This ambitious work chronicles 250 years of the Cromartie family genealogical history. Included in the index of nearly fifty thousand names are the current generations, and all of those preceding, which trace ancestry to our family patriarch, William Cromartie, who was born in 1731 in Orkney, Scotland, and his second wife, Ruhamah Doane, who was born in 1745. Arriving in America in 1758, William Cromartie settled and developed a plantation on South River, a tributary of the Cape Fear near Wilmington, North Carolina. On April 2, 1766, William married Ruhamah Doane, a fifth-generation descendant of a Mayflower passenger to Plymouth, Stephen Hopkins. If Cromartie is your last name or that of one of your blood relatives, it is almost certain that you can trace your ancestry to one of the thirteen children of William Cromartie , his first wife, and Ruhamah Doane, who became the founding ancestors of our Cromartie family in America: William Jr., James, Thankful, Elizabeth, Hannah Ruhamah, Alexander, John, Margaret Nancy, Mary, Catherine, Jean, Peter Patrick, and Ann E. Cromartie. These four volumes hold an account of the descent of each of these first-generation Cromarties in America, including personal anecdotes, photographs, copies of family bibles, wills, and other historical documents. Their pages hold a personal record of our ancestors and where you belong in the Cromartie family tree.
This ambitious work chronicles 250 years of the Cromartie family genealogical history. Included in the index of nearly fifty thousand names are the current generations, and all of those preceding, which trace ancestry to our family patriarch, William Cromartie, who was born in 1731 in Orkney, Scotland, and his second wife, Ruhamah Doane, who was born in 1745. Arriving in America in 1758, William Cromartie settled and developed a plantation on South River, a tributary of the Cape Fear near Wilmington, North Carolina. On April 2, 1766, William married Ruhamah Doane, a fifth-generation descendant of a Mayflower passenger to Plymouth, Stephen Hopkins. If Cromartie is your last name or that of one of your blood relatives, it is almost certain that you can trace your ancestry to one of the thirteen children of William Cromartie, his first wife, and Ruhamah Doane, who became the founding ancestors of our Cromartie family in America: William, Jr, James, Thankful, Elizabeth, Hannah Ruhamah, Alexander, John, Margaret Nancy, Mary, Catherine, Jean, Peter Patrick, and Ann E. Cromartie. These four volumes hold an account of the descent of each of these first-generation Cromarties in America, including personal anecdotes, photographs, copies of family bibles, wills, and other historical documents. Their pages hold a personal record of our ancestors and where you belong in the Cromartie family tree.
How do the ways we argue represent a practical philosophy or a way of life? Are concepts of character and ethos pertinent to our understanding of academic debate? In this book, Amanda Anderson analyzes arguments in literary, cultural, and political theory, with special attention to the ways in which theorists understand ideals of critical distance, forms of subjective experience, and the determinants of belief and practice. Drawing on the resources of the liberal and rationalist tradition, Anderson interrogates the limits of identity politics and poststructuralism while holding to the importance of theory as a form of life. Considering high-profile trends as well as less noted patterns of argument, The Way We Argue Now addresses work in feminism, new historicism, queer theory, postcolonialism, cosmopolitanism, pragmatism, and proceduralism. The essays brought together here--lucid, precise, rigorously argued--combine pointed critique with an appreciative assessment of the productive internal contests and creative developments across these influential bodies of thought. Ultimately, The Way We Argue Now promotes a revitalized culture of argument through a richer understanding of the ways critical reason is practiced at the individual, collective, and institutional levels. Bringing to the fore the complexities of academic debate while shifting the terms by which we assess the continued influence of theory, it will appeal to readers interested in political theory, literary studies, cultural studies, gender studies, and the place of academic culture in society and politics.
American women played in important part in Protestant foreign missionary work from its early days at the beginning of the nineteenth century, enabling them not only to disseminate religious principles but also to break into public life and create expanded opportunities for themselves and other women. No institution was more closely associated with women missionaries that Mount Holyoke College. This book examines Mount Holyoke founder Mary Lyon and the missionary women trained by her. Porterfield sees Lyon and her students as representative of dominant trends in American missionary thought before the Civil War. She focuses on how their activities in several parts of the world--particularly northwest Persia, Maharashtra in western India, and Natal in southeast Africa--and shows that while their primary goals remained elusive, antebellum missionary women made major contributions to cultural change and the development of new cultures.
Tied to the profundity of life and death, media are and have always been existential. Yet, as they are deeply embedded in the lifeworld on both individual and global scales, they currently capitalize on human existence seemingly without limit, while being mythologized as boundless harbingers of the future and as solutions to the predicaments of a world now poised on the edge. In this situation it is imperative to move beyond either the habitual or the sublime, to recognize that media are in fact of limits--situated both in the middle of our lives and at the limit they constitute the building blocks and brinks of being. In order to remedy the existential deficit in the field, in Existential Media Amanda Lagerkvist revisits existential philosophy through a reappreciation of Karl Jaspers' philosophy, and of his concept of the limit situation: those ultimate moments in life--of loss, crisis and guilt--which we are called upon to seize. Introducing the field of existential media studies in conversation with disability studies, the new materialism and the environmental humanities, the book offers a media theory of the limit situation which brings limits, in all their shapes and forms, onto the radar when we interrogate media. Lagerkvist argues that the present age of deep techno-cultural saturation, and of escalating calamitous and interrelated crises, is a digital limit situation, in which there are profound stakes which heighten existential uncertainty, vulnerability as well as potential fecundity. Placing the mourner--the coexister--at the center of media studies, by entering into the slow fields of mourning, commemorating and speaking to the dead in the online environment, she brings out that existential media ambivalently offer metric parameters, caring lifelines and transcendent experiences which ultimately display post-interactive modes of being digital in slowness, silence and waiting. The book ultimately calls forth a different ethos which powerfully challenges ideals of limitlessness, quantification and speed, and seeks out alternate intellectual and ethical coordinates for reclaiming, imagining and anticipating a responsible future with existential media.
Women, womyn & womxn: Are they really nasty? This collection contains humour and pathos; it an easy read, despite being academically grounded and completely relevant. Wonderful doodles at the start of each essay soften the page. This is a want-to-read book on an extremely important topic. In South Africa the Fallist movement became an extremely important platform to discuss gender, while #metoo has become a global phenomenon. Ashanti Kunene, a Fallist-leader, is one of the contributors. Other essays include “Pussies are not for grabbing” (Joy Watson), “My arms are tired of holding this sign” (Amanda Gouws), “Oh, no you can’t go to heaven in a broke down car” (Anastasia Slamat), “I’m with her” (Zama Khanyile), “To Womb it may concern” (Christi van der Westhuizen), “Womb with a (very strong) view” (Helen Moffet) and “Diary of an Indian woman” (Aarti Narse); but there are many more – twenty eight in total. The idea for the collection was born, cradled and nurtured between friends who wanted to create a space for writing and thinking about the marches. The group of feminists who contributed to this collection used the marches and the posters inspired by the marches as a vehicle which galvanised women into action to put pen to paper and show fervour for ongoing feminist activism. The nexus of this beautifully written and evocatively illustrated collection is telling narratives that link very personal stories with deeply political issues. These are the stories told by nasty women who are making the personal political, who are seeking to live their lives in ways that resist and challenge patriarchy. Through their very intimate nature these are stories that speak to the creation of a different kind of social order, one based on equity, the promotion of human rights and social justice. The presidential campaign in the USA grabbed the global imagination. It also grabbed the feminist imagination, presenting the hope that if a woman could become the president of the USA, women throughout the world would finally break through the reinforced glass ceiling. However, when it didn’t happen, the lost opportunity became the metaphorical kick in the feminist gut on a global scale. Through the subsequent misogyny, vulgarity, lewd comments, the pussy grabbing video, and the threats of the erosion of feminist activism in the trenches, worldwide a deep mourning arose from the feminist community. It was the name calling of “nasty women” that really smarted. Initial feelings of anger gave rise to empowerment of women — those who talk back to patriarchy — to embrace the label of “nasty women”.
DIVDIVA rivalry erupts into passion in Regency London/divDIV Miss Gillian Harris’s trouble begins when she makes a scandalous appearance at a public masquerade ball. The trustee of her fortune, the wealthy and powerful Marquis of Landover, declares her brother, Sir Avery, an irresponsible guardian, and moves the siblings into his own fashionable London mansion. Chafing at the Marquis’s careful monitoring of her conduct, the audacious Gillian devises an inspired plan: She will distract her watchful protector by presenting him with suitable candidates for courtship. But, despite her best efforts at matchmaking, the fires of jealousy begin to grow and Gillian fears she might succumb to a much more scandalous temptation: seducing the handsome Marquis herself . . ./div/div
Inspired by true events, Dirt Dollars Death is a crime mystery novel about organized corruption in a rural county located in the Texas Hill Country and what happens when love, friendship, and loyalty don’t give up the search for a missing person. Missy, Clint, and Giselle arrive from Houston with plans to meet Missy’s boyfriend and then spend a long weekend touring The Three Sisters on motorcycles. They find strange behavior from the locals, and then a mysterious man gives them startling news. The little group, with its own personality dynamics, experiences most of the one-hundred-mile motorcycle route while they explore the small town of Leakey, travel across a mountain to Camp Wood, and eventually visit two other tiny communities (one not by choice). There are hostile encounters with the unfriendly locals, and then something happens, and their energies focus in a new direction that leads them to a fight for their lives. The story spans four days and includes missing people, real estate fraud, identity theft, money laundering, human and other contraband trafficking, betrayal, murder, and more perpetrated by a variety of interconnected crime syndicates as well as by individuals with their own agendas. The reader will not only ride along with the protagonists through scenic landscapes but will also see into some of the locals’ relationships and operations, all of whom will do the ultimate evil to keep their secrets safe.
Jean is learning what it takes to move on in life…after death. In between reminiscing about her experiences with the mad-cap friends she's left behind and getting to know the other residents, Jean must also work on her advancement to the next level of existence. To complicate matters, she and her new companions must unravel a mystery and find its solution before any of them are allowed to advance. But the more Jean looks for solutions, the more problems she encounters. Will the pieces ever fit together? Will Jean and her friends ever be able to advance beyond Peaceful Gardens? It will take all the resources of the residents, including two little girls born a century apart and a caretaker with a problem of his own, before the puzzle can be completed and Jean can continue on her journey.
NEW YORK TIMES BESTSELLER 10 BEST BOOKS • THE NEW YORK TIMES BOOK REVIEW • 2011 NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • The New Yorker • Chicago Tribune • The Economist • Nancy Pearl, NPR • Bloomberg.com • Library Journal • Publishers Weekly In this brilliant narrative, Amanda Foreman tells the fascinating story of the American Civil War—and the major role played by Britain and its citizens in that epic struggle. Between 1861 and 1865, thousands of British citizens volunteered for service on both sides of the Civil War. From the first cannon blasts on Fort Sumter to Lee’s surrender at Appomattox, they served as officers and infantrymen, sailors and nurses, blockade runners and spies. Through personal letters, diaries, and journals, Foreman introduces characters both humble and grand, while crafting a panoramic yet intimate view of the war on the front lines, in the prison camps, and in the great cities of both the Union and the Confederacy. In the drawing rooms of London and the offices of Washington, on muddy fields and aboard packed ships, Foreman reveals the decisions made, the beliefs held and contested, and the personal triumphs and sacrifices that ultimately led to the reunification of America. “Engrossing . . . a sprawling drama.”—The Washington Post “Eye-opening . . . immensely ambitious and immensely accomplished.”—The New Yorker WINNER OF THE FLETCHER PRATT AWARD FOR CIVIL WAR HISTORY
Book Four in the Tree Street Kids Series Something fishy is going on in Crooked Creek Woods. Does it have anything to do with the weird lights coming from Ruthie’s neighbor’s yard? Or are the kids’ imaginations running away with them? After all, Jack and Ellison have been hard at work writing a mystery. The Tree Street Kids decide to investigate. Not only do they discover what’s been hidden for centuries in the woods, they also learn about placing their trust in the adults who love and care for them . . . but not before placing themselves in peril.
In two novels by the USA Today–bestselling author: Will London’s most notorious rogues be outmatched in the game of love by two clever young ladies? When Lady Gillian Carnaby reads of her own betrothal to a hitherto unknown Baron Hopwood in the London Times, she is shocked to learn that the man is real. Worse, Hopwood is merely a minor title for Josiah Hawtrey, Marquess of Thorne, a man with such a scandalous reputation that London society is quite willing to believe he would become affianced to a noblewoman he has never met. To save her reputation, Gillian and the Marquess must go through the motions of a betrothal. But when Gillian sees that Thorne desires her as a woman, if not a wife, she must play a most challenging game of love with one of London’s most notorious rakes. The Marquess of Thorne’s friend, handsome Lord Edward Crawley, seeks to wed a wealthy heiress to shore up his faltering estate—and pay off his gambling debts. When Felicia Adlam realizes that her breathtakingly beautiful younger sister, Theodosia, is the seductive fortune-hunter’s target, she vows to protect Theo from him, no matter what it takes. But Crawley is charmingly honest about his intentions, and undeniably appealing, so Felicia soon discovers that she risks surrendering to the accomplished rake’s seductive charms herself.
This book takes a philosophical approach to the question ‘what is academic writing?’ and specifically explores the question of how academic writing and writing development can be better understood and developed by lecturers in higher education. It examines how a number of interconnected and interdisciplinary political, linguistic, discursive, ontological and epistemological frameworks can be used to inform a ‘post-qualitative’ approach for research into higher education academic writing practices, employing a Bourdusian/ Deluzean inspired approach. Using lecturers’ own perceptions and experiences of academic writing, and treating them as part of a ‘professional academic writing in higher education habitus’, the book illustrates and analyses a number of ideas and concepts through a broadly post-qualitative paradigm. It also offers a number of innovative academic writing and writing development practices. Offering an in-depth discussion into how lecturers might better negotiate academic writing practices and use their own academic writing experiences to develop students’ writing, this book will be highly relevant to academics, scholars and post-graduate students working in higher education.
Starred Review on Library Journal! USA Today bestselling author and Agatha Award winner Amanda Flower brings charm and intrigue to her first cozy mystery for Hallmark. Darby Piper is in shock. A seasoned female detective, she worked with Samantha Porter at the Two Girls Detective Agency. Now, Samantha is dead, and it doesn’t look like an accident. In fact, evidence is pointing toward Darby. Darby had expected to inherit Samantha’s half of the agency, but Samantha had recently changed the will to leave it to Tate Porter, her nephew, who returns to town. Tate is no private eye. He’s a world traveler and a veteran whose military past is also something of a mystery. But as he helps Darby delve into secret histories and real estate development plans, he proves to be a talented amateur sleuth. Will the agency have a future…even if Darby can solve this murder mystery in time? This first in series cozy mystery includes a free Hallmark original recipe for Berry Trifle.
Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction—the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman within the context of mid-Victorian debates over the nature of selfhood, gender, and agency. In richly textured readings of works by Charles Dickens, Elizabeth Gaskell, Dante Gabriel Rossetti, and Elizabeth Barrett Browning, among others, she argues that depictions of fallen women express profound cultural anxieties about the very possibility of self-control and traditional moral responsibility.
Harlequin® Historical brings you three new titles for one great price, available now! This Harlequin® Historical bundle includes Zachary Black: Duke of Debauchery by Carole Mortimer, The Truth About Lady Felkirk by Amanda McCabe and Falling for Her Captor by Elisabeth Hobbes. Look for six compelling new stories every month from Harlequin® Historical!
Starting with Anne Boleyn, wife of Henry VIII, Amanda Harvey Purse looks at significant Boleyns through history, shining a spotlight on how their story has been entwined with that of the British monarchy for almost 500 years.
When Marcus Hadley’s father remarries an actress after his mother’s death, he leaves home bitter. Years later, when his father and stepmother are killed tragically, he must return to fulfill his duties as the new Earl. He wants to make amends for his absence to the daughter left from the actress’ first marriage. To his surprise, he discovers a beautiful and unique young woman, who immediately excites his interest with her joie de vivre. Anna, on the other hand, fears the return of the angry young man who hated her mother. She worries about the fate of the Shakespearean actors’ troupe she has staying with her and persuades them to play at being servants. Turns out they’re not very good at that particular role. She discovers that the angry young man isn’t angry any longer, nor to be feared, but filled with a gentle desire to make his house a home again. How long can Anna and Marcus deny their feelings for each other? Will they be able to do the proper thing and marry within their station in life? RITA Award by Romance Writers of America Nominee for Regency Romance (2003)
A selection of Anti-Jacobin novels reprinted in full with annotations. The set includes works by male and female writers holding a range of political positions within the Anti-Jacobin camp, and represents the French Revolution, American Revolution, Irish Rebellion and political unrest in Scotland.
Where are all the bodies? Political institutions are populated by living, breathing human beings, who eat, sleep, gesture, desire and suffer. And yet participants of the political realm are often depicted as disembodied minds, detached and distinct from their corporeal existence. Amanda Machin considers six embodied modes of democratic politics: representation, deliberation, disagreement, protest, occupation and counsel. Drawing on diverse thinkers such as Maurice Merleau-Ponty, Michael Polanyi, Simone de Beauvoir, Donna Haraway and Judith Butler, she offers an absorbing illustration of the ways human bodies are not only the disciplined objects of politics, but the generative subjects of democracy.
Argues that South Africa’s apartheid system of racial segregation relied on an unexamined but interrelated system of sexed oppression that was at once both rigid and flexible.
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