When the headmistress, Miss Finch, of the Haverleigh School for Young Ladies is poisoned it's up to Lady Phoebe and Eva to stop the killer before they strike again.
When her sister Julia's new--and much older--husband is found dead the morning after their hasty marriage, Lady Phoebe Renshaw and her lady's maid, Eva, must discover the killer before the Renshaws' social standing is irreparably damaged by a murder charge.
For fans of HBO’s The Gilded Age, explore the dark side of the alluring world of America’s 19th century elite in this gripping series of riveting mysteries… In glittering Newport, Rhode Island, status is everything. But despite being a poorer relation to the venerable Vanderbilts, Emma Cross has shaped her own identity—as a reporter and a sleuth. As the nineteenth century draws to a close, Fancies and Fashion reporter Emma Cross is sent by the Newport Observer to cover an elite house party at Rough Point, a “cottage” owned by her distant cousin Frederick Vanderbilt that has been rented as an artist retreat. To her surprise, the illustrious guests include her estranged Bohemian parents—recently returned from Europe—as well as a variety of notable artists, including author Edith Wharton. But when one of the artists is discovered dead at the bottom of a cliff, Rough Point becomes anything but a house of mirth. After a second murder, no one is above suspicion—including Emma’s parents. As Newport police detective Jesse Whyte searches for a killer, Emma tries to draw her own conclusions—with the help of Mrs. Wharton. But with so many sketchy suspects, she’ll need to canvas the crime scenes carefully, before the cunning culprit takes her out of the picture next . . . Praise for Alyssa Maxwell and her Gilded Newport Mysteries “Another entertaining entry in this cozy series.” —Library Journal on Murder at Beechwood “Maxwell’s second entry has a credible mystery, solved by a female detective who’s likeable.” —Kirkus Reviews on Murder at Marble House
In the first in a new evocative historical mystery series, debut author Alyssa Maxwell captures the glittering world of Newport, Rhode Island in its heyday.
The end of summer means it's time for the Harvest Festival held by Mamie Fish, wife of millionaire railroad tycoon Stuyvesant Fish, at their grand "cottage," Crossways. The mansion is decked out in artificial autumn splendor, and an extravagant scavenger hunt will be held. The guest of honor is Prince Otto of Austria. As acting editor-in-chief of the Newport Messenger, Emma Cross must fill in and attend the Harvest Festival. But the prince fails to appear; the next morning, he is found dead in the side garden-- stabbed in the same manner as another man, recently found on nearby Bailey's Beach. -- adapted from jacket
The New York Yacht Club's exclusive gathering at Newport, Rhode Island's Beacon Rock mansion hits stormy seas in the summer of 1900 when reporter Emma Cross, a lesser Vanderbilt, discovers a drowned corpse in Alyssa Maxwell's tenth Gilded Newport Mystery... As a reporter, Emma is used to covering Newport's social events. But this time she is appearing on the arm of her fiancé, Derrick Andrews, at a small but exclusive gathering of the New York Yacht Club at Beacon Rock, the Grecian-inspired summer "cottage" of Edwin and Elizabeth Morgan. The members--which include cousin and Yacht Club Commodore John Pierpoint Morgan and widow Lucy Carnegie, the first woman to be admitted to the Club--are there to discuss their strategy for the next America's Cup Challenge, to be held in New York Harbor the following summer. But it's Emma who must come up with a strategy when she discovers a woman's body bobbing against one of the hulls of the boats moored at the base of Beacon Rock. After the woman is identified as the missing daughter of a yacht designer, the police--with the exception of Emma's friend Detective Jesse Whyte--hastily conclude she is a suicide, perhaps to quiet any scandal for the Morgans. But Emma suspects the woman was murdered and begins to sort through a who's who of sportsmen, boat crews, and the Newport elite in search of a stone-cold killer . . .
Following the devastation of the Great War, England's noble class takes comfort in honoring tradition. To celebrate their grandparents' wedding anniversary, Lady Phoebe Renshaw and her siblings travel to Staffordshire to commission a china service bearing the Wroxly coat of arms from the venerated Crown Lily Potteries, a favorite of Queen Mary.
“Delightful...Fans of Victoria Thompson or Deanna Raybourn are sure to enjoy dipping into this historical series.”—Library Journal With the dawn of the twentieth century on the horizon, the fortunes of the venerable Vanderbilt family still shine brightly in the glittering high society of Newport, Rhode Island. But when a potential scandal strikes, the Vanderbilts turn to cousin and society page reporter Emma Cross to solve a murder and a disappearance. . . Responding to a frantic call on her newfangled telephone from her eighteen-year-old cousin, Consuelo Vanderbilt, Emma Cross arrives at the Marble House mansion and learns the cause of her distress--Consuelo's mother, Alva, is forcing her into marriage with the Duke of Marlborough. Her mother has even called in a fortune teller to assure Consuelo of a happy future. But the future is short-lived for the fortune teller, who is found dead by her crystal ball, strangled with a silk scarf. Standing above her is one of the Vanderbilts' maids, who is promptly taken into police custody. After the frenzy has died down, Consuelo is nowhere to be found. At Alva's request, Emma must employ her sleuthing skills to determine if the vanishing Vanderbilt has eloped with the beau of her choice--or if her disappearance may be directly connected to the murder. . .
As England recovers from its costly involvement in the Great War, Lady Phoebe Renshaw and her lady’s maid, Eva Huntford, find the steady comforts of their lives unsettled by a local case of murder . . . Eva is excited for a visit from her sister Alice, who lives in Suffolk with her husband and three children. But when Alice arrives alone, desiring a break from her family, Eva becomes concerned. Her dismay deepens as Alice starts spending time with a former beau, Keenan Ripley, who owns the nearby pear orchard. At the same time, Phoebe's sister Julia, now a widow and pregnant, is in a fretful state, and Phoebe struggles to be helpful to her. When Keenan's brother Stephen, the new head gardener at the Renshaw estate, Foxwood Hall, is found impaled by a pair of hedge clippers, the police—including Eva's beau, Constable Miles Brannock—suspect his closest kin. Stephen had been eager to sell their orchard to an American developer, but Keenan had fiercely resisted. A table set with two teacups and scones suggests Keenan had company the morning of the murder—and Eva fears her sister was with him. If Alice were to provide Keenan with an alibi, her reputation and marriage would be ruined. She denies being there but is clearly withholding secrets, much to Eva's consternation. Now, to protect her sister, Eva and Phoebe set off to expose the gardener's real killer, putting their own lives at risk . . .
In 1918 England, when the Marquis of Allerton goes missing from his fianc?e's family estate, Lady Phoebe Renshaw and her lady's maid, Eva Huntford, take an interest in discovering the truth.
Reporter and sleuth Emma Cross Andrews must stop a bold poisoner who is targeting the society wives of the Four Hundred in Gilded Age Newport, Rhode Island . . . August 1901: A fundraiser for a new Rhode Island Audubon Society brings Emma to Vinland, the Viking-themed seaside home of her relative, Florence Vanderbilt Twombly, where the guest of honor is Edith Roosevelt, wife of Vice President Theodore Roosevelt. Listening to the speakers and observing the ladies in attendance, Emma is struck by the contrast of the Viking warrior–inspired elements in the house and the admirable but admittedly genteel cause of bird protection. Vinland bears the name of the Vikings’ first landfall in North America, but in this room today there is most assuredly no one to fear. Emma’s observation of harmless philanthropy is proven wrong the following morning when one of Mrs. Twombly’s houseguests from the luncheon becomes mysteriously and dangerously ill. Accompanying police detective Jesse Whyte, Emma discovers a box of petit fours supposedly sent by Mrs. Roosevelt. They promptly rule out the Second Lady as a suspect, but someone has poisoned the cakes. Soon another box of desserts as well as letters tainted with ink containing caustic toxins show up at other grand Newport cottages. Are the ladies from the luncheon being targeted? Emma and Jesse must sort through possible motives and means because now more than the birds need protection . . .
In the ninth installment of the glittering Gilded Newport Mystery series from Alyssa Maxwell, during the autumnal chill of Newport, Rhode Island at the close of the nineteenth century, journalist Emma Cross discovers an instance of cold-blooded murder on the grounds of Wakehurst Mansion… Following the death of her uncle, Cornelius Vanderbilt, in September 1899, a somber Emma is in no mood for one of Newport’s extravagant parties. But to keep Vanderbilt’s reckless son Neily out of trouble, she agrees to accompany him to an Elizabethan fête on the lavish grounds of Wakehurst, the Ochre Point “cottage” modeled after an English palace, owned by Anglophile James Van Alen. The festivities include a swordplay demonstration, an archery competition, scenes from Shakespeare’s plays, and even a joust. As Emma wanders the grounds, she overhears a fierce argument between a man and a woman behind a tall hedge. As the joust begins, she’s drawn by the barking of Van Alen’s dogs and finds a man on the ground, an arrow through his chest. The victim is one of the 400’s most influential members, Judge Clayton Schuyler. With the help of her beau Derrick Andrews and Detective Jesse Whyte, Emma begins to learn the judge was not the straight arrow he appeared to be. As their investigation leads them in ever-widening circles, Emma will have to stop the killer from taking another life . . .
As the nineteenth century comes to a close, the illustrious Vanderbilt family dominates Newport, Rhode Island, high society. But when murder arrives, reporter Emma Cross learns that sometimes the actions of the cream of society can curdle one’s blood in the latest installment of this bestselling cozy historical mystery series . . . 1901: Back from their honeymoon in Italy, Emma and Derrick are adapting to married life as they return to their duties at their jointly owned newspaper, the Newport Messenger. The Elms, coal baron Edward Berwind’s newly completed Bellevue Avenue estate, is newsworthy for two reasons: A modern mansion for the new century, it is one of the first homes in America to be wired for electricity with no backup power system, generated by coal from Berwind’s own mines. And their servants—with a single exception—have all gone on strike to protest their working conditions. Summarily dismissing and replacing his staff with cool and callous efficiency, Berwind throws a grand party to showcase the marvels of his new “cottage.” Emma and Derrick are invited to the fete, which culminates not only in a fabulous musicale but an unforeseen tragedy—a chambermaid is found dead in the coal tunnel. In short order, it is also discovered that a guest’s diamond necklace is missing and a laborer has disappeared. Detective Jesse Whyte entreats Emma and Derrick to help with the investigation and determine whether the murdered maid and stolen necklace are connected. As the dark deeds cast a shadow over the blazing mansion, it’s up to Emma to shine a light on the culprit . . .
For fans of HBO’sThe Gilded Age, explore the dark side of the alluring world of America’s 19th century elite in this gripping series of riveting mysteries… In late nineteenth-century Newport, Rhode Island, journalist Emma Cross discovers the newest form of transportation has become the newest type of murder weapon . . . On a clear July day in 1899, the salty ocean breeze along Bellevue Avenue carries new smells of gasoline and exhaust as Emma, now editor-in-chief of the Newport Messenger, covers Newport's first-ever automobile parade. But the festive atmosphere soon turns to shock as young Philip King drunkenly swerves his motorcar into a wooden figure of a nanny pushing a pram on the obstacle course. That evening, at a dinner party hosted by Ella King at her magnificent Gothic-inspired "cottage," Kingscote, Emma and her beau Derrick Andrews are enjoying the food and the company when Ella’s son staggers in, obviously still inebriated. But the disruption is nothing compared to the urgent shouts of the coachman. Rushing out, they find the family's butler pinned against a tree beneath the front wheels of Philip's motorcar, close to death. When Emma later receives a message informing her that the butler bullied his staff and took advantage of young maids, she steers the police toward a murder investigation. While Emma investigates the connections between a competing heir for the King fortune, a mysterious child, an inmate of an insane asylum, and the brutal boxing rings of Providence, a killer remains at large—with unfinished business to attend to . . . “Excellent . . . Maxwell combines convincing character development and vivid depictions of Newport’s heyday with a well-plotted mystery. This historical series just keeps getting better.” —Publisher Weekly (starred review)
When the headmistress, Miss Finch, of the Haverleigh School for Young Ladies is poisoned it's up to Lady Phoebe and Eva to stop the killer before they strike again.
As the nineteenth century comes to a close, the illustrious Vanderbilt family dominates Newport, Rhode Island, high society. But when murder arrives, reporter Emma Cross learns that sometimes the actions of the cream of society can curdle one’s blood in the latest installment of this bestselling cozy historical mystery series . . . 1901: Back from their honeymoon in Italy, Emma and Derrick are adapting to married life as they return to their duties at their jointly owned newspaper, the Newport Messenger. The Elms, coal baron Edward Berwind’s newly completed Bellevue Avenue estate, is newsworthy for two reasons: A modern mansion for the new century, it is one of the first homes in America to be wired for electricity with no backup power system, generated by coal from Berwind’s own mines. And their servants—with a single exception—have all gone on strike to protest their working conditions. Summarily dismissing and replacing his staff with cool and callous efficiency, Berwind throws a grand party to showcase the marvels of his new “cottage.” Emma and Derrick are invited to the fete, which culminates not only in a fabulous musicale but an unforeseen tragedy—a chambermaid is found dead in the coal tunnel. In short order, it is also discovered that a guest’s diamond necklace is missing and a laborer has disappeared. Detective Jesse Whyte entreats Emma and Derrick to help with the investigation and determine whether the murdered maid and stolen necklace are connected. As the dark deeds cast a shadow over the blazing mansion, it’s up to Emma to shine a light on the culprit . . .
For fans of HBO’s The Gilded Age, explore the dark side of the alluring world of America’s 19th century elite in this gripping series of riveting mysteries… As the nineteenth century comes to a close, the illustrious Vanderbilt family dominates Newport, Rhode Island, high society. But when murder darkens a glittering affair at their summer home, reporter Emma Cross learns that sometimes the cream of the crop can curdle one’s blood . . . Newport, Rhode Island, August 1895: She may be a less well-heeled relation, but as second cousin to millionaire patriarch Cornelius Vanderbilt, twenty-one-year-old Emma Cross is on the guest list for a grand ball at the Breakers, the Vanderbilts’ summer home. She also has a job to do—report on the event for the society page of the Newport Observer. But Emma observes much more than glitz and gaiety when she witnesses a murder. The victim is Cornelius Vanderbilt’s financial secretary, who plunges off a balcony faster than falling stock prices. Emma’s black sheep brother Brady is found in Cornelius’s bedroom passed out next to a bottle of bourbon and stolen plans for a new railroad line. Brady has barely come to before the police have arrested him for the murder. But Emma is sure someone is trying to railroad her brother and resolves to find the real killer at any cost . . . “Sorry to see the conclusion of Downton Abbey? Well, here is a morsel to get you through a long afternoon. Brew some Earl Grey and settle down with a scone with this one.” —Washington Independent Review of Books
Reporter and sleuth Emma Cross Andrews must stop a bold poisoner who is targeting the society wives of the Four Hundred in Gilded Age Newport, Rhode Island . . . August 1901: A fundraiser for a new Rhode Island Audubon Society brings Emma to Vinland, the Viking-themed seaside home of her relative, Florence Vanderbilt Twombly, where the guest of honor is Edith Roosevelt, wife of Vice President Theodore Roosevelt. Listening to the speakers and observing the ladies in attendance, Emma is struck by the contrast of the Viking warrior–inspired elements in the house and the admirable but admittedly genteel cause of bird protection. Vinland bears the name of the Vikings’ first landfall in North America, but in this room today there is most assuredly no one to fear. Emma’s observation of harmless philanthropy is proven wrong the following morning when one of Mrs. Twombly’s houseguests from the luncheon becomes mysteriously and dangerously ill. Accompanying police detective Jesse Whyte, Emma discovers a box of petit fours supposedly sent by Mrs. Roosevelt. They promptly rule out the Second Lady as a suspect, but someone has poisoned the cakes. Soon another box of desserts as well as letters tainted with ink containing caustic toxins show up at other grand Newport cottages. Are the ladies from the luncheon being targeted? Emma and Jesse must sort through possible motives and means because now more than the birds need protection . . .
In the ninth installment of the glittering Gilded Newport Mystery series from Alyssa Maxwell, during the autumnal chill of Newport, Rhode Island at the close of the nineteenth century, journalist Emma Cross discovers an instance of cold-blooded murder on the grounds of Wakehurst Mansion… Following the death of her uncle, Cornelius Vanderbilt, in September 1899, a somber Emma is in no mood for one of Newport’s extravagant parties. But to keep Vanderbilt’s reckless son Neily out of trouble, she agrees to accompany him to an Elizabethan fête on the lavish grounds of Wakehurst, the Ochre Point “cottage” modeled after an English palace, owned by Anglophile James Van Alen. The festivities include a swordplay demonstration, an archery competition, scenes from Shakespeare’s plays, and even a joust. As Emma wanders the grounds, she overhears a fierce argument between a man and a woman behind a tall hedge. As the joust begins, she’s drawn by the barking of Van Alen’s dogs and finds a man on the ground, an arrow through his chest. The victim is one of the 400’s most influential members, Judge Clayton Schuyler. With the help of her beau Derrick Andrews and Detective Jesse Whyte, Emma begins to learn the judge was not the straight arrow he appeared to be. As their investigation leads them in ever-widening circles, Emma will have to stop the killer from taking another life . . .
The end of summer means it's time for the Harvest Festival held by Mamie Fish, wife of millionaire railroad tycoon Stuyvesant Fish, at their grand "cottage," Crossways. The mansion is decked out in artificial autumn splendor, and an extravagant scavenger hunt will be held. The guest of honor is Prince Otto of Austria. As acting editor-in-chief of the Newport Messenger, Emma Cross must fill in and attend the Harvest Festival. But the prince fails to appear; the next morning, he is found dead in the side garden-- stabbed in the same manner as another man, recently found on nearby Bailey's Beach. -- adapted from jacket
A raucous wedding reception turns sober when the wealthy groom is murdered in this historical mystery set in post-WWI England. Since the Great War, the Renshaw family fortune has suffered, and Lady Julia Renshaw is under pressure to marry for money. She has settled on Gilbert Townsend, a much older viscount and wealthy industrialist. It’s clear to her sister Phoebe that this is not a love match. Nevertheless, the wedding takes place—and in a hurry. At the reception aboard the groom’s yacht, there appears to be tension between Gil and several guests: his best man, a fellow veteran of the Boer War; his grouchy spinster sister; and his current heir, a nervous young cousin named Ernest. The bride is also less than pleased when she discovers that Gil’s attractive young secretary will be escorting them on their honeymoon. The next morning, before the yacht can depart the harbor, Gil’s body is found in the water below—and Julia is the prime suspect. Now Phoebe and her maid Eva must discover who pushed him over before the Renshaws’ social standing is irreparably stained by murder.
Our Lot tells how an entire nation got swept up in real estate mania, and it casts the business story--the collapse of the subprime empire and the global impact it had on the economy--as part of a project of social engineering beginning in the 1930s by the U.S. government to make homeownership available to those who had never been able to attain it before. Based on original reporting, Our Lot does not dwell on the foibles of executives. It looks at the boom as experienced by ordinary Americans, and examines how our own economic anxieties and realities helped fuel the real estate bubble. Conveyed in accessible language and through narrative reporting, the book looks to help homeowners and would-be homeowners understand what really happened, how it has affected our homes and communities, and how we can move on into a future we'll want to live in.
With an emphasis on tax planning, Federal Taxation of Wealth Transfers: Cases and Problems integrates stimulating problems with statutes, regulations, and cases to create a highly teachable and student-friendly casebook. This casebook emphasizes problem solving, statutory construction, and policy-analysis skills, and is ideal for 2- or 3-credit courses in estate and gift taxation. The text has been expanded to feature new cases, administrative rulings, and studies. Existing cases and text have been edited or deleted to highlight essential themes. The casebook is logically organized but its flexible organization accommodates reorganizing material to fit individual course structures, and could be used for a basic wealth transfer tax class or to complement an estate planning course. New to the 5th Edition: Alyssa A. DiRusso joins as a co-author, bringing her background in high-net-worth practice and in-house fiduciary administration to broaden the book’s perspective. A new introduction to gratuitous transfers in Chapter 1. More detailed analysis of defined value clauses in Chapter 3. A new section on taxation of nonprofit organizations in Chapter 14. New cases throughout the book. Updated values and computations. Professors and students will benefit from: Organization – the book is organized by the three different transfer taxes and by IRC section. Flexibility – the text, cases, and problems allow a focus on statutory construction, planning, or policy. Focus on basics – the book is adaptable to a two- or three-credit transfer tax course, to supplement an estate planning course, or for an LLM course. Detailed textual explanations with references to current cases and administrative rulings—but they also provide historical context and development. Problems that focus on discrete issues to build a solid foundation. Edited cases that focus on fundamentals.
In the summer of 1898, after a disappointing year as a society columnist for the Herald and staying with her more well-heeled Vanderbilt relatives in New York City, reporter Emma Cross has returned to the salty air, glittering ocean vistas, and grand stately mansions of Newport, Rhode Island, more determined than ever to report on hard news. But for now she's covering the social event of the season at Ochre Court, a coming-out ball designed to showcase Cleo Cooper-Smith, who will be literally on display, fittingly as Cleopatra, in an elaborate tableau vivant. Recently installed modern electricity will allow Miss Cooper-Smith to truly shine. But as the deb ascends to her place of honor, the ballroom is plunged into darkness. When the lights come back on, Cleo sits still on her throne, electrocuted to death.
What are the ontological implications of quantum theories, that is, what do they tell us about the fundamental objects that make up our world? How should quantum theories make us reevaluate our classical conceptions of the basic constitution of material objects and ourselves? Is there fundamental quantum nonlocality? This book articulates several rival approaches to answering these questions, ultimately defending the wave function realist approach. It is a way of interpreting quantum theories so that the central object they describe is the quantum wave function, interpreted as a field, and that the nonseparability and nonlocality we seem to find in quantum mechanics are ultimately manifestations of a more intuitive, separable and local picture in higher dimensions. quantum mechanics, quantum field theory, wave function, wave function realism, measurement problem, macro-object problem, primitive ontology, quantum entanglement, quantum nonlocality, quantum ontology"--
The challenge of deterring territorial aggression is taking on renewed importance, yet discussion of it has lagged in U.S. military and strategy circles. The authors aim to provide a fresh look, with two primary purposes: to review established concepts about deterrence, and to provide a framework for evaluating the strength of deterrent relationships. They focus on a specific type of deterrence: extended deterrence of interstate aggression.
An illuminating history and groundbreaking investigation tracing how a single trade organization turned itself into the most dangerous political weapon in America When Americans hear the words “Chamber of Commerce,” many still think of the local business associations that spruce up Main Streets and sponsor Little League teams around the country. But the United States Chamber of Commerce is a different animal altogether. The Chamber was originally founded to give big business a voice during the long—and now almost inconceivable—period in American history that saw the rise of workers’ rights, consumer protections, and environmental awareness as national priorities. But over time, driven by an antigovernment ideology and its desire for financial and political power, the Chamber metastasized into a fighting force designed to protect the worst excesses of American industry. The Chamber, through its veiled corporate sponsors, can take credit for some of the most disturbing trends in American life: the reversal of environmental protections, the destruction of unions and worker protections, the rise of virulent antigovernment ideology, the enlarged role of money in campaigns, and the creation of “astroturf” movements as cover for a corporate agenda. Through its propaganda, lobbying, and campaign cash, the Chamber has created a right-wing monster that even it struggles to control, a conservative movement that is destabilizing American democracy as never before. The Influence Machine tells this history as a series of gripping narratives that take us into the backrooms of Washington, where the battles over how our country is run and regulated are fought, and then out into the world, where we see how the Chamber’s campaigns play out in real lives. In the end, Alyssa Katz reveals the hidden weaknesses of this seeming juggernaut and shows how its antidemocratic agenda can be reversed. Praise for The Influence Machine “Important and probing . . . a valuable and a sobering contribution to the study of power in American society . . . Katz has assembled a work of synthesis and insight. . . . The chamber has, she argues, effectively countered the influence of labor unions and contributed to the widening economic divide in American society. Those points are made forcefully and backed up impressively.”—Los Angeles Times “An urgent look at the ‘political assault weapon’ that is transforming the country . . . [Katz] does invaluable work in tracing how the U.S. Chamber of Commerce has been a relentless engine for pressing a ‘business of enterprise unfettered by government.’ . . . An eye-opening, maddening read.”—Kirkus Reviews “With clarity and verve, but without polemic, investigative journalist Katz describes the U.S. Chamber of Commerce’s evolution into a many-armed behemoth. . . . [She] illustrates with several examples of how the organization has managed to influence courts, strong-arm Congress, cripple federal agencies, and sway the public with ‘voter education’ ads—and, more recently, it has exported cutthroat American business practices abroad.”—Publishers Weekly
A sudden love affair with fragrance leads to sensual awakening, self-transformation, and an unexpected homecoming At thirty-six—earnest, bookish, terminally shopping averse—Alyssa Harad thinks she knows herself. Then one day she stumbles on a perfume review blog and, surprised by her seduction by such a girly extravagance, she reads in secret. But one trip to the mall and several dozen perfume samples later, she is happily obsessed with the seductive underworld of scent and the brilliant, quirky people she meets there. If only she could put off planning her wedding a little longer. . . . Thus begins a life-changing journey that takes Harad from a private perfume laboratory in Austin, Texas, to the glamorous fragrance showrooms of New York City and a homecoming in Boise, Idaho, with the women who watched her grow up. With warmth and humor, Harad traces the way her unexpected passion helps her open new frontiers and reclaim traditions she had rejected. Full of lush description, this intimate memoir celebrates the many ways there are to come to our senses.
RACHEL HAS JUST graduated from high school and thinks she knows everything. Well, maybe not quite everything. Then she meets the mysterious Mr. Preston, who offers her a live-in job looking after Grace—a brain injured woman with a lovely house, grasping sisters, feral neighbors, and a box full of unfinished business. As Rachel tries to cope with the demands of her employment and the start of college, she’s also determined to fit together the pieces that were Grace’s former life. The more she finds out about the woman in her care, the more Rachel finds herself. Children’s Book Council of Australia Awards’ Shortlist for YA
Covering Newport's first automobile parade, Emma Cross investigates a pair of accidents that implicate Ella King's inebriated son in the demise of the King family's disreputable butler.
Looking for Insight, Transformation, and Learning in Online Talk is a comprehensive guide to analyzing digital interaction in formal and informal online spaces. The book establishes a new research framework for addressing major challenges that have arisen as social exchanges, meaning-making, and knowledge-building increasingly take place in social media, discussion forums, and online communities. With a focus on methodological alignment to support valid and trustworthy knowledge claims, the authors present a series of design decisions to help researchers: frame their object of interest and unpack underlying assumptions understand key differences between researcher-influenced and pre-existing online talk ethically extract and organize data for analysis apply rigorous qualitative, quantitative, and computational methods to answer their research questions Written for scholars in education, business, communication, media studies, health sciences, political sciences, and beyond, this is a thorough approach to the research methods and concerns essential to the study of talk in online contexts.
Studying the many ideas about how giving charity atones for sin and other rewards in late antique rabbinic literature, this volume contains many, varied, and even conflicting ideas, as the multiplicity must be recognized and allowed expression. Topics include the significance of the rabbis’ use of the biblical word "tzedaqah" as charity, the coexistence of the idea that God is the ultimate recipient of tzedaqah along with rabbinic ambivalence about that idea, redemptive almsgiving, and the reward for charity of retention or increase in wealth. Rabbinic literature’s preference for "teshuvah" (repentance) over tzedeqah to atone for sin is also closely examined. Throughout, close attention is paid to chronological differences in these ideas, and to differences between the rabbinic compilations of the land of Israel and the Babylonian Talmud. The book extensively analyzes the various ways the Babylonian Talmud especially tends to put limits on the divine element in charity while privileging its human, this-worldly dimensions. This tendency also characterizes the Babylonian Talmud’s treatment of other topics. The book briefly surveys some post-Talmudic developments. As the study fills a gap in existing scholarship on charity and the rabbis, it is an invaluable resource for scholars and clergy interested in charity within comparative religion, history, and religion.
Ensure children with disabilities and special healthcare needs achieve their full potential. Noted authorities Susan Effgen, Allyssa LaForme Fiss and a team of scholars and clinical experts explore the role of the physical therapist in meeting the needs of children and their families in a culturally appropriate content using a family-centered, abilities-based model. From the major body systems to assistive technology and intervention support, you’ll develop the clinical knowledge you need to provide a child with the very best care from initial examination to graduation from your services.
All politics are climate politics in the twenty-first century—and this bold book argues for a Green New Deal that confronts both climate change and inequality The age of climate gradualism is over, as unprecedented disasters are exacerbated by inequalities of race and class. We need profound, radical change. A Green New Deal can tackle the climate emergency and rampant inequality at the same time. Cutting carbon emissions while winning immediate gains for the many is the only way to build a movement strong enough to defeat big oil, big business, and the super-rich—starting right now. A Planet to Win explores the political potential and concrete first steps of a Green New Deal. It calls for dismantling the fossil fuel industry and building beautiful landscapes of renewable energy, guaranteeing climate-friendly work and no-carbon housing and free public transit. And it shows how a Green New Deal in the United States can strengthen climate justice movements worldwide. We don’t make politics under conditions of our own choosing, and no one would choose this crisis. But crises also present opportunities. We stand on the brink of disaster—but also at the cusp of wondrous, transformative change.
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