Based on a study of the letters, diaries and account books of over 100 women from commercial, professional and gentry families, mainly in provincial England, this book provides an account of the lives of genteel women in Georgian times.
The Adventures of Scarlett the Cat is a fun tale, with the story narrated by an extraordinary and whimsical cat named Scarlett. Scarlett tells the tale of being the adored child in the family, only to have her world turned upside down by the arrival of a baby. Sawyer, the new baby, and Scarlett learn to love and adore each other in this tale that will touch the hearts of anyone whos ever had to make room for one more in the family.
From the award-winning author of The Gentleman’s Daughter,a witty and academic illumination of daily domestic life in Georgian England. In this brilliant work, Amanda Vickery unlocks the homes of Georgian England to examine the lives of the people who lived there. Writing with her customary wit and verve, she introduces us to men and women from all walks of life: gentlewoman Anne Dormer in her stately Oxfordshire mansion, bachelor clerk and future novelist Anthony Trollope in his dreary London lodgings, genteel spinsters keeping up appearances in two rooms with yellow wallpaper, servants with only a locking box to call their own. Vickery makes ingenious use of upholsterer’s ledgers, burglary trials, and other unusual sources to reveal the roles of house and home in economic survival, social success, and political representation during the long eighteenth century. Through the spread of formal visiting, the proliferation of affordable ornamental furnishings, the commercial celebration of feminine artistry at home, and the currency of the language of taste, even modest homes turned into arenas of social campaign and exhibition. The basis of a 3-part TV series for BBC2. “Vickery is that rare thing, an…historian who writes like a novelist.”—Jane Schilling, Daily Mail “Comparison between Vickery and Jane Austen is irresistible…This book is almost too pleasurable, in that Vickery's style and delicious nosiness conceal some seriously weighty scholarship.”—Lisa Hilton, The Independent “If until now the Georgian home has been like a monochrome engraving, Vickery has made it three dimensional and vibrantly colored. Behind Closed Doors demonstrates that rigorous academic work can also be nosy, gossipy, and utterly engaging.”—Andrea Wulf, New York Times Book Review
Talk with any clinician about what they do, and you will likely hear a story-not about an amazing turn-around or a typical case--but probably about a difficult case, perhaps one in which the clinician questioned the outcome or did not feel very successful. Client failure is a real phenomenon. Unlike medical care where a physician assumes responsibility for treating, and often, curing an illness, addressing mental health concerns is not so cut and dry"--
Although she remains one of the all-time most recognizable Hollywood icons, Marilyn Monroe has seldom been ranked among the greatest actors of her generation. Critics have typically viewed her film roles as mere extensions of her sexpot star persona. Yet this ignores both the subtle variations between these roles and the acting skill that went into the creation of Monroe’s public persona. Some Kind of Mirror offers the first extended scholarly analysis of Marilyn Monroe’s film performances, examining how they united the contradictory discourses about women’s roles in 1950s America. Amanda Konkle suggests that Monroe’s star persona resonated with audiences precisely because it engaged with the era’s critical debates regarding femininity, sexuality, marriage, and political activism. Furthermore, she explores how Monroe drew from the techniques of Method acting and finely calibrated her performances to better mirror her audience’s anxieties and desires. Drawing both from Monroe’s filmography and from 1950s fan magazines, newspaper reports, and archived film studio reports, Some Kind of Mirror considers how her star persona was coauthored by the actress, the Hollywood publicity machine, and the fans who adored her. It is about why 1950s America made Monroe a star, but it is also about how Marilyn defined an era.
Evil can be a corrosive force. especially when you grow up within it. The Dark Princess is a fifteen-year-old who realizes the evil reign of her uncle, the Dark King, must be stopped before the land of Taintis falls into turmoil.That to her is known, but her name is not. The journey she takes gives her a new outlook on her country and its inhabitants. The Dark Princess meets magical creatures, unusual circumstances and complicated, secretive people. Who is an ally, who is an enemy? Her adventure leads her to see who she really is and who she has yet to become. Is the Dark Princess on her way to defeating Darkness, or are her actions and choices only going to pull Taintis further under her uncle's influence? She knows the Dark King and his force of Darkness are evil, merciless and blood thirsty. but can the Dark Princess wash that all away to find freedom and peace for the citizens of Taintis? And for herself? Amanda Kostro, now fourteen, began The Dark Princess when she was twelve. She had such an urge to write, that she would take advantage of any opportunity, often writing through the night in lieu of sleep. The idea for The Dark Princess came suddenly while riding in the car. The story unfolded around the central idea of a girl, born into evil, who eventually realizes she must escape the maleficent bonds of her childhood in order to change the future for herself and the citizens of Taintis. Amanda lives in Riverside, Illinois. An only child, she shares her life with a menagerie of animals including a dog, cats, birds and her horse Micki. She recently graduated from Hauser Junior High School and will be an incoming freshman at Riverside Brookfield High School in the fall. When asked if there will be a continuation of The Dark Princess, Amanda reports, "I think there is more to the story. I just have to write it." For updates, check out: www.thedarkprincess.net
A nuanced re-evaluation of the ways in which gender affected the use of physical space in early modern England. Space was not simply a passive backdrop to a social system that had structural origins elsewhere; it was vitally important for marking out and maintaining the hierarchy that sustained social and gender order in sixteenth- and seventeenth-century England. Gender had a considerable influence on its use and organization; status and gender were displayed physically and spatially every moment of the day, from a person's place at table to the bed on which he orshe slept, in places of work and recreation, in dress, gesture and modes of address. Space was also the basis for the formation of gender identities which were constantly contested and restructured, as this book shows.Examining in turn domestic, social and sacred spaces and the spatial division of labour in gender construction, the author demonstrates how these could shift, and with them the position and power of women. She shows that the ideological assumption that all women are subject to all men is flawed, and exposes the limitations of interpretations which rely on the model and binary opposition of public/private, male/female, to describe gender relations and theirchanges across the period, thus offering a much more complex and picture than has hitherto been perceived. The book will be essential reading not just for historians of the family and of women, but for all those studying early modern social history. AMANDA FLATHER is a lecturer in the Department of History at the University of Essex.
In the decades following World War II, cities across the United States saw an influx of African American families into otherwise homogeneously white areas. This racial transformation of urban neighborhoods led many whites to migrate to the suburbs, producing the phenomenon commonly known as white flight. In Block by Block, Amanda I. Seligman draws on the surprisingly understudied West Side communities of Chicago to shed new light on this story of postwar urban America. Seligman's study reveals that the responses of white West Siders to racial changes occurring in their neighborhoods were both multifaceted and extensive. She shows that, despite rehabilitation efforts, deterioration in these areas began long before the color of their inhabitants changed from white to black. And ultimately, the riots that erupted on Chicago's West Side and across the country in the mid-1960s stemmed not only from the tribulations specific to blacks in urban centers but also from the legacy of accumulated neglect after decades of white occupancy. Seligman's careful and evenhanded account will be essential to understanding that the "flight" of whites to the suburbs was the eventual result of a series of responses to transformations in Chicago's physical and social landscape, occurring one block at a time.
Do women and men have different intellectual, spiritual, moral, or emotional capacities? Over the centuries, women have read and interpreted the story of Eve, scrutinizing the details of the text to discern God's word for them. Biblical scholar Amanda Benckhuysen traces the history of women's interpretation of Genesis 1-3, allowing the voices of women to speak of Eve's story and its implications for life today.
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