Both Worlds at Once is a study of works of art conceived and produced late in their creators' careers. It pronounces an alternative to the mainstream life span creativity research which has, in general, adopted a decline perspective to the fruits of old age. Amir Cohen-Shalev argues that this age-decrement approach misses what the artists themselves tried to do in old age, which is often to develop a new form that allows them to thrive on ambivalence. Against the bleak predictions of developmental psychology and folk wisdom, this book focuses on old age as a unique stage of creative activity.
Explores movies on old age by old filmmakers, and movies on old age by younger artists. This title focuses on the cinematic representation of ageing from within, and examines the ways ageing is viewed from the outside. It is suitable for students and scholars of cinema, humanistic gerontology, psychology of art, and the sociology of old age.
Both Worlds at Once is a study of works of art conceived and produced late in their creators' careers. It pronounces an alternative to the mainstream life span creativity research which has, in general, adopted a decline perspective to the fruits of old age. Amir Cohen-Shalev argues that this age-decrement approach misses what the artists themselves tried to do in old age, which is often to develop a new form that allows them to thrive on ambivalence. Against the bleak predictions of developmental psychology and folk wisdom, this book focuses on old age as a unique stage of creative activity.
Explores movies on old age by old filmmakers, and movies on old age by younger artists. This title focuses on the cinematic representation of ageing from within, and examines the ways ageing is viewed from the outside. It is suitable for students and scholars of cinema, humanistic gerontology, psychology of art, and the sociology of old age.
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