Best Art Book and Best of Show—2018 New Mexico–Arizona Book Award Born in San Diego in 1946 and raised in the American Southwest, painter Paul Pletka has created a body of work that owes much to the West of his childhood, and more to the West of his imagination. Infused with an operatic sense of theater and drama, his paintings conjure scenes from the cultures, history, and religions of the American West and Mexico—diffused, as Pletka writes, “through the lens of personal experiences, dreams, research, and ancestral memory.” In Paul Pletka: Imagined Wests, the first book on this major American artist in over thirty years, readers will encounter the full range of Pletka’s oeuvre through more than eighty color reproductions of his best-known and most influential works. Images of warriors and shamans are paired with depictions of George Armstrong Custer, Christian saints, and the lost gods of North and South America, their forms rendered in a distinctive style that mixes classical drawing and expressionist distortion with elements of surrealism and European symbolism. An artist statement and notes on selected paintings provide rare insight into Pletka’s creative process, and an introductory essay by art historian Amy Scott discusses how Pletka’s studies of indigenous cultures of the American West and Mexico, as well as art historical and critical influences, have informed his work. Complex, mysterious, and mesmerizing, Pletka’s paintings are designed to make it almost impossible to look away. In their boldly conceived subject matter, vivid color, and ethnographic detail, these works—and their creator—are true originals in the rich artistic landscape of the American West.
Though the Reformation was sparked by the actions of Martin Luther, it was not a decisive break from the Church in Rome but rather a gradual process of religious and social change. As the men responsible for religious instruction and moral oversight at the village level, parish pastors played a key role in the implementation of the Reformation and the gradual development of a Protestant religious culture, but their ministry has seldom been examined in the light of how they were prepared for the pastorate. Teaching the Reformation examines the four generations of Reformed pastors who served the church of Basel in the century after the Reformation, focusing on the evolution of pastoral training and Reformed theology, the theory and practice of preaching, and the performance of pastoral care in both urban and rural parishes. It looks at how these pastors were educated and what they learned, examining not only the study of theology but also the general education in languages, rhetoric and dialectic that future pastors received at the citys Latin school and in the arts faculty of the university. It points to significant changes over time in the content of that education, which in turn separated Basels pastors into distinct generations. The study also looks more specifically at preaching in Basel, demonstrating how the evolution of dialectic and rhetoric instruction, and particularly the spread of Ramism, led to changes in both exegetical method and homiletics. These developments, combined with the gradual elaboration of Reformed theology, resulted in a distinctive style of Reformed Orthodox preaching in Basel. The development of pastoral education also had a direct impact on how Basels clergy carried out their other dutiescatechization, administering the sacraments, counseling the dying and consoling the bereaved, and overseeing the moral conduct of their parishioners. The growing professionalization of the clergy, the result of more intensive education and more stringent supervision, contributed to the gradual implantation of a Reformed religious culture in Basel.
Amy Marga studies Karl Barth's early encounter with Roman Catholic theology during the 1920s, especially seen in his seminal set of dogmatic lectures given in Gottingen, and his second set of dogmatic lectures, given in Munster and which remain unpublished. Her analysis demonstrates his search for a concept of God's objectivity - Gegenstandlichkeit - which would not be dependent upon philosophically-laden concepts such as the analogia entis, but which would rather be anchored in God's being alone. The author shows that Roman Catholicism, especially the thought of Erich Przywara, became the key interlocutor that helped Barth bring this clarity to his doctrine of revelation and the triune God.
Inspiring, practical, and entertaining, this is the premier guide to all the off-the-radar stops along America’s Mother Road that you simply must not miss. Author Amy Bizzarri, a Route 66 expert and enthusiast, provides a comprehensive list of 100 unique stops that you’ll want to take a moment to explore as you journey along the highway’s 2,500 miles. The Best Hits on Route 66 also includes specialized itineraries with themes that make it easier than ever to plan a road trip to remember. Check out: - Gearhead's Guide to Route 66 - Hollywood on 66 - Native American History on Route 66 - Mother Road for Music Lovers - The Mother Road with Kids - Natural Wonders of Route 66 - Speedy 66: Chicago to Santa Monica in Six Days - and Supernatural 66
Paul Schrader was in meltdown in 1972. Drinking heavily, living in his car, he was hospitalised with a gastric ulcer. There he read about Arthur Bremer's attempt to assassinate Alabama Governor George Wallace: the story was the germ of his screenplay for Taxi Driver (1976). Executives at Columbia hated the script, but when Martin Scorsese and Robert De Niro, who were flying high after the triumphs of Mean Streets (1973) and The Godfather Part II (1974), signed up, Taxi Driver became too good a package to refuse. Scorsese transformed the script into what is now considered one of the two or three definitive films of the 1970s. De Niro is mesmerising as Travis Bickle – pent-up, bigoted, steadily slipping into psychosis, the personification of American masculinity post-Vietnam. Cybill Shepherd and Jodie Foster give fine support and Scorsese brought in Bernard Herrmann, the greatest of film composers, to write what turned out to be his last score. Crucially, Scorsese rooted Taxi Driver in its New York locations, tuning the film's violence into the hard reality of the city. Technically thrilling though it is, Taxi Driver is profoundly disturbing – finding, as Amy Taubin shows, racism, misogyny and gun fetishism at the heart of American culture. In her foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Amy Taubin considers Taxi Driver anew in the context of contemporary politics of race and masculinity in the US, and draws on an exclusive interview with Robert De Niro about his memories of making the film.
The first collected edition of legendary writer, actress, and adventurer Cookie Mueller's stories, featuring the entire contents of her 1990 book Walking through Clear Water in a Pool Painted Black, alongside more than two dozen others, some previously unpublished. Legendary as an underground actress, female adventurer, and East Village raconteur, Cookie Mueller's first calling was to the written word: "I started writing when I was six and have never stopped completely," she once confessed. Muellerís 1990 Walking through Clear Water in a Pool Painted Black, the first volume of the Semiotext(e) Native Agents series, was the largest collection of stories she compiled during her life. But it presented only a slice of Mueller's prolific work as a writer. This new, landmark volume collects all of Mueller's stories: from the original contents of Clear Water, to additional stories discovered by Amy Scholder for the posthumous anthology Ask Dr. Mueller, to selections from Mueller's art and advice columns for Details and the East Village Eye, to still "new" stories collected and published here for the first time. Olivia Laing's new introduction situates Mueller's writing within the context of her life—and our times. Thanks to recent documentaries like Mallory Curley's A Cookie Mueller Encyclopedia and Chloé Griffin's oral biography Edgewise, Mueller's life and work have been discovered by a new generation of readers. Walking through Clear Water in a Pool Painted Black: Collected Stories returns essential source material to these readers, the archive of Mueller's writing itself. Mueller's many mise en scènes—the Baltimore of John Waters, post-Stonewall Provincetown, avant-garde Italy, 1980s New York, an America enduring Reagan and AIDS—patches together a singular personal history and a primer for others. As Laing writes in her introduction, Collected Stories amounts to "a how-to manual for a life ricocheting joyously off the rails . . . a live corrective to conformity, conservatism, and cruelty.
Look around you and see that there’s hope! Based on spiritual truths taken from black-and-white nature photographs, Figures of the True is designed to encourage those going through a difficult season. Well-loved teacher and missionary Amy Carmichael uses short prose pieces to present messages from the Creator to you.
The Long Island Lolita" recounts the details of her alleged affair with Joey Buttafuoco, her career as a teenaged prostitute, and the shooting of Mary Jo Buttafuoco
This story follows a young woman's life journey from conception into her sixties. It is a story of fear, shame, hope, and redemption. Anyone who has encountered addiction and/or mental illness in their lives, either themselves or others around them, may be able to relate. This book is also for all who get discouraged by what is dealt to them as they search for meaning in their lives. The story is of a Midwestern girl born in the 1950's. The negative behavior demonstrated to her by her parents were etched upon her impressionable mind. She had no self-esteem and struggled as an adult to glean validation for herself whenever possible. As an adult, she blindly felt her way through the labyrinth of her life, with no sense of direction, purpose, and certainly no moral compass. She fell victim to her own knee-jerk reactions and ran into road-blocks constantly. She often had to re-route her derailed life in trying to regain her balance and momentum. Hers was a destiny of detours.
Personal letters of hope and encouragement from Amy Carmichael, written after an accident that left her confined to her room and in constant pain for the last twenty years of her life.
Frustrated by her own inability to break loose from the binding conventions of her 1950s youth and the memory of one fateful long-distance phone call, Tess journeys from the Adirondacks to the Rockies, to the beaches of Hawaii and old villages in France. Determined to redefine the way she looks at the world and herself, Tess explores the relationships that have shaped her past, refusing to live injured by doubt."--Back cover.
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