The real-life adventures of Addison and Wilson Mizner, the subjects of the Stephen Sondheim musical Gold! Alva Johnston's joint biography of Addison and Wilson Mizner is a delightful portrait of two of the early twentieth century's most clever and infamous rascals. Born in the 1870s in California, the brothers quickly rose to prominence during the various booms of the 1920s. Addison, the elder, was a self-made architect and real-estate dealer who designed many of the fantastic homes of the fantastically rich in Palm Beach. He could "age" a house and its furnishings to any period his client desired--and would pay for. Wilson's adventures were even more daring and varied, and his quick wit was legendary. In addition to getting rich on the Alaskan gold rush, he had careers as a singer, playwright, prizefight promoter, con man, real-estate salesman, and shady hotel owner. Perhaps his most famous quip was one he delivered on being told that President Coolidge had died: "How do they know?
Alva B. Spencer takes you through his personal experiences of grief, love, and the basic humility of things he was forced to do in time of war. Alva, who embraced the Baptist faith at a young age, graduated from Mercer University in Penfield, Georgia, and traveled some 175 miles by a ?two wheeled buggy? to teach in Dooly County, Georgia. Soon after, Alva entered the Confederate Army at the start of the war enlisting as a private in Company C of the 3rd Regiment Georgia Volunteer Infantry, leaving behind his good friend Margaret Lucinda Cone. This story is more than the Civil War; it is a developing love story. Alva and Margaret correspond from the very beginning. Spencer's letters carry us through the whole experience, from being wounded at South Mills, North Carolina, to the ?Chicimocomico Races? on Roanoke Island to collecting seashells at Nags Head, and the surrender at Appomattox Courthouse. Join Alva in a journey through his letters to his beloved ?Maggie.?
Through critical readings Gerald Alva Miller, Jr., examines the life of William S. Burroughs and the evolution of his various radical styles not just in writing but also in audio, film, and painting. Although Burroughs remains tied to the Beat Generation, his works prove more revolutionary. Miller argues that Burroughs, more than any other author, ushered in the era of both postmodern fiction and poststructural philosophy. Through this study Miller situates Burroughs within the larger countercultural movements that began in the 1950s, when his novels became influential because of their examination of various control systems (from sex and drugs to global or even intergalactic conspiracies). Understanding William S. Burroughs begins by considering his early, straightforward narratives. Despite being more stylistically conventional, they broke new ground with their depictions of junkies, gay people, and others marginalized by society. The publication of Naked Lunch shattered all literary paradigms in terms of form and content. Naked Lunch and the cut-up novels, recordings, films, and art that followed constitute one of the twentieth century's most sustained and methodical aesthetic experiments, placing Burroughs alongside Franz Kafka, Jorge Luis Borges, James Joyce, Samuel Beckett, Vladimir Nabokov, and Thomas Pynchon in terms of both innovation and influence. Burroughs eventually turned his attention toward imagining methods of using the control "machinery" against itself. Often considered his masterpiece, the Red Night Trilogy of the 1980s ranges across time and space, and life and death, in its quest to discover the ultimate form of freedom. His antiestablishment stance and virulent attacks on various types of oppression have caused Burroughs to remain a highly influential figure to each new generation of authors, artists, musicians, and philosophers. The hippies, punks, and cyberpunks were all heavily indebted to the man whom many people called el hombre invisible, and his works prove more relevant than ever in the twenty-first century.
Volume eight: New aliens, old adversaries, and planetary disasters confront Enterprise. The loyalty of the Bridge crew to Kirk is tested when Sulu and Chekov, labeled traitors, are helped by Dr. McCoy and Scotty, along with Kirk, Spock, and Klingon commander Kang, to bring the real traitors to justice. Kirk faces a Dohlman and with Uhura's help everts a war and establishes the true Dohlman on the throne. Kirk is sorely tested by the joy machine created by a planet seeking unbounded joy if one gives control to the machine. Enterprise and crew, thrown back in time during military maneuvers, discover their home planet never evolved humans. A landing team must stop a group of Ru determined to destroy the asteroid that changed the evolutionary line of earth. New comrades come from the future seeking help against the suffocating control of the Consilium. Enterprise meets new aliens: the Tauteans who nearly destroy themselves in the search for unlimited energy; the Rimillians facing a civil uprising as one group attempts to re-start their planet's spin; Furies, a dedicated group of new aliens, who threaten the Klingon Empire; and the yagghorth, a radiation-sensitive alien. Dr. McCoy faces the news of an unknown daughter while Sulu embraces the daughter he didn't know he fathered. An aging Kirk, called upon to witness the launch of a new hospital ship, which he fears will be disastrous as it has no captain, finds his fears confirmed. Deciding he doesn't want to grow old and give up adventuring in space, Kirk agrees to help the planet Chal.
Mexican American Baseball in the San Gabriel Valley puts on record the resounding and brilliant history of baseball and softball in this vibrant and colorful region. Since the early 1900s, baseball and softball have brought boundless joy and immense honor to their fans, families, and neighborhoods. The rich memories of baseball and softball serve as critical prisms to better understand community history; the struggle for social, educational, and cultural equality; the untold contributions of women; the critical role of immigration and labor movements; economic autonomy; political self-determination; and an unmatched love for sports. These breathtaking images and extraordinary stories shed unparalleled light on baseball and softball in this celebrated area of California."--Page 4 of cover.
Perception is not something that happens to us, or in us," writes Alva Noë. "It is something we do." In Action in Perception, Noë argues that perception and perceptual consciousness depend on capacities for action and thought—that perception is a kind of thoughtful activity. Touch, not vision, should be our model for perception. Perception is not a process in the brain, but a kind of skillful activity of the body as a whole. We enact our perceptual experience. To perceive, according to this enactive approach to perception, is not merely to have sensations; it is to have sensations that we understand. In Action in Perception, Noë investigates the forms this understanding can take. He begins by arguing, on both phenomenological and empirical grounds, that the content of perception is not like the content of a picture; the world is not given to consciousness all at once but is gained gradually by active inquiry and exploration. Noë then argues that perceptual experience acquires content thanks to our possession and exercise of practical bodily knowledge, and examines, among other topics, the problems posed by spatial content and the experience of color. He considers the perspectival aspect of the representational content of experience and assesses the place of thought and understanding in experience. Finally, he explores the implications of the enactive approach for our understanding of the neuroscience of perception.
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
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