This superbly illustrated social history of the small village of Clipston, Northamptonshire, is a delight. It thoroughly details the development of the village from Roman times to the present day.
Explores the influence of America's indigenous peoples on energy policy and development, documenting how certain federally supported and often environmentally damaging energy projects were seen as threats by native American and sparked a pan-tribal resistance movement leading to increased autonomy.
DEAD MAN RUNNING Sentenced to death for crimes he didn’t commit, ex-cop Tom O’Brien is now a hunted fugitive. After fifteen years in prison, he’s determined to prove his innocence–but first he must convince his daughter, whose testimony helped put him behind bars, that he has damning evidence of a plot to frame him. Claire is no longer the naïve teenager who arrived home to find her mother and her mother’s lover shot dead and her father holding the murder weapon. She’s a successful fraud investigator who assumes everyone lies. Though Claire is convinced of her father’s guilt, curiosity propels her to look into the disappearance of a law student who claimed to have proof of Tom’s innocence. But seeking answers only leads to more questions, reinforcing Claire’s belief that there’s no one left to trust. Obsessed with the O’Brien case, FBI agent Mitch Bianchi befriends Claire under false pretenses, certain that Tom is not only innocent but in grave danger–and not just from the cops. As the three race toward the truth, a murderous conspiracy tightens its noose–and Claire becomes the target of an ice-cold psychopath who will kill to protect his secrets.
Anyone who is serious about learning Irish traditional music will eventually come across O'Neill's Music of Ireland, a collection of well over 1000 tunes. This book contains a selection of one hundred tunes from this collection, arranged into sets for fiddle which can be used at sessions, and for dancing. The book includes hints, tips and comments for playing the tunes and some of the tunes also have alternative melodies and harmonies for added variety and interest. At the back of the book, there are guitar chords with standard and open D tuning, and a fingering chart for fiddle that you might find useful.
DEAD MAN RUNNING Sentenced to death for crimes he didn’t commit, ex-cop Tom O’Brien is now a hunted fugitive. After fifteen years in prison, he’s determined to prove his innocence–but first he must convince his daughter, whose testimony helped put him behind bars, that he has damning evidence of a plot to frame him. Claire is no longer the naïve teenager who arrived home to find her mother and her mother’s lover shot dead and her father holding the murder weapon. She’s a successful fraud investigator who assumes everyone lies. Though Claire is convinced of her father’s guilt, curiosity propels her to look into the disappearance of a law student who claimed to have proof of Tom’s innocence. But seeking answers only leads to more questions, reinforcing Claire’s belief that there’s no one left to trust. Obsessed with the O’Brien case, FBI agent Mitch Bianchi befriends Claire under false pretenses, certain that Tom is not only innocent but in grave danger–and not just from the cops. As the three race toward the truth, a murderous conspiracy tightens its noose–and Claire becomes the target of an ice-cold psychopath who will kill to protect his secrets.
This book relates events in the personal and professional life of Edwin Stanton, who served as President Lincoln's Secretary of War, during the Civil War.
In 1899, Carrie Chapman Catt, who succeeded Susan B. Anthony as head of the National American Women Suffrage Association, argued that it was the "duty" of U.S. women to help lift the inhabitants of its new island possessions up from "barbarism" to "civilization," a project that would presumably demonstrate the capacity of U.S. women for full citizenship and political rights. Catt, like many suffragists in her day, was well-versed in the language of empire, and infused the cause of suffrage with imperialist zeal in public debate. Unlike their predecessors, who were working for votes for women within the context of slavery and abolition, the next generation of suffragists argued their case against the backdrop of the U.S. expansionism into Indian and Mormon territory at home as well as overseas in the Philippines, Puerto Rico, and Hawaii. In this book, Allison L. Sneider carefully examines these simultaneous political movements--woman suffrage and American imperialism--as inextricably intertwined phenomena, instructively complicating the histories of both.
After his remarkable eight-second ride at the 1996 Indian National Finals Rodeo, an elated American Indian world champion bullrider from Pine Ridge, South Dakota, threw his cowboy hat in the air. Everyone in the almost exclusively Indian audience erupted in applause. Over the course of the twentieth century, rodeos have joined tribal fairs and powwows as events where American Indians gather to celebrate community and equestrian competition. In Riding Buffaloes and Broncos, Allison Fuss Mellis reveals how northern Plains Indians have used rodeo to strengthen tribal and intertribal ties and Native solidarity. In the late nineteenth century, Indian agents outlawed most traditional Native gatherings but allowed rodeo, which they viewed as a means to assimilate Indians into white culture. Mistakenly, they treated rodeo as nothing more than a demonstration of ranching skills. Yet through selective adaptation, northern Plains horsemen and audiences used rodeo to sidestep federally sanctioned acculturation. Rodeo now enabled Indians to reinforce their commitment to the very Native values--a reverence for horses, family, community, generosity, and competition--that federal agencies sought to destroy. Mellis has mined archival sources and interviewed American Indian rodeo participants and spectators throughout the northern Great Plains, Southwest, and Canada, including Crow, Northern Cheyenne, and Lakota reservations. The book features numerous photographs of Indian rodeos from the nineteenth and twentieth centuries and maps illustrating the all-Indian rodeo circuit in the United States and Canada.
Spurred by innovations in printing technology, the modern poster emerged in the 1890s as a popular form of visual culture in the United States. Created by some of the best-known illustrators and graphic designers of the period—including Will H. Bradley, Florence Lundborg, Edward Penfield, and Ethel Reed—these advertisements for books and high-tone periodicals such as Harper’s and Lippincott’s went beyond the realm of commercial art, incorporating bold, stylized imagery and striking typography. This book, based on the renowned Leonard A. Lauder Collection, explores the craze for literary posters, which became sought after collectibles even in their day. It offers new scholarly perspectives that address the aesthetic sophistication and modernity of the literary poster; the impact of early experiments in the field of advertising psychology; the expanded opportunities for women artists, who played an important role in advancing the so-called poster style; and the printmaking techniques that artists employed in this novel art form. A lively survey of a little-known but highly influential period in graphic design, The Art of the Literary Poster is sure to delight enthusiasts of illustration, advertising, and book arts.
Fans of Heather McCollum and Keira Montclair will love this tale of warring clans, a braw Highlander, and a secret none of them saw coming. It’s been five years since Shane MacPherson stepped foot on his clan’s lands. Still haunted from years at war and the painful ache of loss, duty has called once again...and with it, his obligation to claim his place as the new laird of Clan MacPherson. But when Shane encounters a lass—a Valkyrie in both temperament and foul tongue!—in trouble, he puts title and duty aside to defend her... Lindsay Wallace would rather die than call the MacPherson lands her home—let alone their horrid clan. She just has to survive a month with her vile uncle before being married off as a peace offering between the Wallaces and MacPhersons. The only person she can trust is a simple soldier who is strong of body and heart. She has no interest in marrying her betrothed...so why not give in to the temptation of a soldier’s kiss? But promises made can’t be broken or forgotten. And as shadows and war rise once again in the Highlands, Shane and Lindsay must find the courage to face their deepest secrets and their duty...before both love and clan are ripped apart.
The way that nation states design their tax systems impacts the sharing of resources and wealth within and across societies. To date, wealthy countries have made tax policy design and coordination choices which allow them to claim more than they are justifiably entitled to from the global economy. In Tax Cooperation in an Unjust World, Allison Christians and Laurens van Apeldoorn show how this presently accepted reality both facilitates and feeds off continued human suffering, and therefore violates conceptions of international distributive justice. They examine two principles that govern tax cooperation across states, and explain how the current international tax order impedes their realization. They then show how states could work toward fulfilling the principles and building a fairer international tax system via incremental yet effective adaptation of key international tax norms and rules.
When it comes to the dark, tragic face of humanity, Allison Alexander is absolutely fearless. 'The Daughter Of William Rowe' is a knife-sharp account of abuse, survival and the spider web traps of colliding desires." -Michael J. Vaughn, author & contributor to Writers Digest "No one intermingles rare moments of beauty with stark despair better than Ms. Alexander. Her stories focus on man's inhumanity and injustice. In my opinion, any book she writes is meaning ful and well worth reading" -Laurel Johnson, Midwest Book Review "'The Daughter Of William Rowe' is the latest in what is sure to be a long line of topnotch human studies in book form written by this consummate storyteller." -Linda J. Alexander, author & public speaker
“A masterful integration of digital humanistic approaches and more traditional close-reading methods . . . compelling, persuasive.” —Victorian Studies for the 21st Century What is to be gained by reading George Eliot’s Middlemarch from an Excel spreadsheet, or the novels of Charles Dickens through a few hundred dialogue tags—those he said/she saids that bring his characters to life? Sarah Danielle Allison’s Reductive Reading argues that the greatest gift the computational analysis of texts has given to traditional criticism is not computational at all. Rather, one of the most powerful ways to generate subtle reading is to be reductive; that is, to approach literary works with specific questions and a clear roadmap of how to look for the answers. Allison examines how patterns that form little part of our conscious experience of reading nevertheless structure our experience of books. Exploring Victorian moralizing at the level of the grammatical clause, she also reveals how linguistic patterns comment on the story in the process of narrating it. Delving into The London Quarterly Review, as well as the work of Eliot, Dickens, Elizabeth Barrett Browning, Anthony Trollope, William Makepeace Thackeray, and other canonical Victorian writers, the book models how to study nebulous and complex stylistic effects. A manifesto for and a model of how digital analysis can provide daringly simple approaches to complex literary problems, Reductive Reading introduces a counterintuitive computational perspective to debates about the value of fiction and the ethical representation of people in literature. “A book that promises to transform the way we read novels.” —Elsie B. Michie, author of The Vulgar Question of Money
The author has analyzed, sorted, and organized material from almost 500 accounts of travels in Great Britain into a veritable cavalcade of social history. This is a book filled with life and vitality, written with a light touch and always with an eye to social comedy. It presents a true and realistic picture of these people and their periods.
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