looking for love and luck. His sleepless nights he spends struggling to recall the precise shade of his dead wife's eyes, and reliving the hardships he and she faced together on their arrival in America. In these interlinked tales, Ana Menendez introduces us to a cast of characters young and old, and to the island with its fragrant streets, passionate music and fields of cane that compels their imaginations. Richly sensual, full of observations that catch at the heart, this is writing of rare distinction and storytelling power, and marks the arrival of a major international voice.
In this “evocative first novel,” an elderly woman looks back on the world of revolutionary Cuba as she recalls her intimate, secret love affair with Ernesto “Che” Guevara (Publishers Weekly). A young Cuban woman has been searching in vain for details of her birth mother. All she knows of her past is that her grandfather fled the turbulent Havana of the 1960s for Miami with her in tow, and that pinned to her sweater—possibly by her mother—were a few treasured lines of a Pablo Neruda poem. These facts remain her only tenuous links to her history, until a mysterious parcel arrives in the mail. Inside the soft, worn box are layers of writings and photographs. Fitting these pieces together with insights she gleans from several trips back to Havana, the daughter reconstructs a life of her mother, her youthful affair with the dashing, charismatic Che Guevara and the child she bore by the enigmatic rebel. Loving Che is a brilliant recapturing of revolutionary Cuba, the changing social mores, the hopes and disappointments, the excitement and terror of the times. It is also an erotic fantasy, a glimpse into the private life of a mythic public figure, and an exquisitely crafted meditation on memory, history, and storytelling. Finally, Loving Che is a triumphant unveiling of how the stories we tell about others ultimately become the story of ourselves. “A moving novel from a writer to watch.” —Publishers Weekly “Inventive and hypnotic . . . [An] artful and restless examination of the exile soul.” —Los Angeles Times “[Menendez] captures Cuba’s potential, its desperation and decay, and also its dark humor.” —The New York Times “The writing is consistently beautiful. Highly recommended.” —Library Journal
In the aftermath of Castro's revolution, a man flees Cuba with his daughter's baby, and finds, pinned on its clothes, three lines of a Pablo Neruda love poem. Decades later, that baby returns to Havana as a young woman; armed with only this snatch of verse, she searches, apparently in vain, for the mysterious mother who abandoned her. On her return to America she receives a package - a collection of tattered photographs of Che Guevara, and a letter, apparently from her mother, which documents a passionate affair with the hero of the revolution. Now, the daughter must set out for Cuba once more, to find out whether this story is true or a ravishing fantasy, bred out of the savage and surreal drama of Cuba's history.
The Ethics of Community initiates a conversation between continental philosophy and cultural/literary studies that is long overdue. Illustrating that there is a fundamental ethics in deconstructionist approaches to community that can be provocatively traced in the context of cultural considerations central to African-American and U.S. Latino literature, this is a book about bridging gaps. Luszczynska nimbly traverses the complex terrain of preeminent French philosophers Jacques Derrida and Jean-Luc Nancy, offering a valuable introduction to the ethical components of their philosophical projects. Toni Morrison's Beloved and Ana Menendez's In Cuba I Was a German Shepherd serve as case studies through which Nancian community and Derridean bearing witness are elaborated. As Luszczynska demonstrates, Morrison's foregrounding of the distinct cultural sensibilities of her black and white characters and Menendez's preoccupation with geographical displacement and exile, themselves activate a deconstructive ethics. In this groundbreaking study, distinct cultural understandings and contexts provide a novel way of thinking through intricacies of Nancy and Derrida's thought while revealing the potential of the novel to re-imagine ways of being in the concrete world.
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