Now a major motion picture starring Amanda Seyfried and Finn Wittrock. Compared to seminal feminist works such as Charlotte Perkins Gilman’s “The Yellow Wallpaper” and Sylvia Plath’s The Bell Jar, A Mouthful of Air is a powerful, tragic statement on motherhood, family, and survival. A Mouthful of Air is a compassionate and wrenching portrait of Julie Davis, a young wife and mother torn between the love she feels for her family and the voice in her head that insists they’d be better off without her. We meet Julie several weeks after her suicide attempt, on the eve of her son’s first birthday. Grateful to be alive, Julie tries her best to appreciate every moment—“this tree, that passing car, the pretzel guy up ahead on the corner. She has, for whatever reason, been given a second chance”—but her emotional demons are unrelenting, and she is slowly and quietly losing the battle. Within the narrative of A Mouthful of Air is an argument about the nature of depression—its causes, cures, and the price it exacts from its victims. With spare, elegant prose, this brutally honest portrayal of family and self illuminates the power and complexity of the human psyche. Originally published in 2003, A Mouthful of Air now includes an afterword by author Adrienne Miller.
Powerful. Koppelman's instincts help her navigate these choppy waters with inventiveness and integrity."—Los Angeles Times "Koppelman explores with ruthless honesty a woman come undone."—Bookslut "Koppelman mostly writes from inside Laney's disillusioned mind, ricocheting between the quotidian details of wife and motherhood and big-picture musings, forming exquisite stand-alone tone poems."—Elle Now a major motion picture starring Sarah Silverman in her dramatic-acting debut, and Josh Charles, I Smile Back tells the affecting tale of Laney Brooks, a mother and wife on a self-destructive streak. She takes the drugs she wants, sleeps with the men she wants, disappears when she wants. Lurking beneath Laney's seemingly composed surface is the impulse to follow in her father's footsteps, to leave and topple her family's balance in the process. The film adaptation of I Smile Back premiered at the 2015 Sundance Film Festival in the prestigious US Dramatic competition. Silverman's affecting dramatic turn in the lead role has garnered praise in film trade reviews as "tremendous," "terrific," and "awards worthy," and will inspire an onslaught of attention upon the film's national theatrical release. Amy Koppelman is a graduate of Columbia's MFA program. Her writing has appeared in the New York Observer and Lilith. She lives in New York City with her husband and two children, and is the author of the novels A Mouthful of Air and I Smile Back. She adapted the screenplay for the film from her own novel.
Now a major motion picture starring Amanda Seyfried and Finn Wittrock. Compared to seminal feminist works such as Charlotte Perkins Gilman’s “The Yellow Wallpaper” and Sylvia Plath’s The Bell Jar, A Mouthful of Air is a powerful, tragic statement on motherhood, family, and survival. A Mouthful of Air is a compassionate and wrenching portrait of Julie Davis, a young wife and mother torn between the love she feels for her family and the voice in her head that insists they’d be better off without her. We meet Julie several weeks after her suicide attempt, on the eve of her son’s first birthday. Grateful to be alive, Julie tries her best to appreciate every moment—“this tree, that passing car, the pretzel guy up ahead on the corner. She has, for whatever reason, been given a second chance”—but her emotional demons are unrelenting, and she is slowly and quietly losing the battle. Within the narrative of A Mouthful of Air is an argument about the nature of depression—its causes, cures, and the price it exacts from its victims. With spare, elegant prose, this brutally honest portrayal of family and self illuminates the power and complexity of the human psyche. Originally published in 2003, A Mouthful of Air now includes an afterword by author Adrienne Miller.
Powerful. Koppelman's instincts help her navigate these choppy waters with inventiveness and integrity."—Los Angeles Times "Koppelman explores with ruthless honesty a woman come undone."—Bookslut "Koppelman mostly writes from inside Laney's disillusioned mind, ricocheting between the quotidian details of wife and motherhood and big-picture musings, forming exquisite stand-alone tone poems."—Elle Now a major motion picture starring Sarah Silverman in her dramatic-acting debut, and Josh Charles, I Smile Back tells the affecting tale of Laney Brooks, a mother and wife on a self-destructive streak. She takes the drugs she wants, sleeps with the men she wants, disappears when she wants. Lurking beneath Laney's seemingly composed surface is the impulse to follow in her father's footsteps, to leave and topple her family's balance in the process. The film adaptation of I Smile Back premiered at the 2015 Sundance Film Festival in the prestigious US Dramatic competition. Silverman's affecting dramatic turn in the lead role has garnered praise in film trade reviews as "tremendous," "terrific," and "awards worthy," and will inspire an onslaught of attention upon the film's national theatrical release. Amy Koppelman is a graduate of Columbia's MFA program. Her writing has appeared in the New York Observer and Lilith. She lives in New York City with her husband and two children, and is the author of the novels A Mouthful of Air and I Smile Back. She adapted the screenplay for the film from her own novel.
NATIONAL BESTSELLER • Antitrust enforcement is one of the most pressing issues facing America today—and Amy Klobuchar, the widely respected senior senator from Minnesota, is leading the charge. This fascinating history of the antitrust movement shows us what led to the present moment and offers achievable solutions to prevent monopolies, promote business competition, and encourage innovation. In a world where Google reportedly controls 90 percent of the search engine market and Big Pharma’s drug price hikes impact healthcare accessibility, monopolies can hurt consumers and cause marketplace stagnation. Klobuchar—the much-admired former candidate for president of the United States—argues for swift, sweeping reform in economic, legislative, social welfare, and human rights policies, and describes plans, ideas, and legislative proposals designed to strengthen antitrust laws and antitrust enforcement. Klobuchar writes of the historic and current fights against monopolies in America, from Standard Oil and the Sherman Anti-Trust Act to the Progressive Era's trust-busters; from the breakup of Ma Bell (formerly the world's biggest company and largest private telephone system) to the pricing monopoly of Big Pharma and the future of the giant tech companies like Facebook, Amazon, and Google. She begins with the Gilded Age (1870s-1900), when builders of fortunes and rapacious robber barons such as J. P. Morgan, John Rockefeller, and Cornelius Vanderbilt were reaping vast fortunes as industrialization swept across the American landscape, with the rich getting vastly richer and the poor, poorer. She discusses President Theodore Roosevelt, who, during the Progressive Era (1890s-1920), "busted" the trusts, breaking up monopolies; the Clayton Act of 1914; the Federal Trade Commission Act of 1914; and the Celler-Kefauver Act of 1950, which it strengthened the Clayton Act. She explores today's Big Pharma and its price-gouging; and tech, television, content, and agriculture communities and how a marketplace with few players, or one in which one company dominates distribution, can hurt consumer prices and stifle innovation. As the ranking member of the Senate Judiciary Subcommittee on Antitrust, Competition Policy, and Consumer Rights, Klobuchar provides a fascinating exploration of antitrust in America and offers a way forward to protect all Americans from the dangers of curtailed competition, and from vast information gathering, through monopolies.
With extensively revised content and an expanded contributor list of experts, Fenoglio-Preiser’s Gastrointestinal Pathology, Fourth Edition keeps you current in this fast-changing field. This highly regarded text remains your go-to reference on gastrointestinal pathology, with coverage of everything from anatomy, physiology, and histology to the full spectrum of congenital disorders, structural alterations, diseases, injuries, and other entities. This comprehensive reference is an ideal resource for pathologists, radiologists, gastroenterologists, and others interested in gastrointestinal diseases.
The Syntax of Class explores the literary expression of the crisis of social classification that occupied U.S. public discourse in the wake of the European revolutions of 1848. Lacking a native language for expressing class differences, American writers struggled to find social taxonomies able to capture--and manage--increasingly apparent inequalities of wealth and power. As new social types emerged at midcentury and, with them, new narratives of success and failure, police and reformers alarmed the public with stories of the rise and proliferation of the "dangerous classes." At the same time, novelists as different as Maria Cummins, Nathaniel Hawthorne, Frank Webb, Elizabeth Stuart Phelps, and Horatio Alger Jr. focused their attention on dense engagements across the lines of class. Turning to the middle-class idea of "home" as a figure for social harmony and to the lexicons of race and gender in their effort to devise a syntax for the representation of class, these writers worked to solve the puzzle of inequity in their putatively classless nation. This study charts the kaleidoscopic substitution of terms through which they rendered class distinctions and follows these renderings as they circulated in and through a wider cultural discourse about the dangers of class conflict. This welcome book is a finely achieved study of the operation of class in nineteenth-century American fiction--and of its entanglements with the languages of race and gender.
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