How to End Christian Nationalism is the essential guidebook for Christians alarmed by the rise of Christian nationalism and committed to faith freedom for all. Amanda Tyler, lead organizer of the Christians Against Christian Nationalism campaign, helps us confront Christian nationalist fervor and invite others to a better version of the gospel.
Winner, 2023 SAA Book Award - Popular, Society for American Archaeology Honorable Mention, 2024 Felicia A. Holton Book Award, Archaeological Institute of America Bits and pieces of the lives led long before the age of skyscrapers are scattered throughout New York City, found in backyards, construction sites, street beds, and parks. Indigenous tools used thousands of years ago; wine jugs from a seventeenth-century tavern; a teapot from Seneca Village, the nineteenth-century Black settlement displaced by Central Park; raspberry seeds sown in backyard Brooklyn gardens—these everyday objects are windows into the city’s forgotten history. Buried Beneath the City uses urban archaeology to retell the history of New York, from the deeper layers of the past to the topsoil of recent events. The book explores the ever-evolving city and the day-to-day world of its residents through artifacts, from the first traces of Indigenous societies more than ten thousand years ago to the detritus of Dutch and English colonization and through to the burgeoning city’s transformation into the modern metropolis. It demonstrates how the archaeological record often goes beyond written history by preserving mundane things—details of everyday life that are beneath the notice of the documentary record. These artifacts reveal the density, diversity, and creativity of a city perpetually tearing up its foundations to rebuild itself. Lavishly illustrated with images of objects excavated in the city, Buried Beneath the City is at once an archaeological history of New York City and an introduction to urban archaeology.
“Staging Memory and Materiality in Eighteenth-Century Theatrical Biography” examines theatrical biography as a nascent genre in eighteenth-century England. This study specifically focuses on Thomas Davies’ 1780 memoir of David Garrick as the first moment of mastery in the genre’s history, the three-way war for the right to tell Charles Macklin’s story at the turn of the century and James Boaden’s theatrical biography spree in the 1820s and 1830s, including the lives of John Philip Kemble, Sarah Siddons, Dorothy Jordan and Elizabeth Inchbald. This project investigates the extent to which biographers envisioned themselves as artists, inheriting the anxiety of impermanence and correlating fear of competition that plagued their thespian subjects. It traces a suggestive, but not determinative, outline of generic development, noting the shifting generic features that emerge in context of a given work’s predecessors. Drawing heavily on primary sources, then-contemporary reviews and archival material in the form of extra-illustrated or “scrapbooked” editions of the biographies, this text is invested in the ways that the increasing emphasis on materiality was designed to consolidate, but often challenged, the biographer’s authority. This turn to materiality also authorized readerly participation, allowing readers to “co-author” biographies through the use of material insertions, asserting their own presence in the texts about beloved thespians.
In “a terrific piece of travel writing” a music journalist and New Yorker staff writer “takes us on a tour through the roots of American rural music” (The Guardian). “Where lies the boundary between meaning and sentiment? Between memory and nostalgia? America and Americana? What is and what was? Does it move?” —Donovon Hohn, “A Romance of Rust” Part travelogue, part cultural criticism, part music appreciation, It Still Moves does for today’s avant folk scene what Greil Marcus did for Dylan and The Basement Tapes. Amanda Petrusich outlines the sounds of the new, weird America—honoring the rich tradition of gospel, bluegrass, country, folk, and rock that feeds it, while simultaneously exploring the American character as personified in all of these genres historically. Through interviews, road stories, geographical and sociological interpretations, and detailed music criticism, Petrusich traces the rise of Americana music from its gospel origins through its new and compelling incarnations (as evidenced in bands and artists from Elvis to Iron and Wine, the Carter Family to Animal Collective, Johnny Cash to Will Oldham) and explores how the genre is adapting to the twenty-first century. Ultimately the book is an examination of all things American: guitars, cars, kids, motion, passion, enterprise, and change, in a fervent attempt to reconcile the American past with the American present, using only dusty records and highway maps as guides. “Like a smart, genial Persephone, Amanda Petrusich wanders the underworld of American roots music and reports back her insights with an open mind and an open heart.” —Anthony DeCurtis, Rolling Stone “Sharply observed, intensely felt.” —Simon Reynolds, author of Rip It Up and Start Again: Postpunk 1978–84
A nuanced re-evaluation of the ways in which gender affected the use of physical space in early modern England. Space was not simply a passive backdrop to a social system that had structural origins elsewhere; it was vitally important for marking out and maintaining the hierarchy that sustained social and gender order in sixteenth- and seventeenth-century England. Gender had a considerable influence on its use and organization; status and gender were displayed physically and spatially every moment of the day, from a person's place at table to the bed on which he orshe slept, in places of work and recreation, in dress, gesture and modes of address. Space was also the basis for the formation of gender identities which were constantly contested and restructured, as this book shows.Examining in turn domestic, social and sacred spaces and the spatial division of labour in gender construction, the author demonstrates how these could shift, and with them the position and power of women. She shows that the ideological assumption that all women are subject to all men is flawed, and exposes the limitations of interpretations which rely on the model and binary opposition of public/private, male/female, to describe gender relations and theirchanges across the period, thus offering a much more complex and picture than has hitherto been perceived. The book will be essential reading not just for historians of the family and of women, but for all those studying early modern social history. AMANDA FLATHER is a lecturer in the Department of History at the University of Essex.
Readers will welcome this final volume, Part III, as it takes our heroes, the Dwyer brothers, from the peak of their success into the complicated world of East Coast racing in the 1890s. As Mike and Phil try to keep greedy gambling bosses from making unfair profits off Dwyer racetracks, they run foul of provincial laws and fickle public opinion. One brother even attempts to the escape the constraints of legal battles by attempting to invade England with his stable. With their high profile status, every Dwyer horse, every win, every jockey, and every trainer comes under scrutiny. No longer young plungers, but seasoned businessmen, the brothers are relentlessly wooed by admirers and coerced by crooks. Through it all, their bond never falters. Readers will delight to read of the next generation of young Dwyer men eloping across America with their sweethearts, not chastised for their impulsive natures but congratulated on their choice of pretty brides.
There is no other source that provides in one place the wide range and depth of insight found in Vital Statistics on American Politics (VSAP), published since 1988. VSAP provides historical and statistical information on all aspects of American politics: Political parties Voter turnout Public opinion Campaign finance Media perspective and influence, congressional membership and voting patterns The presidency and executive branch Military policy and spending Supreme Court and federal court make-up and caseloads Foreign, social, and economic policy In over 230 tables and figures, students and professional researchers will find chapters devoted to key subject areas such as elections and political parties, public opinion and voting, the media, the three branches of U.S. government, foreign, military, social and economic policy, and much more. This book provides a vivid and multifaceted portrait of the broad spectrum of United States politics and policies. Along with updated and new data content, this edition offers brand new data literacy lessons that take a "guide on the side" approach to teach data researchers how to wade through the sea of data and do the difficult work of grappling for the meaning of the data on their own. Lessons include understanding descriptive representation data, comparing data over time, noticing gaps in data, unpacking dichotomies of public opinion, and more.
Magic, books, and cats collide in a village near Niagara Falls in the latest mystery from the author of Crime and Poetry... In Cascade Springs, New York, Violet Waverly and her grandma, Daisy, are the proprietors of Charming Books, where the power of the written word is positively enchanting... October in Cascade Springs means tourists are pouring in for the annual Food and Wine Festival, and Daisy hopes to draw those crowds to the store. She asks Violet and the local writing group, the Red Inkers, to give a reading of the works of Edgar Allan Poe in the shop s back garden to entertain the revelers. Everyone eagerly agrees. Yet their enthusiasm is soon extinguished when Violet discovers one of the writers dead during the event. After the shop magically tells Violet she ll need to rely on Poe s works to solve the murder, she enlists the help of her trusty tuxedo cat, Emerson, and the shop s crow, Faulkner. But they must act fast before someone else s heart beats nevermore...
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