In the first in a new evocative historical mystery series, debut author Alyssa Maxwell captures the glittering world of Newport, Rhode Island in its heyday.
A trip to Staffordshire for Lady Phoebe Renshaw and her lady’s maid, Eva Huntford, leads to murder in a famed pottery works . . . Following the devastation of the Great War, England's noble class takes comfort in honoring tradition. To celebrate their grandparents' wedding anniversary, Lady Phoebe Renshaw and her siblings travel to Staffordshire to commission a china service bearing the Wroxly coat of arms from the venerated Crown Lily Potteries, a favorite of Queen Mary. The two leading designers at the illustrious china manufacturer offer competing patterns. But when one of them is found dead—his body crushed in a grinding pan and his design pattern book missing—his rival is immediately suspected. The police are also suspicious of the dead designer's resentful young son, a schoolmate of Phoebe's fifteen-year-old brother Fox. When Fox gets involved to help his friend, Phoebe begins to investigate the rival artist. At the same time, Eva is enlisted to go undercover at the works so she can gain the confidence of the female employees, who are only allowed to paint, not design, which may have led to a grudge against the victim. Pursuing a killer who has no compunction about using a kiln as a coffin, Phoebe and Eva take their lives into their hands to discover the shattering truth . . .
The end of summer means it's time for the Harvest Festival held by Mamie Fish, wife of millionaire railroad tycoon Stuyvesant Fish, at their grand "cottage," Crossways. The mansion is decked out in artificial autumn splendor, and an extravagant scavenger hunt will be held. The guest of honor is Prince Otto of Austria. As acting editor-in-chief of the Newport Messenger, Emma Cross must fill in and attend the Harvest Festival. But the prince fails to appear; the next morning, he is found dead in the side garden-- stabbed in the same manner as another man, recently found on nearby Bailey's Beach. -- adapted from jacket
When her sister Julia's new--and much older--husband is found dead the morning after their hasty marriage, Lady Phoebe Renshaw and her lady's maid, Eva, must discover the killer before the Renshaws' social standing is irreparably damaged by a murder charge.
When the headmistress, Miss Finch, of the Haverleigh School for Young Ladies is poisoned it's up to Lady Phoebe and Eva to stop the killer before they strike again.
In 1918 England, when the Marquis of Allerton goes missing from his fianc?e's family estate, Lady Phoebe Renshaw and her lady's maid, Eva Huntford, take an interest in discovering the truth.
For fans of HBO’s The Gilded Age, explore the dark side of the alluring world of America’s 19th century elite in this gripping series of riveting mysteries… In glittering Newport, Rhode Island, status is everything. But despite being a poorer relation to the venerable Vanderbilts, Emma Cross has shaped her own identity—as a reporter and a sleuth. As the nineteenth century draws to a close, Fancies and Fashion reporter Emma Cross is sent by the Newport Observer to cover an elite house party at Rough Point, a “cottage” owned by her distant cousin Frederick Vanderbilt that has been rented as an artist retreat. To her surprise, the illustrious guests include her estranged Bohemian parents—recently returned from Europe—as well as a variety of notable artists, including author Edith Wharton. But when one of the artists is discovered dead at the bottom of a cliff, Rough Point becomes anything but a house of mirth. After a second murder, no one is above suspicion—including Emma’s parents. As Newport police detective Jesse Whyte searches for a killer, Emma tries to draw her own conclusions—with the help of Mrs. Wharton. But with so many sketchy suspects, she’ll need to canvas the crime scenes carefully, before the cunning culprit takes her out of the picture next . . . Praise for Alyssa Maxwell and her Gilded Newport Mysteries “Another entertaining entry in this cozy series.” —Library Journal on Murder at Beechwood “Maxwell’s second entry has a credible mystery, solved by a female detective who’s likeable.” —Kirkus Reviews on Murder at Marble House
As the nineteenth century comes to a close, the illustrious Vanderbilt family dominates Newport, Rhode Island, high society. But when murder arrives, reporter Emma Cross learns that sometimes the actions of the cream of society can curdle one’s blood in the latest installment of this bestselling cozy historical mystery series . . . 1901: Back from their honeymoon in Italy, Emma and Derrick are adapting to married life as they return to their duties at their jointly owned newspaper, the Newport Messenger. The Elms, coal baron Edward Berwind’s newly completed Bellevue Avenue estate, is newsworthy for two reasons: A modern mansion for the new century, it is one of the first homes in America to be wired for electricity with no backup power system, generated by coal from Berwind’s own mines. And their servants—with a single exception—have all gone on strike to protest their working conditions. Summarily dismissing and replacing his staff with cool and callous efficiency, Berwind throws a grand party to showcase the marvels of his new “cottage.” Emma and Derrick are invited to the fete, which culminates not only in a fabulous musicale but an unforeseen tragedy—a chambermaid is found dead in the coal tunnel. In short order, it is also discovered that a guest’s diamond necklace is missing and a laborer has disappeared. Detective Jesse Whyte entreats Emma and Derrick to help with the investigation and determine whether the murdered maid and stolen necklace are connected. As the dark deeds cast a shadow over the blazing mansion, it’s up to Emma to shine a light on the culprit . . .
The New York Yacht Club's exclusive gathering at Newport, Rhode Island's Beacon Rock mansion hits stormy seas in the summer of 1900 when reporter Emma Cross, a lesser Vanderbilt, discovers a drowned corpse in Alyssa Maxwell's tenth Gilded Newport Mystery... As a reporter, Emma is used to covering Newport's social events. But this time she is appearing on the arm of her fiancé, Derrick Andrews, at a small but exclusive gathering of the New York Yacht Club at Beacon Rock, the Grecian-inspired summer "cottage" of Edwin and Elizabeth Morgan. The members--which include cousin and Yacht Club Commodore John Pierpoint Morgan and widow Lucy Carnegie, the first woman to be admitted to the Club--are there to discuss their strategy for the next America's Cup Challenge, to be held in New York Harbor the following summer. But it's Emma who must come up with a strategy when she discovers a woman's body bobbing against one of the hulls of the boats moored at the base of Beacon Rock. After the woman is identified as the missing daughter of a yacht designer, the police--with the exception of Emma's friend Detective Jesse Whyte--hastily conclude she is a suicide, perhaps to quiet any scandal for the Morgans. But Emma suspects the woman was murdered and begins to sort through a who's who of sportsmen, boat crews, and the Newport elite in search of a stone-cold killer . . .
“Delightful...Fans of Victoria Thompson or Deanna Raybourn are sure to enjoy dipping into this historical series.”—Library Journal With the dawn of the twentieth century on the horizon, the fortunes of the venerable Vanderbilt family still shine brightly in the glittering high society of Newport, Rhode Island. But when a potential scandal strikes, the Vanderbilts turn to cousin and society page reporter Emma Cross to solve a murder and a disappearance. . . Responding to a frantic call on her newfangled telephone from her eighteen-year-old cousin, Consuelo Vanderbilt, Emma Cross arrives at the Marble House mansion and learns the cause of her distress--Consuelo's mother, Alva, is forcing her into marriage with the Duke of Marlborough. Her mother has even called in a fortune teller to assure Consuelo of a happy future. But the future is short-lived for the fortune teller, who is found dead by her crystal ball, strangled with a silk scarf. Standing above her is one of the Vanderbilts' maids, who is promptly taken into police custody. After the frenzy has died down, Consuelo is nowhere to be found. At Alva's request, Emma must employ her sleuthing skills to determine if the vanishing Vanderbilt has eloped with the beau of her choice--or if her disappearance may be directly connected to the murder. . .
Reporter and sleuth Emma Cross Andrews must stop a bold poisoner who is targeting the society wives of the Four Hundred in Gilded Age Newport, Rhode Island . . . August 1901: A fundraiser for a new Rhode Island Audubon Society brings Emma to Vinland, the Viking-themed seaside home of her relative, Florence Vanderbilt Twombly, where the guest of honor is Edith Roosevelt, wife of Vice President Theodore Roosevelt. Listening to the speakers and observing the ladies in attendance, Emma is struck by the contrast of the Viking warrior–inspired elements in the house and the admirable but admittedly genteel cause of bird protection. Vinland bears the name of the Vikings’ first landfall in North America, but in this room today there is most assuredly no one to fear. Emma’s observation of harmless philanthropy is proven wrong the following morning when one of Mrs. Twombly’s houseguests from the luncheon becomes mysteriously and dangerously ill. Accompanying police detective Jesse Whyte, Emma discovers a box of petit fours supposedly sent by Mrs. Roosevelt. They promptly rule out the Second Lady as a suspect, but someone has poisoned the cakes. Soon another box of desserts as well as letters tainted with ink containing caustic toxins show up at other grand Newport cottages. Are the ladies from the luncheon being targeted? Emma and Jesse must sort through possible motives and means because now more than the birds need protection . . .
As England recovers from its costly involvement in the Great War, Lady Phoebe Renshaw and her lady’s maid, Eva Huntford, find the steady comforts of their lives unsettled by a local case of murder . . . Eva is excited for a visit from her sister Alice, who lives in Suffolk with her husband and three children. But when Alice arrives alone, desiring a break from her family, Eva becomes concerned. Her dismay deepens as Alice starts spending time with a former beau, Keenan Ripley, who owns the nearby pear orchard. At the same time, Phoebe's sister Julia, now a widow and pregnant, is in a fretful state, and Phoebe struggles to be helpful to her. When Keenan's brother Stephen, the new head gardener at the Renshaw estate, Foxwood Hall, is found impaled by a pair of hedge clippers, the police—including Eva's beau, Constable Miles Brannock—suspect his closest kin. Stephen had been eager to sell their orchard to an American developer, but Keenan had fiercely resisted. A table set with two teacups and scones suggests Keenan had company the morning of the murder—and Eva fears her sister was with him. If Alice were to provide Keenan with an alibi, her reputation and marriage would be ruined. She denies being there but is clearly withholding secrets, much to Eva's consternation. Now, to protect her sister, Eva and Phoebe set off to expose the gardener's real killer, putting their own lives at risk . . .
For fans of HBO’sThe Gilded Age, explore the dark side of the alluring world of America’s 19th century elite in this gripping series of riveting mysteries… In late nineteenth-century Newport, Rhode Island, journalist Emma Cross discovers the newest form of transportation has become the newest type of murder weapon . . . On a clear July day in 1899, the salty ocean breeze along Bellevue Avenue carries new smells of gasoline and exhaust as Emma, now editor-in-chief of the Newport Messenger, covers Newport's first-ever automobile parade. But the festive atmosphere soon turns to shock as young Philip King drunkenly swerves his motorcar into a wooden figure of a nanny pushing a pram on the obstacle course. That evening, at a dinner party hosted by Ella King at her magnificent Gothic-inspired "cottage," Kingscote, Emma and her beau Derrick Andrews are enjoying the food and the company when Ella’s son staggers in, obviously still inebriated. But the disruption is nothing compared to the urgent shouts of the coachman. Rushing out, they find the family's butler pinned against a tree beneath the front wheels of Philip's motorcar, close to death. When Emma later receives a message informing her that the butler bullied his staff and took advantage of young maids, she steers the police toward a murder investigation. While Emma investigates the connections between a competing heir for the King fortune, a mysterious child, an inmate of an insane asylum, and the brutal boxing rings of Providence, a killer remains at large—with unfinished business to attend to . . . “Excellent . . . Maxwell combines convincing character development and vivid depictions of Newport’s heyday with a well-plotted mystery. This historical series just keeps getting better.” —Publisher Weekly (starred review)
In the summer of 1898, after a disappointing year as a society columnist for the Herald and staying with her more well-heeled Vanderbilt relatives in New York City, reporter Emma Cross has returned to the salty air, glittering ocean vistas, and grand stately mansions of Newport, Rhode Island, more determined than ever to report on hard news. But for now she's covering the social event of the season at Ochre Court, a coming-out ball designed to showcase Cleo Cooper-Smith, who will be literally on display, fittingly as Cleopatra, in an elaborate tableau vivant. Recently installed modern electricity will allow Miss Cooper-Smith to truly shine. But as the deb ascends to her place of honor, the ballroom is plunged into darkness. When the lights come back on, Cleo sits still on her throne, electrocuted to death.
In the ninth installment of the glittering Gilded Newport Mystery series from Alyssa Maxwell, during the autumnal chill of Newport, Rhode Island at the close of the nineteenth century, journalist Emma Cross discovers an instance of cold-blooded murder on the grounds of Wakehurst Mansion… Following the death of her uncle, Cornelius Vanderbilt, in September 1899, a somber Emma is in no mood for one of Newport’s extravagant parties. But to keep Vanderbilt’s reckless son Neily out of trouble, she agrees to accompany him to an Elizabethan fête on the lavish grounds of Wakehurst, the Ochre Point “cottage” modeled after an English palace, owned by Anglophile James Van Alen. The festivities include a swordplay demonstration, an archery competition, scenes from Shakespeare’s plays, and even a joust. As Emma wanders the grounds, she overhears a fierce argument between a man and a woman behind a tall hedge. As the joust begins, she’s drawn by the barking of Van Alen’s dogs and finds a man on the ground, an arrow through his chest. The victim is one of the 400’s most influential members, Judge Clayton Schuyler. With the help of her beau Derrick Andrews and Detective Jesse Whyte, Emma begins to learn the judge was not the straight arrow he appeared to be. As their investigation leads them in ever-widening circles, Emma will have to stop the killer from taking another life . . .
“Agatha Christie meets Downton Abbey…exemplary.” —PUBLISHERS WEEKLY To make ends meet, Lady Phoebe Renshaw and her lady’s maid, Eva Huntford, have decided to open up Foxwood Hall to guided public tours. Not everyone is pleased about it—even to the point of committing murder . . . The lean times following the Great War continue to require creative solutions for England's noble class. But Lady Phoebe’s proposal to open up the Renshaw estate to guided tours for additional income strikes many in the family as a “vulgar enterprise.” Phoebe’s grandfather, the Earl of Wroxly, however, reluctantly concedes the necessity. Their first tour group consists of members of the Historical Society, a magazine writer, and a flock of students. It’s a large group for Phoebe, her sister Amelia, and Eva to manage, and when the widow Arvina Bell goes missing, Eva goes in search of her—only to find her in the library, strangled with a silken drapery cord. The schoolchildren are promptly sent home, but the members of the Historical Society—many of whom also wandered off at times—remain for interrogation. There is also, curiously, a framed photo missing from the library. As the police hastily zero in on a suspect, Phoebe and Eva weigh the clues. Does the crime have to do with rumors of hidden treasure at Foxwood Hall? But they must make haste to solve the widow’s murder—before someone else becomes history . . .
Set in the Downton Abbey era of post-WW1 England, this evocative historical series features Lady Phoebe Renshaw and her lady’s maid, Eva Huntford, solving crimes among the gentry, in a well-crafted mystery that will appeal to fans of Deanna Raybourn and Victoria Thompson. A house party attended by fashion royalty becomes the backdrop for a murder that only Lady Phoebe Renshaw and her lady’s maid, Eva Huntford, can untangle ... Amid the aftermath of the Great War and its hardships, it’s no wonder that many wish to rediscover life’s pleasures—parties, fashion, dancing. Still, Lady Phoebe and Eva are disconcerted when a small gathering at the home of Phoebe’s sister, Julia, becomes a far larger and more glamorous affair . . . Julia has invited her favorite French fashion designer, Gabrielle “Coco” Chanel, and Coco’s current beau, the Earl of Chesterhaven. Coco has brought an entourage of her own, including two models, and intends to use the gardens as a photographic setting for her latest creations. Madame Chanel is as outspoken as she is talented, offering a scathing critique of Phoebe’s fashion sense. There is tense competition between the models as well. When one of the guests is found dead of smoke inhalation, it appears to be a tragic accident. But was a footman really to blame for mistakenly closing the fireplace flue, or is there a more sinister explanation? Phoebe is determined to find out, despite the protestations of her sweetheart, Owen Seabright. Both above and below stairs, Phoebe and Eva uncover myriad motives—career ambition, romantic rivalries, and even deeper betrayals. For despite the surface beauty, there are ugly secrets in the world of Maison Chanel, ones that a killer will risk anything to protect.
Following the death of her uncle, Cornelius Vanderbilt, in September 1899, a somber Emma is in no mood for one of Newport's extravagant parties. But to keep Vanderbilt's reckless son Neily out of trouble, she agrees to accompany him to an Elizabethan fete on the lavish grounds of Wakehurst, the Ochre Point "cottage" modeled after an English palace, owned by Anglophile James Van Alen.
Eva is excited for a visit from her sister Alice, who lives in Suffolk with her husband and three children. But when Alice arrives alone, desiring a break from her family, Eva becomes concerned. Her dismay deepens as Alice starts spending time with a former beau, Keenan Ripley, who owns the nearby pear orchard. At the same time, Phoebe's sister Julia, now a widow and pregnant, is in a fretful state, and Phoebe struggles to be helpful to her. When Keenan's brother Stephen, the new head gardener at the Renshaw estate, Foxwood Hall, is found impaled by a pair of hedge clippers, the police - including Eva's beau, Constable Miles Brannock - suspect his closest kin. Stephen had been eager to sell their orchard to an American developer, but Keenan had fiercely resisted. A table set with two teacups and scones suggests Keenan had company the morning of the murder - and Eva fears her sister was with him.
Willoughby's Wildlife Story Books Series This book of short stories is part of an educational project designed to facilitate 'kids teaching kids' about local wildlife in the Willoughby area. Year 5 classes at each primary school in the Willoughby City LGA were asked to focus on their local 'water catchment' and the wildlife that depends on it. Then they shared their knowledge by writing a short story on a particular animal and reading it to a younger student. Every school that participated in the project has short stories and or artwork published in this compilation book, which is part of a collection of story books held at local and school libraries across Willoughby. This year Willoughby's stories on catchments and wildlife will go to schools and libraries across the Sydney region with the help of special funding from The Greater Sydney Local Land Services. Thus spreading the conservation message further.
As the nineteenth century comes to a close, the illustrious Vanderbilt family dominates Newport, Rhode Island, high society. But when murder arrives, reporter Emma Cross learns that sometimes the actions of the cream of society can curdle one’s blood in the latest installment of this bestselling cozy historical mystery series . . . 1901: Back from their honeymoon in Italy, Emma and Derrick are adapting to married life as they return to their duties at their jointly owned newspaper, the Newport Messenger. The Elms, coal baron Edward Berwind’s newly completed Bellevue Avenue estate, is newsworthy for two reasons: A modern mansion for the new century, it is one of the first homes in America to be wired for electricity with no backup power system, generated by coal from Berwind’s own mines. And their servants—with a single exception—have all gone on strike to protest their working conditions. Summarily dismissing and replacing his staff with cool and callous efficiency, Berwind throws a grand party to showcase the marvels of his new “cottage.” Emma and Derrick are invited to the fete, which culminates not only in a fabulous musicale but an unforeseen tragedy—a chambermaid is found dead in the coal tunnel. In short order, it is also discovered that a guest’s diamond necklace is missing and a laborer has disappeared. Detective Jesse Whyte entreats Emma and Derrick to help with the investigation and determine whether the murdered maid and stolen necklace are connected. As the dark deeds cast a shadow over the blazing mansion, it’s up to Emma to shine a light on the culprit . . .
For fans of HBO’s The Gilded Age, explore the dark side of the alluring world of America’s 19th century elite in this gripping series of riveting mysteries… As the nineteenth century comes to a close, the illustrious Vanderbilt family dominates Newport, Rhode Island, high society. But when murder darkens a glittering affair at their summer home, reporter Emma Cross learns that sometimes the cream of the crop can curdle one’s blood . . . Newport, Rhode Island, August 1895: She may be a less well-heeled relation, but as second cousin to millionaire patriarch Cornelius Vanderbilt, twenty-one-year-old Emma Cross is on the guest list for a grand ball at the Breakers, the Vanderbilts’ summer home. She also has a job to do—report on the event for the society page of the Newport Observer. But Emma observes much more than glitz and gaiety when she witnesses a murder. The victim is Cornelius Vanderbilt’s financial secretary, who plunges off a balcony faster than falling stock prices. Emma’s black sheep brother Brady is found in Cornelius’s bedroom passed out next to a bottle of bourbon and stolen plans for a new railroad line. Brady has barely come to before the police have arrested him for the murder. But Emma is sure someone is trying to railroad her brother and resolves to find the real killer at any cost . . . “Sorry to see the conclusion of Downton Abbey? Well, here is a morsel to get you through a long afternoon. Brew some Earl Grey and settle down with a scone with this one.” —Washington Independent Review of Books
Reporter and sleuth Emma Cross Andrews must stop a bold poisoner who is targeting the society wives of the Four Hundred in Gilded Age Newport, Rhode Island . . . August 1901: A fundraiser for a new Rhode Island Audubon Society brings Emma to Vinland, the Viking-themed seaside home of her relative, Florence Vanderbilt Twombly, where the guest of honor is Edith Roosevelt, wife of Vice President Theodore Roosevelt. Listening to the speakers and observing the ladies in attendance, Emma is struck by the contrast of the Viking warrior–inspired elements in the house and the admirable but admittedly genteel cause of bird protection. Vinland bears the name of the Vikings’ first landfall in North America, but in this room today there is most assuredly no one to fear. Emma’s observation of harmless philanthropy is proven wrong the following morning when one of Mrs. Twombly’s houseguests from the luncheon becomes mysteriously and dangerously ill. Accompanying police detective Jesse Whyte, Emma discovers a box of petit fours supposedly sent by Mrs. Roosevelt. They promptly rule out the Second Lady as a suspect, but someone has poisoned the cakes. Soon another box of desserts as well as letters tainted with ink containing caustic toxins show up at other grand Newport cottages. Are the ladies from the luncheon being targeted? Emma and Jesse must sort through possible motives and means because now more than the birds need protection . . .
The end of summer means it's time for the Harvest Festival held by Mamie Fish, wife of millionaire railroad tycoon Stuyvesant Fish, at their grand "cottage," Crossways. The mansion is decked out in artificial autumn splendor, and an extravagant scavenger hunt will be held. The guest of honor is Prince Otto of Austria. As acting editor-in-chief of the Newport Messenger, Emma Cross must fill in and attend the Harvest Festival. But the prince fails to appear; the next morning, he is found dead in the side garden-- stabbed in the same manner as another man, recently found on nearby Bailey's Beach. -- adapted from jacket
In the ninth installment of the glittering Gilded Newport Mystery series from Alyssa Maxwell, during the autumnal chill of Newport, Rhode Island at the close of the nineteenth century, journalist Emma Cross discovers an instance of cold-blooded murder on the grounds of Wakehurst Mansion… Following the death of her uncle, Cornelius Vanderbilt, in September 1899, a somber Emma is in no mood for one of Newport’s extravagant parties. But to keep Vanderbilt’s reckless son Neily out of trouble, she agrees to accompany him to an Elizabethan fête on the lavish grounds of Wakehurst, the Ochre Point “cottage” modeled after an English palace, owned by Anglophile James Van Alen. The festivities include a swordplay demonstration, an archery competition, scenes from Shakespeare’s plays, and even a joust. As Emma wanders the grounds, she overhears a fierce argument between a man and a woman behind a tall hedge. As the joust begins, she’s drawn by the barking of Van Alen’s dogs and finds a man on the ground, an arrow through his chest. The victim is one of the 400’s most influential members, Judge Clayton Schuyler. With the help of her beau Derrick Andrews and Detective Jesse Whyte, Emma begins to learn the judge was not the straight arrow he appeared to be. As their investigation leads them in ever-widening circles, Emma will have to stop the killer from taking another life . . .
Our Lot tells how an entire nation got swept up in real estate mania, and it casts the business story--the collapse of the subprime empire and the global impact it had on the economy--as part of a project of social engineering beginning in the 1930s by the U.S. government to make homeownership available to those who had never been able to attain it before. Based on original reporting, Our Lot does not dwell on the foibles of executives. It looks at the boom as experienced by ordinary Americans, and examines how our own economic anxieties and realities helped fuel the real estate bubble. Conveyed in accessible language and through narrative reporting, the book looks to help homeowners and would-be homeowners understand what really happened, how it has affected our homes and communities, and how we can move on into a future we'll want to live in.
With an emphasis on tax planning, Federal Taxation of Wealth Transfers: Cases and Problems integrates stimulating problems with statutes, regulations, and cases to create a highly teachable and student-friendly casebook. This casebook emphasizes problem solving, statutory construction, and policy-analysis skills, and is ideal for 2- or 3-credit courses in estate and gift taxation. The text has been expanded to feature new cases, administrative rulings, and studies. Existing cases and text have been edited or deleted to highlight essential themes. The casebook is logically organized but its flexible organization accommodates reorganizing material to fit individual course structures, and could be used for a basic wealth transfer tax class or to complement an estate planning course. New to the 5th Edition: Alyssa A. DiRusso joins as a co-author, bringing her background in high-net-worth practice and in-house fiduciary administration to broaden the book’s perspective. A new introduction to gratuitous transfers in Chapter 1. More detailed analysis of defined value clauses in Chapter 3. A new section on taxation of nonprofit organizations in Chapter 14. New cases throughout the book. Updated values and computations. Professors and students will benefit from: Organization – the book is organized by the three different transfer taxes and by IRC section. Flexibility – the text, cases, and problems allow a focus on statutory construction, planning, or policy. Focus on basics – the book is adaptable to a two- or three-credit transfer tax course, to supplement an estate planning course, or for an LLM course. Detailed textual explanations with references to current cases and administrative rulings—but they also provide historical context and development. Problems that focus on discrete issues to build a solid foundation. Edited cases that focus on fundamentals.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.