Remarkable...mesmerizing...compelling.... An entire world unfolds in Tolstoyan tide of event and detail....Give yourself over to the world Ms. Tan creates for you." —The New York Times Book Review Winnie and Helen have kept each other's worst secrets for more than fifty years. Now, because she believes she is dying, Helen wants to expose everything. And Winnie angrily determines that she must be the one to tell her daughter, Pearl, about the past—including the terrible truth even Helen does not know. And so begins Winnie's story of her life on a small island outside Shanghai in the 1920s, and other places in China during World War II, and traces the happy and desperate events that led to Winnie's coming to America in 1949. The Kitchen God's Wife is "a beautiful book" (Los Angeles Times) from the bestselling author of novels like The Joy Luck Club and The Backyard Bird Chronicles, and the memoir, Where the Past Begins.
“The Joy Luck Club is one of my favorite books. From the moment I first started reading it, I knew it was going to be incredible. For me, it was one of those once-in-a-lifetime reading experiences that you cherish forever. It inspired me as a writer and still remains hugely inspirational.” —Kevin Kwan, author of Crazy Rich Asians From A to Z, the Penguin Drop Caps series collects 26 unique hardcovers—featuring cover art by Jessica Hische It all begins with a letter. Fall in love with Penguin Drop Caps, a new series of twenty-six collectible and hardcover editions, each with a type cover showcasing a gorgeously illustrated letter of the alphabet. In a design collaboration between Jessica Hische and Penguin Art Director Paul Buckley, the series features unique cover art by Hische, a superstar in the world of type design and illustration, whose work has appeared everywhere from Tiffany & Co. to Wes Anderson's recent film Moonrise Kingdom to Penguin's own bestsellers Committed and Rules of Civility. With exclusive designs that have never before appeared on Hische's hugely popular Daily Drop Cap blog, the Penguin Drop Caps series debuted with an 'A' for Jane Austen's Pride and Prejudice, a 'B' for Charlotte Brönte's Jane Eyre, and a 'C' for Willa Cather's My Ántonia. It continues with more perennial classics, perfect to give as elegant gifts or to showcase on your own shelves. T is for Tan. In 1949 four Chinese women, recent immigrants to San Francisco, begin meeting to eat dim sum, play mahjong, and talk. United in shared unspeakable loss and hope, they call themselves the Joy Luck Club. With wit and sensitivity, Amy Tan examines the sometimes painful, often tender, and always deep connection between these four women and their American-born daughters. As each woman reveals her secrets, trying to unravel the truth about her life, the strings become more tangled, more entwined.
Otto donne cinesi: quattro madri emigrate negli Stati Uniti negli anni quaranta che giocano a mah-jong a San Francisco e le loro quattro figlie nate in California, le cui voci si alternano e si richiamano nella ricostruzione del passato e nella ricerca di un difficile equilibrio con il presente. Un racconto che parla delle contraddizioni tra l'appartenenza a una famiglia cinese e la vita negli Stati Uniti; di rapporti conflittuali, ma anche fatti di profondo amore tra madre e figlia; delle motivazioni dei sacrifici compiuti dalle madri per trasmettere la propria esperienza e la propria forza alle figlie e delle ribellioni delle figlie ai desideri delle madri, dei loro diversi ideali, fedi, speranze.
Encompassing two generations and a rich blend of Chinese and American history, the story of four struggling, strong women also reveals their daughters' memories and feelings
Amy Tan was born into a family that believed in fate. She explores this legacy, as well as American circumstances, and finds ways to honor the past while creating her own brand of destiny.
From New York Times bestselling author Amy Tan, a memoir on her life as a writer, her childhood and the symbiotic relationship between fiction and emotional memory.
The Postcolonial African State in Transition offers a new perspective on a set of fundamental, albeit old questions with salient contemporary resonance: what is the nature of the postcolonial state? How did it come about? And more crucially, the book poses an often neglected question: what was the postcolonial African state internally built against? Through a detailed historical investigation of the Voltaic region, the book theorizes the state in transition as the constitutive condition of the African state, rendering centralization processes as always transient, uncertain, even dangerous endeavours. In Africa and elsewhere in the colonial and postcolonial world, the centralized sovereign state has become something of a meta-model that bears the imprint of necessity and determinism. This book argues that there is nothing natural, linear, conventional or intrinsically consensual about the centralized state form. In fact, the African state emerged, and was erected against, and at the expense of a variety of authority structures and forms of self-governance. The state has sustained itself through destructive practices, internal colonization, and in fact the production and alienation of a range of internal others.
Violet Minturn, a half-Chinese/half-American courtesan who deals in seduction and illusion in Shanghai, struggles to find her place in the world, while her mother, Lucia, tries to make sense of the choices she has made and the men who have shaped her.
New York Times bestseller The Valley of Amazement is an evocative epic of two women's intertwined fates and their search for identity—from the lavish parlors of Shanghai courtesans to the fog-shrouded mountains of a remote Chinese village. Shanghai, 1912. Violet Minturn is the daughter of the American madam of the city’s most exclusive courtesan house. But when the Ching dynasty is overturned, Violet is separated from her mother and forced to become a “virgin courtesan.” Spanning more than forty years and two continents, Amy Tan’s newest novel maps the lives of three generations of women—and the mystery of an evocative painting known as “The Valley of Amazement.” Moving from the collapse of China’s last imperial dynasty to the growth of anti-foreign sentiment and the inner workings of courtesan houses, The Valley of Amazement interweaves the story of Violet, a celebrated Shanghai courtesan on a quest for both love and identity, and her mother, Lucia, an American woman whose search for penance leads them to an unexpected reunion. The Valley of Amazement is a deeply moving narrative of family secrets, legacies, and the profound connections between mothers and daughters, reminiscent of the compelling territory Tan so expertly mapped in The Joy Luck Club. With her characteristic wisdom, grace, and humor, Tan conjures up a story of inherited trauma, desire, deception, and the power and stubbornness of love.
From New York Times bestselling author Amy Tan, a memoir on her life as a writer, her childhood and the symbiotic relationship between fiction and emotional memory. In Where the Past Begins, bestselling author of The Joy Luck Club and The Valley of Amazement Amy Tan is at her most intimate in revealing the truths and inspirations that underlie her extraordinary fiction. By delving into vivid memories of her traumatic childhood, confessions of self-doubt in her journals and heartbreaking letters to and from her mother, she gathers together evidence of all that made it both unlikely and inevitable that she would become a writer. Through spontaneous storytelling, she shows how a fluid fictional state of mind unleashed near-forgotten memories that became the emotional nucleus of her novels. Tan explores shocking truths uncovered by family memorabilia - the real reason behind an I.Q. test she took at age six, why her parents lied about their education, mysteries surrounding her maternal grandmother - and, for the first time publicly, writes about her complex relationship with her father, who died when she was fifteen. Written with candour and characteristic humour, Where the Past Begins takes readers into the idiosyncratic workings of her writer's mind, a journey that explores memory, imagination, and truth.
In each of Amy Tan's novels the author describes the lives of an older generation of Chinese women whose fate brought them from China to the USA. This novel follows that same theme to produce an unforgettable tale of hope, love and friendship.
The mention of Chinese women writers in diaspora immediately brings to mind Jung Chang (b. 1952) and her Wild Swans: Three Daughters of China (1991), which won the 1992 NCR book award and the 1993 British Book of the Year Award, and got officially banned in China. Despite its popular reception and crucial acclaim, Chang’s work has invited a lot of attacks. Among the most common is the contention that it merely focuses on the experience of the privileged and does not tell the reader what other memoirs have not already revealed. Chinese Women Writers in Diaspora is a pioneering study that focuses on four Chinese women writers currently living in the United States and England, whose works have been popularly received—and are in many cases, highly controversial—but have received little scholarly attention: Xinran (b. 1958), Hong Ying (b. 1962), Anchee Min (b. 1957), and Adeline Yen Mah (b. 1937). The chapters illuminate how Xinran constructs her identity and her fellow Chinese women in dialectics of self and other; how Hong Ying evokes cycles of return that blend Western and Chinese philosophical concepts; how Min employs images of theatre and theatrical conventions to depict the entrapment and transgression of her protagonists; and how Mah transliterates and appropriates both Western and Chinese fairy tale motifs to fashion her Chinese feminist utopia. While Jung Chang’s memoir seems confining, it has aroused interest in the genre of Chinese female autobiography, and Chinese women writers who live and write between cultures.
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