For a period of about week in February 1865, as the Civil War was winding down and Plains Indian communities were reeling in the wake of the Sand Creek massacre, combat swept across the Nebraska panhandle, especially along the Platte River. The fighting that marked this event barely compares to the massive campaigns and terrible carnage that marked the conflict that was taking place in the eastern states but it was a significant event at the opening on the ensuing Indian Wars. Operating on terrain they knew well, Cheyenne warriors and other Native forces encountered the US Cavalry who operated within a modern network of long distance migration and pony express trails and military stations. The North Platte Campaign offers a good basis for the application of landscape approaches to conflict archaeology if only because of its scale. This fighting is both easily approached and fascinatingly encompassed. There were probably far fewer than 1000 fighters involved in those skirmishes, but before, after, and between them, they involved substantial movements of people and of equipment that was similar to the arms and gear in service to other Civil War era combatants. They also seem to have used approaches that were typical of America’s western warfare. Like many of the conflicts of interest to modern observers, the North Platte fights were between cultural different opponents. Archaeological consideration of battlefields such as Rush Creek and Mud Springs, bases, and landscapes associated with this fighting expose how the combat developed and how the opposing forces dealt with the challenges they encountered. This study draws on techniques of battlefield archaeology, focusing on the concept of ‘battlespace’ and the recovery, distribution and analysis of artifacts and weaponry, as well as historical accounts of the participants, LiDAR-informed terrain assessment, and theoretical consideration of the strategic thinking of the combatants. It applies a landscape approach to the archaeological study of war and reveals an overlooked phase of the American Civil War and the opening of the Indian Wars.
Employment, Labour and Industrial Law in Australia provides a comprehensive, current and accessible resource for the undergraduate and Juris Doctor student. With a social and political background to the law, this text provides insightful legal analysis underscored by practical business experience, while exploring key principles through a close evaluation of laws and lively discussion of prominent cases. Recognising the multi-faceted nature of the subject, the authors have included content on employment, labour and industrial law in the one text, while also presenting critical topics not often dealt with, namely: • current and in-depth analysis of trade union regulation • public work including the public sector, the judiciary and academics • workplace health and safety including worker's compensation, bullying, anti-discrimination and taxation • emerging issues including topics such as transnational and international employment law, migration and employment, as well as volunteers and work experience. To maintain currency within this rapidly changing area of law, the text has a website which will include updates for any major developments in the field as well as responses to end-of-chapter questions. Written by respected academics and practicing lawyers in the field, this book is a relevant and contemporary guide to this fascinating area of law.
Rape is one of the most under-reported crimes in the U.S., and yet it is one of the most vicious, devastating, and violent of all crimes. But getting justice for victims has not always been easy. Often the victim is criminalized, demonized, sexualized, or otherwise attacked for her own part in the rape. But over the years, laws have changed and prosecuting rapists has become more common. Taking the Stand describes the criminal prosecution of rapists from the perspective of the women who survived their violence and explores if, when, and how the criminal justice process can work for them. Walking through the various responses rape victims have had to the criminal justice process, Konradi's vivid analysis provides new information to help raped women decide whether and how they should participate in prosecution, to help friends and family assist them, and to improve criminal justice practice for crime victims generally. Taking the Stand follows 47 rape survivors of varied ages and ethnicities, from the terror and trauma of rape through reporting to law enforcement, police investigation and indictment, hearings for probable cause and trials, plea bargaining, and sentencing. It focuses on women's experiences throughout the process and demonstrates how every experience is different. The problems that rape survivors face in the criminal justice process are not simply the result of the adversarial nature of court, defense tactics, or their own emotional reactions to violent sexual domination. Problems emerge from: (1) the social networks in which survivors are situated, (2) their variable access to emotional and financial resources, (3) their lack of knowledge about the formal and informal practices of courtrooms, (4) their lack of structural power in the criminal justice process, and (5) standard procedures employed by prosecutors and police. By recognizing individual differences in rape survivors, and their rape experiences, criminal justice personnel can better serve victims, and by understanding the layers of criminal investigation and prosecution, survivors and their families can play a more active role on their own terms in an effort to bring about justice. A rape survivor herself, Konradi exposes in the raw language of the victims the very sensitive nature of the topic and the personal obstacles survivors face. By addressing each stage of the criminal justice process, she makes it easier for those who seek justice to make decisions and choose behaviors that will positively affect their outcomes and their personal experiences with the system.
With a balance of theory, research, and applications, Motivation for Sustaining Health Behavior Change: The Self-as-Doer Identity introduces the self-as-doer identity as an accessible motivational identity and discusses how it can be incorporated into health behavior change efforts. The book introduces the self-as-doer theory and presents research and recommendations for how the self-as-doer can be used in both clinical and non-clinical populations to promote health behavior change and maintenance. The book will be of interest to researchers, students, and professionals interested in health promotion.
Werewolves, fairies, elves, and so much more-they all live around us, hidden in plain sight. Protecting mythological creatures isn't an easy job, but using my powers as a Reader, I work as a field agent for the clandestine agency to keep them safe. Stonecoat (AIR Series Prequel) - Gran and I find a person straight out of mythology, I realize there's more to this world than I ever imagined. Can we avoid being thrown in prison long enough to help Gran's new companion? Shattered Soul (AIR Series Book 1) - My elven partner Logan is showing me the ropes. Relocating a troll and interviewing a werewolf should be a normal day. When shots are fired and a fairy turns up dead, our day turns into a nightmare. With my powers raging out of control and a target on my back, will I be able to protect the Lost? Redcap (AIR Series Book 2) - My powers and Rider's keen werewolf nose sense a creature that doesn't belong, but our progress slows to a crawl when the wicked winter weather makes an appearance. Can we find the pixies, stop the goblin rebellion, and identify this new threat before I freeze to death? Broken Paths (AIR Series Book 3) - When a routine call starts with a gun pointed at me, I know it's going to be a bad day. I go undercover to track a killer. It's risky, especially with a drug addict at my side, but we will put an end to the monster responsible-even if it costs my life. Stolen Sight (AIR Series Book 4) - Suck my soul out? I'll get over it. Try to kill me? Whatever. Send me a dead bunny? Watch your back. The arrival of deranged gifts tell me that I've been marked for death, and I'd like to return the favor. The trouble is, can you kill someone if they aren't alive?
Protecting mythological creatures has never been easy. Being marked for death adds a whole new level of peril. Instead of using my powers as a Reader to work the psychic network hotlines, I work as a field agent for the clandestine agency, AIR. My elven partner Logan is showing me the ropes. Relocating a troll and interviewing a werewolf should be a normal day. When shots are fired and a fairy turns up dead, our day turns into a nightmare. My job keeping the Lost hidden from the world takes a U-turn into an investigation. Using my powers, I have a shot at tracking the killer, but someone else has the same idea. An agency sanctioned assassin mistakes me for a demon and almost succeeds in taking me off the case and out of life. These are my tax dollars at work. With my powers raging out of control and a target on my back, will I be able to protect the Lost? If you love Urban Fantasy or Supernatural Suspense, the AIR series will keep you turning the pages!
My job working for a clandestine government agency, AIR, allows me to use my powers without appearing crazy. With my partners, I protect the Lost, mythological creatures from other dimensions, and keep them hidden from the outside world. Throwing myself into work as much as possible keeps me focused, so I don’t have time to dwell on the uncertainty of the past. When a routine call starts with a gun pointed at me, I know it’s going to be a bad day, but at least it’s not my employer trying to kill me. Once the weapons are holstered, we discover a dead gnome. Was it natural causes or execution by an unknown assailant as the gnome's family claim? The case leads us to a string of deaths and a threat that could expose the Lost to the world. Forced to collaborate with teams outside of our agency means I need to keep my abilities in check. The deeper we delve into the investigation, the more my shattered soul becomes a liability, as I absorb the essence of victims and start to lose myself. At times, I’m not sure it’s still me inside my own skin. Why did I choose now to start dating? Based on the evidence, I go undercover to track a killer. It’s risky, especially with a drug addict at my side, but we will put an end to the monster responsible—even if it costs my life.
Art and Design in 1960s New York explores the mutual influence between fine art and graphic design in New York City during the long decade of the 1960s. Beginning with advertising's "creative revolution" and its relationship to pop artists, the book traces design and art's developing interest in responses to civic problems such as the proliferation of billboards, navigation through the city's streets and subways, and issues of deteriorating infrastructure. The strategies exploited by these artists and designers resulted in similar approaches to visual imagery and shared techniques for thinking about and responding to the city in which they lived.
The New York Times bestselling authors of Celebutantes return with a dazzling new novel set among the star-studded crowds of the Cannes Film Festival, where everyone's hoping to discover, sign, screw or become the Next Big Thing. And a three-picture deal would be nice. Lola Santisi—CEO of a struggling fashion line, reformed Actorholic and daughter of Hollywood Royalty—is now not only bicoastal, she's Bi-Lolar: That is the condition which causes her to swing like a pendulum between the opposing poles of the fashion world in New York and the real world with her Doctor Boyfriend in Los Angeles. She hardly knows which shoe fits her anymore: the Louboutin stiletto or the Croc. As Lola tries to launch Julian Tennant's new dress line, it looks like they're about to get their next big break: his wedding dresses have been chosen to feature in the top film at the Cannes Film Festival. And suddenly Lola is staging a full-blown couture show on a yacht – in the middle of the Med. Think those super models had trouble walking down the catwalks at Fashion Week? With an unexpected finale twist, this time it's Lola who's tumbling off the runway. Having recently endured a disastrous break-up with Lola's brother Christopher, Kate Woods, Lola's BFF and CAA's rising star agent, is newly single, and focused 24-7 on her clients. The only thing worse than thinking it was a good idea for Kate to date Lola's brother, is thinking it was a good idea for Kate to put one of her most loose-cannon clients, Nic Knight, in Lola's father's movie. Among Kate's other mega star clients is Saffron Sykes whose appearance on the cover of Vain magazine in Julian Tennant could be the difference between Julian Tennant, Inc. weathering the economy or going bust. As Lola fights to survive the Cannes Film Festival, will she get swept into the French Riviera's riptide of glamour and superficiality? Are real love and couture mutually exclusive? Or can Lola have it all – the good doctor and her Louboutins. With her father and brother vying for the same prize, her mother starring in her new reality show, and one heartbroken girlfriend about to declare motherhood, it's all on Lola to come up with the answers. And it's going to take more than one of her mother's prosperity chants to save the day.
Complicating perspectives on diversity in video games Gamers have been troublemakers as long as games have existed. As our popular understanding of “gamer” shifts beyond its historical construction as a white, straight, adolescent, cisgender male, the troubles that emerge both confirm and challenge our understanding of identity politics. In Gamer Trouble, Amanda Phillips excavates the turbulent relationships between surface and depth in contemporary gaming culture, taking readers under the hood of the mechanisms of video games in order to understand the ways that difference gets baked into its technological, ludic, ideological, and social systems. By centering the insights of queer and women of color feminisms in readings of online harassment campaigns, industry animation practices, and popular video games like Portal and Mass Effect, Phillips adds essential analytical tools to our conversations about video games. She embraces the trouble that attends disciplinary crossroads, linking the violent hate speech of trolls and the representational practices marginalizing people of color, women, and queers in entertainment media to the dehumanizing logic undergirding computation and the optimization strategies of gameplay. From the microcosmic level of electricity and flicks of a thumb to the grand stages of identity politics and global capitalism, wherever gamers find themselves, gamer trouble follows. As reinvigorated forms of racism, sexism, and homophobia thrive in games and gaming communities, Phillips follows the lead of those who have been making good trouble all along, agitating for a better world.
FRESHNEY’S CULTURE OF ANIMAL CELLS THE NEW EDITION OF THE LEADING TEXT ON THE BASIC METHODOLOGY OF CELL CULTURE, FULLY UPDATED TO REFLECT NEW APPLICATIONS INCLUDING IPSCS, CRISPR, AND ORGAN-ON-CHIP TECHNOLOGIES Freshney’s Culture of Animal Cells is the most comprehensive and up-to-date resource on the principles, techniques, equipment, and applications in the field of cell and tissue culture. Explaining both how to do tissue culture and why a technique is done in a particular way, this classic text covers the biology of cultured cells, how to select media and substrates, regulatory requirements, laboratory protocols, aseptic technique, experimental manipulation of animal cells, and much more. The eighth edition contains extensively revised material that reflects the latest techniques and emerging applications in cell culture, such as the use of CRISPR/Cas9 for gene editing and the adoption of chemically defined conditions for stem cell culture. A brand-new chapter examines the origin and evolution of cell lines, joined by a dedicated chapter on irreproducible research, its causes, and the importance of reproducibility and good cell culture practice. Throughout the book, updated chapters and protocols cover topics including live-cell imaging, 3D culture, scale-up and automation, microfluidics, high-throughput screening, and toxicity testing. This landmark text: Provides comprehensive single-volume coverage of basic skills and protocols, specialized techniques and applications, and new and emerging developments in the field Covers every essential area of animal cell culture, including lab design, disaster and contingency planning, safety, bioethics, media preparation, primary culture, mycoplasma and authentication testing, cell line characterization and cryopreservation, training, and troubleshooting Features a wealth of new content including protocols for gene delivery, iPSC generation and culture, and tumor spheroid formation Includes an updated and expanded companion website containing figures, artwork, and supplementary protocols to download and print The eighth edition of Freshney’s Culture of Animal Cells is an indispensable volume for anyone involved in the field, including undergraduate and graduate students, clinical and biopharmaceutical researchers, bioengineers, academic research scientists, and managers, technicians, and trainees working in cell biology, molecular biology, and genetics laboratories.
This investigation into Karl Lagerfeld’s (1933–2019) artistry explores his extraordinary sixty-five-year career, from the designs for Chloé and Fendi in the 1960s and 1970s to his celebrated leadership in the 1980s and beyond at Chanel and his own label. Inspired by the “line of beauty” theorized by eighteenth-century English painter William Hogarth, this dazzling publication pursues the straight and serpentine “lines” and their intersections in Lagerfeld’s work as a means of understanding his unique creative process.
For a period of about week in February 1865, as the Civil War was winding down and Plains Indian communities were reeling in the wake of the Sand Creek massacre, combat swept across the Nebraska panhandle, especially along the Platte River. The fighting that marked this event barely compares to the massive campaigns and terrible carnage that marked the conflict that was taking place in the eastern states but it was a significant event at the opening on the ensuing Indian Wars. Operating on terrain they knew well, Cheyenne warriors and other Native forces encountered the US Cavalry who operated within a modern network of long distance migration and pony express trails and military stations. The North Platte Campaign offers a good basis for the application of landscape approaches to conflict archaeology if only because of its scale. This fighting is both easily approached and fascinatingly encompassed. There were probably far fewer than 1000 fighters involved in those skirmishes, but before, after, and between them, they involved substantial movements of people and of equipment that was similar to the arms and gear in service to other Civil War era combatants. They also seem to have used approaches that were typical of America’s western warfare. Like many of the conflicts of interest to modern observers, the North Platte fights were between cultural different opponents. Archaeological consideration of battlefields such as Rush Creek and Mud Springs, bases, and landscapes associated with this fighting expose how the combat developed and how the opposing forces dealt with the challenges they encountered. This study draws on techniques of battlefield archaeology, focusing on the concept of ‘battlespace’ and the recovery, distribution and analysis of artifacts and weaponry, as well as historical accounts of the participants, LiDAR-informed terrain assessment, and theoretical consideration of the strategic thinking of the combatants. It applies a landscape approach to the archaeological study of war and reveals an overlooked phase of the American Civil War and the opening of the Indian Wars.
Hollywood's a dog-eat-dog world, but you know who your friends are ... What would you do if you were born on Oscar night into Hollywood royalty? If you went to Vanity Fair parties rather than birthday parties? And if your life felt like a glamourous movie - but you were only an extra in it, playing boyfriendless, jobless hopeful no.310? Meet Lola Santisi. She's an Actorholic. Stuck in a pattern of dating beautiful actors then as soon as she's got over the dazzle of their teeth and the rockhard abs, realising they're just as self-obsessed as the last one. She's gone cold-turkey, and resolved to plough her energy into helping her friends instead. Julian, Lola's BGF (best gay friend), is a designer on the up. But he'll be down and out if he can't get someone to wear his designs on Oscar night so persuades Lola to become his Hollywood Ambassador. Lola's best friend Kate, is an ambitious young agent desperate to sign a big name. Together with their other friend, Cricket, a ditzy actress aspiring to play something other than a coma victims on ER, they must navigate through celebrity-hell if they're ever going to make it to the red carpet...
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