They call it a civil war, but there is nothing civil in this. Nothing civil at all. They came from Damascus, from Halab, from Banias where the bombs fall day and night and the wounded children look like sleeping angels. Now they live in camps and abandoned buildings in Lebanon or Jordan. Now Syria is just a distant memory, a home forever lost. This urgent and extraordinary play explores the crisis in Syria through the stories of its two million refugees. Oh My Sweet Land received its UK premiere at the Young Vic Theatre, London, on 9 April 2014.
I am Yusuf and This Is My Brother is a powerful, poetic exploration of history, memory and different forms of love. 'Before it happened I didn't know those people existed. Now I'm not certain that we do...' January 1948. Palestine. The British Mandate is ending. The UN is voting on who will control what part of the land. Ali is in love with Nada - but he is in despair. Her father won't let them marry because his brother Yusuf is 'odd' with his own eccentric, child-like point of view. Rufus, a soldier on the occupying British forces, longs for the cold fogs of Sheffield. War begins and, as the villagers are scattered and become refugees, the secret that's kept Ali and Nada apart is revealed. Although set within a politically charged context, the play is full of haunting, dreamlike poetry rather than didactic polemicism. Instead of simply exploring the political debate, Zuabi concentrates more on the richness of language and culture. With a keen awareness of the vulnerability and fragile ephemerality of life, I am Yusuf and This Is My Brother explores humanity and love in the context of loss and death.
When Abraham returns home from a journey with his son, his wife is troubled by the boy's state of mind. What took place on the mountain that day is the beginning of a lifetime of suffering for his son and the dawn of a new age for millions. A haunting and heartbreaking twist on the story of Abraham and Isaac, which reminds us that this historic tale of sacrifice began with just one family. The Beloved follows writer Amir Nizar Zuabi's previous successes with I Am Yusuf and This Is My Brother and In the Penal Colony. The publication coincided with a co- production by Palestinian theatre company ShiberHur with the Bush Theatre and KVS Brussels.
When Abraham returns home from a journey with his son, his wife is troubled by the boy's state of mind. What took place on the mountain that day is the beginning of a lifetime of suffering for his son and the dawn of a new age for millions. A haunting and heartbreaking twist on the story of Abraham and Isaac, which reminds us that this historic tale of sacrifice began with just one family. The Beloved follows writer Amir Nizar Zuabi's previous successes with I Am Yusuf and This Is My Brother and In the Penal Colony. The publication coincided with a co- production by Palestinian theatre company ShiberHur with the Bush Theatre and KVS Brussels.
I am Yusuf and This Is My Brother is a powerful, poetic exploration of history, memory and different forms of love. 'Before it happened I didn't know those people existed. Now I'm not certain that we do...' January 1948. Palestine. The British Mandate is ending. The UN is voting on who will control what part of the land. Ali is in love with Nada - but he is in despair. Her father won't let them marry because his brother Yusuf is 'odd' with his own eccentric, child-like point of view. Rufus, a soldier on the occupying British forces, longs for the cold fogs of Sheffield. War begins and, as the villagers are scattered and become refugees, the secret that's kept Ali and Nada apart is revealed. Although set within a politically charged context, the play is full of haunting, dreamlike poetry rather than didactic polemicism. Instead of simply exploring the political debate, Zuabi concentrates more on the richness of language and culture. With a keen awareness of the vulnerability and fragile ephemerality of life, I am Yusuf and This Is My Brother explores humanity and love in the context of loss and death.
They call it a civil war, but there is nothing civil in this. Nothing civil at all. They came from Damascus, from Halab, from Banias where the bombs fall day and night and the wounded children look like sleeping angels. Now they live in camps and abandoned buildings in Lebanon or Jordan. Now Syria is just a distant memory, a home forever lost. This urgent and extraordinary play explores the crisis in Syria through the stories of its two million refugees. Oh My Sweet Land received its UK premiere at the Young Vic Theatre, London, on 9 April 2014.
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