The Full Moon Series 2021 is a YouTube and Twitter based creative multi-modal project. 12 Authors, 12 Stories, 12 Full Moons Produced & edited by Daniel Lacho of Guru Art Lifestyle Entertainment Edited & voiced by Jacqueline Belle Author Challenge: write a story or poem in any genre in 500 words or less, themed on the full moon. Promote their episode & shine to win a prize. GALECrew FAV Award chosen by The Full Moon Series 2021 Production Team - FAN FAV Awarded to the author that achieved the most points. Points were tallied for each like and comment on their YouTube episode video during the episode's moon cycle - AUTHOR FAV Award was chosen by the author Wolf Pack. The Full Moon Series 2021 Authors voted on which author they believed most deserved to be recognized. Creator Challenge: Choose 12 authors, voice the chosen story or poem, add additional voices, integrate images & scenes, add the perfect soundtrack, adjust everything together to create a unique, equally stunning masterpiece to be released on the Full Moon each month in 2021. Introduction by Daniel Lacho The Full Moon Series 2021 Authors: Julie Kusma - WOOF! David Middleham - NIGHT ON EARTH D.B. Carter - THE GIFT AND THE CURSE Jane Jago - DADDY G. Quinn Rogers - WOLF MOON Sallie Moffitt - THE LEGEND OF MOON BAY Amelia Arbek - A DIMMER SHIMMER Daniel Lacho - IT WAS JUST A DREAM David DeWinter - BEYOND FULL MOON Laura Maybrooke - FULL MOON NIGHTS Bella Rayne - MINE
Poems by Amelia is a selection of poems written by 9 year old Amelia Appleby, featuring the poem 'The Sky', which has been selected for publication in the Young Writers' Annual Showcase 2023 - Captivating Creations. Her first book of poems was written during Year 4 in Primary School, between the ages of 8 and 9 years. Exploring different genres through thirteen poems (from humour to fantasy), young children will enjoy this book along with its colourful illustration, supporting their reading development and creativity. Amelia hopes that you enjoy her poetry and to maybe inspire other children to write their very own!
As enthralling as any work of fiction, A Thousand Miles up the Nile is the quintessential Victorian travel book. In 1873, Amelia B. Edwards, an upper-class Victorian spinster, spent the winter visiting the then largely unspoiled splendors of ancient Egypt. An accurate and sympathetic observer, she brings nineteenth-century Egypt to life. A Thousand Miles up the Nile was an instant hit in 1876, and is received with equal enthusiasm by modern readers. Fans of Elizabeth Peters’ Amelia Peabody Emerson series will see similarities between the two Amelias. More importantly, A Thousand Miles up the Nile provides a wealth of background information and detail that will increase the reader’s understanding and enjoyment of Peters’ novels. This Norton Creek Press edition of A Thousand Miles up the Nile is a reproduction of the illustrated 1890 edition by Routledge and Sons. Look for more of Edwards’ works from Norton Creek Press.
This book is a love letter to women longing to break free of the boxes their postcode, skin colour, gender and bank balance put them in. Its title is a rebel yell to ambitious women and girls hungry for more. Growing up on the whitewashed Central Coast in the 1980s and attending an elite school as a scholarship student from the wrong side of the tracks, Lebanese-Cypriot Simone Amelia Jordan felt like an outcast among her peers for years. Her lifeline was hip-hop, then in its golden age. From girlhood, Simone recognised the art form's pro-Black consciousness, and the rappers' resonant words inspired her to embrace her own identity and back herself. From founding Australia's most successful hip-hop and R&B publication to moving to New York City and interviewing the biggest stars of the time as the editor of the world's most beloved rap magazine; falling in love and getting her heart broken; grappling with her family ties to culture; and struggling through illness and sexual grooming, Simone's inspiring story is about defying the odds to reach for your dreams. But it is also about figuring out those dreams can change as you do. Tell Her She's Dreamin' is a deeply personal story of family, culture and music that disrupts the long-held view that women, and racially diverse women especially, are limited in their power as bold, playful explorers. It is a timely manual for those hellbent on going places and an inspiration for anyone who has ever been told they can't. (Spoiler alert: you can!)
A probing reading of leftist Jewish poets who, during the interwar period, drew on the trauma of pogroms to depict the suffering of other marginalized peoples. Between the world wars, a generation of Jewish leftist poets reached out to other embattled peoples of the earth—Palestinian Arabs, African Americans, Spanish Republicans—in Yiddish verse. Songs in Dark Times examines the richly layered meanings of this project, grounded in Jewish collective trauma but embracing a global community of the oppressed. The long 1930s, Amelia M. Glaser proposes, gave rise to a genre of internationalist modernism in which tropes of national collective memory were rewritten as the shared experiences of many national groups. The utopian Jews of Songs in Dark Times effectively globalized the pogroms in a bold and sometimes fraught literary move that asserted continuity with anti-Arab violence and black lynching. As communists and fellow travelers, the writers also sought to integrate particular experiences of suffering into a borderless narrative of class struggle. Glaser resurrects their poems from the pages of forgotten Yiddish communist periodicals, particularly the New York–based Morgn Frayhayt (Morning Freedom) and the Soviet literary journal Royte Velt (Red World). Alongside compelling analysis, Glaser includes her own translations of ten poems previously unavailable in English, including Malka Lee’s “God’s Black Lamb,” Moyshe Nadir’s “Closer,” and Esther Shumiatsher’s “At the Border of China.” These poets dreamed of a moment when “we” could mean “we workers” rather than “we Jews.” Songs in Dark Times takes on the beauty and difficulty of that dream, in the minds of Yiddish writers who sought to heal the world by translating pain.
This book examines the international investment agreements and the dispute settlement mechanisms contained therein, which bind the Gulf Cooperation Council member States. The Gulf Cooperation Council (GCC), comprising Bahrain, Kuwait, Oman, Qatar, Saudi Arabia, and the United Arab Emirates, is complex and unique. Recently, all member States have experienced increasing investor–state arbitration claims, while their nationals are increasingly instituting investor–state arbitrations to protect their own foreign investments. Intra-GCC disputes, though relatively rare, have also appeared, largely as a result of the recent Gulf crisis. While focussing particularly upon the investor–state dispute settlement experience of member States as respondents, the book also explores the experiences of their nationals as claimants to determine how they can approach investor– state dispute settlement in the future. The book also reflects on existing treaty-making practices, making recommendations for regional-level dispute settlement to improve upon investor–state dispute settlement outcomes. This book provides a detailed analysis of the global investor–state dispute settlement regime and international investment agreements, and it will be of interest to students, academics, and practitioners with an interest in international investment law and arbitration.
Miss Blandfords’ 'A Thousand Miles Up the Nile ' is one of the classics of the literature of Egypt. Her work as an Egyptologist, and deserved reputation as such, began with the expedition of which it is the narrative. The author has studied her subjects with great care; she has consulted and compared authorities ancient and modern, with much industry; and her examination of the remains she describes was a labor of love and enthusiasm. . . Nor does she confine her attention to art and archaeology. She gives many fresh and lively sketches of the often described life of the dahabecah; of its great events, such as sand-storms and of the natives.
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