Amalia and Guido are a young couple whose dream of a happy life together is broken by the outbreak of the Second World War. Amalia stays in Milan, juggling the bombings and the no less pressing problems of daily survival. Guido, instead, as commander in the Italian Army, leads an epic crossing in the Sahara desert and manages to bring his soldiers to safety, facing a thousand adversities. The solid mutual love, strengthened also by the birth of a little girl, will accompany them on the arduous journey towards the painful reunification. A path paved with obstacles, revealing encounters, very hard trials, but also unexpected strokes of luck. Based on real events, this novel offers us a vivid glimpse of crucial episodes of our history, between the late 1700s and the late 1900s, narrated from an unprecedented perspective. In addition to the voices of the two courageous and tenacious protagonists, there is also the no less intense voice of their son Alberto, who vigorously depicts the distant years of childhood and youth, the loves and pains until the first professional successes. Many varied adventures that have a common denominator: the strength to get involved to the end, without fears, and living the unknown as a continuous challenge. It is the ability to adapt to the changing and evolving times, almost anticipating them and always staying one step ahead, the key that opens the doors of a future full of promise to Alberto. But the new contains in itself traces of our roots, and today always has a father: the past.
Amalia and Guido are a young couple whose dream of a happy life together is broken by the outbreak of the Second World War. Amalia stays in Milan, juggling the bombings and the no less pressing problems of daily survival. Guido, instead, as commander in the Italian Army, leads an epic crossing in the Sahara desert and manages to bring his soldiers to safety, facing a thousand adversities. The solid mutual love, strengthened also by the birth of a little girl, will accompany them on the arduous journey towards the painful reunification. A path paved with obstacles, revealing encounters, very hard trials, but also unexpected strokes of luck. Based on real events, this novel offers us a vivid glimpse of crucial episodes of our history, between the late 1700s and the late 1900s, narrated from an unprecedented perspective. In addition to the voices of the two courageous and tenacious protagonists, there is also the no less intense voice of their son Alberto, who vigorously depicts the distant years of childhood and youth, the loves and pains until the first professional successes. Many varied adventures that have a common denominator: the strength to get involved to the end, without fears, and living the unknown as a continuous challenge. It is the ability to adapt to the changing and evolving times, almost anticipating them and always staying one step ahead, the key that opens the doors of a future full of promise to Alberto. But the new contains in itself traces of our roots, and today always has a father: the past.
No Sunday school teacher, Kool-Aid drinker or politician is ever going to be ok with any of the contents of this book, oh well. So many people have become sick and tired of how soft and fluffy the world has become. Where anything and everything is either offensive or dangerous, regardless if it was intended to be or not. A world where bubble wrap and participation ribbons are now more valued than honesty and hard work. Yet, few will ever admit to this out loud due to a fear of reprisal at the hands of a right fighter or political correctness warriors, but that’s not here. A liquor infused, open, honest, direct personal insights about the strange world we have now made, that only gets more and more interesting and unique as each additional shot is consumed. If words + booze + free thinking scare you, you’re likely going to be wetting the bed tonight. Sleep with a nightlight on and a butter knife under your pillow and you’ll be alright, but if you don’t just drink the lukewarm water from the fishbowl of this Band-Aid, beige world, you may find some truth, humour and a lot of questions both raised and maybe even answered within here. www.GrappaThoughts.com
This study examines five decades of Italian economists who studied or researched at the Universities of Oxford and Cambridge between the years 1950 and 2000. Providing a detailed list of Italian economists associated with Hicks, Harrod, Bacharach, Flemming, Mirrlees, Sen and other distinguished dons, the authors examine eleven research lines, including the Sraffa and the neo-Ricardian school, the post-Keynesian school and the Stone’s and Goodwin’s schools. Baranzini and Mirante trace the influence of the schools in terms of 1) their fundamental role in the evolution of economic thought; 2) their promotion of four key controversies (on the measurement of technical progress, on capital theory, on income distribution and on the inter-generational transmission of wealth); 3) the counter-flow of Oxbridge scholars to academia in Italy, and 4) the invigoration of a third generation of Italian economists researching or teaching at Oxbridge today. A must-read for all those interested in the way Italian and British research has shaped the study and teaching of economics.
Toward the middle of the 1950s, abstract art became a dominant trend in the Latin American cultural scene. Many artists incorporated elements of abstraction into their rigorous artistic vocabularies, while at the same time, the representation of geometric lines and structures filtered into everyday life, appearing in textiles, posters, murals, and landscapes. The translation of a field-changing Spanish-language book, Abstract Crossings analyzes the relationship between, on the one hand, the emergence of abstract proposals in avant-garde groups and, on the other, the institutionalization and newfound hegemony of abstract poetics as part of Latin America’s imaginary of modernization. A profusion of mid-century artistic institutional exchanges between Argentina and Brazil makes a study of the trajectories of abstraction in these two countries particularly valuable. Examining the work of artists such as Max Bill, Lygia Clark, Waldemar Cordeiro, and Tomás Maldonado, author María Amalia García rewrites the artistic history of the period and proposes a novel reading of the cultural dialogue between Argentina and Brazil. This is the first book in the new Studies on Latin American Art series, supported by a gift from the Institute for Studies on Latin American Art.
This book provides the first comprehensive treatment of Albert the Great’s (c. 1193–1280) notion of virtus formativa, a shaping force responsible for crucial dynamics in the formation of living beings. Crossing the boundaries between theology and philosophy, the notion of virtus formativa, or formative power, was central in explaining genetic inheritance and the configuration of the embryo. By adopting an interdisciplinary approach, this book reconstructs how Albert the Great, motivated by theological open issues, reorganised the natural-philosophical and medical theories on embryonic development, creatively drawing upon Greek, Patristic, and Arabic sources. A valuable contribution to research, this book offers essential insights for those studying the history of embryology, medicine, and science in the medieval and renaissance periods.
Forgetting is a brief but searing sojourn inside the mind of Alma as she navigates the complexity of the past and future within her identity. On her nighttime wanderings through a Paris saturated with cultural and historical meaning, she begins the slow work of grieving for her grandfather, a Holocaust survivor, and begins to unravel the ways that his experience continues to reverberate across generations. The journey, both inward and outward, simple and infinitely varied, brings Alma to reconsider her whole life and the circumstances that led to her very birth. In Forgetting, Finkelstein sheds new light on the oldest dilemmas, asking: "What to do with the brief time that is given to us?
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