From a "maestra of invention" (The New York Times) who is at once supremely witty, ferociously smart, and emotionally raw, a new collection of poems about womanhood Amy Gerstler has won acclaim for sly, sophisticated, and subversive poems that find meaning in unexpected places. Women's voices, from childhood to old age, dominate this new collection of rants, dramatic monologues, confessions and laments. A young girl muses on virginity. An aging opera singer rages against the fact that she must quit drinking. A woman in a supermarket addresses a head of lettuce. The tooth fairy finally speaks out. Both comic and prayer-like, these poems wrestle with mortality, animality, love, gender, and what it is to be human.
Sly and sophisticated, direct, playful, and profound, Amy Gerstler’s new collection highlights her distinctive poetic style. In thirty-seven poems, using a variety of dramatic voices and visual techniques, she finds meaning in unexpected places, from a tour of a doll hospital to an ad for a CD of Beethoven symphonies to an earthy exploration of toast. Gerstler’s abiding interests—in love and mourning, in science and pseudoscience, in the idea of an afterlife, in seances and magic—are all represented here. Entertaining and erudite, complex yet accessible, these poems will enhance Gerstler’s reputation as an important contemporary poet.
Your thoughts become fluid, volatile; their aroma fills the room. This is a nerve storm." In her first collection since Bitter Angel, winner of the 1991 National Book Critics Circle Award, Amy Gerstler explores themes of suffering and redemption through a heady blend of folklore, popular culture, and the natural world in Nerve Storm. The poet Eileen Myles has said that "the supernatural, the sexy mundane, the out-of-sight are simply [Gerstler's] materials, employed as they might be in a piece of religious art." A crackling wit and whimsical instinct guide this collection as Gerstler traipses through humanity's triumphs and blunders, effortlessly revealing the surreal and surprising possibilities inherent in everyday life.
A dazzling new collection from an award-winning poet--longlisted for the 2015 National Book Award for Poetry Amy Gerstler has won acclaim for sly, sophisticated, and subversive poems that find meaning in unexpected places. The title of her new collection, Scattered at Sea, evokes notions of dispersion, diaspora, sowing one’s wild oats, having one’s mind expanded or blown, losing one’s wits, and mortality. Making use of dramatic monologue, elegy, humor, and collage, these poems explore hedonism, gender, ancestry, reincarnation, bereavement, and the nature of prayer. Groping for an inclusive, imaginative, postmodern spirituality, they draw from an array of sources, including the philosophy of the ancient Stoics, diagnostic tests for Alzheimer’s disease, 1950s recipes, the Babylonian Talmud, and Walter Benjamin’s writing on his drug experiences.
A surreal new collection from an acclaimed poet Hallucinogenic plants chant in chorus. A thoughtful dog grants an interview. A caterpillar offers life advice. Amy Gerstler’s newest collection of poetry, Dearest Creature, marries fact and fiction in a menagerie of dramatic monologues, twisted love poems, and epistolary pleadings. Drawing on sources as disparate as Lewis Carroll and Mary Shelley’s Frankenstein, as well as abnormal psychology, etiquette, and archaeology texts, these darkly imaginative poems probe what it means to be a sentient, temporary, flesh-and-blood beast, to be hopelessly, vividly creaturely.
Sly and sophisticated, direct, playful, and profound, Amy Gerstler’s new collection highlights her distinctive poetic style. In thirty-seven poems, using a variety of dramatic voices and visual techniques, she finds meaning in unexpected places, from a tour of a doll hospital to an ad for a CD of Beethoven symphonies to an earthy exploration of toast. Gerstler’s abiding interests—in love and mourning, in science and pseudoscience, in the idea of an afterlife, in seances and magic—are all represented here. Entertaining and erudite, complex yet accessible, these poems will enhance Gerstler’s reputation as an important contemporary poet.
From a "maestra of invention" (The New York Times) who is at once supremely witty, ferociously smart, and emotionally raw, a new collection of poems about womanhood Amy Gerstler has won acclaim for sly, sophisticated, and subversive poems that find meaning in unexpected places. Women's voices, from childhood to old age, dominate this new collection of rants, dramatic monologues, confessions and laments. A young girl muses on virginity. An aging opera singer rages against the fact that she must quit drinking. A woman in a supermarket addresses a head of lettuce. The tooth fairy finally speaks out. Both comic and prayer-like, these poems wrestle with mortality, animality, love, gender, and what it is to be human.
Amy Gerstler has won acclaim for complex yet accessible poetry that is by turns extravagant, subversive, surreal, and playful. In her new collection, Medicine, she deploys a variety of dramatic voices, spoken by such disparate characters as Cinderella's wicked sisters, the wife of a nineteenth-century naturalist, a homicide detective, and a woman who is happily married to a bear. Their elusive collectivity suggests, but never quite defines, the floating authorial presence that haunts them. Gerstler's abiding interests--in love and mourning, in science and pseudo-science, in the idea of an afterlife--are strongly evident in these new poems, which are full of strong emotion, language play, surprising twists, and a wicked sense of black humor.
Your thoughts become fluid, volatile; their aroma fills the room. This is a nerve storm." In her first collection since Bitter Angel, winner of the 1991 National Book Critics Circle Award, Amy Gerstler explores themes of suffering and redemption through a heady blend of folklore, popular culture, and the natural world in Nerve Storm. The poet Eileen Myles has said that "the supernatural, the sexy mundane, the out-of-sight are simply [Gerstler's] materials, employed as they might be in a piece of religious art." A crackling wit and whimsical instinct guide this collection as Gerstler traipses through humanity's triumphs and blunders, effortlessly revealing the surreal and surprising possibilities inherent in everyday life.
A dazzling new collection from an award-winning poet--longlisted for the 2015 National Book Award for Poetry Amy Gerstler has won acclaim for sly, sophisticated, and subversive poems that find meaning in unexpected places. The title of her new collection, Scattered at Sea, evokes notions of dispersion, diaspora, sowing one’s wild oats, having one’s mind expanded or blown, losing one’s wits, and mortality. Making use of dramatic monologue, elegy, humor, and collage, these poems explore hedonism, gender, ancestry, reincarnation, bereavement, and the nature of prayer. Groping for an inclusive, imaginative, postmodern spirituality, they draw from an array of sources, including the philosophy of the ancient Stoics, diagnostic tests for Alzheimer’s disease, 1950s recipes, the Babylonian Talmud, and Walter Benjamin’s writing on his drug experiences.
A surreal new collection from an acclaimed poet Hallucinogenic plants chant in chorus. A thoughtful dog grants an interview. A caterpillar offers life advice. Amy Gerstler’s newest collection of poetry, Dearest Creature, marries fact and fiction in a menagerie of dramatic monologues, twisted love poems, and epistolary pleadings. Drawing on sources as disparate as Lewis Carroll and Mary Shelley’s Frankenstein, as well as abnormal psychology, etiquette, and archaeology texts, these darkly imaginative poems probe what it means to be a sentient, temporary, flesh-and-blood beast, to be hopelessly, vividly creaturely.
Winner of the 2017 Toronto Theatre Critics Award for Best New Canadian Play Winner of three Dora Mavor Moore Awards Stage Award for Best Performance, 2017 Edinburgh Festival Fringe Mouthpiece follows one woman, for one day, as she tries to find her voice. Two performers express the inner conflict that exists within a modern woman's head: the push and pull, the past and the present, the progress and the regression. Interweaving a cappella harmony, dissonance, text, and physicality, Mouthpiece is a harrowing, humorous, and heart-wrenching journey into the female psyche.
There's a real flowering, I think, of southern poetry right now, ... assembling at the edges of everything. "This observation by Pulitzer Prize-winning poet Charles Wright reflects upon the continuing vibrancy and importance of the southern poetic tradition. Although the death of James Dickey in 1997 left southern poetry without a recognizably dominant voice, an array of other vibrant voices continue to be heard and recognized. Southbound: Interviews with Southern Poets provides a glimpse of the many poets who promise to keep southern poetry vital into the twenty-first century.
Working from inside American popular culture, Alexis Smith makes direct use of our shared values, fears, and aspirations to create an art that is both extremely private and remarkably plain-speaking. This is no simple matter, for Smith's art is deeply rooted in the narrative forms of Conceptualism... Smith produces a profoundly moral art confronting social issues from a psychologically charged perspective. ...the artist is best understood in the Symbolist tradition, and it is that quality, served well by her dry wit, that elevates her unique constructions above most common narrative work. That she often draw her themes from Hollywood film culture and the pulp fiction universe only adds to the lure of legibility which underscores Smith's desire to include her reader-viewer in her compelling vision."--from foreword.
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