On a journey to Madrid, Gene Frumkin and Alvaro Cardona-Hine decided to collaborate on a collection of poetry written about and in various parts of the world while tapping into their sources of inspiration and basic existential concerns. Guided by their respective muses, Frumkin and Cardona-Hine produced The Curvature of the Earth, a volume that enhances their contrasting styles and celebratory views of existence. The Curvature of the Earth contains poems written in Holland, Spain, Tuscany, and Hawai'i, and commemorates the collaborative power of two poets at the height of their talents.
In 1983, Christine Taylor Patten was hired as one of the people who took care of Georgia O’Keeffe, then ninety-six. Also an artist, Patten served as nurse, cook, companion, and friend to the older woman. This intimate account of the year of Patten’s employment offers a rare glimpse of O’Keeffe’s daily life when she could no longer see well enough to paint.
“Some of the best ever written . . .” –Tom McGrath in The National Guardian reviewing the haiku in The Gathering Wave. “Cardona-Hine is far more tuned to silence than Eliot; there are no phases to his theology. He offers no disciplines, nor even Zen vacancies; he offers arrivals . . . This gentle poet has little to do with the hysterical attenuated surrealism which has in recent years dominated the better little magazines. Or with archetypes of the Great Mother or other theorizing . . . It is understandable that poets want to move out into the universe, to dream of being moles, to sink into mineral veins, to make wild dissociated images that dissolve the self. But Cardona-Hine preserves the sense of human self-hood, human wonder, adventure.”–Benjamin Saltzman in Kayak reviewing Words On Paper.
In 1983, Christine Taylor Patten was hired as one of the people who took care of Georgia O’Keeffe, then ninety-six. Also an artist, Patten served as nurse, cook, companion, and friend to the older woman. This intimate account of the year of Patten’s employment offers a rare glimpse of O’Keeffe’s daily life when she could no longer see well enough to paint.
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