Twelve per cent of UK theatregoers have a disability. This compares with 18% of the UK’s adult population. Directors can help build audiences as diverse as the population at large by making their art accessible to all. Live performances are increasingly being made accessible to people with sensory impairments not only to satisfy equality laws and the requirements of funding bodies, but also in the interest of diversity and as a catalyst for creativity. But how do you ensure you don’t throw out the access baby with the artistic bathwater? This book draws on the results of the Integrated Access Inquiry: Is It Working? A qualitative study with 20 theatremakers from around the UK, it was commissioned by Extant Theatre – the UK’s leading company of blind and visually impaired people, and combines feedback from disabled audiences with advice from the creative teams who have experimented with integrating access. It discusses the challenges and opportunities of working with disabled actors and building in audience access even before rehearsals begin. It offers strategies, case studies and a step-by-step guide to help creative people integrate access into their live performance for the benefit of all.
Faith and the State offers a comprehensive historical development of Islamic philanthropy--zakat (almsgiving), sedekah (donation) and waqf (religious endowment)-- from the time of the Islamic monarchs, through the period of Dutch colonialism and up to contemporary Indonesia. It shows a rivalry between faith and the state: between efforts to involve the state in managing philanthropic activities and efforts to keep them under control of Muslim civil society. Philanthropy is an indication of the strength of civil society. When the state was weak, philanthropy developed powerfully and was used to challenge the state. When the state was strong, Muslim civil society tended to weaken but still found ways to use philanthropic practices in the public sphere to promote social change.
European Languages: A Historical Journey Through Linguistic Evolution"" delves into the fascinating development of European languages, offering a comprehensive exploration of their origins, evolution, and current state. The book posits that these languages serve as living records of Europe's complex history, reflecting patterns of migration, conquest, and cultural exchange. By examining the tapestry of linguistic diversity across the continent, readers gain unique insights into historical processes that might otherwise remain obscured. The book is structured in three parts, beginning with an overview of major language families and their hypothesized origins. It then examines how pivotal historical events, such as the Roman Empire's expansion and the Age of Exploration, influenced linguistic development. Finally, it analyzes the current state of European languages and discusses future trends. What sets this work apart is its integration of traditional historical linguistics with modern computational methods, offering fresh perspectives on long-standing questions in the field. Drawing on a wide range of evidence, including archaeological findings and genetic studies, the book employs innovative data visualization techniques to illustrate complex linguistic relationships. Its interdisciplinary approach connects linguistics to archaeology, genetics, and cultural anthropology, providing a holistic view of language development. While primarily aimed at students and scholars, the accessible writing style and engaging anecdotes make it appealing to anyone interested in European languages or cultural heritage.
A major, career-spanning collection of an Italian master's poetry in English, gathered together for the first time. Amelia Rosselli is one of the great poets of postwar Italy. She was also a musician and musicologist, close to John Cage and Karlheinz Stockhausen, and she waged a lifelong battle against depression. The child of Carlo Rosselli, a significant anti-fascist intellectual who was assassinated with his brother Nello in 1937, Amelia grew up in exile and attended high school in Mamaroneck, New York. English poetry, especially the lyrics and sonnets of Shakespeare and the Elizabethans, became a prime reference for her own poetry, which combines modernist experimentation with variations on more traditional forms. The elaborate, archaic, yet thoroughly modern poems, at once stumbling and singing, that Rosselli composed in English and gathered under the title Sleep are a beautiful and illuminating part of her work. Six of the poems were published by John Ashbery in the 1960s but have otherwise been unavailable to English readers. They are published here for the first time outside of Italy.
A research center for Thoroughbred racing, breeding, and related subjects, the Keeneland Association Library is located at Keeneland Race Course near Lexington, Kentucky. Amelia King Buckley, who became librarian in 1953, has compiled an alphabetical author listing of the titles in this unique collection as of June 1, 1958. Begun in 1939 with a gift of 2,000 volumes from William Arnold Hanger, the library has grown with the addition of other gifts and purchases, and now comprises one of the finest collections in its field. The published catalog includes more than 900 monograph titles, more than 100 serial titles, selected sales catalogs, private studbooks, bound pamphlets, and a small amount of manuscript material. The volume is illustrated with photographs from the library's remarkable collection of 15,000 negatives taken by the late Charles Christian Cook, one of the first American photographers to specialize in racing scenes.
A musician, musicologist, and self-defined “poet of research,” Amelia Rosselli (1930–96) was one of the most important poets to emerge from Europe in the aftermath of World War II. Following a childhood and adolescence spent in exile from Fascist Italy between France, England, and the United States, Rosselli was driven to express the hopes and devastations of the postwar epoch through her demanding and defamiliarizing lines. Rosselli’s trilingual body of work synthesizes a hybrid literary heritage stretching from Dante and the troubadours through Ezra Pound and John Berryman, in which playful inventions across Italian, English, and French coexist with unadorned social critique. In a period dominated by the confessional mode, Rosselli aspired to compose stanzas characterized by a new objectivity and collective orientation, “where the I is the public, where the I is things, where the I is the things that happen.” Having chosen Italy as an “ideal fatherland,” Rosselli wrote searching and often discomposing verse that redefined the domain of Italian poetics and, in the process, irrevocably changed the Italian language. This collection, the first to bring together a generous selection of her poems and prose in English and in translation, is enhanced by an extensive critical introduction and notes by translator Jennifer Scappettone. Equipping readers with the context for better apprehending Rosselli’s experimental approach to language, Locomotrix seeks to introduce English-language readers to the extraordinary career of this crucial, if still eclipsed, voice of the twentieth century.
LA "SALUTE HA UNA SORELLA" è una veloce, pratica MA scientifica Guida all'uso gourmet degli alimenti in cucina nel potenziare lo stato di salute, Il taglio divulgativo la rende accessibile a tutti. Particolarmente indicata per chi vuole coniugare cibo, curiosità ed educazione alimentare. Bon Appetit
Twelve per cent of UK theatregoers have a disability. This compares with 18% of the UK’s adult population. Directors can help build audiences as diverse as the population at large by making their art accessible to all. Live performances are increasingly being made accessible to people with sensory impairments not only to satisfy equality laws and the requirements of funding bodies, but also in the interest of diversity and as a catalyst for creativity. But how do you ensure you don’t throw out the access baby with the artistic bathwater? This book draws on the results of the Integrated Access Inquiry: Is It Working? A qualitative study with 20 theatremakers from around the UK, it was commissioned by Extant Theatre – the UK’s leading company of blind and visually impaired people, and combines feedback from disabled audiences with advice from the creative teams who have experimented with integrating access. It discusses the challenges and opportunities of working with disabled actors and building in audience access even before rehearsals begin. It offers strategies, case studies and a step-by-step guide to help creative people integrate access into their live performance for the benefit of all.
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