Translated from the original French and annotated with figures, historical maps and commentary from the translators, this work is Jean-Charles Houzeau's account of his escape from Texas during the American Civil War. Houzeau was a Belgian astronomer who worked a couple of years as assistant astronomer at the Brussels Observatory, but eventually moved to the United States. He was living as a frontierman in Texas when the Civil War broke out, and because he took an abolitionist stance and helped slaves escape, he was forced to flee to Mexico, from where he sailed to New Orleans on board of a US military vessel. Originally titled La terreur blanche au Texas et mon 'evasion, Houzeau captured the details of his escape in 1862.The editors, an astronomer and a French language teacher, have added supplementary material to give the readers more depth and historical context to the story.
Translated from the original French and annotated with figures, historical maps and commentary from the translators, this work is Jean-Charles Houzeau's account of his escape from Texas during the American Civil War. Houzeau was a Belgian astronomer who worked a couple of years as assistant astronomer at the Brussels Observatory, but eventually moved to the United States. He was living as a frontierman in Texas when the Civil War broke out, and because he took an abolitionist stance and helped slaves escape, he was forced to flee to Mexico, from where he sailed to New Orleans on board of a US military vessel. Originally titled La terreur blanche au Texas et mon 'evasion, Houzeau captured the details of his escape in 1862.The editors, an astronomer and a French language teacher, have added supplementary material to give the readers more depth and historical context to the story.
Captures the exceptional life, imagination, and passion of the author of "Goodnight Moon," drawing on unpublished manuscripts, songs, personal letters, and diaries that the author discovered in the attic of Margaret Wise Brown's sister.
An exploration of the dramatic transformation of London’s financial district after 1945, viewed at four spatial scales: city, street, facade, interior. In The City in the City, Amy Thomas offers the first in-depth architectural and urban history of London’s financial district, the City of London, from the period of rebuilding after World War II to the explosive climax of financial deregulation in the 1980s and its long aftermath. Thomas examines abstract financial ideas, political ideology, and invisible markets as concrete realities; working on four spatial scales—city, street, facade, and interior—the book explores the grand plans, hidden alleys, neo-Georgian elevations, and sweaty dealing floors that have made the financial center work. Moving from politics to sociology, institutions to bodies, development plans to office desks, Thomas unravels the rich entanglements between the structure of the UK’s financial system and the structure of the environment in which it operates. Despite its physical and political centrality, this period of the City’s architectural history occupies an academic lacuna. Longstanding prejudices about developer-led architecture and the real estate industry have obscured the postwar City’s relevance. The book shows how, as currents of local government reform, nation-building, and globalization swept across Britain, the City became an ideological battleground for debates between politicians and financial institutions, real estate developers and architects, preservationists and so-called “proactive” planners throughout the latter half of the century. The City of London is a place steeped in rich cultural and architectural heritage of immense national significance, yet it is also a highly privileged citadel at the core of global financial networks. The City in the City is both a critique and a celebration of this unique and complex place.
Intriguing, romantic, and wholly original, Amy Spalding's sophomore novel is the perfect blend of humor and heart. Find out why Trish Doller called it full of "compassion, humor, love, and pitch-perfect authenticity." For Kellie Brooks, family has always been a tough word to define. Combine her hippie mom and tattooist stepdad, her adopted overachieving sister, her younger half brother, and her tough-love dad, and average Kellie's the one stuck in the middle, overlooked and impermanent. When Kellie's sister finally meets her birth mother and her best friend starts hanging with a cooler crowd, the feeling only grows stronger. But then she reconnects with Oliver, the sweet college guy she had a near hookup with last year. Oliver is intense and attractive, and she's sure he's totally out of her league. It'll take a new role on the school newspaper and a new job at her mom's tattoo shop for Kellie to realize that defining herself both outside and within her family is what can finally allow her to feel permanent, just like a tattoo.
NEW! Thoroughly revised embryology and histology section features new illustrations. NEW! Updated art program includes new illustrations and clinical images.
Professor Devitt offers a new view of the linguistic process of standardization, the movement of specific language features towards uniformity. Drawing on theoretical arguments and empirical data, she examines the way in which linguistic conformity develops out of variation, and the textual and social factors that influence this process. After defining and clarifying the general theoretical issues involved, the author takes as a specific case study the standardization of written English in Scotland in the sixteenth and seventeenth centuries, and shows that standardization is a gradual process, that it occurs at significantly different rates and times in different genres, that it encompasses periods of great variation, and that it occurs concurrently with sociopolitical shifts. The interrelationship of linguistic features, genres, and social pressures shape the nature and direction of standardization.
In this revelatory career-length biography, produced through many hours of interviews with Danny Boyle, he talks frankly about the secrets behind the opening ceremony of the London Olympic Games as well as the struggles, joys and incredible perseverance needed to direct such well-loved films as Trainspotting, Slumdog Millionaire, 28 Days Later and Shallow Grave. Throughout his career Danny Boyle has shown that he has an incredible knack of capturing the spirit of the times, be they the nineties drug scene, the aspirations of noughties Indian slum-dwellers or the things that make British people proud of their nation today, from the NHS to the internet. In 2012, Danny Boyle was the Artistic Director for the opening ceremony of the London Olympic Games. He has been awarded an Oscar, a Golden Globe Award and two BAFTA awards for directing such influential British films as Shallow Grave, Trainspotting, 28 Days Later, Sunshine and Slumdog Millionaire. He has worked alongside such actors as Cillian Murphy, Ewan McGregor, Christopher Eccleston, Kelly Macdonald, Dev Patel and Rose Byrne. In this in-depth biography, Amy Raphael captures the optimism and determination of a driven individual in full career flight.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.