The soundtrack of the Christmas season for many music lovers, Messiah is performed annually by choral societies across the world. And so, perhaps unsurprisingly, many aspects of it have been explored by scholars over the years. The work is the subject of several listeners’ guides and there are a number of books and articles of various lengths that describe the biographical circumstances of the work’s formation and details of its many performances, many including lists of singers for each performance (an area that has itself spawned a whole field of research). There has been no extensive study of the creative process of Messiah, however, since 1969. This book seeks to redress this imbalance by providing a thorough investigation of the work’s creative process. Beginning with the creative process of the libretto, it examines the earliest sketches, Handel’s use of pre-existent material, alterations made to the autograph score, and the latest versions of movements. Each stage of composition is examined via primary source material, with particular reference to the autograph score and conducting score. Each chapter is formed as a case study and contains related discussion points for use in teaching or study settings.
Three romances in one from the USA Today–bestselling author of The Reluctant Highlander, filled with the rebellious passion of Scotland’s restless border. Set on the turbulent border between Scotland and England in the sixteenth century, these meticulously researched novels offer enthralling love stories set against a backdrop of historical conflict. In Border Bride, Mary Kate MacPherson, a proud Highland beauty wages a battle against arrogant borderer Sir Adam Douglas. Borderer men may consider their wives possessions, but Mary Kate intends to show the seductive knave her father promised her to that a Highland lass is no man’s furniture. In Border Fire, highwayman Rabbie Redcloak has caused nothing but trouble for the English with his raiding and fighting. But when he’s captured, Janet Graham is determined to prevent the hanging of the silver-tongued Rabbie before Truce Day. And her decision has nothing to do with the way her body heats just at the thought of him . . . And in Border Storm, Lady Laurie Halliot, the rebellious daughter of a Scottish march warden, knows what marriage is about: money, power, and little else. When her runaway sister is accused of murdering an English soldier, however, Laurie offers herself as a hostage until the accused is found. And to preserve Laurie’s reputation while in captivity, she agrees to a handfast wedding to the devastatingly handsome, yet equally reluctant, groom, Sir Hugh Graham.
First published in 1999. and Middlemarch and of a range of nineteenth-century historical works, including works by and about women that are discussed extensively here for the first time. The blurring of boundaries between historical and fictional narratives, stimulated by the enormous success of Walter Scott's novels, and the development of social history are shown to have been key factors in an uneven, controversial, but persistent feminization of history, the first because of the longstanding association of novels with women the second because social history focuses on the private sphere, traditionally women's domain. Along with the appearance of numerous historical texts written by women and taking women as their subjects, these developments challenged conventional beliefs about historical authority and relevance that had long relegated women to the margins, both literally and metaphorically. In its exploration of these changes and their implications, Gender and Victorian Historical Writing revises standard assumptions about Victorian ideas of history, finding an awareness of and experimentation with gender and genre that prefigure theoretical and scholarly concerns in contemporary women's history.
Introduction: playing Marilyn Monroe -- Becoming a star: the publicity buildup and early performances -- Mrs. America: Marilyn Monroe and marriage anxiety -- "It's kinda personal and embarrassing, too": Monroe, the Kinsey Reports, and the double standard -- The actress and her method: resisting playing Marilyn Monroe -- Conclusion: a Marilyn Monroe type
Set in treacherous sixteenth-century Scotland, the first volume of Amanda Scott’s Border Trilogy tells the unforgettable story of a woman sworn to defy the knight she is forced to wed—only to discover a love she’ll do anything to claim As Mary, Queen of Scots, languishes in the Tower of London as a prisoner of her cousin, Queen Elizabeth, war tears Scotland apart. To save her beloved homeland, a proud Highland beauty named Mary Kate MacPherson must wage her own battle when she’s forced into wedlock with a knight, Sir Adam Douglas, from the barbaric borderland of Tornary. Even as she succumbs to her seductive husband’s sensual demands, Mary Kate vows never to give him her heart. She will belong to no man. But Adam burns with something deeper than desire. Sworn to carry out a long-awaited revenge, he won’t rest until he has vanquished his enemies. Accused of treason, the last thing he expects is to lose his heart to the woman he’s determined to tame but never to love: his own wife. Border Bride is the 1st book in the Border Trilogy, but you may enjoy reading the series in any order.
The soundtrack of the Christmas season for many music lovers, Messiah is performed annually by choral societies across the world. And so, perhaps unsurprisingly, many aspects of it have been explored by scholars over the years. The work is the subject of several listeners’ guides and there are a number of books and articles of various lengths that describe the biographical circumstances of the work’s formation and details of its many performances, many including lists of singers for each performance (an area that has itself spawned a whole field of research). There has been no extensive study of the creative process of Messiah, however, since 1969. This book seeks to redress this imbalance by providing a thorough investigation of the work’s creative process. Beginning with the creative process of the libretto, it examines the earliest sketches, Handel’s use of pre-existent material, alterations made to the autograph score, and the latest versions of movements. Each stage of composition is examined via primary source material, with particular reference to the autograph score and conducting score. Each chapter is formed as a case study and contains related discussion points for use in teaching or study settings.
From the bestselling author Amanda Prowse, NO GREATER LOVE features three interlinked novels about love, loss, courage and the search for happiness. This collection brings together Poppy Day, What Have I Done? and Clover's Child. They feature characters whose histories interweave through the generations: ordinary men and women who do extraordinary things for love. They are stories to keep you from switching off the bedside lamp at night, stories to remember long after the final page is turned... Poppy Day – when Poppy's childhood sweetheart, Mart, is taken hostage while on duty in Afghanistan, her world is torn apart. What price will she pay to save the man she loves? What Have I done? – Kathryn Booker seems to have the perfect life. But all is not as it seems behind closed doors, and Kathryn is about to do something to change it. Something only a truly desperate woman would do... Clover's Child – When Dot and Sol fall in love in 1960s London, family expectations and prejudice threaten to tear them apart. Will their love survive? Praise for Amanda Prowse: 'Prowse handles her explosive subject with delicate skill... Deeply moving and inspiring' DAILY MAIL. 'Powerful and emotional family drama that packs a real punch' HEAT. 'A gut wrenching and absolutely brilliant read' IRISH SUN. 'Captivating, heartbreaking, superbly written' CLOSER.
War is often characterised as one percent terror, 99 per cent boredom. Whilst much ink has been spilt on the one per cent, relatively little work has been directed toward the other 99 per cent of a soldier's time. As such, this book will be welcomed by those seeking a fuller understanding of what makes soldiers endure war, and how they cope with prolonged periods of inaction. It explores the issue of military boredom and investigates how soldiers spent their time when not engaged in battle, work or training through a study of their creative, imaginative and intellectual lives. It examines the efforts of military authorities to provide solutions to military boredom (and the problem of discipline and morale) through the provisioning of entertainment and education, but more importantly explores the ways in which soldiers responded to such efforts, arguing that soldiers used entertainment and education in ways that suited them. The focus in the book is on Australians and their experiences, primarily during the First World War, but with subsequent chapters taking the story through the Second World War to the Vietnam War. This focus on a single national group allows questions to be raised about what might (or might not) be exceptional about the experiences of a particular national group, and the ways national identity can shape an individual's relationship and engagement with education and entertainment. It can also suggest the continuities and changes in these experiences through the course of three wars. The story of Australians at war illuminates a much broader story of the experience of war and people's responses to war in the twentieth century.
Habeas Corpus in Wartime unearths and presents a comprehensive account of the legal and political history of habeas corpus in wartime in the Anglo-American legal tradition. The book begins by tracing the origins of the habeas privilege in English law, giving special attention to the English Habeas Corpus Act of 1679, which limited the scope of executive detention and used the machinery of the English courts to enforce its terms. It also explores the circumstances that led Parliament to invent the concept of suspension as a tool for setting aside the protections of the Habeas Corpus Act in wartime. Turning to the United States, the book highlights how the English suspension framework greatly influenced the development of early American habeas law before and after the American Revolution and during the Founding period, when the United States Constitution enshrined a habeas privilege in its Suspension Clause. The book then chronicles the story of the habeas privilege and suspension over the course of American history, giving special attention to the Civil War period. The final chapters explore how the challenges posed by modern warfare during the twentieth and twenty-first centuries have placed great strain on the previously well-settled understanding of the role of the habeas privilege and suspension in American constitutional law, particularly during World War II when the United States government detained tens of thousands of Japanese American citizens and later during the War on Terror. Throughout, the book draws upon a wealth of original and heretofore untapped historical resources to shed light on the purpose and role of the Suspension Clause in the United States Constitution, revealing all along that many of the questions that arise today regarding the scope of executive power to arrest and detain in wartime are not new ones.
This book examines the influence of the early modern period on Antonin Artaud’s seminal work The Theatre and Its Double, arguing that Elizabethan and Jacobean drama and their early modern context are an integral part of the Theatre of Cruelty and essential to its very understanding. The chapters draw links between the early modern theatrical obsession with plague and regeneration, and how it is mirrored in Artaud’s concept of cruelty in the theatre. As a discussion of the influence of Shakespeare and his contemporaries on Artaud, and the reciprocal influence of Artaud on contemporary interpretations of early modern drama, this book is an original addition to both the fields of early modern theatre studies and modern drama.
Examining the rise of the field of imperial history in Britain and wider webs of advocacy, this book demonstrates how intellectuals and politicians promoted settler colonialism, excluded the subject empire, and laid a precarious framework for decolonization. History was politics in late-nineteenth-century Britain. But the means by which influential thinkers sought to steer democracy and state development also consigned vast populations to the margins of imperial debate and policy. From the 1880s onward, politicians, intellectuals, and journalists erected a school of thought based on exclusion and deferral that segregated past and future, backwardness and civilization, validating racial discrimination in empire all while disavowing racism. These efforts, however, engendered powerful anticolonial backlash and cast a long shadow over the closing decades of imperial rule. Bringing to life the forgotten struggles which have, in effect, defined our times, Imperial History and the Global Politics of Exclusion is an important reinterpretation of the intellectual history of the British Empire.
From the million-copy bestseller Amanda Prowse, the queen of heartbreak fiction. Amanda Prowse is the author of The Coordinates Of Loss and the no.1 bestsellers Perfect Daughter, My Husband's Wife and What Have I Done? Ever since hairdresser Poppy Day married her childhood sweetheart, Mart, she's been deliriously happy. Now Mart is fighting in Afghanistan, and Poppy is counting the days until he returns. It takes one knock at the door to rip Poppy's world apart. Mart has been taken hostage, and it's too dangerous for the army to rescue him. Poppy is determined to bring him home herself. But her journey will lead her to a heartbreaking dilemma. What price will she pay to save the man she loves? This is a gripping story of loss and courage from an author who knows what it is like to be the one left behind. Reviews for Amanda Prowse: 'Prowse handles her explosive subject with delicate skill... Deeply moving and inspiring' DAILY MAIL. 'Powerful and emotional family drama that packs a real punch' HEAT. 'A gut wrenching and absolutely brilliant read' IRISH SUN. 'Captivating, heartbreaking, superbly written' CLOSER. 'Very uplifting and positive, but you may still need a box (or two) of tissues' HELLO. 'An emotional, unputdownable read' RED. 'Prowse writes gritty, contemporary stories but always with an uplifting message of hope' SUNDAY INDEPENDENT.
Actress, presenter, talent show judge. Daughter, wife, mother, survivor. There's so much more to Amanda Holden than fame. A natural-born performer, Amanda's journey to becoming one of the most recognisable faces on our screens today has been one full of love, laughter and tears. A British star and nationally treasured actress, she has appeared on our screens and stages for over 20 years. In the notoriously tricky world of show business, Amanda has carved out her own identity and enjoyed impressive longevity, not least as the longest running judge on hit ITV show Britain's Got Talent. She never fails to keep her audience engaged and entertained. Charming, funny and incredibly honest, her story is remarkable. For the first time, No HoldingBacktells it in her own words, in her own way, and shows her fans the real woman behind the headlines.
In 1882 human remains were discovered at the Sinkings, a lonely campsite near Albany, Western Australia. The surgeon conducting the autopsy claimed they were those of a woman. Why, then, was the victim later identified as Little Jock, a former convict? And why was the murder so brutal, so gruesome? More than a hundred years later, Willa Samson embarks on a long and lonely search to find out. The Sinkings is a story within a story, the tragic historical account of Little Jock’s life embedded within a contemporary narrative of a mother’s guilt and grief. Beautifully crafted, the novel deals with the dilemma confronting parents of an intersexed child and the issue of gender. While a work of fiction, the discovery of Little Jock’s remains and the controversy surrounding their identification are actual events.
This book seeks to redress this imbalance by providing a thorough investigation of the work's creative process. Beginning with the creation of the libretto, it examines the earliest sketches, Handel's use of pre-existent material, alterations made to the autograph score, and the latest versions of movements.
Hollywood's a dog-eat-dog world, but you know who your friends are ... What would you do if you were born on Oscar night into Hollywood royalty? If you went to Vanity Fair parties rather than birthday parties? And if your life felt like a glamourous movie - but you were only an extra in it, playing boyfriendless, jobless hopeful no.310? Meet Lola Santisi. She's an Actorholic. Stuck in a pattern of dating beautiful actors then as soon as she's got over the dazzle of their teeth and the rockhard abs, realising they're just as self-obsessed as the last one. She's gone cold-turkey, and resolved to plough her energy into helping her friends instead. Julian, Lola's BGF (best gay friend), is a designer on the up. But he'll be down and out if he can't get someone to wear his designs on Oscar night so persuades Lola to become his Hollywood Ambassador. Lola's best friend Kate, is an ambitious young agent desperate to sign a big name. Together with their other friend, Cricket, a ditzy actress aspiring to play something other than a coma victims on ER, they must navigate through celebrity-hell if they're ever going to make it to the red carpet...
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