Climate change is the greatest challenge of the age, and yet fierce disagreement still exists over the best way to tackle the problem or, indeed, whether it should be tackled at all. In this original book, Amanda Machin draws on radical democratic theory to show that such disagreement does not have to hinder collective action; rather, democratic differences are necessary if we are to have any hope of acting against climate change. This is an important read for researchers, students, policy makers and anyone concerned about the current (lack of) politics in climate change.
A figure of enduring ingenuity, the nation has for centuries played a part on the socio-political stage. Whether centre stage or background scenery, it has featured in violent tragedies, revolutionary drama and nostalgic fable. Today, the nation is cast simultaneously in the roles of villain and hero. While it is renounced by those advocating trans-national, post-national and cosmopolitan forms of belonging, it has lately also been asserted as the solution to various social failures in liberal democracies. This appears to leave us with two alternatives: to jettison the nation in order to move towards a less parochial world, a world in which new forms of belonging underpin more inclusive politics. Or to celebrate the nation as way of ensuring the social cement that can unite a diverse society. Using the ideas of Wittgenstein and Lacan, Amanda Machin expertly explains that the overlapping and conflicting language games of the nation produce it as an object of desire in an uncertain world. The nation is not a pre-political thing but a matter of persistent political contestation and coalition. She reveals that the nation still has a vital part to play in democratic politics, but that this role is one of improvisation. While they endure as tools of emancipatory promise, nations nonetheless remain potential categories of violent exclusion. They cannot be pinned down as easily as anti-national and pro-national alternatives suggest. It is precisely the indeterminacy of the nation that gives it ongoing importance for democracy today. Providing an urgent riposte to dominant accounts, this thought provoking and highly original account demands a re-politicisation of the nation. This book will appeal to those engaged in theory and empirical research on nations and nationalism and the question of their link to democracy in a changing world, as well as those interested in psychoanalysis and Wittgenstein.
Cover -- Title -- Copyright -- Dedication -- Contents -- Acknowledgements -- Introduction -- 1 The problem of inequality -- 2 The problem of plurality -- 3 The problem of uncertainty -- Conclusion -- Index
Where are all the bodies? Political institutions are populated by living, breathing human beings, who eat, sleep, gesture, desire and suffer. And yet participants of the political realm are often depicted as disembodied minds, detached and distinct from their corporeal existence. Amanda Machin considers six embodied modes of democratic politics: representation, deliberation, disagreement, protest, occupation and counsel. Drawing on diverse thinkers such as Maurice Merleau-Ponty, Michael Polanyi, Simone de Beauvoir, Donna Haraway and Judith Butler, she offers an absorbing illustration of the ways human bodies are not only the disciplined objects of politics, but the generative subjects of democracy.
Climate change is the greatest challenge of the age, and yet fierce disagreement still exists over the best way to tackle the problem or, indeed, whether it should be tackled at all. In this original book, Amanda Machin draws on radical democratic theory to show that such disagreement does not have to hinder collective action; rather, democratic differences are necessary if we are to have any hope of acting against climate change. This is an important read for researchers, students, policy makers and anyone concerned about the current (lack of) politics in climate change.
Climate has for a long time been a taken-for-granted background against which social, political and economic interactions have taken place. But this taken-for-granted background is cleaving. It is becoming hard to ignore the potential repercussions of a changing climate, and the uneven impact of certain forms of human society and energy cultures that risk undermining their own environmental conditions.In a comprehensive and accessible way, this book:Drawing on the insights of various disciplines and citing numerous examples, Society and Climate probes the interplay between society, science and climate, and warns against making any easy assumptions.
Cover -- Title -- Copyright -- Dedication -- Contents -- Acknowledgements -- Introduction -- 1 The problem of inequality -- 2 The problem of plurality -- 3 The problem of uncertainty -- Conclusion -- Index
A figure of enduring ingenuity, the nation has for centuries played a part on the socio-political stage. Whether centre stage or background scenery, it has featured in violent tragedies, revolutionary drama and nostalgic fable. Today, the nation is cast simultaneously in the roles of villain and hero. While it is renounced by those advocating trans-national, post-national and cosmopolitan forms of belonging, it has lately also been asserted as the solution to various social failures in liberal democracies. This appears to leave us with two alternatives: to jettison the nation in order to move towards a less parochial world, a world in which new forms of belonging underpin more inclusive politics. Or to celebrate the nation as way of ensuring the social cement that can unite a diverse society. Using the ideas of Wittgenstein and Lacan, Amanda Machin expertly explains that the overlapping and conflicting language games of the nation produce it as an object of desire in an uncertain world. The nation is not a pre-political thing but a matter of persistent political contestation and coalition. She reveals that the nation still has a vital part to play in democratic politics, but that this role is one of improvisation. While they endure as tools of emancipatory promise, nations nonetheless remain potential categories of violent exclusion. They cannot be pinned down as easily as anti-national and pro-national alternatives suggest. It is precisely the indeterminacy of the nation that gives it ongoing importance for democracy today. Providing an urgent riposte to dominant accounts, this thought provoking and highly original account demands a re-politicisation of the nation. This book will appeal to those engaged in theory and empirical research on nations and nationalism and the question of their link to democracy in a changing world, as well as those interested in psychoanalysis and Wittgenstein.
We want so much more out of love and life—and yet we feel helpless to attain it. Women and men want emotional and sexual intimacy but often find themselves living like roommates, feeling alone and frustrated. The Butterfly Blueprint is veteran couple’s counselor AMANDA GREEN’S prescription for love that lasts. Much like a butterfly needs two distinct sets of wings to work together to fly, a relationship takes two people consciously caring for their connection to gracefully navigate life’s twists and turns. Green presents a thoughtful case for cultivating effective interdependence in one’s marriage or long-term relationship. In the Butterfly Blueprint, you will find a stellar guide—including 8-principles and 24-practices—for building and maintaining true and lasting love. The Butterfly Blueprint is a transformative tool for couples facing common challenges related to money, sex, parenting, in-laws, running a household, and addictions. Green has helped hundreds of couples in her thriving private practice, and readers could hardly hope for better counsel. Her personal stories sprinkled throughout the book are revealing, relatable, and encouraging.
A unique study of lectionaries and graphic design as a site of biblical reception How artists portrayed the Bible in large canvas paintings is frequently the subject of scholarly exploration, yet the presentation of biblical texts in contemporary graphic designs has been largely ignored. In this book Amanda Dillon engages multimodal analysis, a method of semiotic discourse, to explore how visual composition, texture, color, directionality, framing, angle, representations, and interactions produce potential meanings for biblical graphic designs. Dillon focuses on the artworks of two American graphic designers—the woodcuts designed by Meinrad Craighead for the Roman Catholic Sunday Missal and Nicholas Markell’s illustrations for the worship books of the Evangelical Lutheran Church in America—to present the merits of multimodal analysis for biblical reception history.
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