Thank you SO much--for the gift, the hospitality, your help...or for just spreading a little sunshine. Expressing gratitude has never been easier, or more stunning, than with these unique handmade cards for any occasion. Incorporating everything from crochet to tin tiles, they make sending that required note a pleasure, not a chore. Every one has been beautifully crafted by a top designer, and exquisitely photographed. Just imagine how appreciative a favorite teacher will be when she receives an adorable card fashioned from notebook paper, small alphabet rub-ons, ribbon, and flowers. Tell someone "You rock!” with a brightly-colored spinner card. And, because finding the right words is so important, there’s helpful advice on composing your own greetings or choosing the perfect quotation to adorn your handiwork.
An exploration of the dramatic transformation of London’s financial district after 1945, viewed at four spatial scales: city, street, facade, interior. In The City in the City, Amy Thomas offers the first in-depth architectural and urban history of London’s financial district, the City of London, from the period of rebuilding after World War II to the explosive climax of financial deregulation in the 1980s and its long aftermath. Thomas examines abstract financial ideas, political ideology, and invisible markets as concrete realities; working on four spatial scales—city, street, facade, and interior—the book explores the grand plans, hidden alleys, neo-Georgian elevations, and sweaty dealing floors that have made the financial center work. Moving from politics to sociology, institutions to bodies, development plans to office desks, Thomas unravels the rich entanglements between the structure of the UK’s financial system and the structure of the environment in which it operates. Despite its physical and political centrality, this period of the City’s architectural history occupies an academic lacuna. Longstanding prejudices about developer-led architecture and the real estate industry have obscured the postwar City’s relevance. The book shows how, as currents of local government reform, nation-building, and globalization swept across Britain, the City became an ideological battleground for debates between politicians and financial institutions, real estate developers and architects, preservationists and so-called “proactive” planners throughout the latter half of the century. The City of London is a place steeped in rich cultural and architectural heritage of immense national significance, yet it is also a highly privileged citadel at the core of global financial networks. The City in the City is both a critique and a celebration of this unique and complex place.
Business Driven Information Systems, 4e discusses various business initiatives first and how technology supports those initiatives second. The premise for this unique approach is that business initiatives should drive technology choices. Every discussion first addresses the business needs and then addresses the technology that supports those needs. This updated edition provides the foundation that will enable students to achieve excellence in business through its updated case studies, closing cases, technology plug-ins, expanded IT topics, and new project management content. Business Driven Information Systems is designed to give students the ability to understand how information technology can be a point of strength for an organization, and McGraw-Hill’s online learning and assessment solution, Connect MIS, helps students apply this knowledge.
Bringing together the previously disparate fields of historical witchcraft, reception history, poetics, and psychoanalysis, this innovative study shows how the glamour of the historical witch, a spell that she cast, was set on a course, over a span of three hundred years from the sixteenth to the eighteenth centuries, to become a generally broadcast glamour of appearance. Something that a woman does, that is, became something that she has. The antique heroine Medea, witch and barbarian, infamous poisoner, infanticide, regicide, scourge of philanderers, and indefatigable traveller, serves as the vehicle of this development. Revived on the stage of modernity by La Péruse in the sixteenth century, Corneille in the seventeenth, and the operatic composer Cherubini in the eighteenth, her stagecraft and her witchcraft combine, author Amy Wygant argues, to stun her audience into identifying with her magic and making it their own. In contrast to previous studies which have relied upon contemporary printed sources in order to gauge audience participation in and reaction to early modern theater, Wygant argues that psychoanalytic thought about the behavior of groups can be brought to bear on the question of "what happened" when the early modern witch was staged. This cross-disciplinary study reveals the surprising early modern trajectory of our contemporary obsession with magic. Medea figures the movement of culture in history, and in the mirror of the witch on the stage, a mirror both appealing and appalling, our own cultural performances are reflected. It concludes with an analysis of Diderot's claim that the historical process itself is magical, and with the moment in Revolutionary France when the slight and fragile body of the golden-throated singer, Julie-Angélique Scio, became a Medea for modernity: not a witch or a child-murderess, but, as all the press reviews insist, a woman.
Silent Partners restores women to their place in the story of England's Financial Revolution. Women were active participants in London's first stock market beginning in the 1690s and continuing through the eighteenth century. Whether playing the state lottery, investing in government funds for retirement, or speculating in company stocks, women regularly comprised between a fifth and a third of public investors. These female investors ranged from London servants to middling tradeswomen, up to provincial gentlewomen and peeresses of the realm. Amy Froide finds that there was no single female investor type, rather some women ran risks and speculated in stocks while others sought out low-risk, low-return options for their retirement years. Not only did women invest for themselves, their financial knowledge and ability meant that family members often relied on wives, sisters, and aunts to act as their investing agents. Moreover, women's investing not only benefitted themselves and their families, it also aided the nation. Women's capital was a critical component of Britain's rise to economic, military, and colonial dominance in the eighteenth century. Focusing on the period between 1690 and 1750, and utilizing women's account books and financial correspondence, as well as the records of joint stock companies, the Bank of England, and the Exchequer, Silent Partners provides the first comprehensive overview of the significant role women played in the birth of financial capitalism in Britain.
An in-depth history of how finance remade everyday life in Thatcher's Britain. Are We Rich Yet? tells the story of the financialization of British society. During the 1980s and 1990s, financial markets became part of daily life for many Britons as the practice of investing moved away from the offices of the City of London, onto Britain’s high streets, and into people’s homes. The Conservative Party claimed this shift as evidence that capital ownership was in the process of being democratized. In practice, investing became more institutionalized than ever in late-twentieth-century Britain: inclusion frequently meant tying one’s fortunes to the credit, insurance, pension, and mortgage industries to maintain independence from state-run support systems. In tracing the rise of a consumer-oriented mass investment culture, historian Amy Edwards explains how the "financial" became such a central part of British society, not only economically and politically, but socially and culturally, too. She shifts our focus away from the corridors of Whitehall and towards a cast of characters that included brokers, bankers and traders, newspaper editors, goods manufacturers, marketing departments, production companies, and hundreds of thousands of ordinary men and women. Between them, they shaped the terrain upon which political and economic reform occurred. Grappling with the interactions between structural transformation and the rhythms of everyday life, Are We Rich Yet? thus understands the rise of neoliberalism as something other than the inevitable outcome of a carefully orchestrated right-wing political revolution.
Every child wants a pet from the moment they first lay eyes on a furry little kitten or puppy, they probably want one for themselves and yet the process of getting and teaching your child how to raise that pet can be quite complex. However, the experience can be enormously useful in teaching them life skills that will one day help them better understand responsibility and proper care for others. But, how do you balance all of that in those first crucial days? This book provides a detailed walk through of how best to acclimate a child to raising a pet and ensuring the pet you get your child is one they can handle and that will thrive in their care. You will learn how to begin the process of selecting the right pet for your family and your child. You will be walked through the detailed process of understanding your child s personality type and coming to terms with their maturity level and the pets that best match that maturity level. You will learn what specific needs the most common pets need, including food, water, outside care, and additional medical needs and costs. You will learn the average life spans, common diseases, and other issues that might affect your child s pet, and how to handle these situations with your child. Dozens of hours of interviews have been conducted with top pet and child psychology experts to provide detailed information about what children need to understand most before getting their own pet. You will learn how to discuss the important of responsibility and how to monitor their actions. You will learn how to maintain the pet s health and how to recognise warning signs if your child becomes overwhelmed. For anyone who has a child yearning for a pet that is wondering if they are ready, this book is designed for you.
Some say Vermont is America's last bastion of the simple life. Stubbornly resisting the modern trend to prepackaged, processed food, the Green Mountain State upholds natural, do-it-yourself ways, from its sugarhouses and orchards to its dairy farms and cornfields. In a Vermont Kitchen is an indispensable treasury of recipes that celebrate the bounty, the beauty, and the quirky individualist spirit of this unique region.
The collection, interpretation and display of art from the People’s Republic of China, and particularly the art of the Cultural Revolution, have been problematic for museums. These objects challenge our perception of ‘Chineseness’ and their style, content and the means of their production question accepted notions of how we perceive art. This book links art history, museology and visual culture studies to examine how museums have attempted to reveal, discuss and resolve some of these issues. Amy Jane Barnes addresses a series of related issues associated with collection and display: how museums deal with difficult and controversial subjects; the role they play in mediating between the object and the audience; the role of the Other in the creation of Self and national identities; the nature, role and function of art in society; the museum as image-maker; the impact of communism (and Maoism) on the cultural history of the twentieth-century; and the appropriation of communist visual iconography. This book will be of interest to researchers and students of museology, visual and cultural studies as well as scholars of Chinese and revolutionary art.
Cet ouvrage multidisciplinaire présente une série des réflexions critiques sur les dynamiques identitaires dans un Sahel « en crise ». Si cette dernière constitue un moment de rupture et de renouvellement des règles socioculturelles des sociétés sahéliennes, elle révèle également les aspects structurants et fondateurs de l’identité comme logique de reproduction, instrument politique et enjeu international majeur. Cet ouvrage montre que la pratique de l’identité produit à la fois des temporalités, des contingences, des idéologies, des légitimités et des imaginaires constamment réactualisés à travers le conflit, l’expression esthétique, le mouvement, ainsi que l’invention de nouvelles formes de vie. This multidisciplinary publication presents critical reflections on the dynamics of identity formation in a Sahel “in crisis”: a moment of sudden rupture and change that radically alters the social and cultural structures shaping the present of Sahel societies, but which also reveal them to be political instruments with an international significance. The contributions show how conflict, movement, and aesthetics shape identity practices that produce temporal, contingent and constantly changing ideologies, legitimacies, imaginaries, and new ways of life in the Sahel. Dans un contexte où le Sahel est devenu un centre d’intérêt majeur de la réflexion sur l’Afrique contemporaine, cet ouvrage est bienvenu. Il rouvre le débat sur les articulations et reformulations des identités sous un angle nouveau. Mieux, en interrogeant les expériences de la crise et les pratiques de l’identité, il propose de nouvelles perspectives dans l’analyse et la théorisation du vécu des Sahéliens. (Dr. Abdoulaye Sounaye, Leibnitz-Zentrum Moderner Orient) En mettant des processus de figuration des identités au centre de son attention, ce livre est plus que bienvenu : il comble des lacunes que les études du ‹ sécuritaire › du Sahara-Sahel laissent ouvertes. Les contributions donnent la voix aux Saharo-Sahéliens mêmes qui n’ont été jusqu’alors que les objets d’étude. Ceci fait de ce livre une lecture indispensable, non seulement pour les spécialistes académiques de ces régions, mais aussi pour le public intéressé et – last but not least – pour les décideurs politiques. (Prof. Dr. Georg Klute, Universität Bayreuth)
This series plants a long-term love of craft. Each book is by an established artist in the craft medium. Featuring 15 projects with clear step-by-step instructions and colorful photography, Print It! teaches kids how to enjoy the craft traditions of printing. Amy Appleyard offers her expertise in professional design and crafting to kids in a way that they love, and helps you share the joy of creating beautiful prints of all kinds with a new generation of young crafters.
Winner of the IACP Cookbook Award (Best American Cookbook) Finalist for the Julia Child First Book Award "The perfect apple primer." —Splendid Table The Apple Lover’s Cookbook is more than a recipe book. It’s a celebration of apples in all their incredible diversity, as well as an illustrated guide to 70 popular (and rare-but-worth-the-search) apple varieties. Each has its own complete biography with entries for best use, origin, availability, season, appearance, taste, and texture. Amy Traverso organizes these 70 varieties into four categories—firm-tart, tender-tart, firm-sweet, and tender-sweet—and includes a one-page cheat sheet that you can refer to when making any of her recipes. More than 100 scrumptious, easy-to-make recipes follow, offering the full range from breakfast dishes, appetizers, salads, soups, and entrees all the way to desserts. On the savory side, there’s a cider-braised brisket and a recipe for Sweet Potato–Apple Latkes. On the sweet side, Amy serves up crisps, cobblers, pies, and cakes, including Apple-Pear Cobbler, Cider Donut Muffins, and an Apple-Cranberry Slab Pie cut into squares to eat by hand. As bonuses, The Apple Lover’s Cookbook contains detailed notes on how to tell if an apple is fresh and guides to apple festivals, ciders, and products, as well as updated information about the best times and places to buy apples across the United States, making it easy to seek out and visit local orchards, whether you live in Vermont or California. First published a decade ago, now newly revised and updated, The Apple Lover’s Cookbook is your lifetime go-to book for apples.
The Long Island Lolita" recounts the details of her alleged affair with Joey Buttafuoco, her career as a teenaged prostitute, and the shooting of Mary Jo Buttafuoco
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