Do You Know This Girl?' Harmony's teenage craving for drama is answered when a body is discovered by her aunt Mel on Evensand beach. But the naked, lifeless young woman turns out - problematically - to be alive. Unable to speak or remember where she came from, the woman is named Storm by her nurses. Surrounded by doctors, psychiatrists and policemen, Storm remains provocatively silent. Harmony is desperate to fill in the gaps in Storm's story, while the responsibility Mel feels for the woman she rescued begins to skew the course of her own settled life. Their efforts to solve the mystery clash with the efforts of rookie constable Mason, assigned to the case and determined to help this damsel he feels to be very much in distress. Will any of them be able to find out who Storm really is? And what if the distress belongs to everyone but her? Everything You Do Is Wrong is a compelling exploration of how this enigma sets a family's good and bad intentions crashing into each other, with unforgettable consequences.
The complete script to the three part BBC television drama Life In Squares, (starring James Norton, Phoebe Fox, Eve Best and Lydia Leonard) exploring the tangled and complex loves of the Bloomsbury Group, includes an introduction by the screenwriter, Amanda Coe. Vanessa Bell, the heart of this set of writers, artists, philosophers and intellectuals, has an incredibly close and often difficult relationship with her sister, Virginia Woolf. When Vanessa falls in love, she must balance her role as Virginia's confidant and carer with her new role as lover, wife and mother. Vanessa's beliefs about creative and sexual freedom are revolutionary but often difficult to live with, as infidelity, passion and love pushes and pulls at her happiness.
Two ten-year-old girls growing up in a tough town in the 1970s think their dreams are about to come true when a popular television star shoots a movie nearby, but instead face awful consequences when they become victims of playground bullying.
They were colour-supplement darlings of the 1980s: Patrick, the sexy, ferocious young playwright, scourge of an enthralled establishment, and Sara, who abandoned her two children to fulfil her destiny as Patrick's beautiful, devoted wife and muse. Thirty-five years later, Sara's death leaves Patrick alone in their crumbling house in Cornwall, with his whisky, his writer's block and his undimmed rage against the world. But bereavement is no respecter of life's estrangements, and Sara's children, Louise and Nigel, are now adults, with memories, questions and agendas of their own. What was their mother really like? Why did she leave them? What has she left them? And how can Patrick carry on without the love of his life? Getting Colder is a painfully funny and perceptive novel about family, love, and how sometimes the harder you look, the less you find.
A child's imaginary friend, a woman who wants a baby more than anything, the holiday from hell, and the friend who tries to help too much—these are all part of this extraordinary collection of stories from a wonderful new young writer. With her perceptive eye on urban chic, the neglected women, the fantasist girlfriend, love, desire, passion, and revenge, Amanda Coe writes in a sharp, detailed and utterly readable style which picks up every nuance and twist of character and tone. Including terrific stories such as A Whore in the Kitchen and Kiss Someone You Love, this collection is sure to put the author on the literary map as one of the best new voices in contemporary fiction.
The book tells the tale of a small mouse named Ezequiel Tinklepaw and his friend the kite. They have many adventures together and become close friends, but sometimes being a kite isn't all it's cracked up to be. The kite finds he doesn't so much like being pulled everywhere that Ezequiel wants to go, so he decides to venture out on his own. The results of his decision make for a heartwarming tale of friendship complete with life lessons and cautionary tales. Although the story is childlike, the ideas are thoughtful and the art is an intricate, complex work of it's own. Excerpt: ""Ezequiel Tinklepaw was a small young mouse who lived with his mother and father in a hole at the base of an ancient oak tree. The home had been in the family for several generations and though the interior was dated, the location was desirable and the Tinklepaw family had always been very happy living there...
Two ten-year-old girls growing up in a tough town in the 1970s think their dreams are about to come true when a popular television star shoots a movie nearby, but instead face awful consequences when they become victims of playground bullying.
A bitingly comic exploration of an unforgettably dysfunctional family, from a writer who wields great "comic rhythm" (The New Yorker). This ferociously funny family saga journeys into the mysteries of many kinds of love. England, 1983. A celebrated love story entertains the nation: Patrick, the sexy young playwright, scourge of an enthralled establishment, marries Sara, who has abandoned her two children to fulfill her destiny as Patrick’s beautiful, devoted muse. Thirty-five years later, Sara’s death leaves Patrick alone in their crumbling house in Cornwall, with his whisky, his writer’s block and his undimmed rage against the world. The children Sara left behind, Louise and Nigel, are now adults—with memories, questions and agendas of their own. What was their mother really like? Why did she leave them? What has she left them? And how can Patrick carry on without the love of his life? As versions of the past collide with realities in the present, Sara’s heirs do battle over ownership of this much beloved woman. But the closer Louise and Nigel get to the true story of Sara’s great love affair, the greater its mystery. Secrets and lies, scenes and letters: how do any of us piece together the people who made us what we are?
The renaissance flute, with its rich history, stunning repertoire, and mellow tone, has attracted a significant following among flutists, whether they specialize in modern flute or historical instruments. Yet, actually delving into the study of renaissance flute has proven a challenge - there exists a confusing array of editions of renaissance music, specialized (and often expensive) facsimiles of manuscripts and early prints, and in unfamiliar notations, while at the same time there is a dearth of resources for beginners. Confronting this challenge with the first ever practitioners' handbook for renaissance flute, Kate Clark and Amanda Markwick offer flutists of all levels a clear and accessible introduction to the world and repertoire of the instrument. In The Renaissance Flute: A Contemporary Guide, Clark and Markwick cover all aspects, from practicalities such as buying and maintaining the instrument, to actual music for solo and group performance, to theory designed to improve the understanding and playing of renaissance polyphony. This approach enables students to immerse themselves at their own pace and build on their skills with each chapter. With nearly 40 full pages of exercises, and a companion website with recorded examples and filmed instructions from the authors, The Renaissance Flute provides professionals and newcomers alike a new entryway into the world and practice of renaissance music.
This is the seminannual Able Muse Review (Print Edition) - Summer 2016 issue, Number 21. This issue continues the tradition of masterfully crafted poetry, fiction, essays, art & photography, and book reviews that have become synonymous with the Able Muse-online and in print. After more than a decade of online publishing excellence, Able Muse print edition maintains the superlative standard of the work presented all these years in the online edition, and, the Able Muse Anthology (Able Muse Press, 2010). ". . . [ ABLE MUSE ] fills an important gap in understanding what is really happening in early twenty-first century American poetry." - Dana Gioia. CONTENTS: EDITORIAL - Alexander Pepple. FEATURED ARTIST - Andy Biggs. FEATURED POET - Amanda Jernigan; (Interviewed by Ange Mlinko). FICTION - Andrew Valentine, Terri Brown-Davidson, John Christopher Nelson, Timothy Reilly. ESSAYS - Ron McFarland, N.S. Thompson, Barbara Haas. BOOK REVIEWS - Amit Majmudar, John Ellis. POETRY - Midge Goldberg, Jean L. Kreiling, Sankha Ghosh, Timothy Murphy, Pedro Poitevin, Joseph Hutchison, Pierre de Ronsard, Heinrich Heine, Catharine Savage Brosman, Rachel Hadas, Stephen Palos, Bruce Bennett, Doris Watts, Jeanne Emmons.
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