Elm Howells has a loving family and a distinguished career at an elite Manhattan art auction house. But after a tragic loss throws her into an emotional crisis, she pursues a reckless course of action that jeopardizes her personal and professional success. Meanwhile, talented artist Gabriel Connois wearies of remaining at the margins of the capricious Parisian art scene. Desperate for recognition, he embarks on a scheme that threatens his burgeoning reputation. As these narratives converge, with disastrous consequences, A Nearly Perfect Copy boldly challenges our presumptions about originality and authenticity, loss and replacement, and the perilous pursuit of perfection.
Born to immigrant parents in Minnesota just before the turn of the century, Frances Frankowski grew up coveting the life of her best friend, Rosalie Mendel. And yet, decades later, when the women reconnect in San Francisco, their lives have diverged. Rosalie is a housewife and mother, while Frances works for the Office of Naval Intelligence and has just been given a top-secret assignment: marry handsome spy Ainslie Conway and move to the Galápagos Islands to investigate the Germans living there in the build-up to World War II. Amid active volcanoes, forbidding wildlife and flora, and unfriendly neighbors, Ainslie and Frances carve out a life for themselves. But the secrets they harbor—from their friends, from their enemies, and even from each other—may be their undoing.
Oklahoma is a forgotten territory of "Indians, outlaws, and immigrants" when its first Jewish settler, Boggy Haurowitz, arrives in 1859. Full of expectations, he finds the untamed region a formidable foe, its landscape rugged, its resources strained. In Stations West, four generations of Haurowitzes, intertwined with a family of Swedish immigrants, struggle against the Territory's "insatiable appetite." The challenges of creating a home amid betrayals, nature's vagaries, and burgeoning statehood prove too great. Each generation in turn succumbs to the overwhelming lure of the transcontinental railroad, and each returns home to find the landscape of their youth, like themselves, changed beyond recognition, their family utterly transformed. Dramatic and lyrical, Allison Amend's first novel, steeped in the history and lore of the Oklahoma Territory, tells an unforgettable multigenerational -- and very American -- story of Jewish pioneers, their adopted family, and the challenges they face. Amid the founding of the West, Stations West's generations struggle to forge and maintain their identities as Jews, as immigrants, and as Americans.
Follows four generations of Haurowitzes, from 1859 when the first Jewish settler, Boggy, arrives in Oklahoma's forgotten territory. Intertwined with a family of Swedish immigrants, they struggle against betrayals, nature, and burgeoning statehood, to find their families utterly transformed.
Offers a review of key terms, types of literature, and reading comprehension concepts; provides techniques to improve score results; and includes four full-length practice tests with answers and explanations.
Offers a review of key terms, types of literature, and reading comprehension concepts; provides techniques to improve score results; and includes four full-length practice tests with answers and explanations.
Offers a review of key terms, types of literature, and reading comprehension concepts; techniques to improve score results; and three full-length practice tests.
Effigy examines the images of a capital defendant portrayed during the guilt and penalty phases of a capital trial, the trial tactics used by attorneys to impart these images, and the consequences that result from the jury's attempt to reconcile contradictory images to place one in permanent record as a verdict. These images are starkly contrasted against the backdrop of a brutal murder in which the stereotypes of American fear are realized: Donta Page, the defendant, is an African American male from a low-income segment of society while Peyton Tuthill, the victim, was a Caucasian female from a middle-income suburb. The prosecuting attorneys depict the defendant as a "savage beast," juxtaposing their image against that of a "troubled youth" as Page is portrayed by the defense attorneys. Slowly and methodically developed as figures with diametrically opposed features, none of which overlap or congeal, both of the images are portrayed as real (buttressed by the testimony of witnesses) rather than constructed. The jury is expected to render a verdict that accepts one and rejects the other: there is no middle ground. Book jacket.
This book was first published in 2005. Copyright 'exceptions' or 'users' rights' have become a highly controversial aspect of copyright law. Most recently, Member States of the European Union have been forced to amend their systems of exceptions so as to comply with the Information Society Directive. Taking the newly amended UK legislation as a case study, this book examines why copyright exceptions are necessary and the forces that have shaped the present legislative regime in the UK. It seeks to further our understanding of the exceptions by combining detailed doctrinal analysis with insights gained from a range of other sources. The principal argument of the book is that the UK's current system of 'permitted acts' is much too restrictive and hence is in urgent need of reform, but that paradoxically the Information Society Directive points the way towards a much more satisfactory approach.
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