This ambitious work chronicles 250 years of the Cromartie family genealogical history. Included in the index of nearly fifty thousand names are the current generations, and all of those preceding, which trace ancestry to our family patriarch, William Cromartie, who was born in 1731 in Orkney, Scotland, and his second wife, Ruhamah Doane, who was born in 1745. Arriving in America in 1758, William Cromartie settled and developed a plantation on South River, a tributary of the Cape Fear near Wilmington, North Carolina. On April 2, 1766, William married Ruhamah Doane, a fifth-generation descendant of a Mayflower passenger to Plymouth, Stephen Hopkins. If Cromartie is your last name or that of one of your blood relatives, it is almost certain that you can trace your ancestry to one of the thirteen children of William Cromartie , his first wife, and Ruhamah Doane, who became the founding ancestors of our Cromartie family in America: William Jr., James, Thankful, Elizabeth, Hannah Ruhamah, Alexander, John, Margaret Nancy, Mary, Catherine, Jean, Peter Patrick, and Ann E. Cromartie. These four volumes hold an account of the descent of each of these first-generation Cromarties in America, including personal anecdotes, photographs, copies of family bibles, wills, and other historical documents. Their pages hold a personal record of our ancestors and where you belong in the Cromartie family tree.
Employment, Labour and Industrial Law in Australia provides a comprehensive, current and accessible resource for the undergraduate and Juris Doctor student. With a social and political background to the law, this text provides insightful legal analysis underscored by practical business experience, while exploring key principles through a close evaluation of laws and lively discussion of prominent cases. Recognising the multi-faceted nature of the subject, the authors have included content on employment, labour and industrial law in the one text, while also presenting critical topics not often dealt with, namely: • current and in-depth analysis of trade union regulation • public work including the public sector, the judiciary and academics • workplace health and safety including worker's compensation, bullying, anti-discrimination and taxation • emerging issues including topics such as transnational and international employment law, migration and employment, as well as volunteers and work experience. To maintain currency within this rapidly changing area of law, the text has a website which will include updates for any major developments in the field as well as responses to end-of-chapter questions. Written by respected academics and practicing lawyers in the field, this book is a relevant and contemporary guide to this fascinating area of law.
The Graveyard Queen is called upon to solve an age-old mystery that threatens her life—and her sanity—in this suspenseful urban fantasy series. My name is Amelia Gray, the Graveyard Queen. Restoring abandoned cemeteries is my profession, but my true calling is deciphering the riddles of the dead. Now I’m being summoned to solve a legendary mystery. Half a century after their mass death, Ezra Kroll’s disciples lie unquiet, their tormented souls trapped within the walls of Kroll Cemetery, waiting to be released by someone strong and clever enough to solve the puzzle. Legend has it that the answer is hidden within the strange headstone inscriptions and intricate engravings—and that uncovering the mystery may come at a terrible price. Every lead I follow, every clue I unravel brings me closer to an unlikely killer and to a destiny that will threaten my sanity and a future with my love, John Devlin.
Dazzler, rock ‘n’ roll, and the children of Cyclops and Magneto launch into space and beyond in this electrifying trans-dimensional adventure from Marvel’s School of X When rock star Dazzler walked out on S.H.I.E.L.D., she hoped she’d seen the last of the clandestine organization. But when a rogue agent drops in after a sold-out gig, she must decide whether to work with them again or stick to her solo career. The agent links Mutant Growth Hormone – a dangerous biochemical that wildly enhances mutant powers – with the disappearance of Magneto and Cyclops. Reluctantly, Dazzler takes the case and unfolds a mystery greater than she anticipated. In need of a new team, she recruits the extraordinary mutants Emma Frost, Polaris, and Rachel Grey on a mission to foil a plot to remove mutantkind forever, which blasts them from Earth into a whole new dimension.
This important collection of essays both contributes to the expanding field of classical reception studies and seeks to extend it. Focusing on nineteenth- and twentieth-century Britain, it looks at a range of different genres (epic, novel, lyric, tragedy, political pamphlet). Within the published texts considered, the usual range of genres dealt with elsewhere is extended by chapters on books for children, and those in which childhood and memories of childhood are informed by antiquity; and also by a multi-genre case study of a highly unusual subject, Spartacus. "Remaking the Classics" also goes beyond books to dramatic performance, and beyond the theatre to radio - a medium of enormous power and influence from the 1920s to the 1960s, whose role in the reception of classics is largely unexplored. The variety of genres and of media considered in the book is balanced both by the focus on Britain in a specific time period, and by an overlap of subject-matter between chapters: the three chapters on twentieth-century drama, for example, range from performance strategies to post-colonial contexts.The book thus combines the consolidation of a field with an attempt to push it in new and exciting directions.
Complicating perspectives on diversity in video games Gamers have been troublemakers as long as games have existed. As our popular understanding of “gamer” shifts beyond its historical construction as a white, straight, adolescent, cisgender male, the troubles that emerge both confirm and challenge our understanding of identity politics. In Gamer Trouble, Amanda Phillips excavates the turbulent relationships between surface and depth in contemporary gaming culture, taking readers under the hood of the mechanisms of video games in order to understand the ways that difference gets baked into its technological, ludic, ideological, and social systems. By centering the insights of queer and women of color feminisms in readings of online harassment campaigns, industry animation practices, and popular video games like Portal and Mass Effect, Phillips adds essential analytical tools to our conversations about video games. She embraces the trouble that attends disciplinary crossroads, linking the violent hate speech of trolls and the representational practices marginalizing people of color, women, and queers in entertainment media to the dehumanizing logic undergirding computation and the optimization strategies of gameplay. From the microcosmic level of electricity and flicks of a thumb to the grand stages of identity politics and global capitalism, wherever gamers find themselves, gamer trouble follows. As reinvigorated forms of racism, sexism, and homophobia thrive in games and gaming communities, Phillips follows the lead of those who have been making good trouble all along, agitating for a better world.
Mr. McGuire takes Maggie, Raphael, Fiona, and Hasenpfeffer to Scotland to meet one of his oldest friends, Sir Roderick Lachlan, who will conduct Maggie’s World Federation of Magic testing. Also at the estate are smarmy young house guest—Munro Wallace Shaw, his mentor—Lord Gilroy Innis, Sir Lachlan’s wife, Lyra, a depressed selkie who endlessly searches the castle for her hidden seal skin so she can escape back to the sea, and their daughter Rhona—a troubled child at odds with her selkie heritage. When a panther attacks their host, Maggie and friends must figure out who conjured the creature up and why. Add a sneaky black cat, Maggie and Fiona’s troublesome attraction to Munro, and Raphael’s jealousy to the mix, and the next victim might very well be Maggie.
An expert in gravestones must help a dead detective solve his own murder in this contemporary gothic paranormal mystery. My name is Amelia Gray. I am the Graveyard Queen, a cemetery restorer who sees ghosts. Though my father passed down four rules to keep me safe. I’ve managed to break every last one. Now it’s time to pay the price. A door has opened and evil wants me back. In order to protect myself, I’ve vowed to return to those rules. But the ghost of a murdered cop needs my help to find his killer. The clues lead me to the dark side of Charleston—where witchcraft, root doctors and black magic still flourish—and back to John Devlin, a haunted police detective I should only love from afar. Now I’m faced with a terrible choice: follow the rules or follow my heart.
When eighteen-year-old Lady Catriona Mackintosh discovers a wounded man in the forest near her Highland home, little does she know that he has sworn a sacred oath to kill her father and other members of the powerful Highland confederation known as Clan Chattan. Nor does she realize that she has met her soul mate. Independent, competent, intelligent, fiercely proud of her heritage, determined always to live near her own family, and known to her family as the "wee wildcat" because of her quick temper, Catriona is the daughter of a Highland chieftain and granddaughter of the even more powerful Chief (or Captain) of Clan Chattan. But her life changes forever when she persuades Sir Finlagh Cameron to return with her to her home to recover from his wounds. Sir Finlagh "Fin" Cameron is on a mission for the heir to Scotland's throne, who has sent him to the Highlands to persuade the Chief of Clan Chattan to arrange a secret meeting for him with two other great lords (the Lord of the Isles and the Lord of the North). Until Fin meets Catriona, however, he has no idea that her father was the Clan Chattan war leader who led them in the battle that wiped out many of Clan Cameron's best warriors, including Fin's own father. The sole survivor of that battle, Fin accepted a bequest of vengeance from his dying father, providing him with a dilemma to face as he begins to fall in love with Catriona. He is not the only one enticed by her charms, either. There are two other contenders, one of whom is his own master, the heir to Scotland's throne. With royal mischief afoot, if Catriona and Fin are ever to find happiness, they must first avoid disaster that could change Scotland's history, and find ways to be open and honest with each other.
Locals know it, and newcomers learn it fast: we live in one of America's great cities. Beyond the obvious and outside your own daily routine, wouldn't it be great to have an insider's view into all the great neighborhoods around town? Finally, you can. With the arrival of "Finally! A Locally Produced Guidebook to St. Louis, By and For St. Louisans, Neighborhood By Neighborhood," you can get the skinny on exploring our town, from the Metro East to the urban core to daytrips worth the drive. Folks often say St. Louis is a city of neighborhoods, each with its own character (and characters!); let this be your handbook to the highlights and hidden treasures of them all. Our opinionated overview points out the best dining, dives, shopping and gawking, from just-so touches for the home to cool gifts for kids to the no-sign bars and restaurants no tourist would ever find. Tidbits of local lore are sprinkled throughout: want to see where a young Steve McQueen filmed one of his first breakout roles? Get contact caffeination from a district of coffee roasters? Partake of an absinthe cocktail, spiked milkshake or salt-therapy session? Catch a drag show? Eat cheap pizza? Finally, you've got an in-the-know best friend at your fingertips.
Elizabeth Gaskell’s writings abound in references to a cultural materiality encompassing different types of fabric, stuffs, calicoes, chintzes and fine-point lace. These are not merely the motifs of the Realist genre but reveal a complex polysemy. Utilizing a metonymic examination of these tropes, this volume exposes the dramatic structural and socio-economic upheaval generated by industrialization, urbanization and the widening sphere of empire. The material evidence testifies to the technological and production innovations evolving diachronically for the period, and the evolution of Manchester as the industrial ‘Cottonpolis’ that clothed the world by the 1840s. This volume analyses Gaskell’s manipulation of the materiality, arguing its firm roots lie in the quotidian of women’s domestic and provincial life within the growing ranks of the middle classes. Exploring Gaskell’s tactile imagination, an embodied relationship with fabrics and sewing, a function of her daily life from an early age, this volume provides insight into the sensory aspects of cloth and its ability to stir affective responses, emotions and memories, whereby worn fabrics and even the absence of previous textile treasures, is poignant, recreating layers of recollection. This book aims to restore the pulsating, dynamic context of ordinary women’s dressed lives and presents innovative interpretations of Gaskell’s texts.
The soundtrack of the Christmas season for many music lovers, Messiah is performed annually by choral societies across the world. And so, perhaps unsurprisingly, many aspects of it have been explored by scholars over the years. The work is the subject of several listeners’ guides and there are a number of books and articles of various lengths that describe the biographical circumstances of the work’s formation and details of its many performances, many including lists of singers for each performance (an area that has itself spawned a whole field of research). There has been no extensive study of the creative process of Messiah, however, since 1969. This book seeks to redress this imbalance by providing a thorough investigation of the work’s creative process. Beginning with the creative process of the libretto, it examines the earliest sketches, Handel’s use of pre-existent material, alterations made to the autograph score, and the latest versions of movements. Each stage of composition is examined via primary source material, with particular reference to the autograph score and conducting score. Each chapter is formed as a case study and contains related discussion points for use in teaching or study settings.
An updated edition of the essential nursing guide to a 21st-century ‘epidemic’. Chronic diseases are the leading cause of death worldwide and, increasingly, nurses in Australia and New Zealand are caring for people with chronic disease and disability across a range of care settings. This new edition of Chronic Illness and Disability: Principles for Nursing Practice is an indispensible tool, helping nursing students and health professionals acquire the knowledge and skills for competent quality care. This highly regarded nursing text remains the only Australia/New Zealand nursing text to provide the holistic framework, principles of practice and models of care essential for nurses caring for individuals and families experiencing chronic illness and disability. Chronic Illness and Disability: Principles for Nursing Practice 2e features new and updated content, including fully revised evidence-based practice and statistics aligned to core learning objectives. Reflective questions in each chapter challenge nurses’ understanding of key nursing principles and practices, and new nursing case studies relate context to practice. This Elsevier nursing book is written by a multidisciplinary team of over 50 expert clinicians and academics. It provides diverse, supportive evidence in the areas of major and common chronic illness and disability, including heart disease, stroke, cancer, asthma, diabetes, obesity, dementia, mental illness and palliative care. - A new chapter promoting discussion of models of care - New focus on chronic illness and disability self-management - New focus on issues faced by families and carers in the adjustment and adaptation to living with chronic illness or disability - Increased focus on the nurses’ role within the multidisciplinary team
The Spud Compton novella trilogy collected in one action-packed box set! Spud Compton is an ex-soldier running cargo across space, while also running from his past – most notably his well-known Senator father and his war-hero older brother. When Spud’s ex-girlfriend suddenly turns up in his life with an urgent job, he knows he should walk away. Money is tight, though, and he can’t afford to turn it down. Spud takes on the cargo run, but soon finds himself with both the mob and navy on his tail, all the while the biggest threat to his life sits inside the cargo hold of his ship, just waiting to be released. Join Spud and the Benobi-451 crew as they are forced into a series of adventures across space, in this sci-fi horror with light-hearted moments.
While not as famous as her older siblings Wilbur and Orville, the celebrated inventors of flight, Katharine Wright is equally inventive – especially when it comes to solving crimes – in USA Today bestselling author Amanda Flower’s radiant new historical mystery series inspired by the real sister of the Wright Brothers. December 1903: While Wilbur and Orville Wright’s flying machine is quite literally taking off in Kitty Hawk, North Carolina with its historic fifty-seven second flight, their sister Katharine is back home in Dayton, Ohio, running the bicycle shop, teaching Latin, and looking after the family. A Latin teacher and suffragette, Katharine is fiercely independent, intellectual, and the only Wright sibling to finish college. But at twenty-nine, she’s frustrated by the gender inequality in academia and is looking for a new challenge. She never suspects it will be sleuthing… Returning home to Dayton, Wilbur and Orville accept an invitation to a friend’s party. Nervous about leaving their as-yet-unpatented flyer plans unattended, Wilbur decides to bring them to the festivities . . . where they are stolen right out from under his nose. As always, it’s Katharine’s job to problem solve—and in this case, crime-solve. As she sets out to uncover the thief among their circle of friends, Katharine soon gets more than she bargained for: She finds her number one suspect dead with a letter opener lodged in his chest. It seems the patent is the least of her brothers’ worries. They have a far more earthbound concern—prison. Now Katharine will have to keep her feet on the ground and put all her skills to work to make sure Wilbur and Orville are free to fly another day.
To help a child’s ghost solve the mystery of her death, a cemetery restorer must face her own personal demons in this romantic urban fantasy. My name is Amelia Gray, and I’m a cemetery restorer who lives with the dead. An anonymous donor has hired me to restore Woodbine Cemetery, a place where the rich and powerful bury their secrets. Forty years ago, a child disappeared without a trace and now her ghost has awakened, demanding that I uncover the truth about her death. Only I know that she was murdered. Only I can bring her killer to justice. But the clues that I follow—a haunting melody and an unnamed baby’s grave—lead me to a series of disturbing suspects. For generations, The Devlins have been members of Charleston’s elite. John Devlin once turned his back on the expectations that came with his birthright, but now he has seemingly accepted his rightful place. His family’s secrets make him a questionable ally. When my investigation brings me to the gates of his family’s palatial home, I have to wonder if he is about to become my mortal enemy.
A cemetery restorer with a haunting secret must break her own rules when she meets a detective on the hunt for a killer in this romantic urban fantasy. Never acknowledge the dead. Never stray far from hallowed ground. Never get close to the haunted. Never, ever tempt fate. My name is Amelia Gray. I’m a cemetery restorer who sees ghosts. In order to protect myself from the parasitic nature of the dead, I’ve always held fast to these rules passed down from my father . . . until now. Detective John Devlin needs my help to find a killer, but he is haunted by ghosts who shadow his every move. To warn him would be to invite them into my life. I’ve vowed to keep my distance, but the pull of his magnetism grows ever stronger even as the headstone symbols lead me closer to truth and to the gossamer veil that separates this world from the next.
The first monograph devoted to women artists of the Republican period, The Golden Key recovers the history of a groundbreaking yet forgotten generation and demonstrates that women were integral to the development of modern Chinese art.
Transformational festivals, from Burning Man to Lightning in a Bottle, Bhakti Fest, and Wanderlust, are massive events that attract thousands of participants to sites around the world. In this groundbreaking book, Amanda J. Lucia shows how these festivals operate as religious institutions for “spiritual, but not religious” (SBNR) communities. Whereas previous research into SBNR practices and New Age religion has not addressed the predominantly white makeup of these communities, White Utopias examines the complicated, often contradictory relationships with race at these events, presenting an engrossing ethnography of SBNR practices. Lucia contends that participants create temporary utopias through their shared commitments to spiritual growth and human connection. But they also participate in religious exoticism by adopting Indigenous and Indic spiritualities, a practice that ultimately renders them exclusive, white utopias. Focusing on yoga’s role in disseminating SBNR values, Lucia offers new ways of comprehending transformational festivals as significant cultural phenomena.
Bridging the contending theories of natural law and international relations, this book proposes a 'relational ontology' as the basis for rethinking our approach to international politics. Amanda Beattie challenges both the conventional interpretation of natural law as necessarily and intractably theological, and the dominant conception of international relations as structurally distinct from the ends of human good, in order to recover the centrality of other-directed agency to the promotion of human development. Offering an important contribution to the study of international political thought, the book contains a number of challenging and controversial ideas which should provoke constructive debate within international relations theory, political theory, and philosophical ethics.
Vernon Lee was the pen name of Violet Paget – a prolific author best known for her supernatural fiction, her support of the Aesthetic Movement and her radical polemics. She was an active correspondent who included many well-known figures among her circle. This scholarly edition of her letters makes a selection from more than 30 archives worldwide.
This book argues that China’s international socialization of the political elites of Belt and Road Initiative (BRI) partner states is an exceptionally effective instrument of China’s current foreign policy. It shows how the BRI-related process of socialization generates shared beliefs in the legitimacy and therefore in the acceptability of a Chinese international order among target elites and how in turn the policies and actions of states controlled by these elites tend to become aligned with the norms ‘taught’ by the Chinese socializer. It goes on to show how this serves the interests of China’s government, firms, and citizens at national, regional, and global levels; and how the resulting increased support for Beijing’s version of the international order creates a virtuous circle that further enhances China’s international position and potential.
In the nineteenth century, Great Britain and the United States shared a single literary marketplace that linked the reform movements, as well as the literatures, of the two nations. The writings of transatlantic reformers—antislavery, temperance, and suffrage activists—gave novelists a new sense of purpose and prompted them to invent new literary forms. The result was a distinctively Anglo-American realism, in which novelists, conceiving of themselves as reformers, sought to act upon their readers—and, through their readers, the world. Indeed, reform became so predominant that many novelists borrowed from reformist writings even though they were skeptical of reform itself. Among them are some of the century's most important authors: Anne Brontë, Charles Dickens, George Eliot, Thomas Hardy, Henry James, Elizabeth Stoddard, and Mark Twain. The Novel of Purpose proposes a new way of understanding social reform in Great Britain and the United States. Amanda Claybaugh offers readings that connect reformist agitation to the formal features of literary works and argues for a method of transatlantic study that attends not only to nations, but also to the many groups that collaborate across national boundaries.
This ambitious work chronicles 250 years of the Cromartie Family genealogical history. Included in the index of nearly 50,000 names are the current generations, and all of those preceding, which trace ancestry to our family patriarch, William Cromartie who was born in 1731 in Orkney, Scotland and his second wife, Ruhamah Doane who was born in 1745. Arriving in America in 1758, William Cromartie settled and developed a plantation on South River, a tributary of the Cape Fear near Wilmington, North Carolina. On April 2, 1766, William married Ruhamah Doane, a fifth generation descendant of a Mayflower passenger to Plymouth, Stephen Hopkins. If Cromartie is your last name, or that of one of your blood relatives, it is almost certain that you can trace your ancestry to one of the thirteen children of William Cromartie, his first wife, and Ruhamah Doane, who became the founding ancestors of our Cromartie Family in America: William Jr, James, Thankful, Elizabeth, Hannah Ruhamah, Alexander, John, Margaret Nancy, Mary, Catherine, Jean, Peter Patrick, and Ann E. Cromartie. These four volumes hold an account of the descent of each of these first-generation Cromarties in America, including personal antidotes, photographs, copies of family Bibles, wills and other historical documents. Their pages hold a personal record of our ancestors and where you belong in the Cromartie Family Tree.
The Graveyard Queen is on the hunt for a killer as supernatural forces invade her mind in this contemporary gothic thriller. I am a living ghost, a wanderer in search of my purpose and place. I’m a cemetery restorer by trade, but my calling has evolved from that of ghost seer to death walker to detective of lost souls. I solve the riddles of the dead so the dead will leave me alone. I’ve come to Seven Gates Cemetery nursing a broken heart, but peace is hard to come by . . . for the ghosts here and for me. When the body of a young woman is discovered in a caged grave, I know that I’ve been summoned for a reason. Only I can unmask her killer. I want to trust the detective assigned to the case, for he is a ghost seer like me. But how can I put my faith in anyone when supernatural forces are manipulating my every thought? When reality is ever-changing? And when the one person I thought I could trust above all others has turned into a diabolical stranger?
With urgency and compassion, humor and wonder, Amanda Shaw's It Will Have Been So Beautiful implores us to consider what "home" means, particularly in the midst of an ever-worsening climate emergency. Sonically rich, the poems celebrate language's capacities, indicating hope that art might move us to a deeper commitment to life, in all its forms.
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