Due to torticollis, Kennedy hasn’t been able to turn her head to the left! When her neck is finally freed, she discovers that her head is lumpy as a result of positional plagiocephaly! Luckily, Mommy knows some inventors who can make a helmet to align Kennedy’s head. Kenny Gets Her Crown explains the ‘why’ of cranial helmeting to ease understanding for the wearer, siblings, classmates, parents, and peers. It is a resource for parents, siblings, schools, daycare providers, and professional pediatric clinics to help families navigate and normalize this process that affects so many families each year. Acknowledging differences in each other and seeing differences as positives provides a helpful narrative for those educating little ones on the normalcy of helmets and assuring them that there is nothing negative, scary, or wrong with children who wear them.
What we wish to offer you, then, is an updated professional resource that combines both clinical and scientific perspectives. We hope this book will be helpful to professionals who are already treating addictive disorders and also to those who are just learning how to treat addictions. We also encourage health professionals more generally to think of addictions as falling within their own normal scope of work, and we have kept this in mind in our writing. In addiction treatment, it makes a difference what you do and how you do it, and it is far easier to develop evidence-based practice from the outset than to change already established habits."--Page x.
Recipient of the 2021 Honorary Mention for the Haiti Book Prize from the Haitian Studies Association In Slave Revolt on Screen: The Haitian Revolution in Film and Video Games author Alyssa Goldstein Sepinwall analyzes how films and video games from around the world have depicted slave revolt, focusing on the Haitian Revolution (1791–1804). This event, the first successful revolution by enslaved people in modern history, sent shock waves throughout the Atlantic World. Regardless of its historical significance however, this revolution has become less well-known—and appears less often on screen—than most other revolutions; its story, involving enslaved Africans liberating themselves through violence, does not match the suffering-slaves-waiting-for-a-white-hero genre that pervades Hollywood treatments of Black history. Despite Hollywood’s near-silence on this event, some films on the Revolution do exist—from directors in Haiti, the US, France, and elsewhere. Slave Revolt on Screen offers the first-ever comprehensive analysis of Haitian Revolution cinema, including completed films and planned projects that were never made. In addition to studying cinema, this book also breaks ground in examining video games, a pop-culture form long neglected by historians. Sepinwall scrutinizes video game depictions of Haitian slave revolt that appear in games like the Assassin’s Creed series that have reached millions more players than comparable films. In analyzing films and games on the revolution, Slave Revolt on Screen calls attention to the ways that economic legacies of slavery and colonialism warp pop-culture portrayals of the past and leave audiences with distorted understandings.
After her father's funeral, Elly has come back to the family farm to pack up the heirlooms and arrange for the sale of the property. What starts as a lonely night turns into something more when a thunderstorm brings a beautiful stranger to her door... (A 5,000 word lesbian romance short story.)
Wait. Patient. Now. Not long. Good girl. Wait here. Brave girl. Back in a jiffy. Think of it as a vacation.'' Big Bend, population 500. South Dakota, 1988. Eight-year-old Tiny Mite lives in a ramshackle farmhouse next to her grandfather’s crashed airplane and the pine tree where she trains as a spy. Goddamn is her favourite word. Taking pictures with a homemade camera is her new big thing. She lives with Bee, her apocalypse-obsessed grandmother and Luvie, her hard-drinking great-aunt. And then there’s her mother, Velvet – beautiful, heartbroken, desperate, impulsive. One night, Tiny Mite goes to the basement and hears a cry, but it’s not what she imagines and nothing will ever be the same. Six years later, Clea won’t let anyone call her Tiny Mite anymore. Luvie is sober and Bee’s health is failing. Velvet has been gone for years, and nobody except Bee will even mention her name. Alone, angry and dressed in her grandfather’s old hunting clothes, Clea mopes through ditches and fields taking photographs until she hatches a plan with another loner, a boy with an unspeakable past. This is a story of mothers and daughters. Of people tied by blood and home. Of moments captured and lifetimes lost. And of things never quite turning out as expected. ''Not The Only Sky is not only beautifully and poignantly written, but also provides fascinating insights into life in rural America. Alyssa Warren captures perfectly the profound vulnerability of her characters, particularly that of Tiny Mite and her mother Velvet. Tiny Mite’s voice is highly original, as she gives meaning to a life and childhood experiences that might otherwise be impossible to make sense of.'' – JULIET CONLIN, author of The Uncommon Life of Alfred Warner in Six Days
Examining transnational ties between the USA and Australia, this book explores the rise of the Aboriginal Black Power Movement in the 1960s and early 1970s. Aboriginal adaptation of the American Black Power movement paved the way for future forms of radical Aboriginal resistance, including the eventual emergence of the Australian Black Panther Party. Through analysis of archival material, including untouched government records, previously unexamined newspapers and interviews conducted with both Australian and American activists, this book investigates the complex and varied process of developing the Black Power movement in a uniquely Australian context. Providing a social and political account of Australian activism across Victoria, New South Wales and Queensland, the author illustrates the fragmentation of Aboriginal Black Power, marked by its different leaders, protests and propaganda.
Due to torticollis, Kennedy hasn’t been able to turn her head to the left! When her neck is finally freed, she discovers that her head is lumpy as a result of positional plagiocephaly! Luckily, Mommy knows some inventors who can make a helmet to align Kennedy’s head. Kenny Gets Her Crown explains the ‘why’ of cranial helmeting to ease understanding for the wearer, siblings, classmates, parents, and peers. It is a resource for parents, siblings, schools, daycare providers, and professional pediatric clinics to help families navigate and normalize this process that affects so many families each year. Acknowledging differences in each other and seeing differences as positives provides a helpful narrative for those educating little ones on the normalcy of helmets and assuring them that there is nothing negative, scary, or wrong with children who wear them.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.