Experience a dual perspective YA novel, following the aftermath of a high profile kidnapping case. It's been five years since the event, and 'Cassie Waterson' has become a household name. She didn't do anything important. In fact, she literally did nothing. She just stood there, watching as a stranger stuffed her baby sister into a station wagon. She should have been punished for not acting. Instead, she was splashed across TV screens as the sole witness to Sophie's abduction. While everyone knows Cassie, no one really does. They know the girl from the talk show interviews - strong, confident, and certain that her sister will come home. The real Cassie is none of those things, and the one person who knows it is the one person she should avoid. Meanwhile, 'Alexis Aldridge' is a name you probably haven't heard before. Her parents raised her entirely indoors, blaming the infinite number of rebels lurking the streets for her imprisonment. Though Alexis and Cassie lead opposite lives, they're both desperate for one thing - normalcy.
This book captures the heartbeats of horse owners across the nation - their strong character evidenced by their commitment to caring for their animal, treating it as a labor of love rather than as an obligation. The traits displayed by the subject in this book are responsibility, courage, compassion, loyalty, honesty, friendship, persistence, hard work, self-discipline and faith. The book provides a source of ideals by which to live life - and the words of these horse owners will inspire both children and adults to understand and develop character.
The author has analyzed, sorted, and organized material from almost 500 accounts of travels in Great Britain into a veritable cavalcade of social history. This is a book filled with life and vitality, written with a light touch and always with an eye to social comedy. It presents a true and realistic picture of these people and their periods.
A brave teen recounts her debilitating struggle with obsessive-compulsive disorder—and brings readers through every painful step as she finds her way to the other side—in this powerful and inspiring memoir. Until sophomore year of high school, fifteen-year-old Allison Britz lived a comfortable life in an idyllic town. She was a dedicated student with tons of extracurricular activities, friends, and loving parents at home. But after awakening from a vivid nightmare in which she was diagnosed with brain cancer, she was convinced the dream had been a warning. Allison believed that she must do something to stop the cancer in her dream from becoming a reality. It started with avoiding sidewalk cracks and quickly grew to counting steps as loudly as possible. Over the following weeks, her brain listed more dangers and fixes. She had to avoid hair dryers, calculators, cell phones, computers, anything green, bananas, oatmeal, and most of her own clothing. Unable to act “normal,” the once-popular Allison became an outcast. Her parents questioned her behavior, leading to explosive fights. When notebook paper, pencils, and most schoolbooks were declared dangerous to her health, her GPA imploded, along with her plans for the future. Finally, she allowed herself to ask for help and was diagnosed with obsessive-compulsive disorder. This brave memoir tracks Allison’s descent and ultimately hopeful climb out of the depths.
In 1899, Carrie Chapman Catt, who succeeded Susan B. Anthony as head of the National American Women Suffrage Association, argued that it was the "duty" of U.S. women to help lift the inhabitants of its new island possessions up from "barbarism" to "civilization," a project that would presumably demonstrate the capacity of U.S. women for full citizenship and political rights. Catt, like many suffragists in her day, was well-versed in the language of empire, and infused the cause of suffrage with imperialist zeal in public debate. Unlike their predecessors, who were working for votes for women within the context of slavery and abolition, the next generation of suffragists argued their case against the backdrop of the U.S. expansionism into Indian and Mormon territory at home as well as overseas in the Philippines, Puerto Rico, and Hawaii. In this book, Allison L. Sneider carefully examines these simultaneous political movements--woman suffrage and American imperialism--as inextricably intertwined phenomena, instructively complicating the histories of both.
Explore every corner of the Emerald City, from coffee shops to mountain hikes, with Moon Seattle. Explore the City: Navigate by neighborhood or by activity with color-coded maps, or follow self-guided neighborhood walks See the Sights: Watch the fishmongers sling the catch of the day at Pike Place Market, or grab a pick-me-up at the original Starbucks. Zig zag through the Olympic Sculpture Park, watch sharks swim above you in the Seattle Aquarium's underwater dome, admire Northwest art at the Seattle Art Museum, or watch the sunset from Space Needle observation deck Get a Taste of the City: Find the best cup of coffee, sample fresh oysters, and indulge in the city's innovative cuisine Bars and Nightlife: Lounge at an old-school jazz club, discover the next big indie artist, get a flight of beers at a local microbrewery, or sip craft cocktails in a swanky speakeasy Expert Advice: Emerald City native Allison Williams shares what locals love about Seattle Strategic Itineraries and Day Trips: Make the most of your trip with ideas for foodies, culture-seekers, families traveling with kids, and more, or explore nearby Bainbridge Island, Mount Rainier National Park, Tacoma, and Bellevue Full-Color Photos and Detailed Maps Handy Tools: Background information on history and culture, plus an easy-to-read foldout map to use on the go Experience the best of the city with Moon Seattle's practical tips and local know-how. Road tripping along the coast? Test-drive Moon Pacific Northwest Road Trip. Visiting more of the state? Check out Moon Washington.
A Financial Times Book of the Month pick for April! Is it worth swimming in shark-infested waters to surf a 50-foot, career-record wave? Is it riskier to make an action movie or a horror movie? Should sex workers forfeit 50 percent of their income for added security or take a chance and keep the extra money? Most people wouldn't expect an economist to have an answer to these questions--or to other questions of daily life, such as who to date or how early to leave for the airport. But those people haven't met Allison Schrager, an economist and award-winning journalist who has spent her career examining how people manage risk in their lives and careers. Whether we realize it or not, we all take risks large and small every day. Even the most cautious among us cannot opt out--the question is always which risks to take, not whether to take them at all. What most of us don't know is how to measure those risks and maximize the chances of getting what we want out of life. In An Economist Walks into a Brothel, Schrager equips readers with five principles for dealing with risk, principles used by some of the world's most interesting risk takers. For instance, she interviews a professional poker player about how to stay rational when the stakes are high, a paparazzo in Manhattan about how to spot different kinds of risk, horse breeders in Kentucky about how to diversify risk and minimize losses, and a war general who led troops in Iraq about how to prepare for what we don't see coming. When you start to look at risky decisions through Schrager's new framework, you can increase the upside to any situation and better mitigate the downside.
In this practical guide to vaccination of infants for parents, the authors cover such topics as vaccine ingredients, how vaccines work, what can happen when populations don't vaccinate their children, and the controversies surrounding supposed links to autism, allergies, and asthma.
Romanticism is multifaceted, and a wide range of nostalgic, emotional, and exotic concerns were expressed in such styles and movements as the Gothic Revival, Classical Revival, Orientalism, and the Pre-Raphaelite Brotherhood. Some movements were regional and subject-specific, such as the Hudson River School of landscape painting in the United States and the German Nazarene movement, which focused primarily on religious art in Rome. The movements range across Western Europe and include the United States. This dictionary will provide a fuller historical context for Romanticism and enable the reader to identify major trends and explore artists of the period. This second edition of Historical Dictionary of Romantic Art and Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on major artists of the romantic era as well as entries on related art movements, styles, aesthetic philosophies, and philosophers. This book is an excellent resource for students, researchers, and anyone wanting to know more about Romantic art.
Introduction the syntax of Victorian moralizing: on choosing a proxy for style -- In defense of reading reductively -- The shockingly subtle criticism of the London Quarterly Review, 1855-1861 -- Relative clauses and the narrative present tense in George Eliot -- generalization and declamation : Elizabeth Barrett Browning's present-tense poetics -- A moral technology: speech tags in Charles Dickens's dialogue -- Conclusion : a grammar of perception
Romance—the Western way! Harlequin Western Romance brings you a collection of four new heartwarming contemporary romances of everyday women finding love. Available now! This box set includes: THE COWBOY’S TEXAS TWINS Cupid’s Bow, Texas by Tanya Michaels Becoming guardian to his twin godsons has thrown rodeo cowboy Grayson harder than any bronc! But falling for town librarian Hadley Lanier just might heal his bruised heart. HER COWBOY REUNION Made in Montana by Debbi Rawlins No one recognizes the savvy businesswoman Savannah James has become when she returns to Blackfoot Falls. Except her former neighbor, Mike Burnett, who is willing to keep her secret…but can’t resist rekindling an old attraction! RODEO SHERIFF Rodeo, Montana by Mary Sullivan Sheriff Cole Payette has always loved Honey Armstrong, not that she’s noticed. And when he’s charged with raising his sister’s children, Honey’s the only one he can trust with the kids—and his heart. A FAMILY FOR THE RANCHER Cowboys to Grooms by Allison B. Collins Nash Sullivan, a combat vet with a missing leg, survivor’s guilt and a scarred heart, is determined to keep everyone at a distance. His new physical therapist, single mom Kelsey Summers, has other plans! Join HarlequinMyRewards.com to earn FREE books and more. Earn points for all your Harlequin purchases from wherever you shop.
The availability of services provided by psychologists in perinatal care is a relatively recent event. It remains uncommon for a neonatal intensive care unit (NICU) to have a psychologist as a dedicated staff member, although the number of NICU psychologists is increasing. This volume is primarily concerned with perinatal services provided by psychologists. I do, however, want to make note at the beginning of the valuable role of social workers as a complement to the care offered by psychologists. Social workers have been available in NICUs since the mid-1960s. The National Association of Perinatal Social Workers (NAPSW) was founded in 1980 to help standardize training and services. The initial focus of perinatal social workers was service delivery in the NICU, but social work services soon spread to antepartum care and follow-up. NAPSW has published an excellent set of standards for a variety of activities including fertility counseling, bereavement, obstetric settings, adoptions, field education, and surrogacy. Some activities of social workers overlap with those of psychologists, but each discipline has its own set of unique skills. Social workers are often involved in case and crisis management, bedside family support, and discharge planning in the NICU"--
Delightfully smart and heartbreakingly poignant, Allison Pearson’s smash debut novel has exploded onto bestseller lists as “The national anthem for working mothers.” Hedge-fund manager, wife, and mother of two, Kate Reddy manages to juggle nine currencies in five time zones and keep in step with the Teletubbies. But when she finds herself awake at 1:37 a.m. in a panic over the need to produce a homemade pie for her daughter’s school, she has to admit her life has become unrecognizable. With panache, wisdom, and uproarious wit, I Don’t Know How She Does It brilliantly dramatizes the dilemma of every working mom.
The greatest need of the primary school to-day is some positive content or subject matter of instruction. The popular conception of such a school is that its main function is to teach the young child to read, write, and cipher. That is, that it has to do mainly with the formal aspects of language and numbers. So long as a certain amount of facility is gained in these formal arts, there is little disposition to demand anything more. Even so great an authority as the Committee of Fifteen has championed this view, and has given as its deliberate judgment that the first four years of school life should be devoted to the mastery of the formal phases of instruction. While it may be contended that it is not meant to exclude the giving of a positive subject matter, still it is interpreted as sanctioning the present obvious over-emphasis of the formal side of language in our primary schools. A strict conformity to this formal program would mean that the first four years of school life, the most impressionable[6] period in the pupil's school career, are to be empty of any real subject matter. The mastery of written and printed forms is to be set up as an end in itself, losing sight of the fact that they are but means for conveying the thought, feelings, experiences, and aspirations of the race from one generation to another. When we consider what the child at the age of six or seven really is; when we consider his love of story, his hunger for the concrete material of knowledge, his deep interest in the widening of his experience,—it is evident that such a course is out of all harmony with his real nature. It is the giving of stones when the cry is for bread. It is even worse than the proverbial making of bricks without straw. It is attempting to make bricks with straw alone.
The crooner Rudy Vallée's soft, intimate, and sensual vocal delivery simultaneously captivated millions of adoring fans and drew harsh criticism from those threatened by his sensitive masculinity. Although Vallée and other crooners reflected the gender fluidity of late-1920s popular culture, their challenge to the Depression era's more conservative masculine norms led cultural authorities to stigmatize them as gender and sexual deviants. In Real Men Don't Sing Allison McCracken outlines crooning's history from its origins in minstrelsy through its development as the microphone sound most associated with white recording artists, band singers, and radio stars. She charts early crooners’ rise and fall between 1925 and 1934, contrasting Rudy Vallée with Bing Crosby to demonstrate how attempts to contain crooners created and dictated standards of white masculinity for male singers. Unlike Vallée, Crosby survived the crooner backlash by adapting his voice and persona to adhere to white middle-class masculine norms. The effects of these norms are felt to this day, as critics continue to question the masculinity of youthful, romantic white male singers. Crooners, McCracken shows, not only were the first pop stars: their short-lived yet massive popularity fundamentally changed American culture.
Maternal metaphors : articulating gender, race, and nation at the turn of the century -- Reconstructing motherhood : Pauline Hopkins's Contending forces and the rhetoric of racial uplift -- The romance "plot" : reproducing silence, reinscribing race in The awakening and Summer -- Hard labor : Edith Summers Kelley's Weeds and the language of eugenics -- Fatal contractions : Nella Larsen's Quicksand and the new Negro mother -- Epilogue: representing motherhood at century's end.
The world-renowned Joffrey Ballet School makes the art and joy of ballet available to everyone. Let Dena Simone Moss and Allison Kyle Leopold teach you everything you need to know to get in shape, beautifully sculpt your body, and truly appreciate the art of ballet. They'll let you in on all their secrets, including: -A demystifying explanation of ballet terms and positions -Tips on finding the right instructor and studio-and feeling comfortable once you're there -Hints on ballet attire-including finding, choosing, and tying pointe shoes -An exhaustive directory of where to find ballet publications, audio and videotapes, books, dance wear, schools, and studios. Perfect for the beginner and the veteran balletomane, The Joffrey Ballet School's Ballet-Fit offers an inside glimpse into the mysterious and beautiful world of ballet.
Life is a complicated process. It begins with having to completely rely on and trust in another's beliefs, ideas, and decisions. By the time we first wonder for ourselves, we may find that we are already bound by someone else's expectations, desires, and dreams, which in itself may lead us to live lives of compromise and unfulfilled hopes. The lives we live, the roads we travel, and the way our paths unfold are for us to shape and direct ~ in our experiences and in the dreams we choose to pursue. Author Anita Allison offers insight and support through the teachings in riding the wave inside-out to help us realize what we need to understand and do to ensure that the paths we choose and the choices we make will enable us to create the best life possible. The ideas and thoughts she shares in riding the wave inside out serve as reminders of all the simple truths in life. These concepts act as guides to living in the moment with joy, appreciation, and a sound purpose.
Diasporic Modernisms illuminates the formal and historical aspects of displaced Jewish writers--S. Y. Abramovitsh, Yosef Chaim Brenner, Dovid Bergelson, Leah Goldberg, and others--who grappled with statelessness and the uncertain status of Yiddish and Hebrew.
Blacks in the Dutch World examines the interaction between Black history and Dutch history to gain an understanding of the historical development of racial attitudes. Allison Blakely reveals cracks in the self-image and reputation of Dutch society as a haven for those escaping intolerance. Pervasive images of "the Moor" and "the noble savage" in Dutch art and popular culture; "Black Pete," servant to Santa Claus in Dutch Christmas tradition: these and many other cultural artifacts reflect the racial stereotyping of Blacks that existed in the Dutch world through slavery, servitude, and freedom. Blakely weighs the proposition that factors unique to the modern period have contributed to the creation of this racial imagery in Dutch folklore, art, literature, and religion. By viewing evolving images of Blacks against the backdrop of Western expansion, the agricultural, scientific, and industrial revolutions, and the advent of modern secular doctrines, Blakely discovers that humanism and liberalism, hallmarks of Dutch society since medieval times, have been imperfect against race bias. Blacks in the Dutch World confirms that the existence of color prejudice in a predominantly "white" society does not depend on the presence of racial conflict or even a significant "colored" population. The origins are related to the complex interaction of evolving social, cultural, and economic phenomena.
Not quite the Cotton Kingdom or the free labor North, the nineteenth-century border South was a land in between. Here, the era's clashing values—slavery and freedom, city and country, industry and agriculture—met and melded. In factories and plantations along the Ohio River, a unique regional identity emerged: one rooted in kinship, tolerance, and compromise. Border families articulated these hybrid values in both the legislative hall and the home. While many defended patriarchal households as an essential part of slaveholding culture, communities on the border pressed for increased mutuality between husbands and wives. Drawing on court records, personal correspondence, and prescriptive literature, Marriage on the Border: Love, Mutuality, and Divorce in the Upper South during the Civil War follows border southerners into their homes through blissful betrothal and turbulent divorce. Allison Dorothy Fredette examines how changing divorce laws in the border regions of Kentucky and West Virginia reveal surprisingly progressive marriages throughout the antebellum and postwar Upper South. Although many states feared that loosening marriage's gender hierarchy threatened slavery's racial hierarchy, border couples redefined traditionally permanent marriages as consensual contracts—complete with rules and escape clauses. Men and women on the border built marriages on mutual affection, and when that affection faded, filed for divorce at unprecedented rates. Highlighting the tenuous relationship between racial and gendered rhetoric throughout the nineteenth century, Marriage on the Border offers a fresh perspective on the institution of marriage and its impact on the social fabric of the United States.
In the tradition of The Orchid Thief, a compelling narrative set within the strange and genteel world of rare-book collecting: the true story of an infamous book thief, his victims, and the man determined to catch him. Rare-book theft is even more widespread than fine-art theft. Most thieves, of course, steal for profit. John Charles Gilkey steals purely for the love of books. In an attempt to understand him better, journalist Allison Hoover Bartlett plunged herself into the world of book lust and discovered just how dangerous it can be. John Gilkey is an obsessed, unrepentant book thief who has stolen hundreds of thousands of dollars worth of rare books from book fairs, stores, and libraries around the country. Ken Sanders is the self-appointed "bibliodick" (book dealer with a penchant for detective work) driven to catch him. Bartlett befriended both outlandish characters and found herself caught in the middle of efforts to recover hidden treasure. With a mixture of suspense, insight, and humor, she has woven this entertaining cat-and-mouse chase into a narrative that not only reveals exactly how Gilkey pulled off his dirtiest crimes, where he stashed the loot, and how Sanders ultimately caught him but also explores the romance of books, the lure to collect them, and the temptation to steal them. Immersing the reader in a rich, wide world of literary obsession, Bartlett looks at the history of book passion, collection, and theft through the ages, to examine the craving that makes some people willing to stop at nothing to possess the books they love.
Schooling Readers takes up a largely unexplored genre of fiction, the common school narrative, popular between 1830 and 1890. These stories both propagate and challenge the myth of the idyllic one-room school, and reveal Americans' perceptions of and anxieties about public education, many of which still resonate today.
Concise and informative, yet entertaining and engagingly written, Remember the Alamo? contains everything you will ever need to know about the United States.
A case study examining the history of a house of English Augustinian canons, this book reveals the ways in which Plympton Priory formed connections with the laity, the episcopacy, the secular clergy, and the Crown in the late Middle Ages.
For as long as American women have battled for equitable political representation, those battles have been defined by images--whether drawn, etched, photographed, or filmed. Some of these have been flattering, many of them have been condescending, and some have been scabrous. They have drawn upon prevailing cultural tropes about the perceived nature of women's roles and abilities, and they have circulated both with and without conscious political objectives. Allison K. Lange takes a systematic look at American women's efforts to control the production and dissemination of images of them in the long battle for representation, from the mid-nineteenth-century onward"--
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