The second Ladies of Lantern Street novel from Amanda Quick explores the crimes, passions and paranormal secrets of Victorian London. Under the plain gray skirts of Miss Beatrice Lockwood’s gown, a pistol waits at the ready. For Beatrice is a paid companion on a secret mission—and with a secret past—and she must be prepared to fight for her life at any moment. Yet she is thrown oddly off guard by the fierce-looking man who joins her in foiling a crime outside a fancy ball—and then disappears into the shadows, leaving only his card. His name is Joshua Gage, and he claims to know Beatrice’s employers. Beyond that, he is an enigma with a hypnotically calm voice and an ebony-and-steel cane. . . . Joshua, who carries out clandestine investigations for the Crown, is equally intrigued. He has a personal interest in Miss Lockwood, a suspected thief and murderer, not to mention a fraudster who claims to have psychical powers. The quest to discover her whereabouts has pulled him away from his mournful impulses to hurl himself into the sea—and engaged his curiosity about the real Beatrice Lockwood, whose spirit, he suspects, is not as delicate as her face and figure. He does know one thing, though: This flame-haired beauty was present the night Roland Fleming died at the Academy of the Occult. Guilty or not, she is his guide to a trail of blood and blackmail, mesmerism and madness—a path that will lead both of them into the clutches of a killer who calls himself the Bone Man. . . .
An Amish sweets contest is interrupted when a bitter rivalry turns deadly in this cozy mystery by the Agatha Award-winning author of Criminally Cocoa. Harvest, Ohio, is a long way from New York City, where Bailey King left a coveted job as a chocolatier to take over Swissmen Sweets, her grandparents’ Amish candy shop. She wants to honor her grandfather’s memory, but she may be biting off more than she can chew when she enters the annual Amish Confectionery Competition. Between cooking up lavender blueberry fudge and chocolate cherry ganache truffles, Bailey’s search for a missing pot-bellied pig leads her to a dead body. Josephine Weaver, an Amish candy maker who wanted Bailey disqualified for being an Englischer, died from a licorice allergy. Now Bailey finds herself topping the list of murder suspects, along with Josephine’s niece, a young woman going through her rumspringa. Now it falls to Bailey, who’s sweet on the local sheriff’s deputy, to clear both their names and catch a killer with a cast-iron stomach for cold-blooded murder… Recipe Included!
Do you dream of wicked rakes, gorgeous Highlanders, muscled Viking warriors and rugged Wild West cowboys? Harlequin® Historical brings you three new full-length titles in one collection! THE MARSHAL’S WYOMING BRIDE by Tatiana March (Western) When enigmatic US Marshal Dale Hunter helps innocent Rowena McKenzie when she’s accused of murder, she offers him her inherited ranch—but Dale will only accept if Rowena agrees to marry him! THE GOVERNESS’S CONVENIENT MARRIAGE Debutantes in Paris by Amanda McCabe (Victorian) Lady Alexandra is shocked to be reunited with Malcolm Gordston, the man she was never allowed to marry. He’s now incredibly wealthy, and despite her family’s scandal, determined to make her his bride! FORBIDDEN TO THE GLADIATOR by Greta Gilbert (Roman) When her father loses his wager on a gladiator fight, Arria is forced into slavery. She becomes captivated by her burning attraction for gladiator Cal. Can she give him a reason to fight for their freedom? Look for Harlequin® Historical’s December 2018 Box Set 1 of 2, filled with even more timeless love stories!
A nuanced re-evaluation of the ways in which gender affected the use of physical space in early modern England. Space was not simply a passive backdrop to a social system that had structural origins elsewhere; it was vitally important for marking out and maintaining the hierarchy that sustained social and gender order in sixteenth- and seventeenth-century England. Gender had a considerable influence on its use and organization; status and gender were displayed physically and spatially every moment of the day, from a person's place at table to the bed on which he orshe slept, in places of work and recreation, in dress, gesture and modes of address. Space was also the basis for the formation of gender identities which were constantly contested and restructured, as this book shows.Examining in turn domestic, social and sacred spaces and the spatial division of labour in gender construction, the author demonstrates how these could shift, and with them the position and power of women. She shows that the ideological assumption that all women are subject to all men is flawed, and exposes the limitations of interpretations which rely on the model and binary opposition of public/private, male/female, to describe gender relations and theirchanges across the period, thus offering a much more complex and picture than has hitherto been perceived. The book will be essential reading not just for historians of the family and of women, but for all those studying early modern social history. AMANDA FLATHER is a lecturer in the Department of History at the University of Essex.
In 1913, Toronto launched Canada's first woman's police court. The court was run by and for women, but was it a great achievement? This multifaceted portrait of the cases, defendants, and officials that graced its halls reveals a fundamental contradiction at the experiment's core: the Toronto Women's Police Court was both a site for feminist adaptations of justice and a court empowered to punish women. Reconstructed from case files and newspaper accounts, this engrossing portrait of the trials and tribulations that accompanied an early experiment in feminized justice sheds new light on maternal feminist politics, women and crime, and the role of resistance, agency, and experience in the criminal justice system.
In this era of ubiquitous information flow, heightened mobility and limitless consumer convenience, human interaction with new technologies has become increasingly seamless. In the process, the human body is effectively and steadily reduced to just another interface, or a “second life”, so to speak. What is easily forgotten during this translucent transaction is that being human also necessarily implies being embodied. In other words, to constitute a body in its non-negotiable physicality is still what it entails to be human (amongst other things). To live daily in and through the complicated and dynamic intersection between “mind” and “body”, psychology and physiology―also known as embodiment―is what makes us human.
From the million-copy bestseller Amanda Prowse, the queen of heartbreak fiction. Amanda Prowse is the author of The Coordinates Of Loss and the no.1 bestsellers Perfect Daughter, My Husband's Wife and What Have I Done? In the early years, she was happy. Romilly loved her stunning house, her kind husband and gorgeous daughter. Sure, life was sometimes exhausting – but nothing that a large glass of wine at the end of the day couldn't fix. But then a glass of wine became a bottle; one bottle became two. Once, Romilly's family were everything to her. Now, after years of hiding the drinking, she must finally admit that she has found another love... Reviews for Amanda Prowse: 'Prowse handles her explosive subject with delicate skill... Deeply moving and inspiring' DAILY MAIL. 'Powerful and emotional family drama that packs a real punch' HEAT. 'A gut wrenching and absolutely brilliant read' IRISH SUN. 'Captivating, heartbreaking, superbly written' CLOSER. 'Very uplifting and positive, but you may still need a box (or two) of tissues' HELLO. 'An emotional, unputdownable read' RED. 'Prowse writes gritty, contemporary stories but always with an uplifting message of hope' SUNDAY INDEPENDENT.
Sakiori is an approach to rag weaving used by Japanese peasants to cope with the scarcity of new cloth for clothing and household textiles. In modern times, there is instead an overabundance of cloth filling up thrift stores and being discarded. Weavers can use this source of “rags” to make useful and surprising new cloth. Depending on the fabric used, results can be rugged and utilitarian (like cotton rugs) or fashionable and delicate (like silk scarves). The book begins with an overview of the history and context of sakiori in Japan, followed by methods and tips for successful rag weaving with a variety of materials and looms, including rigid heddle looms as well as floor looms. Charts and worksheets make it easy to find the information weavers need to get started, and 21 projects with instructions and drafts provide inspiration and ideas.
This ambitious work chronicles 250 years of the Cromartie family genealogical history. Included in the index of nearly fifty thousand names are the current generations, and all of those preceding, which trace ancestry to our family patriarch, William Cromartie, who was born in 1731 in Orkney, Scotland, and his second wife, Ruhamah Doane, who was born in 1745. Arriving in America in 1758, William Cromartie settled and developed a plantation on South River, a tributary of the Cape Fear near Wilmington, North Carolina. On April 2, 1766, William married Ruhamah Doane, a fifth-generation descendant of a Mayflower passenger to Plymouth, Stephen Hopkins. If Cromartie is your last name or that of one of your blood relatives, it is almost certain that you can trace your ancestry to one of the thirteen children of William Cromartie , his first wife, and Ruhamah Doane, who became the founding ancestors of our Cromartie family in America: William Jr., James, Thankful, Elizabeth, Hannah Ruhamah, Alexander, John, Margaret Nancy, Mary, Catherine, Jean, Peter Patrick, and Ann E. Cromartie. These four volumes hold an account of the descent of each of these first-generation Cromarties in America, including personal anecdotes, photographs, copies of family bibles, wills, and other historical documents. Their pages hold a personal record of our ancestors and where you belong in the Cromartie family tree.
There are few intellectual movements in modern American political history more successful than the Federalist Society. Created in 1982 to counterbalance what its founders considered a liberal legal establishment, the organization gradually evolved into the conservative legal establishment, and membership is all but required for any conservative lawyer who hopes to enter politics or the judiciary. It claims 40,000 members, including four Supreme Court Justices, dozens of federal judges, and every Republican attorney general since its inception. But its power goes even deeper. In Ideas with Consequences, Amanda Hollis-Brusky provides the first comprehensive account of how the Federalist Society exerts its influence. Drawing from a huge trove of documents, transcripts, and interviews, she explains how the Federalist Society managed to revolutionize the jurisprudence for a wide variety of important legal issues. Many of these issues-including the extent of federal government power, the scope of the right to bear arms, and the parameters of corporate political speech-had long been considered settled. But the Federalist Society was able to upend the existing conventional wisdom, promoting constitutional theories that had previously been dismissed as ludicrously radical. As Hollis-Brusky shows, the Federalist Society provided several of the crucial ingredients needed to accomplish this constitutional revolution. It serves as a credentialing institution for conservative lawyers and judges and legitimizes novel interpretations of the constitution that employ a conservative framework. It also provides a judicial audience of like-minded peers, which prevents the well-documented phenomenon of conservative judges turning moderate after years on the bench. As a consequence, it is able to exercise enormous influence on important cases at every level. A far-reaching analysis of some of the most controversial political and legal issues of our time, Ideas with Consequences is the essential guide to the Federalist Society at a time when its power has broader implications than ever.
Out of Breath dreams of a powerful white animal that runs unseen through the desert as quickly and easily as water runs through his fingers. His people tell him that visions are suspect. But he leaves to search the desert himself, and returns leading a beast no one has ever seen before, a tall, bony creature who says its name is Horse. The people of Red Earth City are afraid of it -- all except the beautiful, willful Wants the Moon, who first thinks of riding on its back. Together, Out of Breath and Wants the Moon will prove what Horse means to their people and to the Buffalo Hunters of the Grass.
In An American Brothel, Amanda Boczar considers sexual encounters between American servicemen and civilians throughout the Vietnam War, and she places those fraught and sometimes violent meetings in the context of the US military and diplomatic campaigns. In 1966, US Senator J. William Fulbright declared that "Saigon has become an American brothel." Concerned that, as US military involvement in Vietnam increased so, too, had prostitution, black market economies, and a drug trade fueled by American dollars, Fulbright decried an arrogance of power on the part of Americans and the corrosive effects unchecked immorality could have on Vietnam as well as on the war effort. The symbol, at home and abroad, of the sweeping social and cultural changes was often the so-called South Vietnamese bar girl. As the war progressed, peaking in 1968 with more than half a million troops engaged, the behavior of soldiers off the battlefield started to impact affect the conflict more broadly. Beyond the brothel, shocking revelations of rapes and the increase in marriage applications complicated how the South Vietnamese and American allies cooperated and managed social behavior. Strictures on how soldiers conducted themselves during rest and relaxation time away from battle further eroded morale of disaffected servicemen. The South Vietnamese were loath to loosen moral restrictions and feared deleterious influence of a permissive wWestern culture on their society. From the consensual to the coerced, sexual encounters shaped the Vietnam War. Boczar shows that these encounters—sometimes facilitated and sometimes banned by the US military command—restructured the South Vietnamese economy, captivated international attention, dictated military policies, and hung over diplomatic relations during and after the war.
A celebration of 78 rpm record subculture reveals the growing value of rare records and the determined efforts of their collectors and archivists, exploring the music of blues artists who have been lost to the modern world.
Help your students connect historic technologies with today’s STEAM concepts through the lens of crafting! This book, written by a science education professor and a middle school STEM teacher, provides guidance for turning classic crafts into transdisciplinary STEAM lessons for grades 3–8. Ready-to-use lessons outline the history, science, mathematics, and engineering embedded within ten hands-on crafts from around the world. Each chapter outlines the history of a craft, its social impact, and the mathematics, engineering, and scientific concepts and skills embedded in the craft. Content standards from art, history, English language arts, technology, mathematics, and science are embedded within each unit. Lessons are supplemented with ready-to-photocopy handouts, guiding questions, and logistical support such as shopping lists and safety procedures. Activities have all been classroom-tested to ensure appropriate leveling and applicability across STEAM disciplines. Ideal for any STEM or STEAM classroom across upper elementary and middle schools, this book helps make STEM concepts meaningful and tangible for your students. Rather than just reading about science, technology, mathematics, or engineering, students will become makers and engage in STEAM directly, just as original crafters have done for centuries. Additional instructional materials are available at: https://steamcrafts.weebly.com/
Spinning, carding, and dyeing yarns, constructing a loom, tension, and the weaving processes are discussed in this guide to the art of blanket and saddleblanket weaving
Amanda Flower’s USA Today bestselling Amish Candy Shop Mysteries combines a fascinating look at Amish life with the sugar rush of candy making, a quirky whodunit, and a hint of romance between chocolatier Bailey King and her law enforcer boyfriend. This eighth installment raises the charm even more, as filming begins for Bailey’s new reality TV show just in time for a big blueberry festival to jam up the small town of Harvest, Ohio. Bailey King, star of TV’s Bailey's Amish Sweets, is building her dream candy factory in Harvest, Ohio. But no sooner is the frame of the new building up than she finds the dead body of a surly contractor who has a long list of enemies—including people in the Amish community. To add to the drama, Bailey is being filmed by a crew for her upcoming show. . . When Bailey’s TV producer pitched a reality show about building the factory, Bailey was shocked that the network picked it up. She’s not shocked that many of the Amish working on the jobsite refuse to be on camera. However, local community organizer Margot Rawlings is ecstatic—because the filming coincides with Harvest’s First Annual Blueberry Bash. Margot believes the media attention will make Harvest the most popular destination in Holmes County. But now, the county may become known for all the wrong reasons . . . Bailey will have to sift through a crowd of angry villagers and thousands of blueberries to solve the murder, save her new venture, and protect her Amish friends. At the same time, she and her longtime boyfriend, Aiden Brody, are making big decisions about their future together—a future that may be in jeopardy if Bailey is the next pick on a killer’s list . . .
What is at stake when our young people attempt to belong to a college environment that reflects a world that does not want them for who they are? In this compelling book, Navajo scholar Amanda Tachine takes a personal look at 10 Navajo teenagers, following their experiences during their last year in high school and into their first year in college. It is common to think of this life transition as a time for creating new connections to a campus community, but what if there are systemic mechanisms lurking in that community that hurt Native students' chances of earning a degree? Tachine describes these mechanisms as systemic monsters and shows how campus environments can be sites of harm for Indigenous students due to factors that she terms monsters' sense of belonging, namely assimilating, diminishing, harming the worldviews of those not rooted in White supremacy, heteropatriarchy, capitalism, racism, and Indigenous erasure. This book addresses the nature of those monsters and details the Indigenous weapons that students use to defeat them. Rooted in love, life, sacredness, and sovereignty, these weapons reawaken students' presence and power. Book Features: Introduces an Indigenous methodological approach called story rug that demonstrates how research can be expanded to encompass all our senses. Weaves together Navajo youths' stories of struggle and hope in educational settings, making visible systemic monsters and Indigenous weaponry. Draws from Navajo knowledge systems as an analytic tool to connect history to present and future realities. Speaks to the contemporary situation of Native peoples, illuminating the challenges that Native students face in making the transition to college. Examines historical and contemporary realities of Navajo systemic monsters, such as the financial hardship monster, deficit (not enough) monster, failure monster, and (in)visibility monster. Offers insights for higher education institutions that are seeking ways to create belonging for diverse students.
In Intersectional Identities of Christian Women in the United States: Faith, Race, and Feminism, Amanda Hernandez explores the complex relationship between Christianity and feminism in the United States. Often, feminism and faith are seen as contradictory to each other. Through sociological analysis that includes content analysis, survey data, and interviews with over forty Christian women, the author argues this seeming contradiction is rooted in white supremacy. Further, she examines how whiteness, racism, and experiences of sexism shape feminist identities in religious contexts. By centering the experiences of Christian women, this study challenges existing narratives and calls for a more nuanced understanding, of feminism and faith in the United States.
Gender and Parenting in the Worlds of Alien and Blade Runner is a comparative, gendered analysis study of Ridley Scott’s contributions to the genre of science fiction and horror cinema, showcasing how patriarchal and gendered expectations regarding women, usually associated with the past, still run rampant.
This lively account of a pioneering anthropologist's experiences with a Navajo family grew out of the author's desire to learn to weave as a way of participating in Navajo culture rather than observing it from the outside. In 1930, when Gladys Reichard came to stay with the family of Red-Point, a well-known Navajo singer, it was unusual for an anthropologist to live with a family and become intimately connected with women's activities. First published in 1934 for a popular audience, Spider Woman is valued today not just for its information on Navajo culture but as an early example of the kind of personal, honest ethnography that presents actual experiences and conversations rather than generalizing the beliefs and behaviors of a whole culture. Readers interested in Navajo weaving will find it especially useful, but Spider Woman's picture of daily life goes far beyond rugs to describe trips to the trading post, tribal council meetings, curing ceremonies, and the deaths of family members.
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. In the late nineteenth and early twentieth centuries, working-class people across northern India found themselves negotiating rapid industrial change, emerging technologies, and class hierarchies. In response to these changes, Indian Muslim artisans began publicly asserting the deep relation between their religion and their labor, using the increasingly accessible popular press to redefine Islamic traditions “from below.” Centering the stories and experiences of metalsmiths, stonemasons, tailors, press workers, and carpenters, Pious Labor examines colonial-era social and technological changes through the perspectives of the workers themselves. As Amanda Lanzillo shows, the colonial marginalization of these artisans is intimately linked with the continued exclusion of laboring voices today. By drawing on previously unstudied Urdu-language technical manuals and community histories, Lanzillo highlights not only the materiality of artisanal production but also the cultural agency of artisanal producers, filling in a major gap in South Asian history.
Millie Fisher may be widowed, but she leads a full life in her Amish hometown of Harvest, Ohio. There’s her quilting circle, her Boer goats, her gift for matchmaking—and the occasional murder . . . Millie is happy that her childhood friend, Uriah Schrock, has returned to Harvest after decades away. He was sweet on Millie in their school days, but she only had eyes for her future husband. Now, there’s a new spark between them, so Millie is concerned when Uriah doesn’t show up at the Harvest concert series—or for his job as the Village square’s groundskeeper. Perhaps Millie has been involved in too many murder investigations, but she has a sinking feeling. And when she and her best friend, Lois, find Uriah with the police, it seems she’s right . . . A film crew is in Harvest to make a movie about a forty-year-old unsolved murder. A skeleton has been found at the bottom of a ravine—and Uriah is certain it’s his sister, Galilee. Right before Uriah left Ohio, she disappeared, and her harsh husband, Samuel, was found fatally stabbed with a knitting needle. The sheriff declared that Galilee killed him and ran away. Uriah never believed the theory, and he’s come back to Harvest hoping, Gott willing, Millie will help him stitch together the truth . . . Praise for Amanda Flower and her Amish cozies “As it turns out, Amanda Flower may have just written the first Amish rom com.” —USA Today “At turns playful and engaging . . . a satisfyingly complex cozy.” —Library Journal
In the nineteenth century, white Americans contrasted the perceived purity of white, middle-class women with the perceived eroticism of women of color and the working classes. The Latter-day Saint practice of polygamy challenged this separation, encouraging white women to participate in an institution that many people associated with the streets of Calcutta or Turkish palaces. At the same time, Latter-day Saints participated in American settler colonialism. After their expulsion from Ohio, Missouri, and Illinois, Latter-day Saints dispossessed Ute and Shoshone communities in an attempt to build their American Zion. Their missionary work abroad also helped to solidify American influence in the Pacific Islands as the church became a participant in American expansion. Imperial Zions explores the importance of the body in Latter-day Saint theology with the faith's attempts to spread its gospel as a "civilizing" force in the American West and the Pacific. By highlighting the intertwining of Latter-day Saint theology and American ideas about race, sexuality, and the nature of colonialism, Imperial Zions argues that Latter-day Saints created their understandings of polygamy at the same time they tried to change the domestic practices of Native Americans and other Indigenous peoples. Amanda Hendrix-Komoto tracks the work of missionaries as they moved through different imperial spaces to analyze the experiences of the American Indians and Native Hawaiians who became a part of white Latter-day Saint families. Imperial Zions is a foundational contribution that places Latter-day Saint discourses about race and peoplehood in the context of its ideas about sexuality, gender, and the family.
This work provides a compelling explanation of something that has bedeviled a number of feminist scholars: Why did popular authors like Edna Ferber continue to write conventional fiction while living lives that were far from conventional? Amanda J. Zink argues that white writers like Ferber and Willa Cather avoided the subject of their own domestic labor by writing about the performance of domestic labor by “others,” showing that American print culture, both in novels and through advertisements, moved away from portraying women as angels in the house and instead sought to persuade other women to be angels in their houses. Zink further explores lesser-known works such as Mexican American cookbooks and essays in Indian boarding school magazines to show how women writers “dialoging domesticity” exemplify the cross-cultural encounters between “colonial domesticity” and “sovereign domesticity.” By situating these interpretations of literature within their historical contexts, Zink shows how these writers championed and challenged the ideology of domesticity.
A candy-striped caper . . . Christmas is coming all too quickly for Harvest, Ohio’s famous chocolatier, Bailey King. Thanks to her new cable TV show, her shop has more candy orders than she can handle this holiday season. Fortunately, her beloved Cousin Charlotte is happy to take the Candy Cane Exchange off Bailey’s to-do list. After all, Charlotte has come to Harvest from her conservative home district to find her future outside of her family’s influence. What better way than by taking on the Englisch task of pairing the sweet notes everyone is exchanging with a peppermint treat, just in time for Christmas Eve delivery? But when Charlotte discovers some of those delicious missives are for her, suddenly she’s staking out the festive postbox, hoping to catch her secret admirer in his intriguing tracks . . . When Charlotte sees something underhanded going on beneath the merrymaking, she enlists the help of Sheriff Deputy Luke Little to find out if her unknown correspondent is none other than the town’s biggest suspect. And the surprising truth about her suitor’s identity has her contemplating leaving her Amish roots behind forever . . . Recipe Included! Praise for Amanda Flower and her Amish cozies “As it turns out, Amanda Flower may have just written the first Amish rom com.” —USA Today “Flower has hit it out of the ballpark . . . and continues to amaze with her knowledge of the Amish way of life.” —RT Book Reviews “At turns playful and engaging . . . a satisfyingly complex cozy.” —Library Journal
In her delightful reimagining of A Midsummer’s Night Dream, Amanda Craig slyly serves up a witty cross-cultural farce, a modern-day tale of love and lies set against the magical landscape of Tuscany. When Theo, a workaholic lawyer, his English wife Polly, and their two children rent an idyllic Italian villa, they expect a relaxing summer holiday together. Polly, with her loved ones’ romantic interests at heart, has invited an eccentric mix of friends and family along--including three eligible bachelors, a former model, an Indian-British divorcee with a young son, and her own appalling mother-in-law. They soon discover the Casa Luna is a strange, enchanted place where people find their heart's desire—but at a price. Everyone falls in love, though not with the people they expect, and the results are surprising and hilarious.
England's Secret Weapon explores the way Hollywood used Sherlock Holmes in a series of fourteen films spanning the years of World War II in Europe, from The Hound of the Baskervilles in 1939 to Dressed to Kill in 1946. Basil Rathbone's portrayal of Holmes has influenced every actor who has since played him on film, TV, stage and radio, yet the film series has, until now, been neglected in terms of detailed critical analysis. The book looks at the films themselves in combination with their historical context and examines how the studio ‘updated' Holmes and recruited him to fight the Nazis, steering a careful course between modernising the detective and making sure he was still recognisable as the ‘old Holmes’ in clothes, locations and behaviour.
This book examines childbirth and parenting in horror texts. By analysing new texts, and re-analysing commonly used texts with new feminist methodology, this study provides a unique contribution to the fields of gender and horror studies.
In the nineteenth century, Great Britain and the United States shared a single literary marketplace that linked the reform movements, as well as the literatures, of the two nations. The writings of transatlantic reformers—antislavery, temperance, and suffrage activists—gave novelists a new sense of purpose and prompted them to invent new literary forms. The result was a distinctively Anglo-American realism, in which novelists, conceiving of themselves as reformers, sought to act upon their readers—and, through their readers, the world. Indeed, reform became so predominant that many novelists borrowed from reformist writings even though they were skeptical of reform itself. Among them are some of the century's most important authors: Anne Brontë, Charles Dickens, George Eliot, Thomas Hardy, Henry James, Elizabeth Stoddard, and Mark Twain. The Novel of Purpose proposes a new way of understanding social reform in Great Britain and the United States. Amanda Claybaugh offers readings that connect reformist agitation to the formal features of literary works and argues for a method of transatlantic study that attends not only to nations, but also to the many groups that collaborate across national boundaries.
Our 55th issue is packed with good stuff—as you will soon discover! Our Acquiring Editors have found tales by great authors—Dave Zeltserman, L. Timmel Duchamp, Amanda Witt—plus we have the first of a fantasy series by British master Sydney J. Bounds, along with a pair of mystery/espionage novels and a slew of science fiction shorts. Plus a solve-it-yourself mystery! Here’s the complete lineup: Mysteries / Suspense / Adventure: “A Story Before Closing Time,” by Dave Zeltserman [Michael Bracken Presents short story] “Most Valuable Solution,” by Hal Charles [Solve-It-Yourself Mystery] “Summer Job,” by Amanda Witt [Barb Goffman Presents short story] The Wilderness Patrol, by Harold Bindloss [novel] The Seven Sleepers, by Francis Beeding [novel] Science Fiction & Fantasy: “The Gift,” by L. Timmel Duchamp [Cynthia Ward Presents short story] “Private Mage,” by Sydney J. Bounds [short story] “Climate Disordered,” by Sam Merwin [short story] “The Penultimate Trump,” by R. C. W. Ettinger [short story] “Lunar Landing,” by Lester del Rey [novella]
This ambitious work chronicles 250 years of the Cromartie family genealogical history. Included in the index of nearly fifty thousand names are the current generations, and all of those preceding, which trace ancestry to our family patriarch, William Cromartie, who was born in 1731 in Orkney, Scotland, and his second wife, Ruhamah Doane, who was born in 1745. Arriving in America in 1758, William Cromartie settled and developed a plantation on South River, a tributary of the Cape Fear near Wilmington, North Carolina. On April 2, 1766, William married Ruhamah Doane, a fifth-generation descendant of a Mayflower passenger to Plymouth, Stephen Hopkins. If Cromartie is your last name or that of one of your blood relatives, it is almost certain that you can trace your ancestry to one of the thirteen children of William Cromartie , his first wife, and Ruhamah Doane, who became the founding ancestors of our Cromartie family in America: William Jr., James, Thankful, Elizabeth, Hannah Ruhamah, Alexander, John, Margaret Nancy, Mary, Catherine, Jean, Peter Patrick, and Ann E. Cromartie. These four volumes hold an account of the descent of each of these first-generation Cromarties in America, including personal anecdotes, photographs, copies of family bibles, wills, and other historical documents. Their pages hold a personal record of our ancestors and where you belong in the Cromartie family tree.
This textbook provides authoritative and up-to-date coverage of the classification, causes, treatment and prevention of psychological disorders in children.
Social Development provides a comprehensive introduction to the multiple factors that shape a child’s behavior, interaction with others, feelings about themselves, and how and why behaviors change over time. Delving into the biological, cognitive, and perceptual aspects of development and their influence on behavior, socialization, and self-image, this text also recognizes the significance of cultural and societal distinctions by emphasizing the value of context and identifying cultural variation’s role in social development. Special pedagogical features in each chapter enhance the learning experience and promote student understanding: counter-intuitive examples cases challenge reader assumptions, coverage of extreme cases tell the story behind historical advancements, and profiles of current leaders in the field highlight the many paths to a career in social development. With a focus on real-world application, coupled with coverage of cutting-edge methodologies and the latest research findings, this book gives students a strong, highly relevant foundation in core concepts and practices central to the study of social development.
The CSB She Reads Truth Bible aims to live at the intersection of beauty, goodness, and Truth. Featuring She Reads Truth devotionals and Scripture reading plans that include supplemental passages for deeper understanding, this Bible invites every woman to count themselves among the She Reads Truth community of "Women in the Word of God every day." The CSB She Reads Truth Bible also features 66 key verses, artfully lettered to aid in Scripture memorization. The She Reads Truth Bible includes almost 200 devotionals, 66 artist-designed key verses, 35 full-color timelines, 20 full-color maps, 11 full-color charts, reading plans for every book of the Bible, one-year Bible reading plan, detailed book introductions, key verse list, carefully curated topical index, smyth-sewn binding, two colored ribbon markers, and wide margins for journaling and note-taking. Women's study Bibles and devotional Bibles are a great resource, but a beautiful and theologically sound Bible like this can be a great encouragement in a woman's time in God's Word. . The CSB She Reads Truth Bible hardcover Bible (also available in genuine leather and leathe touch) features the highly readable, highly reliable text of the Christian Standard Bible(R) (CSB). The CSB stays as literal as possible to the Bible's original meaning without sacrificing clarity, making it easier to engage with Scripture's life-transforming message and to share it with others.
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