Amy S. Kaufman and Paul B. Sturtevant examine the many ways in which the medieval past has been manipulated to promote discrimination, oppression, and murder. Tracing the fetish for “medieval times” behind toxic ideologies like nationalism, antisemitism, Islamophobia, misogyny, and white supremacy, Kaufman and Sturtevant show us how the Middle Ages have been twisted for political purposes in every century that followed. The Devil’s Historians casts aside the myth of an oppressive, patriarchal medieval monoculture and reveals a medieval world not often shown in popular culture: one that is diverse, thriving, courageous, compelling, and complex.
Roman comedy evolved early in the war-torn 200s BCE. Troupes of lower-class and slave actors traveled through a militarized landscape full of displaced persons and the newly enslaved; together, the actors made comedy to address mixed-class, hybrid, multilingual audiences. Surveying the whole of the Plautine corpus, where slaves are central figures, and the extant fragments of early comedy, this book is grounded in the history of slavery and integrates theories of resistant speech, humor, and performance. Part I shows how actors joked about what people feared - natal alienation, beatings, sexual abuse, hard labor, hunger, poverty - and how street-theater forms confronted debt, violence, and war loss. Part II catalogues the onstage expression of what people desired: revenge, honor, free will, legal personhood, family, marriage, sex, food, free speech; a way home, through memory; and manumission, or escape - all complicated by the actors' maleness. Comedy starts with anger.
The same aspects of American government and society that propelled the United States to global primacy have also hampered its orderly and successful conduct of foreign policy. This paradox challenges U.S. leaders to overcome threats to America′s world power in the face of fast-moving global developments and political upheavals at home. U.S. Foreign Policy explores this paradox, identifies its key sources and manifestations, and considers its future implications. Authors Steven W. Hook and Amy Skonieczny help students learn how to think critically about these cascading developments and the link between the process and the conduct of U.S. foreign policy.
Nantucket is much more than beautiful beaches and sailboats. One day at a time, author Amy Jenness offers up quirky and fascinating stories of the people and events that shaped this remote island. On August 11, 1841, Frederick Douglass made his first antislavery speech at the Nantucket Atheneum. The Great Fire of July 13, 1846, devastated the island, forcing residents to rebuild what they lost. On December 5, 1981, a nor'easter stranded nearly two thousand visitors and forced seventeen pilot whales to come ashore. Read a story a day or month at a time. Celebrate an entire year of Nantucket history.
Thousands of facts are presented in lists grouped under such headings as "What's in a Name," "America the Beautiful," "Crime and Punishment," "Arty Facts," "From Head to Toe," "The Sporting Life," and "Coming Attractions.
Tired of their ourageous, selfish ways, Maddy and Lonnie's beloved grandmother has issues a decree: become decent, caring, responsible citizens by your 30th birthdays or you'll never get another dime as long as you live.
A market-leading text, GRAPHIC DESIGN BASICS continues to showcase some of the best work from all areas of design. The text combines history, current technology, and design principles to give a rich, well-rounded view of this ever-evolving field. Programs without a design history class will benefit from the emphasis on visuals from the history of design, while more comprehensive programs will be pleased to find information relevant to current studio practice. This edition brings new and up-to-date information about computer graphics, including a guide to generating successful files for electronic pre-press.
This book makes a significant contribution to the tradition of liberal political theory: it explores the foundations and limits of the idea of equality within that theory and offers a sustained argument for a persuasive new view of liberalism. Liberal thinking has always displayed a tension between the claims of liberty and those of equality. Professor Gutmann examines the contributions of liberal theorists from Locke to Rawls on the subject of two kinds of equality - equality of opportunity to participate and the equal distribution of economic goods. Valuing both, she shows that, far from being alternatives, the two ideals are compatible to a much greater degree than has previously been thought. Liberal Equality restores egalitarianism to political theory in a way that will forcefully challenge its critics to deeper reflection.
From one of our most astute contemporary writers, Amy Wilentz, comes an irreverent, inventive portrait of the state of California and its unlikely governor, Arnold Schwarzenegger. The prizewinning author, a lifelong easterner and an outsider in the West, takes the reader on a picaresque journey from exclusive Hollywood soirees to a fantasy city in the Mojave desert, from the La Brea Tar Pits to celebrity-besotted Sacramento, from the tents of Skid Row to surf-drunk Malibu, from a snowbird retreat near Mexico to the hippie preserve of tide-beaten Big Sur, along the way offering up sharp observations on politics, fund-raising, the water supply, the Beach Boys, earthquake preparedness, home economics, catastrophism, movie-star politicians, political movie stars, Charlie Manson, and location scouts who want to rent your house in order to make television commercials for bathroom wall cleansers or Swedish banks. Wilentz moved to Los Angeles from a Manhattan wounded by September 11, only to discover a paradise marred by fire, flood, and mudslides. In what seemed like a joke to her, a Democratic governor nicknamed Gumby was about to be ousted by an Austrian muscleman in a bizarre election promoted by a millionaire whose business was car alarms. Intrigued, she set out to find the essence of the quirky, trailblazing state. During her travels, she spots celebrities but can't quite place them, drops in on famous salons with habitués like Warren Beatty and Arianna Huffington, and visits the neglected office of one very special 9,000-year-old woman. Plunging into the traffic of California, Wilentz noodles out meaning in some of the least likely of places; she sees the political in the personal and the personal in the political. By now an expert on tremors real and imagined, she offers readers on both coasts insights into where California stands today, and America as well.
In this multidisciplinary study, Amy Koritz examines the drama, dance, and literature of the 1920s, focusing on how artists used these different media to engage three major concurrent shifts in economic and social organization: the emergence of rationalized work processes and expert professionalism; the advent of mass markets and the consequent necessity of consumerism as a behavior and ideology; and the urbanization of the population, in concert with the invention of urban planning and the recognition of specifically urban subjectivities. Koritz analyzes plays by Eugene O'Neill, Elmer Rice, Sophie Treadwell, and Rachel Crothers; popular dance forms of the 1920s and the modern dance and choreography of Martha Graham; and literature by Anzia Yezierska, John Dos Passos, and Lewis Mumford.
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