Shortly after learning they would become the parents of twins, the physician-writer Amit Majmudar and his wife received a devastating in utero diagnosis: one of the twins had a potentially fatal congenital heart defect. Written in the form of an extended letter, Twin A recounts the epic story of the open-heart surgeries, complications, and prolonged recoveries that Majmudar's son survived in infancy and early childhood. But the narrative turns into something much richer and more expansive than the mere description of a surgical history. Thanks to Majmudar’s ample gifts as a wordsmith, medical and scientific information frequently give way to original poetry and fables, family history, and a series of evocative religious and philosophical reflections about matters of life and death. The result is a fresh, captivating exploration of the events that transform his son and everyone around him. Drawing strength and beauty from catastrophe, Majmudar’s Twin A creates a moving portrait of a family’s love and a child’s extraordinary resilience.
Mala and Ronak are adults now. They've married, begun their own families and moved away from the suffocating world of their first generation immigrant parents. But when they learn their mother has only months to live, the focus of their world returns to her home. Having shown little interest in the Indian cuisine they eat at every gathering, Mala decides to master the recipes her mother learned at her own mother's knee. And as they cook together, mother and daughter begin to confront the great divisions of their lives, and finally heal their fractured relationship. But when Ronak comes up with a plan to memorialise his mother, the hard-won peace between them is tested to its limits. Written with tenderness and wry compassion, Amit Majmudar has captured anew the immigrant experience, the clash of cultures, the conflicts of assimilation, and, most poignantly, the tangled ties between generations.
The prize-winning poet reflects on what sustains us in a sundered world. With his dazzling ability to set words spinning, Amit Majmudar brings us poems that sharpen both wit and knives as he examines our "life in solitary." Equally engaged with human history and the human heart, Majmudar transfigures identity from a locus of captivity to the open field of his liberation. In pieces that include a stunning central sequence, "Letters to Myself in My Next Incarnation," the poet is both the Huck and Jim of his own adventures. He is unafraid to face human failings: from Oxycontin addiction to Gujarat rioting, he examines--often with dark comedy--the fragility of the soul, the unchartability of pain, and the reasons we sing and grieve and make war. All-American and multitudinously alone, dancing in his confinement, Majmudar is a poet of exuberance and transcendence: "What I love here, / Poems and women mostly, / I know you can't remember," he tells his future self. "But they were worthy of my love.
WINNER OF THE TATA LITERATURE LIVE! BOOK OF THE YEAR (FICTION) 2022 'You cannot force two nations to live together any more than you can force two people,' he says quietly. Fatima smiles, feeling a slight thrill of victory. 'Divorce.' 'Pakistan.' Two intense, inflexible personalities duel over a question that will decide the fate of millions: one nation-or two? Jinnah, the consummate, ruthlessly analytical gentleman in a tailored suit, starts out sceptical of those who come to his door proposing a 'Land of the Pure', but ends up founding exactly such a country. Gandhi, the religious visionary in homespun khadi, experiments with Truth in his quest for one India-only to witness, in anguish, the bloody birth of two nations. The Map and the Scissors is a novel about the epic origin story of modern South Asia, brought to life by two London-educated lawyers, mirror-image rivals who dreamt the same dream of freedom-in catastrophically incompatible ways.
0° , 0° is where the equator and prime meridian cross, but it is also, in Amit Majmudar’s poetic cartography, "the one True Cross, the rood’s wood warped and tacked / pole to pole." Unlikely intersections lie at the heart of Amit Majmudar's first collection of poetry. Mythical, biblical, political, and scientific allusion thrive side by side, inspiring surprise and wonder. Majmudar’s training as a medical doctor is clearly at work as he is able to balance poetic forms requiring surgical precision—including the exceedingly difficult ghazal—with warmth and compassion for the world. Majmudar understands suffering on the large scale and the small, whether he is speaking up for the biblical character Job and "answering the whirlwind," or tallying the human cost of war at Walter Reed Army Medical Center.
A fresh, strikingly immediate and elegant verse translation of the classic, with an introduction and helpful guides to each section, by the rising American poet. Born in the United States into a secularized Hindu family, Amit Majmudar puzzled over the many religious traditions on offer, and found that the Bhagavad Gita had much to teach him with its "song of multiplicities." Chief among them is that "its own assertions aren't as important as the relationships between its characters . . . The Gita imagined a relationship in which the soul and God are equals"; it is, he believes, "the greatest poem of friendship . . . in any language." His verse translation captures the many tones and strategies Krishna uses with Arjuna--strict and berating, detached and philosophical, tender and personable. "Listening guides" to each section follow the main text, and expand in accessible terms on the text and what is happening between the lines. Godsong is an instant classic in the field, from a poet of skill, fine intellect, and--perhaps most important--devotion.
A captivating, no-holds-barred collection of new poems from an acclaimed poet and novelist with a fierce and original voice Dothead is an exploration of selfhood both intense and exhilarating. Within the first pages, Amit Majmudar asserts the claims of both the self and the other: the title poem shows us the place of an Indian American teenager in the bland surround of a mostly white peer group, partaking of imagery from the poet’s Hindu tradition; the very next poem is a fanciful autobiography, relying for its imagery on the religious tradition of Islam. From poems about the treatment at the airport of people who look like Majmudar (“my dark unshaven brothers / whose names overlap with the crazies and God fiends”) to a long, freewheeling abecedarian poem about Adam and Eve and the discovery of oral sex, Dothead is a profoundly satisfying cultural critique and a thrilling experiment in language. United across a wide range of tones and forms, the poems inhabit and explode multiple perspectives, finding beauty in every one.
Countless retellings, translations, and reworkings of the Ramayana's captivating story exist-but none are as vivid, ingenious and powerful as Amit Majmudar's Sitayana. Majmudar tells the story of one of the world's most popular epics through multiple perspectives, presented in rapid sequence-from Hanuman and Ravana, down to even the squirrel helping Rama's army build the bridge. However, above all, Majmudar focuses on the fierce resistance of Sita, letting us hear her voice as we have never heard it before.
Mala and Ronak are surprisingly less comfortable with their dual Indian and American roots than their parents, part of an immigrant community that has happily embraced the New World. Told that their mother is about to die, they return home to the Midwest, where Mala persuades Ronak that they should immerse themselves in Indian culture by learning to cook their mother's favorite recipes. Then Ronak hits upon the idea of capturing their experience in book and film, and all hell breaks loose."--Library Journal.
A stunning first novel, set during the violent 1947 partition of India, about uprooted children and their journeys to safety As India is rent into two nations, communal violence breaks out on both sides of the new border and streaming hordes of refugees flee from blood and chaos. At an overrun train station, Shankar and Keshav, twin Hindu boys, lose sight of their mother and join the human mass to go in search of her. A young Sikh girl, Simran Kaur, has run away from her father, who would rather poison his daughter than see her defiled. And Ibrahim Masud, an elderly Muslim doctor driven from the town of his birth, limps toward the new Muslim state of Pakistan, rediscovering on the way his role as a healer. As the displaced face a variety of horrors, this unlikely quartet comes together, defying every rule of self-preservation to forge a future of hope. A dramatic, luminous story of families and nations broken and formed, Partitions introduces an extraordinary novelist who writes with the force and lyricism of poetry.
This is the first part of a trilogy on the Mahabharata. Grounded in the original Sanskrit epic, Majmudar recreates the ancient epic for a contemporary audience. It is his finest work yet and is one of the most accessible, magical and unputdownable retellings of the Mahabharata. The Book of Vows will be followed by The Book of Discoveries and The Book of Killings.
0° , 0° is where the equator and prime meridian cross, but it is also, in Amit Majmudar’s poetic cartography, "the one True Cross, the rood’s wood warped and tacked / pole to pole." Unlikely intersections lie at the heart of Amit Majmudar's first collection of poetry. Mythical, biblical, political, and scientific allusion thrive side by side, inspiring surprise and wonder. Majmudar’s training as a medical doctor is clearly at work as he is able to balance poetic forms requiring surgical precision—including the exceedingly difficult ghazal—with warmth and compassion for the world. Majmudar understands suffering on the large scale and the small, whether he is speaking up for the biblical character Job and "answering the whirlwind," or tallying the human cost of war at Walter Reed Army Medical Center.
A stunning first novel, set during the violent 1947 partition of India, about uprooted children and their journeys to safety As India is rent into two nations, communal violence breaks out on both sides of the new border and streaming hordes of refugees flee from blood and chaos. At an overrun train station, Shankar and Keshav, twin Hindu boys, lose sight of their mother and join the human mass to go in search of her. A young Sikh girl, Simran Kaur, has run away from her father, who would rather poison his daughter than see her defiled. And Ibrahim Masud, an elderly Muslim doctor driven from the town of his birth, limps toward the new Muslim state of Pakistan, rediscovering on the way his role as a healer. As the displaced face a variety of horrors, this unlikely quartet comes together, defying every rule of self-preservation to forge a future of hope. A dramatic, luminous story of families and nations broken and formed, Partitions introduces an extraordinary novelist who writes with the force and lyricism of poetry.
A captivating, no-holds-barred collection of new poems from an acclaimed poet and novelist with a fierce and original voice Dothead is an exploration of selfhood both intense and exhilarating. Within the first pages, Amit Majmudar asserts the claims of both the self and the other: the title poem shows us the place of an Indian American teenager in the bland surround of a mostly white peer group, partaking of imagery from the poet’s Hindu tradition; the very next poem is a fanciful autobiography, relying for its imagery on the religious tradition of Islam. From poems about the treatment at the airport of people who look like Majmudar (“my dark unshaven brothers / whose names overlap with the crazies and God fiends”) to a long, freewheeling abecedarian poem about Adam and Eve and the discovery of oral sex, Dothead is a profoundly satisfying cultural critique and a thrilling experiment in language. United across a wide range of tones and forms, the poems inhabit and explode multiple perspectives, finding beauty in every one.
Shortly after learning they would become the parents of twins, the physician-writer Amit Majmudar and his wife received a devastating in utero diagnosis: one of the twins had a potentially fatal congenital heart defect. Written in the form of an extended letter, Twin A recounts the epic story of the open-heart surgeries, complications, and prolonged recoveries that Majmudar's son survived in infancy and early childhood. But the narrative turns into something much richer and more expansive than the mere description of a surgical history. Thanks to Majmudar’s ample gifts as a wordsmith, medical and scientific information frequently give way to original poetry and fables, family history, and a series of evocative religious and philosophical reflections about matters of life and death. The result is a fresh, captivating exploration of the events that transform his son and everyone around him. Drawing strength and beauty from catastrophe, Majmudar’s Twin A creates a moving portrait of a family’s love and a child’s extraordinary resilience.
Mala and Ronak are surprisingly less comfortable with their dual Indian and American roots than their parents, part of an immigrant community that has happily embraced the New World. Told that their mother is about to die, they return home to the Midwest, where Mala persuades Ronak that they should immerse themselves in Indian culture by learning to cook their mother's favorite recipes. Then Ronak hits upon the idea of capturing their experience in book and film, and all hell breaks loose."--Library Journal.
This is the seminannual Able Muse Review (Print Edition) - Winter 2015 issue, Number 20. This issue continues the tradition of masterfully crafted poetry, fiction, essays, art & photography, and book reviews that have become synonymous with the Able Muse—online and in print. After more than a decade of online publishing excellence, Able Muse print edition maintains the superlative standard of the work presented all these years in the online edition, and, the Able Muse Anthology (Able Muse Press, 2010). ". . . [ ABLE MUSE ] fills an important gap in understanding what is really happening in early twenty-first century American poetry." – Dana Gioia. CONTENTS: WITH THE 2015 ABLE MUSE WRITE PRIZE FOR POETRY & FICTION — Includes the winning story and poems from the contest winners and finalists. EDITORIAL — Alexander Pepple. FEATURED ARTIST — Léon Leijdekkers. FEATURED POET — Amit Majmudar; (Interviewed by Daniel Brown). FICTION — Paul Soto, Lynda Sexson, Andrea Witzke Slot. ESSAYS — N.S. Thompson, Moira Egan. BOOK REVIEWS — Stephen Kampa, Robert B. Shaw. POETRY — X.J. Kennedy, Wendy Videlock, Kim Bridgford, Peter Kline, Catharine Savage Brosman, Terese Coe, Steven Winn, Jay Udall, Beth Houston, Jennifer Reeser, Leslie Schultz, Ryan Wilson, Max Gutmann, Freeman Rogers, Dan Campion, Brooke Clark, David Stephenson, Autumn Newman, James Matthew Wilson, Athar C. Pavis, Jeanne Wagner, Elise Hempel.
Delve into the intricacies of jurisprudence with 'Law Audience’s Digest,' a compelling collection of legal articles that demystify the complexities of the legal world. From landmark court cases to evolving legal trends, this anthology offers a thought-provoking journey for both legal enthusiasts and the curious minds seeking insight into the dynamic realm of law. Engage with expert perspectives, stay abreast of contemporary legal issues, and broaden your understanding of the ever-evolving legal landscape. 'Law Audience’s Digest' is your gateway to a comprehensive exploration of the legal domain, providing enlightenment and clarity in every page.
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