Shortlisted for the 2021 BARS First Book Prize (British Association for Romantic Studies) The Printed Reader explores the transformative power of reading in the eighteenth century, and how this was expressed in the fascination with Don Quixote and in a proliferation of narratives about quixotic readers, readers who attempt to reproduce and embody their readings. Through intersecting readings of quixotic narratives, including work by Charlotte Lennox, Laurence Sterne, George Colman, Richard Graves, and Elizabeth Hamilton, Amelia Dale argues that literature was envisaged as imprinting—most crucially, in gendered terms—the reader’s mind, character, and body. The Printed Reader brings together key debates concerning quixotic narratives, print culture, sensibility, empiricism, book history, and the material text, connecting developments in print technology to gendered conceptualizations of quixotism. Tracing the meanings of quixotic readers’ bodies, The Printed Reader claims the social and political text that is the quixotic reader is structured by the experiential, affective, and sexual resonances of imprinting and impressions. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Men go out in the desert to find their puha–their power. Why can a woman not do the same? The girl wondered. She looked at her hands. Maybe this is a dream, she hoped. A medicine woman once told Wa Shana that if one could see their own hands in a dream, they could control their dream to learn many secrets. Wa Shana’s hands were cracked and bleeding, from days of scraping buffalo hides and tending the cooking fires. Her whole life was one of toil, drudgery and scolding from the older women of the village. The dizziness, this sense of being apart from her body, had started in mid-afternoon. Only a swallow or two remained in her goatskin bag; she needed to save it. Except for some pemmican and a small knife, she had no other provisions. What little status Wa Shana had in the tribe was gone. A woman’s power, her ‘puha’, came from being the center of a family—the power of drawing in a man, becoming the wife of a warrior, giving birth and raising children. Wa Shana no longer had any of that. She only had the reputation of humming strange songs to herself when she worked, which only intensified the tribe’s belief that she was possessed by an evil spirit. Amelia D. Smith 6002 Cayce Lane Columbia, TN 38401 931-626-2856 dalesmith105@gmail.com
Sterne, Tristram, Yorick: Tercentenary Essays on Laurence Sterne derives from the Laurence Sterne Tercentenary Conference held at Royal Holloway, University of London, on July 8–11, 2013. It was attended by some eighty scholars from fourteen countries; the conference heard more than sixty papers. The organizers invited participants to submit revised versions of their contributions for this volume, and the thirteen selected exhibit, it is hoped, the defining features both of the conference and of Sterne studies at the beginning of the twenty-first century. It is worth remarking that the selected authors represent seven countries; that Sterne may well be the most internationally accepted of all eighteenth-century English authors is certainly a claim worthy of a sentimental traveler. This collection recognizes three faces of Sterne, beginning with several biographical essays examining, respectively, his celebrity status, family life, politics, and philosophy. The second face is that of Tristram, studied from vantage points provided by ethics, linguistics, gender studies, and comparative literature. The final group of essays examines the face of Yorick as the protagonist of A Sentimental Journey, beginning with an ethnographic study of relationships, moving through questions of identity, and concluding with the possible future of literary studies—a return to aesthetics.
Poems by Amelia is a selection of poems written by 9 year old Amelia Appleby, featuring the poem 'The Sky', which has been selected for publication in the Young Writers' Annual Showcase 2023 - Captivating Creations. Her first book of poems was written during Year 4 in Primary School, between the ages of 8 and 9 years. Exploring different genres through thirteen poems (from humour to fantasy), young children will enjoy this book along with its colourful illustration, supporting their reading development and creativity. Amelia hopes that you enjoy her poetry and to maybe inspire other children to write their very own!
When Adeline Mowbray puts her mother Editha’s radical theories into practice by eloping with, but not marrying, a notorious writer, the mother and daughter are estranged for many years, but finally reconciled. As its subtitle suggests, Adeline Mowbray, or The Mother and Daughter begins and ends with their story, but its complex plot encompasses almost every other human relationship. This engaging novel explores many issues important in the Romantic period, from women’s education to the ethics of slavery and colonialism. This Broadview Edition uses the first edition of 1805 as its copy text, but also includes important variants from the 1810 and 1844 editions. The appendices include contemporary reviews and material expanding on the novel’s themes of women’s education, marriage, slavery, and the tension between feeling and reason.
Charming and delightful—a must-read!" —Joan Johnston, New York Times bestselling author of A Stranger's Game "Witty dialogue and clever schemes... Grey's vivid characters will charm readers." —Booklist Her name is on everyone's lips... When he left for America six years ago, the handsome Viscount Stonehurst never suspected that he would return home to England to find his lovely fiancée embroiled in the scandal of the decade. The woman he planned on making his wife has been kissing every man in London...except him! But scandal doesn't matter in search of the truth... Engaged and then abandoned, Mirabella Wittingham is determined to find the man who drove her cousin to suicide, even if it means ruining her reputation and disgracing herself in the process...When her plans go awry, Mirabella has no choice but to turn to her long-lost fiancé for help. But can she trust the man who deserted her so many years ago, or is he destined to fail her yet again? "Readers will be quickly drawn in by the lively pace, the appealing protagonists, and the sexual chemistry that almost visibly shimmers between them in this charming, light-hearted, and well-done Regency." —Library Journal "An uplifting, wonderfully sensual story. I hated for it to end." —Meryl Sawyer, New York Times bestselling author of Play Dead
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