In the "twinkling of an eye" Jesus secretly returns to earth and gathers to him all believers. As they are taken to heaven, the world they leave behind is plunged into chaos. Cars and airplanes crash and people search in vain for loved ones. Plagues, famine, and suffering follow. The antichrist emerges to rule the world and to destroy those who oppose him. Finally, Christ comes again in glory, defeats the antichrist and reigns over the earth. This apocalyptic scenario is anticipated by millions of Americans. These millions have made the Left Behind series--novels that depict the rapture and apocalypse--perennial bestsellers, with over 40 million copies now in print. In Rapture Culture, Amy Johnson Frykholm explores this remarkable phenomenon, seeking to understand why American evangelicals find the idea of the rapture so compelling. What is the secret behind the remarkable popularity of the apocalyptic genre? One answer, she argues, is that the books provide a sense of identification and communal belonging that counters the "social atomization" that characterizes modern life. This also helps explain why they appeal to female readers, despite the deeply patriarchal worldview they promote. Tracing the evolution of the genre of rapture fiction, Frykholm notes that at one time such narratives expressed a sense of alienation from modern life and protest against the loss of tradition and the marginalization of conservative religious views. Now, however, evangelicalism's renewed popular appeal has rendered such themes obsolete. Left Behind evinces a new embrace of technology and consumer goods as tools for God's work, while retaining a protest against modernity's transformation of traditional family life. Drawing on extensive interviews with readers of the novels, Rapture Culture sheds light on a mindset that is little understood and far more common than many of us suppose.
In May 1373, a 33-year-old woman living in East Anglia began receiving visions revealing to her the secrets of the love of God. When she fully recovered, Julian recorded and richly explored these revelations, creating what became the first English-language book written by a woman. Drawing on Julian's own writings, Frykholm's biography paints a vivid picture of the 14th century and this remarkable woman's place in it.
In the "twinkling of an eye" Jesus secretly returns to earth and gathers to him all believers. As they are taken to heaven, the world they leave behind is plunged into chaos. Cars and airplanes crash and people search in vain for loved ones. Plagues, famine, and suffering follow. The antichrist emerges to rule the world and to destroy those who oppose him. Finally, Christ comes again in glory, defeats the antichrist and reigns over the earth. This apocalyptic scenario is anticipated by millions of Americans. These millions have made the Left Behind series--novels that depict the rapture and apocalypse--perennial bestsellers, with over 40 million copies now in print. In Rapture Culture, Amy Johnson Frykholm explores this remarkable phenomenon, seeking to understand why American evangelicals find the idea of the rapture so compelling. What is the secret behind the remarkable popularity of the apocalyptic genre? One answer, she argues, is that the books provide a sense of identification and communal belonging that counters the "social atomization" that characterizes modern life. This also helps explain why they appeal to female readers, despite the deeply patriarchal worldview they promote. Tracing the evolution of the genre of rapture fiction, Frykholm notes that at one time such narratives expressed a sense of alienation from modern life and protest against the loss of tradition and the marginalization of conservative religious views. Now, however, evangelicalism's renewed popular appeal has rendered such themes obsolete. Left Behind evinces a new embrace of technology and consumer goods as tools for God's work, while retaining a protest against modernity's transformation of traditional family life. Drawing on extensive interviews with readers of the novels, Rapture Culture sheds light on a mindset that is little understood and far more common than many of us suppose.
Like many Americans, the Eastern Orthodox converts in this study are participants in what scholars today refer to as the "spiritual marketplace" or quest culture of expanding religious diversity and individual choice-making that marks the post-World War II American religious landscape. In this highly readable ethnographic study, Slagle explores the ways in which converts, clerics, and lifelong church members use marketplace metaphors in describing and enacting their religious lives. Slagle conducted participant observation and formal semi-structured interviews in Orthodox churches in Pittsburgh, Pennsylvania, and Jackson, Mississippi. Known among Orthodox Christians as the "Holy Land" of North American Orthodoxy, Pittsburgh offers an important context for exploring the interplay of Orthodox Christianity with the mainstreams of American religious life. Slagle's second round of research in Jackson sheds light on the American Bible Belt where over the past thirty years the Orthodox Church in America has marshaled significant resources to build mission parishes. Relatively few ethnographic studies have examined Eastern Orthodox Christianity in the United States, and Slagle's book fills a significant gap. This lucidly written book is an ideal selection for courses in the sociology and anthropology of religion, contemporary Christianity, and religious change. Scholars of Orthodox Christianity, as well as clerical and lay people interested in Eastern Orthodoxy, will find this book to be of great appeal.
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