In the cafe, I watch as a woman takes a photo of her plate – an impressive, glossy lime-coloured dessert with shards of chocolate perched on top. I want to feel that ease and confidence, too. Like this is my city again, and I know my way around it. Eight years ago, Sahar pursued her happily ever after when she married Khaled and followed him to Jordan, leaving behind her family, her friends and a thriving cake business. But married life didn't go as planned and, haunted by secrets, Sahar has returned home to Sydney without telling her husband. With the help of her childhood friends, Sahar hits the reset button on her life. She takes a job at a local patisserie run by Maggie, a strong but kind manager who guides Sahar in sweets and life. But as she tentatively gets to know her colleagues, Sahar faces a whole new set of challenges. There's Kat and Inez, who are determined that Sahar try new experiences. Then there's Luke, a talented chocolatier and a bundle of contradictions. As Sahar embraces the new, she reinvents herself, trying things once forbidden to her. But just when she is finally starting to find her feet, her past finds its way back to her.
Sometimes you have to lose everything to find yourself... The lake in the middle of her father's kitchen is only the first in a series of disasters in Zeina's life. Nassar's recent health crisis has seen his well-established community restaurant, Casablanca, losing ground and customers to trendier competition. Casablanca's deterioration is not the only chaos in Zeina's world but, unlike her husband who won't speak to her, her best friend who is sliding towards self-destruction, and her cousin who is stealing Zeina's life story for content, the restaurant is something she can fix. And Zeina, lonely and adrift, needs something she can fix. Taking leave from her prestigious chef position, Zeina throws herself into caring for her ailing father, immersing herself in the familiar foods and flavours of her childhood, trying to save both him and his restaurant. But working in the kitchen – and her childhood home – brings memories, secrets, and unexpected ambitions simmering to the surface. When it comes time to make hard decisions, Zeina will have to accept that growing up is an ongoing process – one that never gets any easier.
Life is like an etch-a-sketch. It's only ever clear when it's brand new. After that, no matter how much you wipe over the previous stuff, you can always see the scratch lines, and it never looks the same again. In survival mode following a messy separation, Lara Abdel-Aziz is estranged from her family and out of touch with her best friend Samira. Making ends meet by working a dead-end job at a fast-food shop, she also sings at a local bar, where she enjoys the freedom to be whoever she likes. Bar owner Leo is good company, but her only other interactions are with her mostly absent flatmate Icky, and her neighbour Angela, who owns a New Age store and desperately wants Lara to get in touch with her higher self. After a break-in at work forces Lara into counselling, and an encounter with an old friend leads to an unexpected connection, she must start to unpack the events of her life and make peace with the past. But are some things too broken to ever be fixed? A moving story of healing, connection and fate.
It may be the twenty-first century, but who says courtship is obsolete? Coming from a (somewhat-traditional) Muslim family, twenty-seven-year-old Samira Abdel-Aziz has seen her fair share of suitors. Her general rule: if he comes in wearing shoes with tassels, a leather jacket circa 1982, and/or has a moustache, the doorknock appeal will fail from the outset. A girl has to have some standards, right? As an assistant at Bridal Bazaar magazine, Samira's sick of all things wedding-related. Then she unwittingly becomes wedding gofer for her cousin/nemesis Zahra and her life begins to resemble a soap opera. When she meets Menem in a chance encounter at a team-building day, for the first time Samira knows what it's like to naturally be interested in someone. But with that comes a whole new set of problems. How do you get to know someone when the options seem to be to get married or end up a spinster? Why is her best friend Lara insisting that Menem isn't right for her? And why has her childhood friend Hakeem started behaving so strangely? A light-hearted but honest peek into the life of a young, single Muslim woman who knows there's more to life than love at first suitor visit.
Based on interviews with 35 women leaders, this is the first study of women's involvement in the Palestinian National Movement from the revolution in the mid-1960s to the Palestinian-Israeli peace process in the 1990s.
Magnificent. Surprising. Illuminating. Australia needs this book. NIKKI GEMMELL As someone who has a foot in both the Western and Arabic worlds, Amal set out to explore the lives of Arab women, in Australia and the Middle East, travelling to the region and interviewing more than sixty women about feminism, intimacy, love, sex and shame, trauma, war, religion and culture. Beyond Veiled Clichés explores the similarities and differences experienced by these women in their daily lives – work, relationships, home and family life, friendships, the communities they live in, and more. Arab-Australian women are at the intersection – between Western ideals and Arab tradition. It can get messy, but there is also great beauty in the layers. In a time of racial tension and rising global fear around terrorism, there is a renewed fear of 'the other'. At its heart this fascinating book normalises people and their experiences. The breadth, variety and beauty of what Amal has discovered will enthral and surprise you.
The Save Darfur movement gained an international following, garnering widespread international attention to this remote Sudanese territory. Celebrities and other notable public figures participated in human rights campaigns to combat violence in the region. But how do local activists and those throughout the Sudanese diaspora in the United States situate their own notions of rights, nationalism, and identity? Based on interviews with Sudanese social actors, activists, and their allies in the United States, the Sudan, and online, Branding Humanity traces the global story of violence and the remaking of Sudanese identities. Amal Hassan Fadlalla examines how activists contest, reshape, and reclaim the stories of violence emerging from the Sudan and their identities as migrants. Fadlalla charts the clash and friction of the master-narratives and counter-narratives circulated and mobilized by competing social and political actors negotiating social exclusion and inclusion through their own identity politics and predicament of exile. In exploring the varied and individual experiences of Sudanese activists and allies, Branding Humanity helps us see beyond the oft-monolithic international branding of conflict. Fadlalla asks readers to consider how national and transnational debates about violence circulate, shape, and re-territorialize ethnic identities, disrupt meanings of national belonging, and rearticulate notions of solidarity and global affiliations.
Magnificent. Surprising. Illuminating. Australia needs this book. NIKKI GEMMELL As someone who has a foot in both the Western and Arabic worlds, Amal set out to explore the lives of Arab women, in Australia and the Middle East, travelling to the region and interviewing more than sixty women about feminism, intimacy, love, sex and shame, trauma, war, religion and culture. Beyond Veiled Clichés explores the similarities and differences experienced by these women in their daily lives – work, relationships, home and family life, friendships, the communities they live in, and more. Arab-Australian women are at the intersection – between Western ideals and Arab tradition. It can get messy, but there is also great beauty in the layers. In a time of racial tension and rising global fear around terrorism, there is a renewed fear of 'the other'. At its heart this fascinating book normalises people and their experiences. The breadth, variety and beauty of what Amal has discovered will enthral and surprise you.
Amal Awad's life changed when her father was diagnosed with kidney failure. It was a shock to see the impact it had on him, both physically and mentally, and the way the side effects trickled onto those around him. Work had always made him feel whole and retirement was a challenge. On a mission to help her father and support her mother, Amal began spending every Friday with her parents. She saw the gaps in discussion around ageing and sickness. Amal's personal experiences prompted her to explore how Australians are ageing, how sickness affects the afflicted and those around them, and what solutions exist when hope seems lost. So many people are similarly navigating a new reality – weeks dotted with doctor appointments; conversations that deplete and reveal at the same time; reshaped family relationships. Amal speaks with doctors, nurses, an aged care psychologist, specialists, politicians, ageing people living alone and others in a retirement village, to gain insights and to consider solutions. At a time when ageism and health is high on the public's radar, what we're not always talking about is how to deal with the anxiety, depression and overall challenges that come with someone you love facing their mortality and a decline in health. Fridays with My Folks shares heartfelt, honest stories that will help others who are in similar positions. People who are having to reorient themselves when the boat has taken a battering and they have to take a new direction. This book stems from personal experiences, but it expands to a much wider, more universal discussion about life, suffering, coping and hope.
The authors discuss the intricate relationships between interfaith activities and religious identity, nationalism, violence, and peacemaking in four very different settings: Israel/Palestine, Lebanon, Egypt, and Jordan. They interview the whole cross-section of local Interfaith Dialogue workers: not only clerics and "dialoguing" professionals but also laypersons, who are often more eloquent than any scholar at expressing the realities, hopes, and frustrations of Interfaith Dialogue within their home countries. They take on the perennial dilemma faced by Interfaith Dialogue proponents: avoid politics and risk irrelevance, or take up the political questions and risk "politicizing" the dialogue, with all the disruptive effects this implies. Above all, this important book demonstrates the desire for interfaith dialogue in these polarized societies, and the extent to which, against strong odds, religious communities are connecting with each other. (Back cover).
The socio-political context of Egypt is full of the affectual burdens of history. The revolutions of both 1952 and 2011 proclaimed that the oppressive, colonial past had been overthrown decisively. So why has the oppression perpetrated by previous regimes been repeated? What impact has this had on the lives of ‘ordinary’ citizens? Egyptian Revolutions looks at the impact of the current events in Egypt on citizens in relation to matters of belonging, identification and repetition. It contests the tendency within postcolonial theory to understand these events as resistance to Western imperialism and the positioning of activists as agents of sustainable change. Instead, it pays close attention to the continuities from the past and the contradictions at work in relation to identification, repetition and conflict. Combining postcolonial theory with a psychosocial studies framework it explores the complexities of inhabiting a society in a state of conflict and offers a careful analysis of current theories of gender, religion and secularism, agency, resistance and compliance, in a society riven with divisions and conflicts.
There has been increasing research into designing transition metal-containing dendrimers as innovative materials, especially in the field of biomedicine and pharmaceutical science. They have applications in biosensors and drug-delivery systems, and are now one of the leading classes in the design of therapeutics for drug-resistant diseases. This book introduces readers to a number of classes of metal-containing dendrimers, before moving onto their design and synthesis. Their applications in biomedicine are then discussed, before highlighting future research targets in this growing field. It emphasizes the synthetic strategies to design transition metal-containing dendrimers, and discusses the type of laboratory work used to examine these types of dendrimers in the fields of medicine and pharmacology, including their antimicrobial, anticancer, anti-inflammatory and antiviral activities. Transition Metal-containing Dendrimers in Biomedicine brings chemistry, biology, pharmaceutical science and medical fields together to design these future materials which will have global benefits.
Reconstructing the Civic examines the civic activism of the homeland Palestinian minority in Israel. Employing a multi-methodological and empirically rich approach, Amal Jamal blends historical description with interviews of Palestinian elites drawn from a diverse range of civil society groups such as NGOs, youth movements, and religious organizations. He also critiques the failure of Western/liberal scholarship to account for the experience of minority civil society organizations in illiberal social and political contexts, largely because this literature assumes there is an inherent relationship between civil society and democracy. Jamal places an important spotlight on the complex interplay between liberal and illiberal trends in the emergence, organization, and transformation of Palestinian civil society in Israel as well as the need to introduce an alternative ethical model that aims to reconstruct ethnic states in universal civic terms.
Amal Allana’s compelling biography of her father is the first carefully researched, full-length account of the life, work and times of Ebrahim Alkazi, one of the giants of twentieth-century theatre and a key promoter of the visual arts movement in India. Evoking the excitement of Alkazi’s student years in England, the controversies that surrounded his provocative ideas to transform the theatre movement in Bombay and later in Delhi, as the director of the National School of Drama (NSD), this book charts Alkazi’s meteoric rise to the top, with his modernist staging of plays and his aim of putting Hindi theatre on the map. It was at the Sangeet Natak Akademi that Alkazi first confronted resistance to his ideas on the role of tradition in the making of a new ‘national’ culture. By the 1970s, disillusioned with the curtailing of civil liberties and a dysfunctional bureaucracy, he ultimately resigned from the NSD, developing his own independent institutions for the promotion of the visual arts in India as well as abroad. Staging the cultural history of India between the 1940s and 2000s, and featuring a galaxy of artists and actors as the dramatis personae—including M.F. Husain, F.N. Souza, Akbar Padamsee, Gieve Patel, Nissim Ezekiel, Alyque Padamsee, Girish Karnad, Manohar Singh, Vijaya Mehta, Kusum Haidar and Gerson da Cunha—Allana’s chronicle is charged with their fierce energy and commitment as contributors to a vibrant new India. The author’s personal perspective as Alkazi’s daughter brings to the narrative an added dimension of veracity and sensitivity. With objective candour, Allana shares details of her parents’ relationship as they examine their marriage on entirely new terms, as a partnership of equals. Holding Time Captive shows a dynamic Alkazi in his quest to bring about an inclusive, international, intercultural and interdisciplinary thinking in artistic expressions that is transformative and liberating. This book offers unique glimpses into an enigmatic personality whose emotionally charged life closely reflected and ran parallel to the growth and evolution of his startlingly fresh ideas and vision for a modern cultural movement in India.
In this pathbreaking study, Amal Jamal analyzes the consumption of media by Arab citizens of Israel as a type of communicative behavior and a form of political action. Drawing on extensive public opinion survey data, he describes perceptions and use of media ranging from Arabic Israeli newspapers to satellite television broadcasts from throughout the Middle East. By participating in this semi-autonomous Arab public sphere, the average Arab citizen can connect with a wider Arab world beyond the boundaries of the Israeli state. Jamal shows how media aid the community's ability to resist the state's domination, protect its Palestinian national identity, and promote its civic status.
It may be the twenty-first century, but who says courtship is obsolete? Coming from a (somewhat-traditional) Muslim family, twenty-seven-year-old Samira Abdel-Aziz has seen her fair share of suitors. Her general rule: if he comes in wearing shoes with tassels, a leather jacket circa 1982, and/or has a moustache, the doorknock appeal will fail from the outset. A girl has to have some standards, right? As an assistant at Bridal Bazaar magazine, Samira's sick of all things wedding-related. Then she unwittingly becomes wedding gofer for her cousin/nemesis Zahra and her life begins to resemble a soap opera. When she meets Menem in a chance encounter at a team-building day, for the first time Samira knows what it's like to naturally be interested in someone. But with that comes a whole new set of problems. How do you get to know someone when the options seem to be to get married or end up a spinster? Why is her best friend Lara insisting that Menem isn't right for her? And why has her childhood friend Hakeem started behaving so strangely? A light-hearted but honest peek into the life of a young, single Muslim woman who knows there's more to life than love at first suitor visit.
Amal Awad's life changed when her father was diagnosed with kidney failure. It was a shock to see the impact it had on him, both physically and mentally, and the way the side effects trickled onto those around him. Work had always made him feel whole and retirement was a challenge. On a mission to help her father and support her mother, Amal began spending every Friday with her parents. She saw the gaps in discussion around ageing and sickness. Amal's personal experiences prompted her to explore how Australians are ageing, how sickness affects the afflicted and those around them, and what solutions exist when hope seems lost. So many people are similarly navigating a new reality – weeks dotted with doctor appointments; conversations that deplete and reveal at the same time; reshaped family relationships. Amal speaks with doctors, nurses, an aged care psychologist, specialists, politicians, ageing people living alone and others in a retirement village, to gain insights and to consider solutions. At a time when ageism and health is high on the public's radar, what we're not always talking about is how to deal with the anxiety, depression and overall challenges that come with someone you love facing their mortality and a decline in health. Fridays with My Folks shares heartfelt, honest stories that will help others who are in similar positions. People who are having to reorient themselves when the boat has taken a battering and they have to take a new direction. This book stems from personal experiences, but it expands to a much wider, more universal discussion about life, suffering, coping and hope.
The Incidental Muslim is an honest, witty and heartfelt collection of columns and new musings by writer Amal Awad. Growing up in Australia as a hybrid identity (Arab-Australian-Muslim), Amal has unique insights on career, life, love and feminism.A passionate moviegoer and TV buff, she also considers her love of storytelling and how Hollywood just can't get their portrayals of Muslims right. More specifically, she bemoans the lack of the incidental Muslim - the character who just happens to be a Muslim, rather than the usual three Cs: cab drivers, convenience store owners or crackpots. Excerpt from The Incidental Muslim"Like any teenager, I had modest career aspirations. In my case, I would take singing lessons in order to develop my singing voice, before proceeding on to an illustrious career in musical theatre. My 'Everest' was to play Christine in Phantom of the Opera, though being thereasonable character that I am, Maria in West Side Story would have kept me equally satisfied. The only real, and I suppose rather significant, dent in the plan was that I was growing up Muslim." Praise for The Incidental Muslim"Despite what the title may suggest, The Incidental Muslim is a privileged insight into the life of, yes - a Muslim woman. Snapshots of the author's life, from childhood to student and now a writer, endear us to a world that turns out to be unmistakably familiar. Such is the uniquenessof Amal Awad's voice: it actually represents the women of today, whether they are Muslim or not." - Liana Rosnita, editor, Aquila Style About the AuthorAmal Awad is a writer, author and journalist. An Arab-Muslim Australian, Amal frequentlywrites and speaks about issues of society, religion and popular culture. She has addressedfestivals, universities, youth groups and community organisations, and has appeared onnational radio, including RN Life Matters and The Drawing Room with Waleed Aly and NikkiGemmell. Amal is a columnist for popular Muslim women's website Aquila Style, and a regularcontributor to Australian websites Daily Life, ABC Religion and Ethics, and The Vine. Her writinghas also been published in Frankie magazine and The Sydney Morning Herald. Amal publishedher debut novel Courting Samira - a tale of Muslim courtship and coming of age in the modernera - in 2010, and was selected as a quarter- finalist in the Amazon Breakthrough Novel Award. More recently she contributed to the anthology Coming of Age: Growing up Muslim inAustralia (Allen & Unwin, 2014), and is currently working on various projects, including hersecond novel, This Is How You Get Better.
Magnificent. Surprising. Illuminating. Australia needs this book. NIKKI GEMMELL As someone who has a foot in both the Western and Arabic worlds, Amal set out to explore the lives of Arab women, in Australia and the Middle East, travelling to the region and interviewing more than sixty women about feminism, intimacy, love, sex and shame, trauma, war, religion and culture. Beyond Veiled Clich�s explores the similarities and differences experienced by these women in their daily lives - work, relationships, home and family life, friendships, the communities they live in, and more. Arab-Australian women are at the intersection - between Western ideals and Arab tradition. It can get messy, but there is also great beauty in the layers. In a time of racial tension and rising global fear around terrorism, there is a renewed fear of 'the other'. At its heart this fascinating book normalises people and their experiences. The breadth, variety and beauty of what Amal has discovered will enthral and surprise you.
Guilt is an emotion for which I have no time. It's exhausting, stops you from having any fun, and is the equivalent of one of those T-shirts that says 'I went to [insert adventure] and all I got was this lousy T-shirt'." In recovery mode after a messy divorce from a non-Muslim man, Lara Abdel-Aziz is estranged from her family and out of touch with her best friend Samira. Making ends meet by working in a fast food shop in Sydney, she also sings at a local bar, enjoying the anonymity of a favourite past-time. Local guitar player Leo is good company, but her only other interactions are with her mostly-absent flatmate Icky, and new age store owner Angela, who wants Lara to work for her and get in touch with her higher self. Lara is comfortably on autopilot until a near-assault at work forces her into counselling and she must start to unpack the events of her life and make peace with the past. Meanwhile, an unexpected encounter with Hakeem, the strict religious friend once in love with Samira, leads to an unlikely connection. As an attraction develops between them, they both begin to repair their broken lives. This is How You Get Better is the sequel to Courting Samira.
The fifth daughter in a patriarchal society, and an indigenous Bedouin in Israel, Amal came into this world fighting for her voice to be heard in a community that did not prize girls. At birth it was only her father who looked at her and said "I see hope in her face. I want to call her Amal [hope] in the hope that Allah will give us boys after her." Five brothers were indeed to follow.Hope is a Woman's Name is a rare look at Bedouin life from the even rarer perspective of a Bedouin girl. Amal challenged authority from birth, slowly learning where her community's boundaries lay and how to navigate them.As a shepherd at the age of 6, Amal led her flock of sheep across the green mountains of Laqiya, her village in the Negev in southern Israel. Given such responsibility, though rarely recognition, Amal came to understand her community and forge her skills as a leader. Aged 13 and frustrated by the constraints put on her education as a girl, Amal set up literacy classes for the adult women in her village. She aimed to teach them not only how to read, but to value education itself: "I wanted them to taste an education so that they would never again deprive their daughters of one." This was the beginning of a lifelong career initiating projects that would help create change for the Bedouin – a minority within Israel's Palestinian minority – and for their women in particular. She established economic empowerment programmes for marginalized women, helped found an Arab-Jewish school, and created organizations to promote shared society. At every turn she had to face the challenges of tradition – as well as the prejudices of Israeli society – to create new possibilities that would allow women to empower themselves.Amal has learnt to embrace every aspect of her complicated identity – Bedouin, Arab, woman, Palestinian and Israeli citizen – to help create social change, build bridges with other communities and inspire hope. Hope is a Woman's Name is an intimate portrayal of a little-known culture and its strengths, values, morals and boundaries. It is a rare and moving story.
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