As seen on ITV's Britain's Got Talent, where they captured the hearts of the nation, this is Amanda and Miracle's incredible story of survival, love and hope Snatched from the streets of Thailand, loaded onto a truck with hundreds of other stolen dogs and destined for the restaurants of Hanoi, Miracle the dog shouldn’t be alive today. But an incredible rescue led to a fateful meeting with Amanda Leask, a dog lover from Scotland. Devastated by Miracle’s plight and the hopelessness of his situation, she knew she had to do everything in her power to save him. But Amanda could never have imagined that in doing so she was really saving herself... Amanda’s six year-old son Kyle, who was born with cerebral palsy and autism, built a deep and lasting connection with Miracle and their special bond has transformed not only Kyle’s life but that of the entire family. Heartbreaking, inspirational and ultimately life-affirming, this incredible tale is proof that miracles really can happen...
As seen on ITV's Britain's Got Talent, where they captured the hearts of the nation, this is Amanda and Miracle's incredible story of survival, love and hope Snatched from the streets of Thailand, loaded onto a truck with hundreds of other stolen dogs and destined for the restaurants of Hanoi, Miracle the dog shouldn’t be alive today. But an incredible rescue led to a fateful meeting with Amanda Leask, a dog lover from Scotland. Devastated by Miracle’s plight and the hopelessness of his situation, she knew she had to do everything in her power to save him. But Amanda could never have imagined that in doing so she was really saving herself... Amanda’s six year-old son Kyle, who was born with cerebral palsy and autism, built a deep and lasting connection with Miracle and their special bond has transformed not only Kyle’s life but that of the entire family. Heartbreaking, inspirational and ultimately life-affirming, this incredible tale is proof that miracles really can happen...
Nearing the end of her life, Meggie Tulloch takes up her pen to write a story for her granddaughter, Laura. It begins in the first years of the twentieth century, in a place where howling winds spin salt and sleet sucked up from ice floes. A place where lives are ruled by men, and men by the witchy sea. A place where the only thing lower than a girl in the order of things is a clever girl with accursed red hair. A place schooled in keeping secrets. Thirty years after her grandmother’s death, Laura receives her notebooks and discovers the painful past that Meggie spent a lifetime trying to forget.
This book presents a unique exploration of common myths about autism by examining these myths through the perspectives of autistic individuals. Examining the history of attitudes and beliefs about autism and autistic people, this book highlights the ways that these beliefs are continuing to impact autistic individuals and their families, and offers insights as to how viewing these myths from an autistic perspective can facilitate the transformation of these myths into a more positive direction. From ‘savant syndrome’ to the conception that people with autism lack empathy, each chapter examines a different social myth – tracing its origins, highlighting the implications it has had for autistic individuals and their families, debunking misconceptions and reconstructing the myth with recommendations for current and future practice. By offering an alternative view of autistic individuals as competent and capable of constructing their own futures, this book offers researchers, practitioners, individuals and families a deeper, more accurate, more comprehensive understanding of prevalent views about the abilities of autistic individuals as well as practical ways to re-shape these into more proactive and supportive practices.
This ambitious work chronicles 250 years of the Cromartie Family genealogical history. Included in the index of nearly 50,000 names are the current generations, and all of those preceding, which trace ancestry to our family patriarch, William Cromartie who was born in 1731 in Orkney, Scotland and his second wife, Ruhamah Doane who was born in 1745. Arriving in America in 1758, William Cromartie settled and developed a plantation on South River, a tributary of the Cape Fear near Wilmington, North Carolina. On April 2, 1766, William married Ruhamah Doane, a fifth generation descendant of a Mayflower passenger to Plymouth, Stephen Hopkins. If Cromartie is your last name, or that of one of your blood relatives, it is almost certain that you can trace your ancestry to one of the thirteen children of William Cromartie, his first wife, and Ruhamah Doane, who became the founding ancestors of our Cromartie Family in America: William Jr, James, Thankful, Elizabeth, Hannah Ruhamah, Alexander, John, Margaret Nancy, Mary, Catherine, Jean, Peter Patrick, and Ann E. Cromartie. These four volumes hold an account of the descent of each of these first-generation Cromarties in America, including personal antidotes, photographs, copies of family Bibles, wills and other historical documents. Their pages hold a personal record of our ancestors and where you belong in the Cromartie Family Tree.
War is often characterised as one percent terror, 99 per cent boredom. Whilst much ink has been spilt on the one per cent, relatively little work has been directed toward the other 99 per cent of a soldier's time. As such, this book will be welcomed by those seeking a fuller understanding of what makes soldiers endure war, and how they cope with prolonged periods of inaction. It explores the issue of military boredom and investigates how soldiers spent their time when not engaged in battle, work or training through a study of their creative, imaginative and intellectual lives. It examines the efforts of military authorities to provide solutions to military boredom (and the problem of discipline and morale) through the provisioning of entertainment and education, but more importantly explores the ways in which soldiers responded to such efforts, arguing that soldiers used entertainment and education in ways that suited them. The focus in the book is on Australians and their experiences, primarily during the First World War, but with subsequent chapters taking the story through the Second World War to the Vietnam War. This focus on a single national group allows questions to be raised about what might (or might not) be exceptional about the experiences of a particular national group, and the ways national identity can shape an individual's relationship and engagement with education and entertainment. It can also suggest the continuities and changes in these experiences through the course of three wars. The story of Australians at war illuminates a much broader story of the experience of war and people's responses to war in the twentieth century.
This work includes Joanna Baillie's important poems and critical prefaces, the tragedies "De Montfort" and "Basil", and the comedy, "The Alienated Manor", together with substantial extracts from her other works.
Crude Awakening is the rollicking story of politics in America's last frontier and oil province -- Alaska, the nation's most wild and mysterious state, where politics and oil blurred on the day wildcatters struck it big in 1968. Living in a northern Never Land, where oil companies and the federal government kept the state living high and wild, a handful of players ran the show. Among them were the late Sen. Ted Stevens and oilman Bill Allen, the Tony Soprano of Alaska who controlled the political machine until the FBI arrived to root out corruption, only to be accused of playing as dirty as those they were investigating. These characters and events paved the way for Sarah Palin's rise to fame and fall from glory in Alaska. Authors Amanda Coyne and Tony Hopfinger chart the epic tale of these three characters, set in a state of soaring hopes, fading dreams, drying oil fields and an uncertain future.
Judith Barlow is a woman with a problem. She's close to getting a hard-earned promotion at one of the state's stodgiest banks when what was once a dream becomes a reality. The Regency romance that she wrote on a dare is so successful that her publisher urges her to make some public appearances. Judith hid behind a pseudonym--because bankers, at least at Judith's bank--do not write love stories. How is she going to appear in public without people recognizing her? The approach of Halloween inspires her, and a reddish blond wig and green contact lenses transform brown-haired, gray-eyed, bespectacled Judith into her alter ego, Lynette. She tries out her masquerade at a costume party where she meets a knight in shining armor. Little does Judith know that the handsome knight is hiding behind a mask of his own. Two days later, she learns that he's none other than Glenn Hibbard, the consultant who's going to conduct a study at her bank. What will happen if he learns that Lynette and Judith are the same woman? And what will Judith do when she learns that Glenn has secrets of his own?
Shortlisted for the 2021 Prime Minister's Literary Award for Australian History. Representing Australian Aboriginal Music and Dance 1930-1970 offers a rethinking of recent Australian music history. In this open access book, Amanda Harris presents accounts of Aboriginal music and dance by Aboriginal performers on public stages. Harris also historicizes the practices of non-Indigenous art music composers evoking Aboriginal music in their works, placing this in the context of emerging cultural institutions and policy frameworks. Centralizing auditory worlds and audio-visual evidence, Harris shows the direct relationship between the limits on Aboriginal people's mobility and non-Indigenous representations of Aboriginal culture. This book seeks to listen to Aboriginal accounts of disruption and continuation of Aboriginal cultural practices and features contributions from Aboriginal scholars Shannon Foster, Tiriki Onus and Nardi Simpson as personal interpretations of their family and community histories. Contextualizing recent music and dance practices in broader histories of policy, settler colonial structures, and postcolonizing efforts, the book offers a new lens on the development of Australian musical cultures. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 license on bloomsburycollections.com. Open access was funded by Australian Research Council.
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