Weaving together family history, genetic discovery, and scenes from her life, Ami McKay tells the compelling, true-science story of her own family's unsettling legacy of hereditary cancer while exploring the challenges that come from carrying the mutation that not only killed many people you loved, but might also kill you. The story of Ami McKay's connection to a genetic disorder called Lynch syndrome begins over seventy years before she was born and long before scientists discovered DNA. In 1895 her great-great aunt, Pauline Gross, a seamstress in Ann Arbor, Michigan, confided to a pathology professor at the local university that she expected to die young, like so many others in her family. Rather than dismiss her fears, the pathologist chose to enlist Pauline in the careful tracking of those in her family tree who had died of cancer. Pauline's premonition proved true--she died at 46--but because of her efforts, her family (who the pathologist dubbed 'Family G') would become the longest and most detailed cancer genealogy ever studied in the world. A century after Pauline's confession, researchers would identify the genetic mutation responsible for the family's woes. Now known as Lynch syndrome, the genetic condition predisposes its carriers to several types of cancer, including colorectal, endometrial, ovarian and pancreatic. In 2001, as a young mother with two sons and a keen interest in survival, Ami McKay was among the first to be tested for Lynch syndrome. She had a feeling she'd test positive: her mother's side of the family was riddled with early deaths and her own mother was being treated for the disease. When the test proved her fears true, she began living in "an unsettling state between wellness and cancer," and she's been there ever since. Intimate, candid, and probing, her genetic memoir tells a fascinating story, teasing out the many ways to live with the hand you are dealt."--
Following in the footsteps of The Birth House, her powerful debut novel, The Virgin Cure secures Ami McKay's place as one of our most beguiling storytellers. (Not that it has to… that is pretty much taken care of!) "I am Moth, a girl from the lowest part of Chrystie Street, born to a slum-house mystic and the man who broke her heart." So begins The Virgin Cure, a novel set in the tenements of lower Manhattan in the year 1871. As a young child, Moth's father smiled, tipped his hat and walked away from his wife and daughter forever, and Moth has never stopped imagining that one day they may be reunited – despite knowing in her heart what he chose over them. Her hard mother is barely making a living with her fortune-telling, sometimes for well-heeled clients, yet Moth is all too aware of how she really pays the rent. Life would be so much better, Moth knows, if fortune had gone the other way - if only she'd had the luxury of a good family and some station in life. The young Moth spends her days wandering the streets of her own and better neighbourhoods, imagining what days are like for the wealthy women whose grand yet forbidding gardens she slips through when no one's looking. Yet every night Moth must return to the disease- and grief-ridden tenements she calls home. The summer Moth turns twelve, her mother puts a halt to her explorations by selling her boots to a local vendor, convinced that Moth was planning to run away. Wanting to make the most of her every asset, she also sells Moth to a wealthy woman as a servant, with no intention of ever seeing her again. These betrayals lead Moth to the wild, murky world of the Bowery, filled with house-thieves, pickpockets, beggars, sideshow freaks and prostitutes, but also a locale frequented by New York's social elite. Their patronage supports the shadowy undersphere, where businesses can flourish if they truly understand the importance of wealth and social standing - and of keeping secrets. In that world Moth meets Miss Everett, the owner of a brothel simply known as an "infant school." There Moth finds the orderly solace she has always wanted, and begins to imagine herself embarking upon a new path. Yet salvation does not come without its price: Miss Everett caters to gentlemen who pay dearly for companions who are "willing and clean," and the most desirable of them all are young virgins like Moth. That's not the worst of the situation, though. In a time and place where mysterious illnesses ravage those who haven't been cautious, no matter their social station, diseased men yearn for a "virgin cure" - thinking that deflowering a "fresh maid" can heal the incurable and tainted. Through the friendship of Dr. Sadie, a female physician who works to help young women like her, Moth learns to question and observe the world around her. Moth's new friends are falling prey to fates both expected and forced upon them, yet she knows the law will not protect her, and that polite society ignores her. Still she dreams of answering to no one but herself. There's a high price for such independence, though, and no one knows that better than a girl from Chrystie Street.
Prologue -- My house stands at the edge of the earth. Together, the house and I have held strong against the churning tides of Fundy. Two sisters, stubborn in our bones. -- My father, Judah Rare, built this farmhouse in 1917. It was my wedding gift. A strong house for a Rare woman, he said. I was eighteen. He and his five brothers, shipbuilders by trade, raised her worthy from timbers born on my grand-father's land. Oak for stability and certainty, yellow birch for new life and change, spruce for protection from the world outside. Father was an intuitive carpenter, carrying out his work like holy ritual. His callused hands, veined with pride, had a memory for measure and a knowing of what it takes to withstand the sea. -- Strength and a sense of knowing, that's what you have to have to live in the Bay. Each morning you set your sights on the tasks ahead and hope that when the day is done you're farther along than when you started. Our little village, perched on the crook of God's finger, has always been ruled by storm and season. The men did whatever they had to do to get by. They joked with one another in fire-warmed kitchens after sunset, smoking their pipes, someone bringing out a fiddle . . . laughing as they chorused, no matter how rough, we can take it. The seasons were reflected in their faces, and in the movement of their bodies. When it was time for the shad, herring and cod to come in, they were fishermen, dark with tiresome wet from the sea. When the deer began to huddle on the back of the mountain, they became hunters and woodsmen. When spring came, they worked the green-scented earth, planting crops that would keep, potatoes, cabbage, carrots, turnips. Summer saw their weathered hands building ships and haying fields, and sunsets that ribboned over the water, daring the skies to turn night. The long days were filled with pride and ceremony as mighty sailing ships were launched from the shore. The Lauretta, The Reward, The Nordica, The Bluebird, The Huntley. My father said he'd scour two hundred acres of forest just to find the perfect trees to build a three-masted schooner. Tall yellow birch, gently arched by northwesterly winds, was highly prized. He could spot the keel in a tree's curve and shadow, the return of the tide set in the grain. -- Men wagered their lives with the sea for the honour of these vessels. Each morning they watched for the signs. Red skies in morning, sailors take warning. Each night they looked to the heavens, spotting starry creatures, or the point of a dragon's tail. They told themselves that these were promises from God, that He would keep the wiry cold fingers of the sea from grabbing at them, from taking their lives. Sometimes men were taken. On those dark days the men who were left behind sat down together and made conversation of every detail, hitching truth to wives' tales while mending their nets. -- As the men bargained with the elements, the women tended to matters at home. They bartered with each other to fill their pantries and clothe their children. Grandmothers, aunts and sisters taught one another to stitch and cook and spin. On Sunday mornings mothers bent their knees between the stalwart pews at the Union Church, praying they would have enough. With hymnals clutched against their breasts, they told the Lord they would be ever faithful if their husbands were spared. -- When husbands, fathers and sons were kept out in the fog longer than was safe, the women stood at their windows, holding their lamps, a chorus of lady moons beckoning their lovers back to shore. Waiting, they hushed their children to sleep and listened for the voice of the moon in the crashing waves. In the secret of the night, mothers whispered to their daughters that only the moon could force the waters to submit. It was the moon's voice that called the men home, her voice that turned the tides of womanhood, her voice that pulled their babies into the light of birth. -- My house became the birth house. That's what the women came to call it, knocking on the door, ripe with child, water breaking on the porch. First-time mothers full of questions, young girls in trouble and seasoned women with a brood already at home. (I called those babies "toesies," because they were more than their mamas could count on their fingers.) They all came to the house, wailing and keening their babies into the world. I wiped their feverish necks with cool, moist cloths, spooned porridge and hot tea into their tired bodies, talked them back from outside of themselves. -- Ginny, she had two . . . -- Sadie Loomer, she had a girl here. -- Precious, she had twins . . . twice. -- Celia had six boys, but she was married to my brother Albert . . . Rare men always have boys. -- Iris Rose, she had Wrennie . . . -- All I ever wanted was to keep them safe. -- Part One -- Around the year 1760, a ship of Scotch immigrants came to be wrecked on the shores of this place. Although the vessel was lost, her passengers and crew managed to find shelter here. They struggled through the winter - many taking ill, the women losing their children, the men making the difficult journey down North Mountain to the valley below, carrying sacks of potatoes and other goods back to their temporary home, now called Scots Bay. -- In the spring, when all who had been stranded chose to make their way to more established communities, the daughter of the ship's captain, Annie MacIssac, stayed behind. She had fallen in love with a Mi'kmaq man she called Silent Rare. -- On the evening of a full moon in June, Silent went out in his canoe to catch the shad that were spawning around the tip of Cape Split. As the night wore on, Annie began to worry that some ill had befallen her love. She looked across the water for signs of him but found nothing. She walked to the cove where they had first met and began to call out to him, promising her heart, her fidelity and a thousand sons to his name. The moon, seeing Annie's sadness, began to sing, forcing the waves inland, strong and fast, bringing Silent safely back to his lover. -- Since that time, every child born from the Rare name has been male, and even now, when the moon is full, you can hear her voice, the voice of the moon, singing the sailors home. -- -A Rare Family History, 1850 -- 1 -- Ever since I can remember, people have had more than enough to say about me. As the only daughter in five generations of Rares, most figure I was changed by faeries or not my father's child. Mother works and prays too hard to have anyone but those with the cruellest of tongues doubt her devotion to my father. When there's no good explanation for something, people of the Bay find it easier to believe in mermaids and moss babies, to call it witchery and be done with it. Long after the New England Planters' seed wore the Mi'kmaq out of my family's blood, I was born with coal black hair, cinnamon skin and a caul over my face. A foretelling. A sign. A gift that supposedly allows me to talk to animals, see people's deaths and hear the whisperings of spirits. A charm for protection against drowning. -- When one of Laird Jessup's Highland heifers gave birth to a three-legged albino calf, talk followed and people tried to guess what could have made such a creature. In the end, most people blamed me for it. I had witnessed the cow bawling her calf onto the ground. I had been the one who ran to the Jessups' to tell the young farmer about the strange thing that had happened. Dora talked to ghosts, Dora ate bat soup, Dora slit the Devil's throat and flew over the chicken coop. My classmates chanted that verse between the slats of the garden gate, along with all the other words their parents taught them not to say. Of course, there are plenty of schoolyard stories about Miss B. too, most of them ending with, if your cat or your baby goes missing, you'll know where to find the bones. It's talk like that that's made us such good friends. Miss B. says she's glad for gossip. "It keep folks from comin' to places they don't belong." -- Most days I wake up and say a prayer. I want, I wish, I wait for something to happen to me. While I thank God for all good things, I don't say this verse to Him, or to Jesus or even to Mary. They are far too busy to be worrying about the affairs and wishes of my heart. No, I say my prayer more to the air than anything else, hoping it might catch on the wind and find its way to anything, to something that's mine. Mother says, a young lady should take care with what she wishes for. I'm beginning to think she's right. -- From the Hardcover edition.
Weaving together family history, genetic discovery, and scenes from her life, Ami McKay tells the compelling, true-science story of her own family's unsettling legacy of hereditary cancer while exploring the challenges that come from carrying the mutation that not only killed many people you loved, but might also kill you. The story of Ami McKay's connection to a genetic disorder called Lynch syndrome begins over seventy years before she was born and long before scientists discovered DNA. In 1895 her great-great aunt, Pauline Gross, a seamstress in Ann Arbor, Michigan, confided to a pathology professor at the local university that she expected to die young, like so many others in her family. Rather than dismiss her fears, the pathologist chose to enlist Pauline in the careful tracking of those in her family tree who had died of cancer. Pauline's premonition proved true--she died at 46--but because of her efforts, her family (who the pathologist dubbed 'Family G') would become the longest and most detailed cancer genealogy ever studied in the world. A century after Pauline's confession, researchers would identify the genetic mutation responsible for the family's woes. Now known as Lynch syndrome, the genetic condition predisposes its carriers to several types of cancer, including colorectal, endometrial, ovarian and pancreatic. In 2001, as a young mother with two sons and a keen interest in survival, Ami McKay was among the first to be tested for Lynch syndrome. She had a feeling she'd test positive: her mother's side of the family was riddled with early deaths and her own mother was being treated for the disease. When the test proved her fears true, she began living in "an unsettling state between wellness and cancer," and she's been there ever since. Intimate, candid, and probing, her genetic memoir tells a fascinating story, teasing out the many ways to live with the hand you are dealt.
Beloved author Ami McKay is back, bringing us a magical follow-up in the tradition of Victorian winter tales to her mesmerizing bestseller, The Witches of New York. During the nights between Christmas and New Year's, the witches of New York—Adelaide Thom, Eleanor St. Clair and the youngest, Beatrice Dunn—gather before the fire to tell ghost stories and perform traditional Yuletide divinations. (Did you know that roasting chestnuts was once used to foretell one's fate?) As the witches roast chestnuts and melt lead to see their fate, a series of odd messengers land on their doorstep bearing invitations for a New Year's Eve masquerade hosted by a woman they've never met. Gossip, dreams and portents follow, leading the witches to question the woman's motives. Is she as benevolent as she seems or is she laying a trap? And so, as Gilded-Age New York prepares to ring in the new year, the witches don their finery and head for the ball, on the hunt for answers that might well be the end of them.
The growth of the economy & the spread of prosperity are increasingly seen as problematic rather than positive. Prosperity is accused of encouraging greed, damaging the environment, causing unhappiness & widening social inequalities. The author argues that society benefits from greater affluence.
Representing the first extensive volume on the history of art education to be published in 20 years, this book will generate new interpretations of both local and global histories for 21st-century readers. Steppingstones captures pivotal moments in art education history within the United States and globally. Chapters are situated within the broad and active stream of history, identified by the authors as places to pause, step down, and deeply explore these moments and the vibrant terrain that surrounds them. Some steppingstones in the volume are new and fresh reappraisals of familiar and well-recognized landing places in art education history. Other steppingstones contain discussions of previously unknown or overlooked material uncovered by the authors. Digging deep, getting beneath, and revealing steppingstones that embrace a pathway through the past, this book explores dynamic and spirited narratives about various people, institutions, events, tensions, and international perspectives that have shaped and continue to direct the course of art and design education. Book Features: Investigates contemporary issues through a lens toward the past, including issues of race, cultural protocols, intersectionality, international influence, White privilege, disability studies, and other social concerns.Presents contributions from well-known senior scholars alongside new voices of several emerging scholars of color.Includes biographical accounts of African American artists and educators, and the role and influence of the Harlem Renaissance.Contains discussion of art education in colonial India and explores complex relationships between colonizer-colonized histories.Focuses on art education in the United States with discussion of specific international influences.Offers contemporary best practices for doing historical research and strategies for teaching art education history courses at the university level.Highlights the significance of digital humanities and digital scholarship.
The growth of the economy and the spread of prosperity are increasingly seen as problematic rather than positive - a trend Daniel Ben-Ami has termed 'growth scepticism'. Prosperity is accused of encourage greed, damaging the environment, causing unhappiness and widening social inequalities. Ferraris for all: A defence of economic progress is a rejoinder to the growth sceptics. Using examples from a range of countries, including the US, the author argues that society as a whole benefits from greater affluence. Action is needed - but to increase abundance and spread it worldwide, not to limit prosperity, as the sceptics would have it. The lively and provocative hardback edition was published to widespread coverage in 2010, and triggered debate and dissent in equal measure.
Weaving together family history, genetic discovery, and scenes from her life, Ami McKay tells the compelling, true-science story of her own family's unsettling legacy of hereditary cancer while exploring the challenges that come from carrying the mutation that not only killed many people you loved, but might also kill you. The story of Ami McKay's connection to a genetic disorder called Lynch syndrome begins over seventy years before she was born and long before scientists discovered DNA. In 1895 her great-great aunt, Pauline Gross, a seamstress in Ann Arbor, Michigan, confided to a pathology professor at the local university that she expected to die young, like so many others in her family. Rather than dismiss her fears, the pathologist chose to enlist Pauline in the careful tracking of those in her family tree who had died of cancer. Pauline's premonition proved true--she died at 46--but because of her efforts, her family (who the pathologist dubbed 'Family G') would become the longest and most detailed cancer genealogy ever studied in the world. A century after Pauline's confession, researchers would identify the genetic mutation responsible for the family's woes. Now known as Lynch syndrome, the genetic condition predisposes its carriers to several types of cancer, including colorectal, endometrial, ovarian and pancreatic. In 2001, as a young mother with two sons and a keen interest in survival, Ami McKay was among the first to be tested for Lynch syndrome. She had a feeling she'd test positive: her mother's side of the family was riddled with early deaths and her own mother was being treated for the disease. When the test proved her fears true, she began living in "an unsettling state between wellness and cancer," and she's been there ever since. Intimate, candid, and probing, her genetic memoir tells a fascinating story, teasing out the many ways to live with the hand you are dealt.
The Birth House is the story of Dora Rare, the first daughter to be born in five generations of Rares. As a child in an isolated village in Nova Scotia, she is drawn to Miss Babineau, an outspoken Acadian midwife with a gift for healing. Dora becomes Miss B.’s apprentice, and together they help the women of Scots Bay through infertility, difficult labours, breech births, unwanted pregnancies and even unfulfilling sex lives. Filled with details as compelling as they are surprising, The Birth House is an unforgettable tale of the struggles women have faced to have control of their own bodies and to keep the best parts of tradition alive in the world of modern medicine.
This book provides a comprehensive review of the unicellular green alga Dunaliella, emphasizing the basic biological approach and examining a number of significant topics from which the most intensive Dunaliella research areas have been developed over the last 25 years. These topics include the mechanism of osmoregulation in Dunaliella, ion transport, ß-carotene production, acidophilism in Dunaliella, and biotechnology of Dunaliella. Dunaliella: Physiology, Biochemistry, and Biotechnology will interest plant phyiologists, phycologists, physiologists, and biotechnologists.
An “inspiring” (Kirkus, starred review), “heartfelt” (The Horn Book, starred review) coming-of-age novel about a girl finding her way to activism in the early years of the AIDS pandemic, from award-winning author Ami Polonsky. Iris tries to act normal at school, going through the motions and joking around with her friends. But nothing is normal, and sometimes it feels like she’ll never laugh again. How can she, when her dad is dying of a virus that’s off-limits to talk about? When she knows that soon all she’ll have left of her kind, loving dad are memories, photos, and a binder full of the poems they used to exchange? In a sea of rage and grief, Iris resolves to speak out against the rampant fear, misinformation, and prejudice surrounding AIDS—and find the pieces of Dad that she never knew before. Along the way, Iris might just find new sides to herself. Critically-acclaimed author Ami Polonsky has crafted a lyrical, tender, earth-shattering novel that will stay with you long after you’ve turned the last page.
The terrorist attacks of September 11, 2001, and Hurricane Katrina in August 2005, generated a great deal of discussion in public policy and disaster management circles about the importance of increasing national resilience to rebound from catastrophic events. Since the majority of physical and virtual networks that the United States relies upon are owned and operated by the private sector, a consensus has emerged that public-private partnerships (PPPs) are a crucial aspect of an effective resilience strategy. Significant barriers to cooperation persist, however, despite acknowledgment that public–private collaboration for managing disasters would be mutually beneficial. Managing Disasters through Public–Private Partnerships constitutes the first in-depth exploration of PPPs as tools of disaster mitigation, preparedness, response, and resilience in the United States. The author assesses the viability of PPPs at the federal level and explains why attempts to develop these partnerships have largely fallen short. The book assesses the recent history and current state of PPPs in the United States, with particular emphasis on the lessons of 9/11 and Katrina, and discusses two of the most significant PPPs in US history, the Federal Reserve System and the War Industries Board from World War I. The author develops two original frameworks to compare different kinds of PPPs and analyzes the critical factors that make them successes or failures, pointing toward ways to improve collaboration in the future. This book should be of interest to researchers and students in public policy, public administration, disaster management, infrastructure protection, and security; practitioners who work on public–private partnerships; and corporate as well as government emergency management professionals and specialists.
Using James Truslow Adams’ definition of the American dream, this book investigates whether black African immigrants in Texas are achieving the American dream. Almost all of the study participants Moore interviewed considered America a land of opportunity. Additionally, most of the black African immigrants’ definitions of the American dream focused on material aspects. Although participants mostly reported that the United States had been good to them, they nonetheless felt that they had not yet achieved the American dream. Additionally, they reported that their lives in the United States had been, at best, incomplete. They also encountered other challenges which mainly reflected the moralistic aspect of the definition of the American dream. They reported experiences such as not being fully accepted by native-born Americans in general and by white Americans in particular, being discriminated against, and being unappreciated. In fact, all of these challenges created a sense of marginalization among study participants. However, aware of the benefits of migration, they were willing to endure these challenges.
Adverse Childhood Experiences and Their Life-Long Impact explores how these experiences influence cognitive, behavioral and social experiences in adulthood. The book conceptualizes the types of violence, abuse, neglect, and/or trauma that factor into ACEs. It also explores the psychopathological outcomes of ACEs among children, including neurodevelopmental and psychosocial mechanisms. By drawing on cross-cultural perspectives, the authors provide insight into the variations between the adversity and trauma children experience. Sections also cover preventive measures, risk factors and various forms of interventional treatment, making this book a core read for psychologists, physicians, social workers, educators and researchers in the field. - Provides a comprehensive framework for understanding adverse childhood experiences - Reviews the link between ACE and homelessness, substance abuse, and physical and/or sexual violence in adulthood - Highlights key components of cross-cultural perceptions on child abuse and neglect, including differences of gender - Explores options for prevention and intervention for those who experience adverse childhood experiences
Harlequin Special Edition brings you three new titles for one great price, available now for a limited time only from November 1 to November 30! These are heartwarming, romantic stories about life, love and family. This Harlequin Special Edition bundle includes How to Marry a Princess by USA TODAY bestselling author Christine Rimmer, Holiday by Design by USA TODAY bestselling author Patricia Kay and The Nanny's Christmas Wish by Ami Weaver. Look for 6 compelling new stories every month from Harlequin Special Edition!
Nuclear cardiac imaging refers to cardiac radiological diagnostic techniques performed with the aid of radiopharmaceuticals, which are perfused into the myocardium as markers. These imaging studies provide a wide range of information about the heart, including the contractility of the heart, the amount of blood supply to the heart and whether parts of the heart muscle are alive or dead. This is essential information for cardiologists, and nuclear imaging has become an increasingly important part of the cardiologist's armamentarium. Iskandrian's text has become a leading book in the field and the fourth edition will continue the tradition. The text is completely updated to reflect the many advances in the field, and, as a new feature, each chapter concludes with a Q&A session on important and difficult clinical issues.
Following in the footsteps of The Birth House, her powerful debut novel, The Virgin Cure secures Ami McKay's place as one of our most beguiling storytellers. (Not that it has to… that is pretty much taken care of!) "I am Moth, a girl from the lowest part of Chrystie Street, born to a slum-house mystic and the man who broke her heart." So begins The Virgin Cure, a novel set in the tenements of lower Manhattan in the year 1871. As a young child, Moth's father smiled, tipped his hat and walked away from his wife and daughter forever, and Moth has never stopped imagining that one day they may be reunited – despite knowing in her heart what he chose over them. Her hard mother is barely making a living with her fortune-telling, sometimes for well-heeled clients, yet Moth is all too aware of how she really pays the rent. Life would be so much better, Moth knows, if fortune had gone the other way - if only she'd had the luxury of a good family and some station in life. The young Moth spends her days wandering the streets of her own and better neighbourhoods, imagining what days are like for the wealthy women whose grand yet forbidding gardens she slips through when no one's looking. Yet every night Moth must return to the disease- and grief-ridden tenements she calls home. The summer Moth turns twelve, her mother puts a halt to her explorations by selling her boots to a local vendor, convinced that Moth was planning to run away. Wanting to make the most of her every asset, she also sells Moth to a wealthy woman as a servant, with no intention of ever seeing her again. These betrayals lead Moth to the wild, murky world of the Bowery, filled with house-thieves, pickpockets, beggars, sideshow freaks and prostitutes, but also a locale frequented by New York's social elite. Their patronage supports the shadowy undersphere, where businesses can flourish if they truly understand the importance of wealth and social standing - and of keeping secrets. In that world Moth meets Miss Everett, the owner of a brothel simply known as an "infant school." There Moth finds the orderly solace she has always wanted, and begins to imagine herself embarking upon a new path. Yet salvation does not come without its price: Miss Everett caters to gentlemen who pay dearly for companions who are "willing and clean," and the most desirable of them all are young virgins like Moth. That's not the worst of the situation, though. In a time and place where mysterious illnesses ravage those who haven't been cautious, no matter their social station, diseased men yearn for a "virgin cure" - thinking that deflowering a "fresh maid" can heal the incurable and tainted. Through the friendship of Dr. Sadie, a female physician who works to help young women like her, Moth learns to question and observe the world around her. Moth's new friends are falling prey to fates both expected and forced upon them, yet she knows the law will not protect her, and that polite society ignores her. Still she dreams of answering to no one but herself. There's a high price for such independence, though, and no one knows that better than a girl from Chrystie Street.
Beloved author Ami McKay is back, bringing us a magical follow-up in the tradition of Victorian winter tales to her mesmerizing bestseller, The Witches of New York. During the nights between Christmas and New Year's, the witches of New York—Adelaide Thom, Eleanor St. Clair and the youngest, Beatrice Dunn—gather before the fire to tell ghost stories and perform traditional Yuletide divinations. (Did you know that roasting chestnuts was once used to foretell one's fate?) As the witches roast chestnuts and melt lead to see their fate, a series of odd messengers land on their doorstep bearing invitations for a New Year's Eve masquerade hosted by a woman they've never met. Gossip, dreams and portents follow, leading the witches to question the woman's motives. Is she as benevolent as she seems or is she laying a trap? And so, as Gilded-Age New York prepares to ring in the new year, the witches don their finery and head for the ball, on the hunt for answers that might well be the end of them.
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